Arranged by Lawrance. For Treble Clef Brass unaccompanied (Trumpet/Trombone/Euph...(+)
Arranged by Lawrance. For
Treble Clef Brass
unaccompanied
(Trumpet/Trombone/Euphoni
um/Tuba/Eb Bass/Horn
F/Horn Eb). Solo Brass.
Very easy-easy.
Collection. Published by
Brass Wind Publications
SATB choir, piano SKU: LO.10-5778L Composed by Brad Nix. Choral. Sacred A...(+)
SATB choir, piano
SKU:
LO.10-5778L
Composed
by Brad Nix. Choral.
Sacred Anthem. Lorenz
Publishing Company
#10/5778L. Published by
Lorenz Publishing Company
(LO.10-5778L).
ISBN
9780787779016.
This
anthem from Brad Nix
reverberates with joy
from the very first note
to the last! Opening with
a short fanfare, one
verse of â??Praise Him!
Praise Him!â? is
presented before the
classic hymn, â??Oh, How
I Love Jesusâ? makes a
brief appearance. Then,
the final verse of
â??Praise Him! Praise
Him!â? is sung as the
music races toward a
triumphant conclusion,
complete with a glorious
optional descant for
sopranos. Your
congregation will be
moved to joyful worship
as your choir presents
this fresh arrangement of
a time-tested hymn!
By Denes Agay. Book. Published by Music Sales. (YK21053) Designed for use as a...(+)
By Denes Agay. Book.
Published by Music Sales.
(YK21053)
Designed for use as a
method book, this book
allows the teacher to
vary the approach
according to the needs of
the student. The book can
also be used as a source
of carefully graded
pieces, for use with any
first-year method.
Harbor Music Quatuor à cordes: 2 violons, alto, violoncelle Theodore Presser Co.
String Quartet SKU: PR.16400222S Composed by Dan Welcher. Full score (stu...(+)
String Quartet
SKU:
PR.16400222S
Composed
by Dan Welcher. Full
score (study). With
Standard notation.
Duration 11 minutes.
Theodore Presser Company
#164-00222S. Published by
Theodore Presser Company
(PR.16400222S).
UPC:
680160037841.
This
work follows my Quartet
No. 1 by five years. In
terms of style and
aesthetic aim, however,
it seems light years
away. Where the first
work, a 28-minute,
four-movement piece, took
aim at cosmic conflicts
and heroic resolutions,
the present work is
intended as a kind of
divertissment. Harbor
Music lasts a mere eleven
minutes, is cast in a
single movement with six
sections, and should
leave both performers and
listeners with a feeling
of good humor and
affection. The
title comes from my
experience as a guest in
the magnificent city of
Sydney, Australia. One of
its most attractive
features is its unique
system of ferry boats:
the city is laid out
around a large,
multi-channeled harbor,
with destinations more
easily approached by
water than by land.
Consequently, inhabitants
of Sydney get around on
small, people-friendly
boats that come and go
from the central docks at
Circular Quay. During a
week's visit in 1991, I
must have boarded these
boats at least a dozen
times, always bound for a
new location - the resort
town of Manley, or the
Zoo at Taronga Park, or
the shopping district at
Darling Harbour.
In casting about for a
form for my second string
quartet, a kind of loose
rondo came to mind. Each
new destination would be
approached from the same
starting-out point
(although there are
subtle variations in the
repeating theme; it's
always in a new key, and
the texture is never the
same). The result, I
hope, is a sense of
constant new information
presented with
introductory frames of a
more familiar nature.
The embarkation
theme, which begins the
piece, is a sort of
bi-tonal fanfare in which
the violins are in G
major and the viola and
cello are in B-flat
major. It is bold, eager,
and forward-looking. The
first voyage maintains
this bi-tonality,
beginning as a 9/8 due
for second violin and
viola in a kind of
rocking motion -much as a
boat produces when
reaching the deeper water
in the harbor. A sweet,
nostalgic theme emerges
over this rocking
accompaniment. This music
is developed somewhat,
then transforms quickly
into a much faster and
lighter episode, filled
with rising and falling
scales (again, in
differing keys). A
scherzando interlude in
short notes and changing
meters provides contrast,
and the episode ends with
a reprise of the scales.
The second
embarkation follows, this
time in A major/C major.
It leads quickly into a
very warm and slow theme,
in wide-leaping intervals
for the viola. This
section is interrupted
twice by solo cadenzas
for the cello, suggesting
distant boat-horns in
major thirds. The end of
the episode becomes a
transition, with
boat-horns leading into
the final appearance of
the embarkation music,
this time in trills and
tremolos instead of
sharply accented chords.
