Arranged by Sally K. Albrecht. For Choir. (2-Part). Choral Octavo. Choral Desig...(+)
Arranged by Sally K.
Albrecht. For Choir.
(2-Part). Choral Octavo.
Choral Designs. Secular,
Christmas. Choral Octavo.
12 pages. Published by
Alfred Publishing.
Arr., with new words and music, by Andy Beck. For Choir. (2-Part). Choral Octav...(+)
Arr., with new words and
music, by Andy Beck. For
Choir. (2-Part). Choral
Octavo. Choral Designs.
Choral Octavo. 8 pages.
Published by Alfred
Publishing.
(Words and Chords to Nearly 1200 Songs 9x12 Spiral Bound). Edited by Annie Patte...(+)
(Words and Chords to
Nearly 1200 Songs 9x12
Spiral Bound). Edited by
Annie Patterson and Peter
Blood. For Vocal. Vocal.
Softcover. 304 pages.
Published by Hal Leonard
(Words and Chords to Nearly 1200 Songs Spiral-Bound). Edited by Annie Patterson ...(+)
(Words and Chords to
Nearly 1200 Songs
Spiral-Bound). Edited by
Annie Patterson and Peter
Blood. For Vocal. Vocal.
Softcover. 304 pages.
Published by Hal Leonard
Holiday Partners! Chorale 2 parties 2 parties [Edition pour professeur] Alfred Publishing
(10 Tremendous 2-Part Songs for Young Singers (Teacher's Handbook)). Arranged by...(+)
(10 Tremendous 2-Part
Songs for Young Singers
(Teacher's Handbook)).
Arranged by Sally K.
Albrecht, Andy Beck, Mary
Donnelly, Donald Moore,
Ruth Elaine Schram, and
George L. O. Strid, orch.
Tim Hayden. 2-Part Choir.
This edition: Teacher's
Handbook (100%
Reproducible). Book;
Classroom/Pre-School;
Musicals; Musicals and
Programs; Reproducible.
Partner Songbooks.
Christmas; Winter. 60
pages. Published by
Alfred Music Publishing
Band SKU: PR.16500104F Three Places in the East. Composed by Dan W...(+)
Band
SKU:
PR.16500104F
Three
Places in the East.
Composed by Dan Welcher.
Full score. Theodore
Presser Company
#165-00104F. Published by
Theodore Presser Company
(PR.16500104F).
ISBN
9781491132159. UPC:
680160681082.
Ever
since the success of my
series of wind ensemble
works Places in the West,
I've been wanting to
write a companion piece
for national parks on the
other side of the north
American continent. The
earlier work, consisting
of GLACIER, THE
YELLOWSTONE FIRES,
ARCHES, and ZION, spanned
some twenty years of my
composing life, and since
the pieces called for
differing groups of
instruments, and were in
slightly different styles
from each other, I never
considered them to be
connected except in their
subject matter. In their
depiction of both the
scenery and the human
history within these
wondrous places, they had
a common goal: awaking
the listener to the
fragile beauty that is in
them; and calling
attention to the ever
more crucial need for
preservation and
protection of these wild
places, unique in all the
world. With this new
work, commissioned by a
consortium of college and
conservatory wind
ensembles led by the
University of Georgia, I
decided to build upon
that same model---but to
solidify the process. The
result, consisting of
three movements (each
named for a different
national park in the
eastern US), is a
bona-fide symphony. While
the three pieces could be
performed separately,
they share a musical
theme---and also a common
style and
instrumentation. It is a
true symphony, in that
the first movement is
long and expository, the
second is a rather
tightly structured
scherzo-with-trio, and
the finale is a true
culmination of the whole.
The first movement,
Everglades, was the
original inspiration for
the entire symphony.
Conceived over the course
of two trips to that
astonishing place (which
the native Americans
called River of Grass,
the subtitle of this
movement), this movement
not only conveys a sense
of the humid, lush, and
even frightening scenery
there---but also an
overview of the entire
settling-of- Florida
experience. It contains
not one, but two native
American chants, and also
presents a view of the
staggering influence of
modern man on this
fragile part of the
world. Beginning with a
slow unfolding marked
Heavy, humid, the music
soon presents a gentle,
lyrical theme in the solo
alto saxophone. This
theme, which goes through
three expansive phrases
with breaks in between,
will appear in all three
movements of the
symphony. After the mood
has been established, the
music opens up to a rich,
warm setting of a
Cherokee morning song,
with the simple happiness
that this part of Florida
must have had prior to
the nineteenth century.
