Cantata
for the New Year's
Day. Composed by
Johann Sebastian Bach.
Edited by Michael Marker.
This edition: urtext.
Hymns by Martin Luther:
Herr Gott, dich loben
wir; Stuttgart Urtext
Edition: Bach vocal.
German title: Herr Gott,
dich loben wir. Sacred
vocal music, Cantatas,
New year. Single Part,
Violin 1. Composed 1725.
BWV 16. 4 pages. Duration
18 minutes. Carus Verlag
#CV 31.016/11. Published
by Carus Verlag
(CA.3101611).
ISBN
9790007204778. Language:
German/English. Text:
Luther,
Martin.
This
cantata was first
performed in Leipzig on
New Year's Day 1726. It
belongs to a small group
of compositions which
were composed between
Advent 1725 and
mid-January 1726 and
whose text were written
by the same author. There
is no reference to the
New Year in connection
with the circumcision and
naming of Jesus in this
afternoon worship
service. Rather the
thoughts in this work are
concerned with the praise
of God and thanks for his
good deeds. Score and
part available separately
- see item
CA.3101600.
Composed by Jean Sibelius (1865-1957). Arranged by Lloyd Larson. Hymntune, Hym...(+)
Composed by Jean Sibelius
(1865-1957). Arranged by
Lloyd Larson. Hymntune,
Hymn
Arrangements, Funeral and
Memorial, General
Worship,
Assurance, Encouragement,
Eternal Life,
Faithfulness,
Grief. Octavo. 12 pages.
Duration 12 minutes. Hope
Publishing Company
#C6209.
Published by Hope
Publishing
Company
Flute; Piano Accompaniment (Flute/Piano) SKU: HL.48025330 Flute and Pi...(+)
Flute; Piano
Accompaniment
(Flute/Piano)
SKU:
HL.48025330
Flute
and Piano. Composed
by Elena Kats-Chernin.
Boosey & Hawkes Chamber
Music. Classical.
Softcover. Duration 270
seconds. Bote & Bock
#M202536520. Published by
Bote & Bock
(HL.48025330).
UPC:
196288175506.
Note
by the composer:
“This piece was
written in 2006 (for
violoncello and piano)
for an exhibition
dedicated to artists
suffering from
schizophrenia. The basis
of the piece is a
sequence of four chords,
very simple and
minimalistic. A person
with schizophrenia hears
voices that can be very
disturbing; there is a
longing for silence. I
wrote this piece so that
my son Alex, who suffers
from the illness, could
hear silence and
meditation from it. It's
called Blue Silence
because blue is sometimes
associated with
healing.†Elena
Kats-Chernin.
Cantata
for the New Year's
Day. Composed by
Johann Sebastian Bach.
Edited by Michael Marker.
This edition: urtext.
Hymns by Martin Luther:
Herr Gott, dich loben
wir; Stuttgart Urtext
Edition: Bach vocal.
German title: Herr Gott,
dich loben wir. Sacred
vocal music, Cantatas,
New year. Single Part,
Viola. Composed 1725. BWV
16. 4 pages. Duration 18
minutes. Carus Verlag #CV
31.016/13. Published by
Carus Verlag
(CA.3101613).
ISBN
9790007204792. Language:
German/English. Text:
Luther,
Martin.
This
cantata was first
performed in Leipzig on
New Year's Day 1726. It
belongs to a small group
of compositions which
were composed between
Advent 1725 and
mid-January 1726 and
whose text were written
by the same author. There
is no reference to the
New Year in connection
with the circumcision and
naming of Jesus in this
afternoon worship
service. Rather the
thoughts in this work are
concerned with the praise
of God and thanks for his
good deeds. Score and
part available separately
- see item
CA.3101600.
Voix Mezzo-Soprano, Piano [Partition + Accès audio] - Facile Schirmer
Vocal Collection. Vocal Standards and Play Along. Softcover Audio Online. With v...(+)
Vocal Collection. Vocal
Standards and Play Along.
Softcover Audio Online.
With vocal melody,
lyrics, piano
accompaniment and
introductory text. 72
pages. Published by G.