The nostalgic theme of
the first episode makes a
final appearance, serving
now as a coda. The
rocking motion continues,
in a lullaby fashion,
leaving us drowsy and
satisfied on our homeward
journey. Harbor
Music was written for the
Cavani Quartet, and is
dedicated to Richard J.
Bogomolny. Commissioned
by his employees at First
National Supermarkets as
a gift, it represents a
thank you from many of
the people (including
this composer) who have
benefitted from his
vision and generosity. An
ardent advocate of
chamber music (and a
cellist himself), Mr.
Bogomolny has for many
years been Chairman of
the Board of Chamber
Music America. -- Dan
Welcher.
Viola Fun Alto seul [Partition + CD] De Haske Publications
16 Easy viola pieces for the first year. Composed by Dinie Goedhart. Arra...(+)
16 Easy viola pieces
for the first year.
Composed by Dinie
Goedhart. Arranged by
Nico Dezaire. De Haske
Play-Along Book. Play
Along. Book with CD.
Composed 2003. 24 pages.
De Haske Publications
#DHP 1033383-400.
Published by De Haske
Publications
(HL.44001546).
Rock Connections Trompette [Partition + CD] De Haske Publications
Trumpet Play-Along Book/CD Pack. Composed by Jacob De Haan. Arranged by J...(+)
Trumpet Play-Along
Book/CD Pack.
Composed by Jacob De
Haan. Arranged by Jacob
De Haan. De Haske
Play-Along Book. Play
Along. Book with CD.
Composed 2004. 28 pages.
De Haske Publications
#DHP 1043696-400.
Published by De Haske
Publications
(HL.44004915).
Composed
by Ash Pournouri, Avicii,
Salem Al Fakir, Veronica
Maggio, and Vincent
Pontare. Edited by Hans
Vainikainen. Arranged by
Hans Vainikainen.
Stapled. Choral score. 11
pages. Baerenreiter
Verlag #BA11395_00.
Published by Baerenreiter
Verlag (BA.BA11395).
ISBN 9790006568574.
29.7 x 21 cm inches. Text
Language: English. Text:
Al Fakir, Salem / Maggio,
Veronica / Pontare,
Vincent / Bergling, Tim /
Pournouri,
Ash.
“Hey
brother! There's an
endless road to
rediscover Hey sister!
Know the water's sweet
but blood is thicker
…â€
â
œIf the sky comes
falling down, for you /
There’s nothing in
this world I
wouldn’t
doâ€. The subject of
this energetic,
life-affirming hit is
being there for one
another. Whether sung by
female or mixed choirs,
the fanfare-like theme is
equally powerful and will
keep the audience tapping
their
feet.
The
editor:
Hans
Vainikainen (b. 1976)
hails from a new
generation of conductors
in the Swedish choral
tradition. His conducting
repertoire covers a wide
range of genres and eras,
from Mahler’s
Eighth Symphony to the
Swedish DJ Avicii. In
2005 he won the Swedish
Conductors’ Prize,
and two years later he
was appointed artistic
director of the Katarina
kyrka, the home of
Katarinakörerna, one
of Sweden’s
largest choral
societies.
Hans
Vainikainen heads
Stockholm’s
Katarinakörerna with
more than 500 singers in
various combinations.
Their programmes cover
both sacred and secular
music. In his search for
suitable arrangements,
his eye fell on one the
world’s best-known
pop artists, Tim
Bergling, known
professionally as Avicii.
He then arranged three of
Avicii’s best
songs for classical
choirs, intending them to
be encore
pieces.
“Hey
Brotherâ€,
“Levels†and
“Without youâ€
are now available for
six-part mixed or female
choir. The arrangements
offer a wide variety of
vocal and choral
possibilities and
attention has been paid
that all parts are of the
same musical standard.
Whether homophonic or
unisono, they artfully
intertwine from one
passage to the next.
However, for all their
sophistication the
arrangements remain
manageable and easy to
learn, displaying the
typical groove of each
Avicii song within a
multi-layered
texture.
Composed
by Ash Pournouri, Avicii,
Salem Al Fakir, Veronica
Maggio, and Vincent
Pontare. Edited by Hans
Vainikainen. Arranged by
Hans Vainikainen.
Stapled. Choral score. 10
pages. Baerenreiter
Verlag #BA11394_00.
Published by Baerenreiter
Verlag (BA.BA11394).
ISBN 9790006568567. 30
x 21.5 cm inches. Text
Language: English. Text:
Al Fakir, Salem / Maggio,
Veronica / Pontare,
Vincent / Bergling, Tim /
Pournouri,
Ash.
