| The Ultimate Fake Book - Third Edition (Bb version)
Instruments en Sib [Fake Book] Hal Leonard
Bb Edition. Fake Book (Includes melody line and chords). Size 9x12 inches. 816 p...(+)
Bb Edition. Fake Book
(Includes melody line and
chords). Size 9x12
inches. 816 pages.
Published by Hal Leonard.
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| Best Fake Book Ever - 5th Edition Instruments en Do [Fake Book] Hal Leonard
C Edition. Composed by Various. Fake Book. Broadway, Country, Jazz, Pop, Stand...(+)
C Edition. Composed by
Various. Fake Book.
Broadway,
Country, Jazz, Pop,
Standards.
Softcover. 802 pages.
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| E-Z Play Today #316: White Pages Piano Facile [Partition] - Débutant Hal Leonard
By Various. E-Z Play Today. Softcover. Big note notation. 880 pages. Published b...(+)
By Various. E-Z Play
Today. Softcover. Big
note notation. 880 pages.
Published by Hal Leonard
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| The Real Blues Book (C Instruments) Instruments en Do [Fake Book] Hal Leonard
| | |
| The Blues Fake Book
Fake Book [Fake Book] Hal Leonard
Fakebook (spiral bound) for voice and C instrument. With vocal melody, lyrics, c...(+)
Fakebook (spiral bound)
for voice and C
instrument. With vocal
melody, lyrics, chord
names and leadsheet
notation. Series: Hal
Leonard Fake Books. 407
pages. Published by Hal
Leonard.
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| The Real Book - Volume IV Instruments en Sib [Fake Book] Hal Leonard
(B-flat Edition). By Various. By Various. For Bb Instruments. Fake Book. Softcov...(+)
(B-flat Edition). By
Various. By Various. For
Bb Instruments. Fake
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pages. Published by Hal
Leonard
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| The Real Book - Volume IV Instruments en Do [Fake Book] Hal Leonard
(C Edition). By Various. By Various. Fake Book. Softcover. 464 pages. Published ...(+)
(C Edition). By Various.
By Various. Fake Book.
Softcover. 464 pages.
Published by Hal Leonard
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| The Real Book - Volume IV Bass Clef Instruments Hal Leonard
(Bass Clef Edition). By Various. By Various. For Bass Clef Instruments. Fake Boo...(+)
(Bass Clef Edition). By
Various. By Various. For
Bass Clef Instruments.
Fake Book. Softcover. 464
pages. Published by Hal
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| The Real Book - Volume IV Instruments en Mib [Fake Book] Hal Leonard
(E-flat Edition). By Various. By Various. For Eb Instruments. Fake Book. Softcov...(+)
(E-flat Edition). By
Various. By Various. For
Eb Instruments. Fake
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| The Real Vocal Book - Volume III Voix haute [Fake Book] Hal Leonard
(High Voice). By Various. For Vocal. Fake Book. 438 pages. Published by Hal Leon...(+)
(High Voice). By Various.
For Vocal. Fake Book. 438
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| The Real Vocal Book - Volume III Voix basse Hal Leonard
(Low Voice). Composed by Various. For Vocal. Fake Book. 440 pages. Published by ...(+)
(Low Voice). Composed by
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| Best of Contemporary Christian
Fake Book [Fake Book] - Intermédiaire Hal Leonard
Over 400 Songs. Fake Book (Includes melody line and chords). Size 9x12 inches. 5...(+)
Over 400 Songs. Fake Book
(Includes melody line and
chords). Size 9x12
inches. 583 pages.
Published by Hal Leonard.
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| The Lyric Library: Contemporary Christian Paroles Seulement Hal Leonard
Complete Lyrics for 200 Songs. Lyric Library. Size 6x9 inches. 228 pages. Publis...(+)
Complete Lyrics for 200
Songs. Lyric Library.
Size 6x9 inches. 228
pages. Published by Hal
Leonard.
