SKU: HL.1117975 Lewitt Audio. Microphone. Hal Leonard #MTP250DM. Publishe...(+)
SKU: HL.1117975
Lewitt Audio. Microphone.
Hal Leonard #MTP250DM.
Published by Hal Leonard
(HL.1117975).
UPC:
847986001399.
8.0x10.0x4.5
inches.
Please
note: although we don't
keep stock on hand, this
item will drop ship
direct from the
manufacturer at the time
of your order. Tailored
vocal sound The MTP 250
DM features full and
clear live sound. Your
voice sits well in the
mix and you can hear
yourself clearly on the
monitors. Engage with
your fans. They can hear
you loud and clear!
Durable materials for
longevity To make sure
your beloved microphone
survives even your
roughest touring
routines, the enclosure
is made out of durable
zinc die-cast parts. A
rubber-suspension
protects the capsule
while minimizing unwanted
handling noise. The
built-in wind and
pop-filter prevents
hissing sounds and
plosives. On top of that,
the capsule is protected
from moisture. Cardioid
polar pattern A cardioid
polar pattern picks up
sound coming mainly from
the front of the
microphone, sound from
directly behind the MTP
250 DM is dampened. You
can run your monitor
signal at high volume
without having to worry
about nasty feedback
issues. You'll perform
confidently, and a solid
show is assured. What's
in the box? The MTP 250
DM comes with a snap-in
mic clip, a windscreen
and a transport bag.
SKU: HL.1117979 Lewitt Audio. Microphone. Hal Leonard #MTP440DM. Publishe...(+)
SKU: HL.1117979
Lewitt Audio. Microphone.
Hal Leonard #MTP440DM.
Published by Hal Leonard
(HL.1117979).
UPC:
847986000163.
8.0x10.0x4.25
inches.
Please
note: although we don't
keep stock on hand, this
item will drop ship
direct from the
manufacturer at the time
of your order. Fantastic
sound on snare The MTP
440 DM features a
high-performance capsule
that delivers remarkably
lively sound. Perfect for
miking your snare drum.
Made for guitar amp
recording The MTP 440 DM
reproduces high-SPL
sources like guitar
amplifiers with high
clarity and full details.
The slight bass roll-off
and defined midrange
provide a punchy and
unique sound that works
like a charm with cabs of
any size. Amazing sound
on wind instruments Wind
instruments produce high
sound pressure levels,
not every microphone is
capable of handling. The
MTP 440 DM has proven
itself on countless
stages and gives your
instrument the clear
sound quality it needs to
stand out in the mix.
What's in the box? The
MTP 440 DM comes with a
snap-in mic clip, a
windscreen and a
transport bag.
The Songs of Michael Flanders and Donald Swann. (Piano/Vocal). By Donald Swann. ...(+)
The Songs of Michael
Flanders and Donald
Swann. (Piano/Vocal). By
Donald Swann. For
piano/vocal. This
edition:
Piano/Vocal/Chords.
Personality Book;
Piano/Vocal. Faber
Edition. Broadway.
Songbook. 223 pages.
Published by Faber Music
SKU: HL.1117977 Lewitt Audio. Microphone. Hal Leonard #MTP350CM. Publishe...(+)
SKU: HL.1117977
Lewitt Audio. Microphone.
Hal Leonard #MTP350CM.
Published by Hal Leonard
(HL.1117977).
UPC:
847986001412.
8.0x10.0x4.5
inches.
Please
note: although we don't
keep stock on hand, this
item will drop ship
direct from the
manufacturer at the time
of your order. Clear and
precise condenser sound
The MTP 350 CM is a
condenser vocal
microphone with a
lightweight diaphragm
condenser capsule. This
brings a high level of
sonic clarity to your
vocal performance.