“Hey
brother! There's an
endless road to
rediscover Hey sister!
Know the water's sweet
but blood is thicker
…â€
â
œIf the sky comes
falling down, for you /
There’s nothing in
this world I
wouldn’t
doâ€. The subject of
this energetic,
life-affirming hit is
being there for one
another. Whether sung by
female or mixed choirs,
the fanfare-like theme is
equally powerful and will
keep the audience tapping
their
feet.
The
editor:
Hans
Vainikainen (b. 1976)
hails from a new
generation of conductors
in the Swedish choral
tradition. His conducting
repertoire covers a wide
range of genres and eras,
from Mahler’s
Eighth Symphony to the
Swedish DJ Avicii. In
2005 he won the Swedish
Conductors’ Prize,
and two years later he
was appointed artistic
director of the Katarina
kyrka, the home of
Katarinakörerna, one
of Sweden’s
largest choral
societies.
Hans
Vainikainen heads
Stockholm’s
Katarinakörerna with
more than 500 singers in
various combinations.
Their programmes cover
both sacred and secular
music. In his search for
suitable arrangements,
his eye fell on one the
world’s best-known
pop artists, Tim
Bergling, known
professionally as Avicii.
He then arranged three of
Avicii’s best
songs for classical
choirs, intending them to
be encore
pieces.
“Hey
Brotherâ€,
“Levels†and
“Without youâ€
are now available for
six-part mixed or female
choir. The arrangements
offer a wide variety of
vocal and choral
possibilities and
attention has been paid
that all parts are of the
same musical standard.
Whether homophonic or
unisono, they artfully
intertwine from one
passage to the next.
However, for all their
sophistication the
arrangements remain
manageable and easy to
learn, displaying the
typical groove of each
Avicii song within a
multi-layered
texture.
High Spirits Orchestre d'harmonie - Facile De Haske Publications
Concert Band/Harmonie/Fanfare Band - Grade 2 SKU: BT.DHP-0870073-015 Comp...(+)
Concert
Band/Harmonie/Fanfare
Band - Grade 2
SKU:
BT.DHP-0870073-015
Composed by Harm Evers.
On Parade! Set (Score &
Parts). Composed 1987. De
Haske Publications #DHP
0870073-015. Published by
De Haske Publications
(BT.DHP-0870073-015).
Harm Evers
showed his true character
with this likeable march.
With its interesting
rhythms and unusual
approach, this is sure to
be memorable to musicians
and audience alike.
Deze opgewekte
mars is een van de meest
gespeelde composities van
Harm Evers. Zangerige
melodieën gecombineerd
met pittige, syncopische
ritmes zijn de
hoofdingrediënten van
deze mars met een
optimistische boodschap.
Sein Temperament
bewies Harm Evers mit
dieser sympathischen
Marschkomposition, die
mit ihren interessanten
Rhythmen ein wenig aus
der Art schlägt und
sich so Musikern und
Publikum einprägen
wird.
Harm Evers
trasmette la sua grande
personalit in questa
piacevole marcia
caratterizzata da ritmi
interessanti e che esce
dagli schemi
convenzionali. High
Spirits coinvolger i
musicisti en il
pubblico.
High Spirits Orchestre d'harmonie - Facile De Haske Publications
Concert Band/Harmonie/Fanfare Band/Brass Band - Grade 2 SKU: BT.DHP-0870073-2...(+)
Concert
Band/Harmonie/Fanfare
Band/Brass Band - Grade 2
SKU:
BT.DHP-0870073-216
Composed by Harm Evers.
On Parade! March. Score
Only. Composed 1987. De
Haske Publications #DHP
0870073-216. Published by
De Haske Publications
(BT.DHP-0870073-216).
Harm Evers
showed his true character
with this likeable march.
With its interesting
rhythms and unusual
approach, this is sure to
be memorable to musicians
and audience alike.
Deze opgewekte
mars is een van de meest
gespeelde composities van
Harm Evers. Zangerige
melodieën gecombineerd
met pittige, syncopische
ritmes zijn de
hoofdingrediënten van
deze mars met een
optimistische boodschap.
Sein Temperament
bewies Harm Evers mit
dieser sympathischen
Marschkomposition, die
mit ihren interessanten
Rhythmen ein wenig aus
der Art schlägt und
sich so Musikern und
Publikum einprägen
wird.
Harm Evers
trasmette la sua grande
personalit in questa
piacevole marcia
caratterizzata da ritmi
interessanti e che esce
dagli schemi
convenzionali. High
Spirits coinvolger i
musicisti en il
pubblico.