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| Sing a Song of Aesop Chorale Unison Unison Heritage Music Press
(Five Famous Fables). By Don Dupont. Arranged by Brian Hiller. For unison choir,...(+)
(Five Famous Fables). By
Don Dupont. Arranged by
Brian Hiller. For unison
choir, piano. Tuneful
Tales. Book and
performance/accompaniment
CD. Published by Heritage
Music Press
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| Come, Ye People of Every Nation Chorale Unison Unison/2-parties, Piano [Octavo] Choristers Guild
Composed by Dan Edwards. For unison/2-part voices with piano (with optional reco...(+)
Composed by Dan Edwards.
For unison/2-part voices
with piano (with optional
recorder or C instrument
and percussion). Sacred
anthem. Advent,
Christmas, Epiphany.
Octavo. Published by
Chorister's Guild
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| Monkey Business Chorale Unison Heritage Music Press
(Progressive Lessons for Teaching Beat, Note Values, and Rests in the Elementary...(+)
(Progressive Lessons for
Teaching Beat, Note
Values, and Rests in the
Elementary School). By
Jim Solomon. For unison
choir, Orff instruments,
Small percussion. Grade
K-6. Published by
Heritage Music Press
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| Great Smoky Mountains [Conducteur] Theodore Presser Co.
Band Bass Clarinet, Bassoon 1, Bassoon 2, Clarinet, Clarinet 1, Clarinet 2, Clar...(+)
Band Bass Clarinet,
Bassoon 1, Bassoon 2,
Clarinet, Clarinet 1,
Clarinet 2, Clarinet 3,
Contrabass Clarinet,
Contrabassoon, Double
Bass, English Horn,
Euphonium, Flute 1, Flute
2, Horn 1, Horn 2, Horn
3, Horn 4, Oboe 1, Oboe
2, Percussion 1 and more.
SKU: PR.16500102F
Mvt. 2 from Symphony
No. 6 (Three Places in
the East). Composed
by Dan Welcher. Full
score. 52 pages. Theodore
Presser Company
#165-00102F. Published by
Theodore Presser Company
(PR.16500102F). ISBN
9781491131749. UPC:
680160680276. Ever
since the success of my
series of wind ensemble
works Places in the West,
I've been wanting to
write a companion piece
for national parks on the
other side of the north
American continent. The
earlier work, consisting
of GLACIER, THE
YELLOWSTONE FIRES,
ARCHES, and ZION, spanned
some twenty years of my
composing life, and since
the pieces called for
differing groups of
instruments, and were in
slightly different styles
from each other, I never
considered them to be
connected except in their
subject matter. In their
depiction of both the
scenery and the human
history within these
wondrous places, they had
a common goal: awaking
the listener to the
fragile beauty that is in
them; and calling
attention to the ever
more crucial need for
preservation and
protection of these wild
places, unique in all the
world. With this new
work, commissioned by a
consortium of college and
conservatory wind
ensembles led by the
University of Georgia, I
decided to build upon
that same model---but to
solidify the process. The
result, consisting of
three movements (each
named for a different
national park in the
eastern US), is a
bona-fide symphony. While
the three pieces could be
performed separately,
they share a musical
theme---and also a common
style and
instrumentation. It is a
true symphony, in that
the first movement is
long and expository, the
second is a rather
tightly structured
scherzo-with-trio, and
the finale is a true
culmination of the whole.
The first movement,
Everglades, was the
original inspiration for
the entire symphony.
Conceived over the course
of two trips to that
astonishing place (which
the native Americans
called River of Grass,
the subtitle of this
movement), this movement
not only conveys a sense
of the humid, lush, and
even frightening scenery
there---but also an
overview of the entire
settling-of- Florida
experience. It contains
not one, but two native
American chants, and also
presents a view of the
staggering influence of
modern man on this
fragile part of the
world. Beginning with a
slow unfolding marked
Heavy, humid, the music
soon presents a gentle,
lyrical theme in the solo
alto saxophone. This
theme, which goes through
three expansive phrases
with breaks in between,
will appear in all three
movements of the
symphony. After the mood
has been established, the
music opens up to a rich,
warm setting of a
Cherokee morning song,
with the simple happiness
that this part of Florida
must have had prior to
the nineteenth century.