Durable materials for
longevity To make sure
your beloved microphone
survives even your
roughest touring
routines, the enclosure
is made out of durable
zinc die-cast parts. A
rubber-suspension
protects the capsule
while minimizing unwanted
handling noise. The
built-in wind and
pop-filter prevents
hissing sounds and
plosives. On top of that,
the capsule is protected
from moisture. Cardioid
polar pattern Its
cardioid polar pattern
picks up sound coming
mainly from the front of
the microphone. Sound
coming from directly
behind the mic is
dampened to guarantee
high monitor levels. A
solid show is assured as
you don't have to worry
about nasty feedback
issues. What's in the
box? The MTP 350 CM comes
with a snap-in mic clip,
a windscreen and a
transport bag.
SKU: HL.1117985 Lewitt Audio. Microphone. Hal Leonard #DTP640REX. Publish...(+)
SKU: HL.1117985
Lewitt Audio. Microphone.
Hal Leonard #DTP640REX.
Published by Hal Leonard
(HL.1117985).
UPC:
847986000859.
8.25x10.0x7.25
inches.
Please
note: although we don't
keep stock on hand, this
item will drop ship
direct from the
manufacturer at the time
of your order.
Exceptional sound for
bass drums and other
bass-heavy instruments
The DTP 640 REX is a
dual-capsule microphone
specifically designed to
capture the sound of your
drums and percussion
instruments. It features
two phase-aligned
capsules, a condenser and
a dynamic one. Both
capsules can be adjusted
to emphasize your sound
for studio and live
applications.
Dual-capsule bass drum
microphone The DTP 640
REX features two
phase-aligned microphones
in a single housing. The
dynamic side ensures
accurate attack
reproduction of the bass
drum, while the condenser
element captures more of
the body resonance and
decay. Each element has a
dedicated output. This
enables you to shape the
bass drum sound in unique
ways. Three switchable
sound characteristics
=//= Both elements with
neutral frequency
response. +//= Dynamic
element boosts
frequencies between 3 and
5 kHz; condenser stays
neutral. +//+ Dynamic
boosts the range of 3-5
kHz, condenser boosts
frequencies 70-150 Hz to
deliver full-bodied
sound. Great on all kinds
of bass-heavy instruments
With the DTP 640 REX you
get massive yet clear
bass drum and bass
recordings, in the studio
and on stage. Both
capsules, dynamic and
condenser, are
specifically designed to
replicate low frequencies
with precision and
punch.
SKU: HL.1117964 Lewitt Audio. Microphone. Hal Leonard #LCT140MP. Publishe...(+)
SKU: HL.1117964
Lewitt Audio. Microphone.
Hal Leonard #LCT140MP.
Published by Hal Leonard
(HL.1117964).
UPC:
847986002129.
7.0x10.25x4.25
inches.
Please
note: although we don't
keep stock on hand, this
item will drop ship
direct from the
manufacturer at the time
of your order. Two
switchable sound
characteristics, AIR and
FLAT. The 140 AIR has two
sound characteristics,
AIR and FLAT. AIR
delivers an open,
sparkling character which
is the right choice if
you need great sound
without spending time on
post-production. FLAT
provides a linear
frequency response for
âÂÂas-it-isâ
 reproduction of
drums, strings, acoustic
guitars, and choirs. It
is perfect if you aim for
realistic sonic images.
The best stereo matching
you can get. LEWITT has
one of the most precise
matching processes in the
industry. The difference
between the two mics of a
stereo pair is inaudible.
How come? The frequency
response and sensitivity
of every single
microphone is measured. A
measurement system
controls the polarization
voltage of the capsule to
adjust the sensitivity,
so it is the same for all
LCT 140 AIR. Then, an
algorithm compares the
measured frequency
response of each
microphone and finds the
perfect pairs. Excellent
transient response and
full flexibility on all
instruments Transients
are the DNA of your
instrument's sound. To
retain the natural
musicality of your
instruments, the LCT 140
AIR delivers an excellent
transient response. To be
prepared for all
eventualities, the LCT
140 AIR has a low-cut and
a PAD. You won't break a
sweat with loud sources,
nor will you have to deal
with low-frequency noise
when you don't want to.