This music, enveloping
and comforting, gradually
gives way to a more
frenetic, driven section
representative of the
intrusion of the white
man. Since Florida was
populated and developed
largely due to the
introduction of a train
system, there's a
suggestion of the
mechanized iron horse
driving straight into the
heartland. At that point,
the native Americans
become considerably less
gentle, and a second
chant seems to stand in
the way of the intruder;
a kind of warning song.
The second part of this
movement shows us the
great swampy center of
the peninsula, with its
wildlife both in and out
of the water. A new theme
appears, sad but noble,
suggesting that this land
is precious and must be
protected by all the
people who inhabit it. At
length, the morning song
reappears in all its
splendor, until the
sunset---with one last
iteration of the warning
song in the solo piccolo.
Functioning as a scherzo,
the second movement,
Great Smoky Mountains,
describes not just that
huge park itself, but one
brave soul's attempt to
climb a mountain there.
It begins with three
iterations of the
UR-theme (which began the
first movement as well),
but this time as up-tempo
brass fanfares in
octaves. Each time it
begins again, the theme
is a little slower and
less confident than the
previous time---almost as
though the hiker were
becoming aware of the
daunting mountain before
him. But then, a steady,
quick-pulsed ostinato
appears, in a constantly
shifting meter system of
2/4- 3/4 in alteration,
and the hike has begun.
Over this, a slower new
melody appears, as the
trek up the mountain
progresses. It's a big
mountain, and the ascent
seems to take quite
awhile, with little
breaks in the hiker's
stride, until at length
he simply must stop and
rest. An oboe solo, over
several free cadenza-like
measures, allows us (and
our friend the hiker) to
catch our breath, and
also to view in the
distance the rocky peak
before us. The goal is
somehow even more
daunting than at first,
being closer and thus
more frighteningly steep.
When we do push off
again, it's at a slower
pace, and with more
careful attention to our
footholds as we trek over
broken rocks. Tantalizing
little views of the
valley at every
switchback make our
determination even
stronger. Finally, we
burst through a stand of
pines and----we're at the
summit! The immensity of
the view is overwhelming,
and ultimately humbling.
A brief coda, while we
sit dazed on the rocks,
ends the movement in a
feeling of triumph. The
final movement, Acadia,
is also about a trip. In
the summer of 2014, I
took a sailing trip with
a dear friend from North
Haven, Maine, to the
southern coast of Mt.
Desert Island in Acadia
National Park. The
experience left me both
exuberant and exhausted,
with an appreciation for
the ocean that I hadn't
had previously. The
approach to Acadia
National Park by water,
too, was thrilling: like
the difference between
climbing a mountain on
foot with riding up on a
ski-lift, I felt I'd
earned the right to be
there. The music for this
movement is entirely
based on the opening
UR-theme. There's a sense
of the water and the
mysterious, quiet deep
from the very beginning,
with seagulls and bell
buoys setting the scene.
As we leave the harbor,
the theme (in a canon
between solo euphonium
and tuba) almost seems as
if large subaquatic
animals are observing our
departure. There are
three themes (call them
A, B and C) in this
seafaring journey---but
they are all based on the
UR theme, in its original
form with octaves
displaced, in an
upside-down form, and in
a backwards version as
well. (The ocean, while
appearing to be
unchanging, is always
changing.) We move out
into the main channel
(A), passing several
islands (B), until we
reach the long draw that
parallels the coastline
called Eggemoggin Reach,
and a sudden burst of new
speed (C). Things
suddenly stop, as if the
wind had died, and we
have a vision: is that
really Mt. Desert Island
we can see off the port
bow, vaguely in the
distance? A chorale of
saxophones seems to
suggest that. We push off
anew as the chorale ends,
and go through all three
themes again---but in
different
instrumentations, and
different keys. At the
final tack-turn, there it
is, for real: Mt. Desert
Island, big as life.
We've made it. As we pull
into the harbor, where
we'll secure the boat for
the night, there's a
feeling of achievement.
Our whale and dolphin
friends return, and we
end our journey with
gratitude and
celebration. I am
profoundly grateful to
Jaclyn Hartenberger,
Professor of Conducting
at the University of
Georgia, for leading the
consortium which provided
the commissioning of this
work.
Arranged by
Emily Crocker. Shawnee
Press. Christmas,
Concert, Holiday, Winter.
Octavo. 12 pages.
Duration 135 seconds.
Published by Shawnee
Press (HL.379206).
ISBN 9781705151129.
UPC: 196288017707.
6.75x10.5x0.029
inches.
The
arrangement captures the
fun and excitement of the
winter holidays with a
jazzy treatment. It's
easily learned with
extremely accessible
part-writing and lends
itself to the fun of
choreography.
