(82 balanced lessons). By Harold E. Mitchell. For trumpet. This edition: Paperback. Instructional. Method. Method book and DVD. Text Language: English. 96 pages. Published by Santorella Publications

The Most Popular Method for Learning How to Play. Composed by Morty Manus; Ron Manus. This edition: 3rd. Guitar Method or Supplement; Method/Instruction. Alfred's Basic Guitar Library. Book; Digital Download; DVD; Software. 152 pages. Alfred Music #00-44749. Published by Alfred Music (AP.44749).

Written by Noah Baerman. Instructional book and examples/accompaniment CD for keyboard. Series: National Keyboard Workshop Book - Approved Curriculum. 96 pages. Published by Alfred Publishing.

Fanfare Band - Grade 3

SKU: BT.GOB-000424-020

Composed by Andreas Ludwig Schulte. Set (Score & Parts). 72 pages. Gobelin Music Publications #GOB 000424-020. Published by Gobelin Music Publications (BT.GOB-000424-020).

There are regularly partys by tourists on the beaches of Rio de Janeiro.
The catchy Holiday in Rio is also based on this and takes us in Brazilian atmosphere from the first bar.
Pleasant music that in which no one can be seated quietly.
Featuring solos on alto saxophone, trumpet and trombone.
The bouncer!


Dat er regelmatig feest wordt gevierd op de stranden van Rio de Janeiro is ons, sinds het WK-voetbal, bekend.
Het aanstekelijke Holiday in Rio is daar dan ook op gebaseerd en brengt ons vanaf de eerste maat in Braziliaanse sferen.
Opgewekte muziek waar niemand rustig bij kan blijven zitten.
Attentie voor de solos voor altsaxofoon, trompet en trombone. De uitsmijter!

Concert band - Grade 2

SKU: CL.011-4217-01

(Carpe Diem!). Composed by J. Johnson. Young Concert Band. Command Series. Audio recording available separately (item CL.WFR379). Extra full score. Composed 2013. Duration 2 minutes, 43 seconds. C.L. Barnhouse #011-4217-01. Published by C.L. Barnhouse (CL.011-4217-01).

A stunning concert opener, this exciting work opens with a simple thematic statement from the trumpets [or optional solo trumpet], then takes off with pulsating percussion and low brass. The theme continues to rise to the occasion, incorporating hemiola in 6/8 time, rhythmic ostinato and fanfare, culminating in a triumphant conclusion for your performers to Seize the Day. Carpe Diem!

About C.L. Barnhouse Command Series

The Barnhouse Command Series includes works at grade levels 2, 2.5, and 3. This series is designed for middle school and junior high school bands, as well as high school bands of smaller instrumentation or limited experience. Command Series publications have a slightly larger instrumentation than the Rising Band Series, and are typically of larger scope, duration, and musical content.

By Franz Schubert (1797-1828). Edited by Walburga Litschauer. For piano. This edition: Urtext edition. Stapled. With notes on performance practice by Mario Aschauer and Schubert's drafts of the individual movements. Performance score. 47 pages. Published

SATB vocal soli, SATB choir, 2 recorders f1, oboe I/oboe d'caccia i, oboe II, oboe IIi/oboe d'caccia II, 4 trumpets, timpani, 2 violins, viola, basso continuo

SKU: CA.3111909

Cantata for the inauguration of town councils in Leipzig. Composed by Johann Sebastian Bach. Edited by Uwe Wolf. This edition: urtext. 2x 31.119/21 2 flutes, 1x 31.119/22 oboe 1, 1x 31.119/23 oboe 2, 1x 31.119/24 oboe 3, 5x 31.119/31 trumpet/timpani. Stuttgart Urtext Edition: Bach vocal. Preise, Jerusalem Neuausgabe U.Wolf. Sacred vocal music, Cantatas, Psalms, German, Praise and thanks. Set of Orchestra Parts. Composed 1723. BWV 119. 36 pages. Duration 27 minutes. Carus Verlag #CV 31.119/09. Published by Carus Verlag (CA.3111909).

ISBN 9790007048747. Key: C major. Language: German/English. Text: Goes, Albrecht. Text: Albrecht Goes.