The LCT 140 AIR is great
for: Acoustic Guitar
Drums Strings Choirs
Piano Ukulele Durable and
light aluminum housing
The LCT 140 AIR is very
durable yet lightweight
thanks to its CNC'ed
aluminum housing.
Positioning and setup
become easy tasks. What's
in the box? The 140 AIR
Stereo Pair comes with
two snap-in mic clips, a
transport bag with two
pockets, and two
windscreens.
SKU: HL.1118000 White. Lewitt Audio. Studio and Rehearsal Support....(+)
SKU: HL.1118000
White. Lewitt
Audio. Studio and
Rehearsal Support. Hal
Leonard #LCT40SHWHITE.
Published by Hal Leonard
(HL.1118000).
UPC:
847986001726.
6.25x8.0x4.0
inches.
Please
note: although we don't
keep stock on hand, this
item will drop ship
direct from the
manufacturer at the time
of your order. Shock
mount for LCT 240 PRO,
LCT 440 PURE and LCT 441
FLEX, white color.
SKU: HL.1117999 Black. Lewitt Audio. Studio and Rehearsal Support....(+)
SKU: HL.1117999
Black. Lewitt
Audio. Studio and
Rehearsal Support. Hal
Leonard #LCT40SH.
Published by Hal Leonard
(HL.1117999).
UPC:
847986001375.
6.25x8.0x4.0
inches.
Please
note: although we don't
keep stock on hand, this
item will drop ship
direct from the
manufacturer at the time
of your order. Shock
mount for LCT 240 PRO,
LCT 440 PURE and LCT 441
FLEX, black color.
SKU: HL.1118002 Lewitt Audio. Studio and Rehearsal Support. Hal Leonard #...(+)
SKU: HL.1118002
Lewitt Audio. Studio and
Rehearsal Support. Hal
Leonard #LCT40SHX.
Published by Hal Leonard
(HL.1118002).
UPC:
847986000231.
6.25x8.25x4.0
inches.
Please
note: although we don't
keep stock on hand, this
item will drop ship
direct from the
manufacturer at the time
of your order. Shock
mount for LCT 540 S and
LCT 640 TS.
Summer Dance Orchestre à Cordes - Facile Carl Fischer
Orchestra String Orchestra - Grade 2-2.5 SKU: CF.YAS19 Composed by Alan L...(+)
Orchestra String
Orchestra - Grade 2-2.5
SKU: CF.YAS19
Composed by Alan Lee
Silva. Carl Fischer Young
String Orchestra Series.
Classical. Score and
Parts. With Standard
notation. 12 pages. Carl
Fischer Music #YAS19.
Published by Carl Fischer
Music (CF.YAS19).
ISBN
9780825854859. UPC:
798408054854. 8.5 X 11
inches. Key: D
major.
Summer
Dance is a melodic,
up-tempo piece with
plenty of musical and
technical challenges for
every player. Musicians
should strive to play it
with an energetic yet
legato feel. A
spirited introduction
features an opening
melody in the violins and
active repeated-note
pedal patters in the
violas and low strings.
An AABA form begins at
m.5 and the orchestration
is immediately pared down
to feature violin I and
cello. It then builds
again in density to the B
section, where a quick
dynamic drop allows a
question-and-answer
melody between the two
parts to sing out. In m.
29, the melody is
harmonized and a
countermelody in violin I
introduced. The violins
take the melody soaring
in octaves in m. 33, as
the piece again builds to
the B section and
suddenly quiets. Measure
55 then provides more
question-and-answer
interplay, this time for
viola and cello, while
violin continues with its
newly harmonized melody.