Schirmer
Concert Band/Harmonie - Grade 4 SKU: BT.DHP-1063946-140 Composed by Itaru...(+)
Concert Band/Harmonie -
Grade 4
SKU:
BT.DHP-1063946-140
Composed by Itaru Sakai.
Inspiration Series. Score
Only. Composed 2006. 60
pages. De Haske
Publications #DHP
1063946-140. Published by
De Haske Publications
(BT.DHP-1063946-140).
9x12 inches.
English-German-French-Dut
ch.
The Hida High
School is in a highland
city called Takayama in
Gifu Prefecture. Takayama
City has some of the
highest mountains in
Japan, atmospheric rows
of houses and streets,
and a beautiful
landscape. The
magnificent views from
these mountains can be
described as a paradise
above the clouds. When
the composer visited
there in the summer of
2001, the lovely flowers
spreading through the
valley and the refreshing
air welcomed him. The
flowers looked as if they
were fashionably dressed
and fully enjoying
conversation and a short
summer at a reunion
party. The composer was
inspired by this scenery
to compose this piece.
The musical party opens
with happy greetings of a
reunion andjoyful themes
follow one after another.
A light xylophone solo, a
waltz and an adagio
featuring alternate solos
by alto saxophone,
euphonium and trumpet
lead to a brilliant
finale featuring brass
and percussion played in
irregular time. A
beautiful musical picture
that your band will enjoy
performing for many
years.
Takayama
is een hooggelegen stad
in de Gifu-prefectuur
(Japan). Het oostelijke
stadsdeel Tatamidaira
ligt tussen schitterende
bergen die behoren tot de
noordelijke Japanse
Alpen. Toen de componist
in de zomer deze plaats
bezocht,werd hij ge
nspireerd tot het
schrijven van Alpine
Flowers’
Party! Het muzikale
festijn begint met
opgewekte klanken, waarna
meer vrolijke scènes
elkaar opvolgen. Een
xylofoonsolo, een wals en
een adagio met wisselende
solo’svoor
altsaxofoon, euphonium en
trompet leiden naar een
briljante finale met veel
maatwisselingen, waarin
het koper en het slagwerk
de leiding nemen op weg
naar een spetterend
slot.
Als Itaru
Sakai im Sommer 2001 die
reizvolle Region um den
Berg Tatamidaira in Japan
besuchte, wurde er von
einem Meer von Blumen
empfangen. Sie sahen aus,
als würden sie in
festlichem Aufzug eine
unterhaltsame Party
feiern und den kurzen
Sommer genießen. Diese
Szenerie inspirierte den
Komponisten zu Alpine
Flowers’
Party! Die
musikalische Party
beginnt mit einer
herzlichen
Begrüßung, dann
folgt ein fröhlicher
Programmpunkt dem
anderen. Ein spritziges
Xylophonsolo, ein Walzer
und ein Adagio mit
abwechselnden Soli für
Altsaxophon, Euphonium
und Trompete führen zu
einem brillanten Finale,
in dem Blechbläser und
Schlagzeug im Vordergrund
stehen. Feiern Sie
mit!
Soggiornando nel
cuore della splendida
catena montuosa delle
Alpi giapponesi, Itaru
Sakai è sorpreso del
dolce profumo e dai
colori dei fiori. Si
lascia ispirare dalla
bellezza armoniosa che si
rivela ai suoi occhi. Ha
inizio il delizioso
festival dei fiori
alpini. La conversazione
è animata. Un assolo
di xilofono apporta un
tocco di leggerezza, un
valzer fa piroettare lo
sviluppo del tema, ed in
seguito un adagio snoda i
soli e accompagna il
brano verso un finale
brillante.
Garcia, born
in 1767 in Rio de
Janeiro, and priest and
music director at the
cathedral there, is still
hardly known. Among his
spiritual works are four
settings of the Mass for
the Dead. The present
,,Missa dos Defunktos was
commissioned by the
Portuguese King Dom Joao
VI in the memory of Queen
Maria I, who died in
1816. The composition, in
the key of D minor, shows
parallels in several
places to Mozart's
Requiem, which Garcia
performed two years later
(1819) for the first time
in Brasil. Score and
parts available
separately - see item
CA.2300800.