Bach's first cantata for the election of the Leipzig town council, composed in August 1723, is one of his most splendidly scored work from his Leipzig period. The choice of opening, with the representative form of a French overture, was suited to a festive orchestral scoring. Two choral movements frame a middle section which consists of two arias and a recitativo accompagnato with a trumpet ritornello. The conclusion of this extended festive music takes a reflective turn in movements 8 and 9, when Bach allows a recitative to be followed by simple, prayer-like chorale movement. Score and parts available separately - see item CA.3111900.

Orchestra full orchestra - Grade 3

SKU: KJ.O1057C

Composed by Katherine Wolf Punwar. String Tracks. Score and parts. Neil A. Kjos Music Company #O1057C. Published by Neil A. Kjos Music Company (KJ.O1057C).

Tintinabulation s is a light novelty piece containing the stylistic variations from the familiar holiday song Jingle Bells. The first portion of the piece goes back in time to the early 1800's and adopts the style of Gioacchino Rossini. This it seques to the elegance of waltz music from the days of the Strauss family. Progressing into the twentieth century, Jingle Bells becomes a jazzy delight featuring a special tuba solo. As the piece comes to a climatic ending, the familiar melody takes on the lively sound of Country-Western music. With bells in the background throughout most of the piece, the definition of tintinabulations comes to mind; the ringing sound of bells.

Score and Parts Marching Band (Score and Parts) - Grade 3

SKU: HL.3746688

By Survivor. By Frank Sullivan and Jim Peterik. Arranged by Chuck Ricotta and Scott Boerma. Contemporary Marching Band. Movies, Rock. Softcover. Published by Hal Leonard (HL.3746688).

UPC: 196288197195. 6.75x10.5 inches.

Recorded by Survivor in 1982 for the movie â??Rocky III,â? this rock anthem has come to epitomize the emotion and drama of competition. Scott Boerma's arrangemenet takes this hit to new levels of excitement for any sports arena!

Concert Band/Harmonie - Grade 3

SKU: BT.GOB-000849-140

Composed by Ron Gilmore. Score Only. 40 pages. Gobelin Music Publications #GOB 000849-140. Published by Gobelin Music Publications (BT.GOB-000849-140).

In three contrasting movements Ron Gilmore takes you to the dancefloor.

Part 1 (Warming up) ensures that the muscles loose.
In part 2 (Chilling out) it's time to unwind with a beautiful trumpet solo.
In the last part (Back to the dancefloor), this composition is completed on aswinging.

Guaranteed success for both orchestra and audience with this spectacular Dance Party!

In drie contrasterende delen neemt Ron Gilmore u mee naar de dancefloor.

Deel 1 (Warming up) zorgt er voor dat de spieren los komen.
In deel 2 (Chilling out) is het tijd om bij te komen met een fraaie trompetsolo.
In het laatste deel (Back to the dancefloor) wordt deze compositie op swingende wijze afgesloten.

Genieten voor zowel orkest als publiek met deze spetterende Dance Party!

Chamber Music brass quintet

SKU: PR.14440622S

For Brass Quintet. Composed by Lauren Bernofsky. Contemporary. Full score. With Standard notation. Composed 1997. 8 pages. Duration 3 minutes. Theodore Presser Company #144-40622S. Published by Theodore Presser Company (PR.14440622S).

UPC: 680160626762. 9 x12 inches.

A commission by the South Shore Conservatory (Duxbury, MA) led to this exciting fanfare for brass quintet. Says Bernofsky, The piece begins with a rather fragmented-sounding opening, and it gradually takes shape as all the instruments come together to play the main theme of the piece..

Brass Band - Grade 3

SKU: BT.AMP-023-130

Composed by Philip Sparke. Anglo Music Midway Series. Original Light Music. Score Only. Composed 2002. Anglo Music Press #AMP 023-130. Published by Anglo Music Press (BT.AMP-023-130).

Merry-Go-Rou nd is a mini concerto for band in which each section takes a turn as soloist. On a merry-go-round the viewpoint is constantly changing, this being portrayed by different instrumental groups playing variations on the main theme, continually coming to the fore. This attractive work will bring all the excitement of the fairground to your concert.

Merry-Go-Round ist ein Minikonzert für Blasorchester, das nacheinander alle Register ins rechte Licht setzt. Auf einem Karussell - einem 'Merry-Go-Round' - dreht sich immer wieder ein anderer Teil nach vorne, hin zum Auge des Betrachters. Hier stellen sich immer wieder andere Instrumentengruppen in den Vordergrund, indem sie sich mit Varianten des Hauptthemas und einer zweiten Melodie abwechseln und so das Stück reizvoll und spannend für Musiker und Publikum gestalten.