Summer Dance finishes
with a soft recurrence of
the opening figure and a
build toward a powerful
divisi voicing
on beat 3 of m. 63, right
before the final
chord. Summer
Dance is a melodic,
up-tempo piece with
plenty of musical and
technical challenges for
every player. Musicians
should strive to play it
with an energetic yetA
legato feel. A
spirited introduction
features an opening
melody in the violins and
active repeated-note
pedal patters in the
violas and low strings.
An AABA form begins at
m.5 and the orchestration
is immediately pared down
to feature violin I and
cello. It then builds
again in density to the B
section, where a quick
dynamic drop allows a
question-and-answer
melody between the two
parts to sing out. In m.
29, the melody is
harmonized and a
countermelody in violin I
introduced. The violins
take the melody soaring
in octaves in m. 33, as
the piece again builds to
the B section and
suddenly quiets. Measure
55 then provides more
question-and-answer
interplay, this time for
viola and cello, while
violin continues with its
newly harmonized melody.
Summer Dance finishes
with a soft recurrence of
the opening figure and a
build toward a powerfulA
divisi voicing
on beat 3 of m. 63, right
before the final
chord. Summer Dance is
a melodic, up-tempo piece
with plenty of musical
and technical challenges
for every player.
Musicians should strive
to play it with an
energetic yet legato
feel. A spirited
introduction features an
opening melody in the
violins and active
repeated-note pedal
patters in the violas and
low strings. An AABA form
begins at m.5 and the
orchestration is
immediately pared down to
feature violin I and
cello. It then builds
again in density to the B
section, where a quick
dynamic drop allows a
question-and-answer
melody between the two
parts to sing out. In m.
29, the melody is
harmonized and a
countermelody in violin I
introduced. The violins
take the melody soaring
in octaves in m. 33, as
the piece again builds to
the B section and
suddenly quiets. Measure
55 then provides more
question-and-answer
interplay, this time for
viola and cello, while
violin continues with its
newly harmonized melody.
Summer Dance finishes
with a soft recurrence of
the opening figure and a
build toward a powerful
divisi voicing on beat 3
of m. 63, right before
the final
chord. Summer Dance is
a melodic, up-tempo piece
with plenty of musical
and technical challenges
for every player.
Musicians should strive
to play it with an
energetic yet legato
feel.A spirited
introduction features an
opening melody in the
violins and active
repeated-note pedal
patters in the violas and
low strings. An AABA form
begins at m.5 and the
orchestration is
immediately pared down to
feature violin I and
cello. It then builds
again in density to the B
section, where a quick
dynamic drop allows a
question-and-answer
melody between the two
parts to sing out.In m.
29, the melody is
harmonized and a
countermelody in violin I
introduced. The violins
take the melody soaring
in octaves in m. 33, as
the piece again builds to
the B section and
suddenly quiets. Measure
55 then provides more
question-and-answer
interplay, this time for
viola and cello, while
violin continues with its
newly harmonized melody.
Summer Dance finishes
with a soft recurrence of
the opening figure and a
build toward a
powerful divisi
voicing on beat 3 of m.
63, right before the
final chord.
About Carl
Fischer Young String
Orchestra
Series
Thi
s series of Grade 2/Grade
2.5 pieces is designed
for second and third year
ensembles. The pieces in
this series are
characterized
by: --Occasionally
extending to third
position --Keys
carefully considered for
appropriate
difficulty --Addition
of separate 2nd violin
and viola
parts --Viola T.C.
part
included --Increase
in independence of parts
over beginning levels
Chorale SATB [Vocal Score] Oxford University Press
A Clare Benediction Composed by John Rutter A Prayer Of St Richard Of Chicheste...(+)
A Clare Benediction
Composed by John Rutter
A Prayer Of St Richard Of
Chichester Composed by L.
J. White
Alleluia Composed by
William Boyce
Author Of Life Divine
Composed by Cecilia
Mcdowall
Be Still For The Presence
Of The Lord Composed by
David Evans; Arranged by
Richard Shephard
Bread Of The World
Composed by Scottish
Traditional; Arranged by
Alan Bullard
Brightest And Best
Composed by Malcolm
Archer
Christ Is The World's
True Light Composed by W.
