Composed by Various. For Piano/Keyboard. Hal Leonard Fake Books. Classical. Diff...(+)
Composed by Various. For
Piano/Keyboard. Hal
Leonard Fake Books.
Classical. Difficulty:
medium to
medium-difficult.
Fakebook. Melody line,
chord names and lyrics
(on some songs). 413
pages. Published by Hal
Leonard
(Over 850 Classical Themes and Melodies in the Original Keys) For C instrument. ...(+)
(Over 850 Classical
Themes and Melodies in
the Original Keys) For C
instrument. Format:
fakebook (spiral bound).
With vocal melody
(excerpts) and chord
names. Lassical. Series:
Hal Leonard Fake Books.
646 pages. 9x12 inches.
Published by Hal Leonard.
Nos. 1-15. Composed by Ludwig van Beethoven (1770-1827). Masterworks; Piano Coll...(+)
Nos. 1-15. Composed by
Ludwig van Beethoven
(1770-1827). Masterworks;
Piano Collection. Kalmus
Edition. Form: Sonata.
Classical; Masterwork;
Romantic. Book. 252
pages. Kalmus Classic
Edition #00-K03154.
Published by Kalmus
Classic Edition
Composed by Johannes Brahms (1833-1897). Edited by E. V. Sauer. Masterworks; Pia...(+)
Composed by Johannes
Brahms (1833-1897).
Edited by E. V. Sauer.
Masterworks; Piano
Collection. Kalmus
Edition. Masterwork;
Romantic. Book. 184
pages. Kalmus Classic
Edition #00-K03254.
Published by Kalmus
Classic Edition
Nos. 1-7. Composed by Ludwig van Beethoven (1770-1827). Masterworks; Piano Colle...(+)
Nos. 1-7. Composed by
Ludwig van Beethoven
(1770-1827). Masterworks;
Piano Collection. Kalmus
Edition. Form: Sonata.
Classical; Masterwork;
Romantic. Book. 132
pages. Kalmus Classic
Edition #00-K03155.
Published by Kalmus
Classic Edition
Performed by Ludwig van Beethoven (1770-1827), edited by Blake Neely, Richard Wa...(+)
Performed by Ludwig van
Beethoven (1770-1827),
edited by Blake Neely,
Richard Walters. For solo
piano. Format: piano solo
book. With standard
notation and introductory
text. Classical period
and romantic period. 224
pages. 9x12 inches.
Published by Hal Leonard.
(From Sonata No.5). By Arcangelo Corelli (1653-1713). For Alto Saxophone, Piano....(+)
(From Sonata No.5). By
Arcangelo Corelli
(1653-1713). For Alto
Saxophone, Piano. Carl
Fischer Solo Series.
Classical. GRADE 2. Score
and Audio CD. Standard
notation. Opus 5. 3 pages
Composed by Joseph Bodin
de Boismortier. Arranged
by Eric Vireton.
Arrangement. Classical.
Score and Set of Parts.
Duration 3 minutes, 55
seconds. FLEX Editions
#FX072174. Published by
FLEX Editions
(FL.FX072174).
Instruments:Rec
order Duet: 2 Soprano
Recorders; Difficuly
Level: Grade 4.
By Ludwig van Beethoven (1770-1827). Edited by Nicolas Cardona. Solo Piano. The ...(+)
By Ludwig van Beethoven
(1770-1827). Edited by
Nicolas Cardona. Solo
Piano. The Must-Haves for
Piano. Classical. Grade
5. Piano Part. Published
by FLEX Editions
Sel., transcr., and ed. Samuel Applebaum. For Cello Piano Acc. String Series - C...(+)
Sel., transcr., and ed.
Samuel Applebaum. For
Cello Piano Acc. String
Series - Cello / Piano
Acc. Level:
Easy-Intermediate (grade
2-3). 16 pages. Published
by Alfred Publishing.
Composed by Gabriel Faure (1845-1924). Edited by Jean- Pierre Bartoli. This e...(+)
Composed by Gabriel Faure
(1845-1924). Edited by
Jean-
Pierre Bartoli. This
edition:
complete edition, urtext
edition. Cloth bound.
Gabriel
Faure. OEuvres completes
VI/3. Complete edition,
Performance score,
anthology.
Opus 84, 32, 17.
Baerenreiter
Verlag #BA09471-01.
Published
by Baerenreiter Verlag
Horn solo with piano accompaniment - Grade 4 SKU: CL.084-3586-28 Arranged...(+)
Horn solo with piano
accompaniment - Grade 4
SKU:
CL.084-3586-28
Arranged by Kilp. Book -
Solo Collection. Composed
2007. C.L. Barnhouse
#084-3586-28. Published
by C.L. Barnhouse
(CL.084-3586-28).