Grade 2

SKU: CL.011-3827-01

Composed by Conaway. Young Concert Band. Command Series. Audio recording available separately (item CL.WFR363). Extra full score. Composed 2009. Duration 2 minutes. C.L. Barnhouse #011-3827-01. Published by C.L. Barnhouse (CL.011-3827-01).

Holiday cheer takes a time-out in Matt Conaway’s humorous tale of Christmas carolers who just can’t agree on which song to sing. A series of interruptions, interjections, and intrusions breaks down into an all-out argument until the musicians find common ground in a song that will always be popular this time of year. A great way to add some humor to your winter concert!

About C.L. Barnhouse Command Series

The Barnhouse Command Series includes works at grade levels 2, 2.5, and 3. This series is designed for middle school and junior high school bands, as well as high school bands of smaller instrumentation or limited experience. Command Series publications have a slightly larger instrumentation than the Rising Band Series, and are typically of larger scope, duration, and musical content.

Concert Band Concert Band - Grade 2.5

SKU: FJ.B1514

Composed by William Owens. Concert Band; MakeMusic Cloud. FJH Young Band. Patriotic; programmatic. Score and Part(s). Duration 3:30. The FJH Music Company Inc #98-B1514. Published by The FJH Music Company Inc (FJ.B1514).

UPC: 674398230419. English.

Capture the fierceness and raw savagery of the battle that would change naval warfare forever! Ironclads is a work of epic proportions that chronicles the massive battle between the USS Merrimack and the USS Monitor during the American Civil War. A foreboding introduction with brass and percussion signifies the meeting of the two titans before the music suddenly takes off to portray the ferocity of the vessels in combat. Dissonance and colorful percussion writing ensue before a heroic ending caps this intense programmatic work!

Concert Band/Harmonie - Grade 3

SKU: BT.DHP-1125271-140

Composed by Michael Jackson. Arranged by Miho Hazama. Pop and Rock. Score Only. Composed 2012. 20 pages. De Haske Publications #DHP 1125271-140. Published by De Haske Publications (BT.DHP-1125271-140).

9x12 inches.

This number topped the U.S. chart as the lead release single from Bad. Siedah Garrett, who sang the duet, was a protégé of Quincy Jones with whom Michael tag-teamed for three solos on Off the Wall. (Garrett is also renowned as one of the writers of the song Man in the Mirror,� the fourth single which carries a strong message.) Japanese fans still remember this song being performed as an encore during the Bad World Tour in 1987. The straightforward, sweet love song starts out quietly and gradually takes on heat, unfolding a wonderful musical sentiment. The performance of the arranged version also strikes the audience with an imposing world of sound comparableto that of a full orchestra.

I Just Canâ??t Stop Loving You was de eerste single van het album Bad. Michael Jackson nam dit romantisch duet, samen met zangeres en songwriter Siedah Garret, op. Dit gevoelige nummer werd wereldwijd bekend door Michaelâ??sBad World Tour in 1987. Miho Hazama maakte er een arrangement van met een prachtig volle klank.

I Just Canâ??t Stop Loving You war die erste Single aus dem Album Bad, wo das romantische Duett zusammen mit der Sängerin und Songwriterin Siedah Garret aufgenommen wurde. Weltweit ist der gefu?hlvolle Song vor allem von der Bad World Tour im Jahr 1987 bekannt geworden. Dieses Arrangement besticht vor allem durch seinen vollen Orchesterklang.

I Just Canâ??t Stop Loving You, premier single extrait de lâ??album, est un duo romantique que Michael Jackson interprèta avec Siedah Garrett. La chanson connut un réel succès dans le monde entier, et fut programmée lors des différentes tournées Bad World Tour et Dangerous World Tour. Cet émouvant arrangement impressionne de par son orchestration complète, tout en respectant la version originale.

I Just Canâ??t Stop Loving You, il primo single dellâ??album Bad, include il romantico duo con la cantante e autrice Siedah Garret. Il brano è diventato famoso grazie al Bad World Tour del 1987. Questo raffinato arrangiamento si contraddistingue per le sonorit .