K. Stanton
Christ The Lord Is Risen
Again Composed by Richard
Shephard
Christians Shout For Joy
And Gladness Composed by
Johann Sebastian Bach
Come Down, O Love Divine
Composed by Hilary
Tadman-robins
Plainsong: Creator Of The
Stars Arranged by John
Scott
Drop, Drop Slow Tears
Composed by Kerry Andrew
Evening Service In C
Composed by Frank Henry
Shera
Fairest Lord Jesus
Composed by Martin How
Gabriel To Mary Came
Composed by 14th Century
Irish; Arranged by Alan
Bullard
Give Thanks To God
Composed by Botswanan
Traditional; Arranged by
Alan Bullard
God Be In My Head
Composed by Armstrong
Gibbs
God In Mine Eternity
Composed by Alan Bullard
God So Loved The World
Composed by Alan Bullard
God That Madest Earth And
Heaven Composed by Welsh
Traditional; Arranged by
David Thorne
Hail, Virgin Mary (Ave
Maria) Composed by Franz
Liszt
Hark, The Glad Sound
Composed by David Thorne
Harvest Carol Composed by
Ian Ray
He Is Risen Composed by
Cecil Cope
Hide Not Thy Face
Composed by Richard
Farrant
see all...
Holy, Holy, Holy, Holy Is
The Lord Composed by
Franz Schubert; Arranged
by Alan Bullard
Holy, Holy, Holy! Lord
God Almighty Composed by
Alan Smith
Hosanna To The Son Of
David Composed by Georg
Philipp Telemann
Irish Blessing Composed
by Bob Chilcott
Jesu, Lamb Of God,
Redeemer (Ave Verum
Corpus) Composed by
Edward Elgar
Jesus Christ The Apple
Tree Composed by English
Traditional; Arranged by
Alan Bullard
Jubilate (Let Us Praise
You) Composed by Wolfgang
Amadeus Mozart
Lamb Of God (Agnus Dei)
Composed by Samuel Webbe
Let All Mortal Flesh Keep
Silence Composed by
Stephen Cleobury
Like The Murmur Of The
Dove's Song Composed by
Alan Smith
Lord, In Thy Mercy
Composed by Felix
Bartholdy Mendelssohn
Magnificat And Nunc
Dimittis In C Composed by
F. H. Shera
Never Weather-beaten Sail
Composed by Thomas
Campion; Arranged by Alan
Bullard
Now The Green Blade
Riseth Composed by French
Traditional; Arranged by
Alan Bullard
O Breath Of Life Composed
by English Traditional;
Arranged by Alan Bullard
O For A Closer Walk With
God Composed by Charles
Villiers Stanford
O God Of Mercy Composed
by Simon Lole
O God, Your Goodness
Composed by Ludwig Van
Beethoven
O Praise God In His
Holiness Composed by John
Weldon
Panis Angelicus Composed
by Cesar Auguste Franck
Peace Between Nations
Composed by Christopher
Wiggins
Pie Jesu Composed by
Gabriel Faure
Praise To The Trinity
Composed by Hildegard Of
Bingen
Psalm 150 Composed by Bob
Chilcott
Rejoice In The Lord
Always Composed by
Christopher Wiggins
Shout For Joy Composed by
African Traditional;
Arranged by Alan Bullard
Star Of Wonder Composed
by Alan Bullard
The Eternal Gifts Of
Christ The King Composed
by Guidetti/henry G. Ley
The Heavens Sing Praises
To God Composed by Ludwig
Van Beethoven
The Lord Ascendeth
Composed by Michael
Praetorius
The Lord Bless You And
Keep You Composed by John
Rutter
The Lord's My Shepherd
Composed by Bob Chilcott
The Peace Of God Composed
by Alan Bullard
The True And Living Bread
Composed by David
Blackwell
There Is No Rose Composed
by Andrew Smith
Thou Visitest The Earth
Composed by Maurice
Greene
To Be A Pilgrim Composed
by Nick Burt
Were You There? Composed
by American Spiritual;
Arranged by Peter Hunt
Where All Charity And
Love Are (Ubi Caritas)
Arranged by Alan Bullard
Wondrous Cross Composed
by Philip Wilby
The Oxford Book of
Flexible Anthems by Alan
Bullard (1947-). For
flexible instrumentation.