Composed
by Jose Nunes Garcia.
Viola 2. Sacred vocal
music, Requiem. Single
Part, Viola 2. 12 pages.
Duration 35 minutes.
Carus Verlag #CV
23.008/14. Published by
Carus Verlag
(CA.2300814).
ISBN
9790007037789. Language:
Latin.
Garcia, born
in 1767 in Rio de
Janeiro, and priest and
music director at the
cathedral there, is still
hardly known. Among his
spiritual works are four
settings of the Mass for
the Dead. The present
,,Missa dos Defunktos was
commissioned by the
Portuguese King Dom Joao
VI in the memory of Queen
Maria I, who died in
1816. The composition, in
the key of D minor, shows
parallels in several
places to Mozart's
Requiem, which Garcia
performed two years later
(1819) for the first time
in Brasil. Score and part
available separately -
see item CA.2300800.
Alpine Flowers' Party! Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire De Haske Publications
Concert Band/Harmonie - Grade 4 SKU: BT.DHP-1063946-010 Composed by Itaru...(+)
Concert Band/Harmonie -
Grade 4
SKU:
BT.DHP-1063946-010
Composed by Itaru Sakai.
Inspiration Series. Set
(Score & Parts). Composed
2006. De Haske
Publications #DHP
1063946-010. Published by
De Haske Publications
(BT.DHP-1063946-010).
9x12 inches.
English-German-French-Dut
ch.
The Hida High
School is in a highland
city called Takayama in
Gifu Prefecture. Takayama
City has some of the
highest mountains in
Japan, atmospheric rows
of houses and streets,
and a beautiful
landscape. The
magnificent views from
these mountains can be
described as a paradise
above the clouds. When
the composer visited
there in the summer of
2001, the lovely flowers
spreading through the
valley and the refreshing
air welcomed him. The
flowers looked as if they
were fashionably dressed
and fully enjoying
conversation and a short
summer at a reunion
party. The composer was
inspired by this scenery
to compose this piece.
The musical party opens
with happy greetings of a
reunion andjoyful themes
follow one after another.
A light xylophone solo, a
waltz and an adagio
featuring alternate solos
by alto saxophone,
euphonium and trumpet
lead to a brilliant
finale featuring brass
and percussion played in
irregular time. A
beautiful musical picture
that your band will enjoy
performing for many
years.
Takayama
is een hooggelegen stad
in de Gifu-prefectuur
(Japan). Het oostelijke
stadsdeel Tatamidaira
ligt tussen schitterende
bergen die behoren tot de
noordelijke Japanse
Alpen. Toen de componist
in de zomer deze plaats
bezocht,werd hij ge
nspireerd tot het
schrijven van Alpine
Flowers’
Party! Het muzikale
festijn begint met
opgewekte klanken, waarna
meer vrolijke scènes
elkaar opvolgen. Een
xylofoonsolo, een wals en
een adagio met wisselende
solo’svoor
altsaxofoon, euphonium en
trompet leiden naar een
briljante finale met veel
maatwisselingen, waarin
het koper en het slagwerk
de leiding nemen op weg
naar een spetterend
slot.
Als Itaru
Sakai im Sommer 2001 die
reizvolle Region um den
Berg Tatamidaira in Japan
besuchte, wurde er von
einem Meer von Blumen
empfangen. Sie sahen aus,
als würden sie in
festlichem Aufzug eine
unterhaltsame Party
feiern und den kurzen
Sommer genießen. Diese
Szenerie inspirierte den
Komponisten zu Alpine
Flowers’
Party! Die
musikalische Party
beginnt mit einer
herzlichen
Begrüßung, dann
folgt ein fröhlicher
Programmpunkt dem
anderen. Ein spritziges
Xylophonsolo, ein Walzer
und ein Adagio mit
abwechselnden Soli für
Altsaxophon, Euphonium
und Trompete führen zu
einem brillanten Finale,
in dem Blechbläser und
Schlagzeug im Vordergrund
stehen. Feiern Sie
mit!