STB vocal soli, SATB choir, 3 oboes, bassoon, 2 violins, viola, basso continuo

SKU: CA.3119411

Cantata for Trinity Sunday. Composed by Johann Sebastian Bach. Edited by Tobias Rimek. Arranged by Angelika Tasler. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Violin 1. Sacred vocal music, Cantatas, Trinity. Single Part, Violin 1. Composed 1724. BWV 194. 8 pages. Duration 39 minutes. Carus Verlag #CV 31.194/11. Published by Carus Verlag (CA.3119411).

ISBN 9790007210311. Text language: German/English.

The cantata Hochsterwunschtes Freudenfest BWV 194 was composed for an organ dedication on 2 November 1723 in Stormthal, Saxony. A year later, and with just a few alterations, the cantata was performed again in Leipzig on Trinity Sunday. Our edition takes this Leipzig version of 1724 as its source. The special occasion of its composition is reflected in the extent of the composition which has twelve, instead of the usual six, movements. The orchestral scoring is for strings and three obbligato oboes. A special feature of the cantata is its structure as an orchestral suite. The beginning is a spirited opening chorus in the style of a French overture. The bass aria in the third movement has the character of a pastorale, and the following aria (movement 5) in turn has the character of a gavotte, etc. A simple four-part chorale concludes this multifaceted composition, marked by some extremely heartfelt moments. Score and part available separately - see item CA.3119400.

Jazz Ensemble plus percussion vibes, tambourine - Grade 3

SKU: KN.52245

Composed by Sammy Nestico. Kendor Jazz Archive Series. Bossa Rock. Score and set of parts. Kendor Music Inc #52245. Published by Kendor Music Inc (KN.52245).

In this breezy bossa-rock for developing groups, 1st Tenor takes a solo chorus before being joined by 2nd Tenor in a unique call-and-response solo section that may be repeated according to the director's discretion. Rhythm section parts are notated with chords cued, and use of the percussion part for vibes and tambourine enhances the Latin flavor.

Grade 2

SKU: CL.011-3457-00

Composed by Miller. Arranged by A. Clark. Young Concert Band. Command Series. Audio recording available separately (item CL.WFR336). Lighter. Score and set of parts. Composed 2005. Duration 4 minutes, 18 seconds. C.L. Barnhouse #011-3457-00. Published by C.L. Barnhouse (CL.011-3457-00).

A beautiful arrangement of one of the most memorable melodies of all time that makes a wonderful concert piece for any middle school band. Starts out quietly featuring the woodwind section (and optional choir or audience sing-a-long) and then the brass takes over and builds to a big full sound. Great piece to combine choir and band as the finale of your concert. A great message in a great song! Inspiring and impressive!

About C.L. Barnhouse Command Series

The Barnhouse Command Series includes works at grade levels 2, 2.5, and 3. This series is designed for middle school and junior high school bands, as well as high school bands of smaller instrumentation or limited experience. Command Series publications have a slightly larger instrumentation than the Rising Band Series, and are typically of larger scope, duration, and musical content.

Band Concert band - Grade 1.5

SKU: CF.FPS96

Composed by Bill Calhoun. SWS FS. First Plus Performance Series. Set of Score and Parts. With Standard notation. 8+2+4+4+2+5+2+2+4+4+4+6+2 +3+1+1+2+4+16 pages. Duration 1 minute, 57 seconds. Carl Fischer Music #FPS96. Published by Carl Fischer Music (CF.FPS96).

ISBN 9780825887611. UPC: 798408087616. 9x12 inches.

Bill Calhoun is quickly becoming one of the best composers in this business. He has a way of writing pieces that are exciting, well-scored, interesting and different. Night Flight shows his aggressive side with a piece that starts strong, right out of the gate. The fearless-sounding melody lifts up players and audience, grabs hold of them and takes them on the musical journey of a flight into the night sky. A perfect selection to showcase your developing band at a contest or festival performance.

STB vocal soli, SATB choir, 3 oboes, bassoon, 2 violins, viola, basso continuo

SKU: CA.3119412

Cantata for Trinity Sunday. Composed by Johann Sebastian Bach. Edited by Tobias Rimek. Arranged by Angelika Tasler. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Violin 2. Sacred vocal music, Cantatas, Trinity. Single Part, Violin 2. Composed 1724. BWV 194. 8 pages. Duration 39 minutes. Carus Verlag #CV 31.194/12. Published by Carus Verlag (CA.3119412).