This collection
of twelve beautiful,
lyrical works from master
composers of the late
classical & romantic eras
are have been
magnificently transcribed
for horn and piano by
Brian Kilp. Includes
works by Rachmaninov,
Brahms, Tchaikovsky, and
Mahler, these solos are
marvelous recital and
contest works for the
serious horn player. Book
includes F horn solo
parts, piano
accompaniment, and a
full-performance CD
performed by arranger
Kilp. A perfect
collection of solos for
the hornist to SING with!
For advanced players .
CONTENTS: Romance, Opus
6, No. 1 - Sergei
Rachmaninov Elergy, Opus
3, No. 1 - Sergei
Rachmaninov Serenade,
Opus 3, No. 5 - Sergei
Rachmaninov Don't Sing In
My Presence, Beauty -
Sergei Rachmaninov
Prelude, Opus 23, No. 10
- Sergei Rachmaninov
Cello Sonata in G Minor,
Mvt. 3 Andante - Sergei
Rachmaninov Meine Liebe
Ist Grun, Opus 63, No.5 -
Johannes Brahms But The
Lonely Heart, Opus 6, No.
6 - Pyotr Ilich
Tchaikovsky Von Ewiger
Liebe, Opus 43, No. 1 -
Johannes Brahms De Zwei
Blauen Augen - Gustav
Mahler Wie Melodien Zieht
Es Mir, Opus 105, No. 1 -
Johannes Brahms An
additional sound sample
is available here:
www.barnhouse.com/samples
/mp3/084-3586-28X.mp3.
Sonata Opus 13 No. 9 2 Flûte à bec (duo) [Conducteur et Parties séparées] - Intermédiaire FLEX Editions
Composed by Joseph Bodin de Boismortier. Arranged by Eric Vireton. Recorder duet...(+)
Composed by Joseph Bodin
de Boismortier. Arranged
by Eric Vireton. Recorder
duet. For 2 soprano
recorders. Classical.
Grade 4. Score and Set of
Parts. 6 pages (score); 6
pages (parts). Duration 5
minutes, 20 seconds.
Published by FLEX
Editions
Viola and piano SKU: IM.1326 Composed by Ludwig van Beethoven. Edited by ...(+)
Viola and piano
SKU:
IM.1326
Composed by
Ludwig van Beethoven.
Edited by Joseph Vieland.
Score and part.
International Music Co.
#1326. Published by
International Music Co.
(IM.1326).
Composed
by Joseph Bodin de
Boismortier. Arranged by
Eric Vireton.
Arrangement. Classical.
Score and Set of Parts.
Duration 3 minutes, 55
seconds. FLEX Editions
#FX072172. Published by
FLEX Editions
(FL.FX072172).
Instruments:Vio
lin Duet: 2 Violins;
Difficuly Level: Grade
4.
Composed by Joseph Bodin
de Boismortier. Arranged
by Eric Vireton.
Arrangement. Classical.
Score and Set of Parts.
Duration 3 minutes, 55
seconds. FLEX Editions
#FX072171. Published by
FLEX Editions
(FL.FX072171).
Instruments:Flu
te Duet: 2 Flutes;
Difficuly Level: Grade
4.
Composed
by Joseph Bodin de
Boismortier. Arranged by
Eric Vireton.
Arrangement. Classical.
Score and Set of Parts.
Duration 5 minutes, 20
seconds. FLEX Editions
#FX072188. Published by
FLEX Editions
(FL.FX072188).
Instruments:Vio
lin Duet: 2 Violins;
Difficuly Level: Grade
4.
Composed by Joseph Bodin
de Boismortier. Arranged
by Eric Vireton.
Arrangement. Classical.
Score and Set of Parts.
Duration 5 minutes, 20
seconds. FLEX Editions
#FX072187. Published by
FLEX Editions
(FL.FX072187).
Instruments:Flu
te Duet: 2 Flutes;
Difficuly Level: Grade
4.
Composed by Muzio
Clementi. Arranged by
Douglas Townsend. Carl
Fischer Young String
Orchestra Series.
Classical. Full score.
With Standard notation.
12 pages. Carl Fischer
Music #YAS13F. Published
by Carl Fischer Music
(CF.YAS13F).
ISBN
9780825848339. UPC:
798408048334. 8.5 X 11
inches. Key: G
major.
IApart from
some of his Sonatinas,
Opus 36, Clementi's life
and music are hardly
known to the piano
teachers and students of
today. For example, in
addition to the above
mentioned Sonatinas,
Clementi wrote sixty
sonatas for the piano,
many of them unjustly
neglected, although his
friend Beethoven regarded
some of them very highly.
Clementi also wrote
symphonies (some of which
he arranged as piano
sonatas), a substantial
number of waltzes and
other dances for the
piano as well as sonatas
and sonatinas for piano
four-hands.In addition to
composing, Clementi was a
much sought after piano
teacher, and included
among his students John
Field (Father of the
'Nocturne'), and
Meyerbeer.In his later
years, Clementi became a
very successful music
publisher, publishing
among other works the
first English edition of
Beethoven's Violin
Concerto, in the great
composer's own
arrangement for the
piano, as well as some of
his string quartets.