This music, enveloping
and comforting, gradually
gives way to a more
frenetic, driven section
representative of the
intrusion of the white
man. Since Florida was
populated and developed
largely due to the
introduction of a train
system, there's a
suggestion of the
mechanized iron horse
driving straight into the
heartland. At that point,
the native Americans
become considerably less
gentle, and a second
chant seems to stand in
the way of the intruder;
a kind of warning song.
The second part of this
movement shows us the
great swampy center of
the peninsula, with its
wildlife both in and out
of the water. A new theme
appears, sad but noble,
suggesting that this land
is precious and must be
protected by all the
people who inhabit it. At
length, the morning song
reappears in all its
splendor, until the
sunset---with one last
iteration of the warning
song in the solo piccolo.
Functioning as a scherzo,
the second movement,
Great Smoky Mountains,
describes not just that
huge park itself, but one
brave soul's attempt to
climb a mountain there.
It begins with three
iterations of the
UR-theme (which began the
first movement as well),
but this time as up-tempo
brass fanfares in
octaves. Each time it
begins again, the theme
is a little slower and
less confident than the
previous time---almost as
though the hiker were
becoming aware of the
daunting mountain before
him. But then, a steady,
quick-pulsed ostinato
appears, in a constantly
shifting meter system of
2/4- 3/4 in alteration,
and the hike has begun.
Over this, a slower new
melody appears, as the
trek up the mountain
progresses. It's a big
mountain, and the ascent
seems to take quite
awhile, with little
breaks in the hiker's
stride, until at length
he simply must stop and
rest. An oboe solo, over
several free cadenza-like
measures, allows us (and
our friend the hiker) to
catch our breath, and
also to view in the
distance the rocky peak
before us. The goal is
somehow even more
daunting than at first,
being closer and thus
more frighteningly steep.
When we do push off
again, it's at a slower
pace, and with more
careful attention to our
footholds as we trek over
broken rocks. Tantalizing
little views of the
valley at every
switchback make our
determination even
stronger. Finally, we
burst through a stand of
pines and----we're at the
summit! The immensity of
the view is overwhelming,
and ultimately humbling.
A brief coda, while we
sit dazed on the rocks,
ends the movement in a
feeling of triumph. The
final movement, Acadia,
is also about a trip. In
the summer of 2014, I
took a sailing trip with
a dear friend from North
Haven, Maine, to the
southern coast of Mt.
Desert Island in Acadia
National Park. The
experience left me both
exuberant and exhausted,
with an appreciation for
the ocean that I hadn't
had previously. The
approach to Acadia
National Park by water,
too, was thrilling: like
the difference between
climbing a mountain on
foot with riding up on a
ski-lift, I felt I'd
earned the right to be
there. The music for this
movement is entirely
based on the opening
UR-theme. There's a sense
of the water and the
mysterious, quiet deep
from the very beginning,
with seagulls and bell
buoys setting the scene.
As we leave the harbor,
the theme (in a canon
between solo euphonium
and tuba) almost seems as
if large subaquatic
animals are observing our
departure. There are
three themes (call them
A, B and C) in this
seafaring journey---but
they are all based on the
UR theme, in its original
form with octaves
displaced, in an
upside-down form, and in
a backwards version as
well. (The ocean, while
appearing to be
unchanging, is always
changing.) We move out
into the main channel
(A), passing several
islands (B), until we
reach the long draw that
parallels the coastline
called Eggemoggin Reach,
and a sudden burst of new
speed (C). Things
suddenly stop, as if the
wind had died, and we
have a vision: is that
really Mt. Desert Island
we can see off the port
bow, vaguely in the
distance? A chorale of
saxophones seems to
suggest that. We push off
anew as the chorale ends,
and go through all three
themes again---but in
different
instrumentations, and
different keys. At the
final tack-turn, there it
is, for real: Mt. Desert
Island, big as life.