For voice and C instrument. Format: fakebook. With vocal melody, lyrics and chor...(+)
For voice and C
instrument. Format:
fakebook. With vocal
melody, lyrics and chord
names. Traditional pop
and vocal standards.
Series: Hal Leonard Fake
Books. 424 pages. 9x12
inches. Published by Hal
Leonard.
(4th Edition ) For voice and C instrument. Format: fakebook. With vocal melody, ...(+)
(4th Edition ) For voice
and C instrument. Format:
fakebook. With vocal
melody, lyrics and chord
names. Pop rock, rock and
pop. Series: Hal Leonard
Fake Books. 584 pages.
9x12 inches. Published by
Hal Leonard.
Presents on Parade! Chorale Unison Unison/2-parties, Piano [Edition pour professeur] Alfred Publishing
A Holiday Mini-Musical for Unison and 2-Part Voices. Composed by Sally K. Alb...(+)
A Holiday Mini-Musical
for
Unison and 2-Part Voices.
Composed by Sally K.
Albrecht, Jay Althouse,
Andy
Beck, and Brian Fisher.
This
edition: Teacher's
Handbook.
Classroom/Pre-School;
Musicals and Programs;
Other
Classroom. Christmas.
Book.
40 pages. Alfred Music
#00-
47893. Published by
Alfred
Music
Partners in Spirituals. (6 Spectacular Partner Songs for 2-Part Voices (Songbook...(+)
Partners in Spirituals.
(6 Spectacular Partner
Songs for 2-Part Voices
(Songbook)). By Jean Anne
Shafferman. Choir Sacred.
2-Part Choir. This
edition: Songbook. Choral
Worship Collection;
Church Partner Songs;
Worship Resources.
Choral, Sacred;
Spiritual. Book. 28
pages. Published by
Alfred Music Publishing
By David Carr Glover and Earl Ricker. For Piano. Piano - Glover Christian Librar...(+)
By David Carr Glover and
Earl Ricker. For Piano.
Piano - Glover Christian
Library. David Carr
Glover Christian Piano
Library. Sacred. Level:
Late Elementary. Book.
Published by Alfred
Publishing.
The Definitive Paul Simon Songbook by Paul Simon. For Melody Line, Lyrics and Ch...(+)
The Definitive Paul Simon
Songbook by Paul Simon.
For Melody Line, Lyrics
and Chords. Music Sales
America. Folk Rock.
Softcover. 560 pages.
Paul Simon Music
#PS11594. Published by
Paul Simon Music
by Stacy Phillips. For fiddle. All styles, fiddle tunes. Level: Multiple Levels....(+)
by Stacy Phillips. For
fiddle. All styles,
fiddle tunes. Level:
Multiple Levels. Book.
Solos. Size 8.75x11.75.
268 pages. Published by
Mel Bay Pub., Inc.
Lyrics and chords (ukulele) SKU: M7.DUX-342 200 Lieder and Songs. ...(+)
Lyrics and chords
(ukulele)
SKU:
M7.DUX-342
200
Lieder and Songs.
Composed by Andreas Lutz
and Bernhard Bitzel. This
edition: Ring/Spiral
binding. Sheet music.
Songbook. Edition Dux
Verlag #DUX 342.
Published by Edition Dux
Verlag (M7.DUX-342).
ISBN
9783868494006.
The
Ukulele-Ding 2 contains
200 songs from Pop and
Rock for campfires,
outings and parties. In
order to be able to sing
the songs optimally and
accompany them with the
ukulele, suitable keys
and chords have been
chosen. The chords are
given directly above the
lyrics, so you can sing
and play directly from
the sheet. A fingering
chart for all ukuleles in
the tuning g - c - e - a
is included. A must for
every campfire ukulele
player and all those who
want to become one. Bound
as a practical spiral
book - like every edition
from the cult songbook
series Das Ding. With
songs from ABBA - AC/DC -
Aerosmith - BAP - Billy
Joel - Bob Dylan - Bob
Marley - Boney M. - Bruce
Springsteen - Cat Stevens
- Coldplay - Die Toten
Hosen - Dire Straits -
Elvis Presley - George
Ezra - Howard Carpendale
- John Denver - Kansas -
Lady Gaga - Max Giesinger
- Nirvana - Peter Maffay
- Phil Collins - Pink
Floyd - Queen - Reinhard
Mey - Robbie Williams -
Rod Stewart - Simon and
Garfunkel - Supertramp -
The Beach Boys - The
Beatles - U2 und vielen
weiteren.