Soggiornando nel
cuore della splendida
catena montuosa delle
Alpi giapponesi, Itaru
Sakai è sorpreso del
dolce profumo e dai
colori dei fiori. Si
lascia ispirare dalla
bellezza armoniosa che si
rivela ai suoi occhi. Ha
inizio il delizioso
festival dei fiori
alpini. La conversazione
è animata. Un assolo
di xilofono apporta un
tocco di leggerezza, un
valzer fa piroettare lo
sviluppo del tema, ed in
seguito un adagio snoda i
soli e accompagna il
brano verso un finale
brillante.
Cantata
for the New Year's
Day. Composed by
Johann Sebastian Bach.
Edited by Michael Marker.
This edition: urtext.
Hymns by Martin Luther:
Herr Gott, dich loben
wir; Stuttgart Urtext
Edition: Bach vocal.
German title: Herr Gott,
dich loben wir. Sacred
vocal music, Cantatas,
New year. Single Part,
Violin 2. Composed 1725.
BWV 16. 4 pages. Duration
18 minutes. Carus Verlag
#CV 31.016/12. Published
by Carus Verlag
(CA.3101612).
ISBN
9790007204785. Language:
German/English. Text:
Luther,
Martin.
This
cantata was first
performed in Leipzig on
New Year's Day 1726. It
belongs to a small group
of compositions which
were composed between
Advent 1725 and
mid-January 1726 and
whose text were written
by the same author. There
is no reference to the
New Year in connection
with the circumcision and
naming of Jesus in this
afternoon worship
service. Rather the
thoughts in this work are
concerned with the praise
of God and thanks for his
good deeds. Score and
part available separately
- see item
CA.3101600.
Cantata for Easter -
Urtext. Composed by
Johann Kuhnau. Edited by
David Erler. Choir;
stapled.
Orchester-Bibliothek
(Orchestral Library).
Cantata; Baroque. Sheet
Music. Duration 9'.
Breitkopf and Haertel #OB
32034-20. Published by
Breitkopf and Haertel
(BR.OB-32034-20).
ISBN
9790004350928. 10 x 12.5
inches.
The cantata
Christ lag in
Todes-Banden is a mixed
chorale cantata that sets
the first and last verses
of the corresponding
Luther chorale verbatim,
but the other movements
in free poetry based on
the content of the
chorale. The time of
composition cannot be
clearly determined, but
at the end of the copy
that serves as the basis
for the edition, there is
a date of January 1693.
According to this, the
composition was written
before 1693 and thus well
before Johann Kuhnau took
up his post as
Thomaskantor in Leipzig
(1701). The use of two
cornetti is also a
parallel to the cantata
Lobe den Herren, meine
Seele(PB 32091), whose
composition can be linked
to Kuhnau's stay in
Zittau. The two parts
marked Cornett are only
in the first two
movements of the cantata;
in the further course, a
collaparte lead would be
possible, but cannot be
proven. In principle,
according to the source,
the two cornett parts can
also be played by
violins. The title page
also notes the
possibility of adding
ripieno singers, i.e. a
choir, in the
non-soloistic
movements.The cantata,
according to its text
intended for Easter, is
very well suited for use
in church services with
its small size and
flexible scoring.
Cantata
for the New Year's
Day. Composed by
Johann Sebastian Bach.
Edited by Michael Marker.
This edition: urtext.
Hymns by Martin Luther:
Herr Gott, dich loben
wir; Stuttgart Urtext
Edition: Bach vocal.
German title: Herr Gott,
dich loben wir. Sacred
vocal music, Cantatas,
New year. Study score.
Composed 1725. BWV 16. 32
pages. Duration 18
minutes. Carus Verlag #CV
31.016/07. Published by
Carus Verlag
(CA.3101607).
ISBN
9790007092962. Language:
German/English. Text:
Luther,
Martin.
This
cantata was first
performed in Leipzig on
New Year's Day 1726. It
belongs to a small group
of compositions which
were composed between
Advent 1725 and
mid-January 1726 and
whose text were written
by the same author. There
is no reference to the
New Year in connection
with the circumcision and
naming of Jesus in this
afternoon worship
service. Rather the
thoughts in this work are
concerned with the praise
of God and thanks for his
good deeds. Score
available separately -
see item CA.3101600.