We've made it. As we pull
into the harbor, where
we'll secure the boat for
the night, there's a
feeling of achievement.
Our whale and dolphin
friends return, and we
end our journey with
gratitude and
celebration. I am
profoundly grateful to
Jaclyn Hartenberger,
Professor of Conducting
at the University of
Georgia, for leading the
consortium which provided
the commissioning of this
work. $36.99 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| The Note Book Orff Inst., Unison Collection w/Repr. Parts Chorale Unison Unison Shawnee Press
| | |
| The Lyric Library: Early Rock 'N' Roll Paroles Seulement Hal Leonard
Complete Lyrics for 200 Songs. Performed by Various. Lyric Library. Size 6x9 inc...(+)
Complete Lyrics for 200
Songs. Performed by
Various. Lyric Library.
Size 6x9 inches. 224
pages. Published by Hal
Leonard.
$14.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Microjazz Saxophone Duets 2 Saxophones (duo) Boosey and Hawkes
24 Pieces in Popular Styles for Saxophone Duet. By Christopher Norton. (Saxopho...(+)
24 Pieces in Popular
Styles for Saxophone
Duet. By Christopher
Norton. (Saxophone).
Boosey and Hawkes Chamber
Music. Book only. 50
pages. Published by
Boosey and Hawkes.
$22.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Hal Leonard Student Piano Library Adult Piano Method Piano seul [Partition + Accès audio] - Facile Hal Leonard
Lessons, Solos, Technique, and Theory. Educational Piano Library. Instruction, M...(+)
Lessons, Solos,
Technique, and Theory.
Educational Piano
Library. Instruction,
Method. Softcover Audio
Online. 116 pages.
Published by Hal Leonard
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| Best Rock Songs for Easy Guitar Guitare notes et tablatures - Facile Hal Leonard
((No Tab)). By Various. For Guitar. Easy Guitar. Softcover. 216 pages. Pub...(+)
((No Tab)). By Various.
For
Guitar. Easy Guitar.
Softcover. 216 pages.
Published by Hal Leonard
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| LCM Piano Anthology Grades 7 and 8 (2015 onwards) Piano seul - Avancé London College Of Music
Piano - advanced SKU: BT.LCM9790570121533 Exam Material. Book Only. 112 p...(+)
Piano - advanced SKU:
BT.LCM9790570121533
Exam Material. Book Only.
112 pages. London College
Music #LCM9790570121533.
Published by London
College Music
(BT.LCM9790570121533).
English. These
Piano Anthologies contain
pieces which have been
carefully selected from
previous piano exam lists
dating from 1988 to 2006.
All of the pieces in
these volumes have proved
popular with piano
students, teachers and
listeners, and we are
pleased to be able to
make them available again
in these new collections.
Pieces from these
anthologies may be chosen
as List B and C pieces,
allowing students to
increase their choice of
repertoire beyond the
already extensive
selection offered in the
LCM piano repertoire
lists for grade, recital
grade and leisure play
options. It is hoped that
these anthologies will
also be of interest to
piano students generally.
The range of styles
broadlycovers the late
18th century to the
present. Some familiar
pieces are present in
these volumes, but they
include pieces
additionally from
composers who have had a
distinguished career in
the role of teacher or
student at LCM. Amongst
the former are William
Lloyd Webber and Martyn
Williams, and amongst the
latter are Nicholas Grace
and John Guilfoyle, who
now have eminent academic
and professional musical
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| Condacum Cd Orchestre d'harmonie Hal Leonard
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