Mixed Voices. Sacred.
Paperback. 296 pages.
Published by Oxford
University Press
SKU: HL.1117959 Lewitt Audio. Microphone. Hal Leonard #INTERVIEWER. Publi...(+)
SKU: HL.1117959
Lewitt Audio. Microphone.
Hal Leonard #INTERVIEWER.
Published by Hal Leonard
(HL.1117959).
UPC:
847986001733.
7.5x14.5x3.5
inches.
Please
note: although we don't
keep stock on hand, this
item will drop ship
direct from the
manufacturer at the time
of your order. Sturdy and
resilient casing This
extremely sturdy dynamic
microphone features an
omnidirectional polar
pattern. Its capsule is
fully rubber mounted. In
combination with the
INTERVIEWERs new coating
technology all handling
noise is reduced to a
minimum while offering
safe and comfortable
grip. Best speech
intelligibility Tailored
for voice reproduction
the INTERVIEWER provides
you with crystal clear
results in almost any
situation. This
hassle-free tool makes it
easy to concentrate on
what is essential. Camera
connection cable The
INTERVIEWER comes with a
connection cable for your
camera. This way you are
fully equipped, and you
can record even more
comfortable on-the-go.
The perfect companion
With the purpose-built
Dust Protection Membrane
and its heavily rugged,
most resilient housing,
the INTERVIEWER will be
the perfect companion
even under the roughest
conditions. Designed and
engineered in Vienna,
Austria Like all LEWITT
microphones, the
INTERVIEWER is designed
and engineered in Vienna,
Austria.
Flute. Composed by
Michiel Merkies. De Haske
Play-Along Book. Play
Along. Book and CD.
Composed 2004. 28 pages.
De Haske Publications
#1043709. Published by De
Haske Publications
(HL.44005137).
These
book/CD packs feature
cool tunes for those who
haven't been plaing very
long, but still intend to
steal the show! Includes
solos with accompaniment
and accompaniment only on
CD for each of the 23
pieces in the book.
Clarinet - easy SKU: HL.44005139 Clarinet. Composed by Michiel Mer...(+)
Clarinet - easy
SKU:
HL.44005139
Clarinet. Composed
by Michiel Merkies. De
Haske Play-Along Book.
Play Along. Book and CD.
Composed 2004. 28 pages.
De Haske Publications
#1043710. Published by De
Haske Publications
(HL.44005139).
ISBN
9789043120661. UPC:
073999538441.
English-German-French-Dut
ch.
These book/CD
packs feature cool tunes
for those who haven't
been plaing very long,
but still intend to steal
the show! Includes solos
with accompaniment and
accompaniment only on CD
for each of the 23 pieces
in the book.
Trombone - easy SKU: HL.44005140 Trombone. Composed by Michiel Mer...(+)
Trombone - easy
SKU:
HL.44005140
Trombone. Composed
by Michiel Merkies. De
Haske Play-Along Book.
Play Along. Book and CD.
Composed 2004. 48 pages.
De Haske Publications
#1043715. Published by De
Haske Publications
(HL.44005140).
ISBN
9789043120685. UPC:
073999223897.
English-German-French-Dut
ch.
These book/CD
packs feature cool tunes
for those who haven't
been plaing very long,
but still intend to steal
the show! Includes solos
with accompaniment and
accompaniment only on CD
for each of the 23 pieces
in the book.