String Quartet SKU: SU.29000010 For String Quartet. Composed by Ch...(+)
String Quartet
SKU:
SU.29000010
For
String Quartet.
Composed by Chick Corea.
Chamber Music, String
Trio/Quartet/Quintet.
Full Score. Subito Music
Corporation #29000010.
Published by Subito Music
Corporation
(SU.29000010).
Composer's
Note: This quartet
was written by a
relatively inexperienced
writer for strings (me)
so, technically, my
notation may be
unorthodox (or standardly
wrong). But I find that
most string quartet
players, knowing that,
will go ahead and make
the proper adjustments
themselves. This is
better than trying to
alter the musical concept
to fit the correct
technical point.
Hippocrates is the name
of a little robot in a
science fiction series by
L. Ron Hubbard. There are
7 stories in the 2 volume
series entitled Ole Doc
Methuselah. —
Chick Corea String
Quartet Duration: 21'
Composed: 2004 Published
by: Crystal Silence Music
Also Available:.
(Music, Movement and More! The Music Magazine for Grades K-6). By Jeanette Morga...(+)
(Music, Movement and
More! The Music Magazine
for Grades K-6). By
Jeanette Morgan. For
unison choir, Orff
Instrument. Games and CD.
Published by Heritage
Music Press
Complete Works.
Composed by Felix
Bartholdy Mendelssohn.
Edited by Armin Koch.
Linen. Complete Works.
Romantic period. Complete
Works. 476 pages.
Breitkopf and Haertel
#SON 415. Published by
Breitkopf and Haertel
(BR.SON-415).
ISBN
9790004802601. 10 x 12.5
inches.
Mendelssohn
's Athalia, i.e. the
incidental music to
Racine's tragedy Athalie,
occupies a special place
among the composer's
incidental works for
stage plays. The composer
began by setting the
original French text
(Vol. V/9A) before
expanding his concept
step by step for the
German version. He
revised this version
several times - and
especially the closing
chorus - for the first
performance in 1845. The
work was not published
during the composer's
lifetime, which means
that, in consideration of
Mendelssohn's notorious
self-criticism, there is
no definitive final
version. Armin Koch has
taken up the editorial
challenge and, with his
great knowledgeability,
cleared up all questions
concerning the authentic
form of the work.
Cantata for Easter -
Urtext. Composed by
Johann Kuhnau. Edited by
David Erler. Choir;
stapled.
Orchester-Bibliothek
(Orchestral Library).
Cantata; Baroque. Sheet
Music. Duration 9'.
Breitkopf and Haertel #OB
32034-26. Published by
Breitkopf and Haertel
(BR.OB-32034-26).
ISBN
9790004350935. 10 x 12.5
inches.
The cantata
Christ lag in
Todes-Banden is a mixed
chorale cantata that sets
the first and last verses
of the corresponding
Luther chorale verbatim,
but the other movements
in free poetry based on
the content of the
chorale. The time of
composition cannot be
clearly determined, but
at the end of the copy
that serves as the basis
for the edition, there is
a date of January 1693.
According to this, the
composition was written
before 1693 and thus well
before Johann Kuhnau took
up his post as
Thomaskantor in Leipzig
(1701). The use of two
cornetti is also a
parallel to the cantata
Lobe den Herren, meine
Seele(PB 32091), whose
composition can be linked
to Kuhnau's stay in
Zittau. The two parts
marked Cornett are only
in the first two
movements of the cantata;
in the further course, a
collaparte lead would be
possible, but cannot be
proven. In principle,
according to the source,
the two cornett parts can
also be played by
violins. The title page
also notes the
possibility of adding
ripieno singers, i.e. a
choir, in the
non-soloistic
movements.The cantata,
according to its text
intended for Easter, is
very well suited for use
in church services with
its small size and
flexible scoring.
Abschied. (for Cello). By Bertold Hummel (1925-2002). For Cello. Cello-Bibliothe...(+)
Abschied. (for Cello). By
Bertold Hummel
(1925-2002). For Cello.
Cello-Bibliothek (Cello
Library). 8 pages. Schott
Music #CB176. Published
by Schott Music