Clementi was also one of
the first English piano
manufacturers to make
pianos with a metal frame
and string them with
wire.The Sonatina in C,
Opus 36, No. 1 was one of
six such works Clementi
wrote in 1797. He must
have been partial to
these little pieces (for
which he also provided
the fingerings), since
they were reissued
(without the fingering)
by the composer shortly
after 1801. About 1820,
he issued ''the sixth
edition, with
considerable improvements
by the author;· with
fingerings added and
several minor changes,
among which were that
many of them were written
an octave higher.IIIt has
often been said,
generally by those
unhampered by the facts,
that composers of the
past (and, dare we add,
the present?), usually
handled their financial
affairs with their public
and publishers with a
poor sense of business
acumen or common sense.
As a result they
frequently found
themselves in financial
straits.Contrary to
popular opinion, this was
the exception rather than
the rule. With the
exception of Mozart and
perhaps a few other
composers, the majority
of composers then, as
now, were quite
successful in their
dealings with the public
and their publishers, as
the following examples
will show.It was not
unusual for 18th- and
19th-century composers to
arrange some of their
more popular compositions
for different
combinations of
instruments in order to
increase their
availability to a larger
music-playing public.
Telemann, in the
introduction to his
seventy-two cantatas for
solo voice and one melody
instrument (flute, oboe
or violin, with the usual
continua) Der Harmonische
Gottesdienst, tor
example, suggests that if
a singer is not available
to perform a cantata the
voice part could be
played by another
instrument. And in the
introduction to his Six
Concertos and Six Suites
for flute, violin and
continua, he named four
different instrumental
combinations that could
perform these pieces, and
actually wrote out the
notes for the different
possibilities. Bach
arranged his violin
concertos for keyboard,
and Beethoven not only
arranged his Piano Sonata
in E Major, Opus 14, No.
1 for string quartet, he
also transposed it to the
key of F. Brahm's
well-known Quintet in F
Minor for piano and
strings was his own
arrangement of his
earlier sonata for two
pianos, also in F
Minor.IIIWe come now to
Clementi. It is well
known that some of his
sixty piano sonatas were
his own arrangements of
some of his lost
symphonies, and that some
of his rondos for piano
four-hands were
originally the last
movements of his solo
sonatas or piano trios.In
order to make the first
movement of his
delightful Sonatina in C,
Opus 36, No. 1 accessible
to young string players,
I have followed the
example established by
the composer himself by
arranging and transposing
one of his piano
compositions from one
medium (the piano) to
another. (string
instruments). In order to
simplify the work for
young string players, in
the process of adapting
it to the new medium it
was necessary to
transpose it from the
original key of C to G,
thereby doing away with
some of the difficulties
they would have
encountered in the
original key. The first
violin and cello parts
are similar to the right-
and left-hand parts of
the original piano
version. The few changes
I have made in these
parts have been for the
convenience of the string
players, but in no way do
they change the nature of
the music.Since the
original implied a
harmonic framework in
many places, I have added
a second violin and viola
part in such a way that
they not only have
interesting music to
play, but also fill in
some of the implied
harmony without in any
way detracting from the
composition's musical
value. Occasionally, it
has been necessary to
raise or lower a few
passages an octave or to
modify others slightly to
make them more accessible
for young players.It is
hoped that the musical
value of the composition
has not been too
compromised, and that
students and teachers
will come to enjoy this
little piece in its new
setting as much as
pianists have in the
original one. This
arrangement may also be
performed by a solo
string quartet. When
performed by a string
orchestra, the double
bass part may be
omitted.- Douglas
TownsendString editing by
Amy Rosen.
About Carl
Fischer Young String
Orchestra
Series
Thi
s series of Grade 2/Grade
2.5 pieces is designed
for second and third year
ensembles. The pieces in
this series are
characterized
by: --Occasionally
extending to third
position --Keys
carefully considered for
appropriate
difficulty --Addition
of separate 2nd violin
and viola
parts --Viola T.C.
part
included --Increase
in independence of parts
over beginning levels
By Jean Baptiste Loeillet de Gant. For Alto Recorder and Basso Continuo. Baroque...(+)
By Jean Baptiste Loeillet
de Gant. For Alto
Recorder and Basso
Continuo. Baroque;
Chamber. Intermediate.
Full score, set of parts
and 2 Play-Along CDs.
Published by Recorder JP
Composed by Arcangelo Corelli (1653-1713). Arranged by Patrick Jee & Nan...(+)
Composed by Arcangelo
Corelli
(1653-1713). Arranged by
Patrick Jee & Nanae
Iwata. For
cello and piano
accompaniment.
Score and part. Published
by
International Music
Company