ISBN 9790007210328. Text language: German/English.

The cantata Hochsterwunschtes Freudenfest BWV 194 was composed for an organ dedication on 2 November 1723 in Stormthal, Saxony. A year later, and with just a few alterations, the cantata was performed again in Leipzig on Trinity Sunday. Our edition takes this Leipzig version of 1724 as its source. The special occasion of its composition is reflected in the extent of the composition which has twelve, instead of the usual six, movements. The orchestral scoring is for strings and three obbligato oboes. A special feature of the cantata is its structure as an orchestral suite. The beginning is a spirited opening chorus in the style of a French overture. The bass aria in the third movement has the character of a pastorale, and the following aria (movement 5) in turn has the character of a gavotte, etc. A simple four-part chorale concludes this multifaceted composition, marked by some extremely heartfelt moments. Score and part available separately - see item CA.3119400.

Orchestra Piano

SKU: PR.11641861SP

Composed by William Kraft. Part. 35 pages. Duration 21 minutes. Theodore Presser Company #116-41861SP. Published by Theodore Presser Company (PR.11641861SP).

UPC: 680160685202.

What? ! - my composer colleagues said - A concerto for the piano? It's a 19th century instrument! Admittedly we are in an age when originally created timbres and/or musico-technological formulations are often the modus operandi of a piece. Actually, this Concerto began about two years ago when, during one of my creative jogs, the sound of the uppermost register of the piano mingled with wind chimes penetrated my inner ear. The challenge and fascination of exploring and developing this idea into an orchestral situation determined that some day soon I would be writing a work for piano and orchestra. So it was a very happy coincidence when Mona Golabek phoned to tell me she would like discuss the Ford Foundation commission. After covering areas of aesthetics and compositional styles, we found that we had a good working rapport, and she asked if I would accept the commission. The answer was obvious. Then began the intensive thought process on the stylistic essence and organization of the work. Along with this went a renewed study of idiomatic writing for the piano, of the kind Stravinsky undertook with the violin when he began his Violin Concerto. By a stroke of great fortune, the day in February 1972 that I received official notice from the Ford Foundation of the commission, I also received a letter from the Guggenheim Foundation informing me I had been awarded my second fellowship. With the good graces of Zubin Mehta and Ernest Fleischmann, masters of my destiny as a member of the Los Angeles Philharmonic, I was relieved of my orchestral duties during the Hollywood Bowl season. Thus I was able to go to Europe to work and to view the latest trends in music concentrating in London (the current musical melting pot and showcase par excellence), Oslo, Norway, for the Festival of Scandinavian Music called Nordic Days, and Warsaw, Poland, for its prestigious Autumn Festival. Over half the Concerto was completed in that summer and most of the rest during the 72-73 season with the final touches put on during a month as Resident Scholar at the Rockefeller Foundation's Villa Serbelloni in Bellagio, Italy. So much for the external and environmental influences, except perhaps to mention the birds of Sussex in the first movement, the bells of Arhus (Denmark) in the second movement and the bells of Bellagio at the end of the Concerto. Primary in the conception was the personality of Miss Golabek: she is a wonderfully vital and dynamic person and a real virtuoso. Therefore, the soloist in the Concerto is truly the protagonist; it is she (for once we can do away with the generic he) who unfolds the character and intent of the piece. The first section is constructed in the manner of a recitative - completely unmeasured - with letters and numbers by which the conductor signals the orchestra for its participation. This allows the soloist the freedom to interpret the patterns and control the flow and development of the music. The Concerto is actually in one continuous movement but with three large divisions of sufficiently contrasting character to be called movements in themselves. The first 'movement' is based on a few timbral elements: 1) a cluster of very low pitches which at the beginning are practically inaudibly depressed, and sustained silently by the sostenuto pedal, which causes sympathetic vibrating pitches to ring when strong notes are struck; 2) a single powerful note indicated by a black note-head with a line through it indicating the strongest possible sforzando; 3) short figures of various colors sometimes ominous, sometimes as splashes of light or as elements of transition; 4) trills and tremolos which are the actual controlling organic thread starting as single axial tremolos and gradually expanding to trills of increasingly larger and more powerful scope. The 'movement' begins in quiescent repose but unceasingly grows in energy and tension as the stretching of a string or rubber band. When it can no longer be restrained, it bursts into the next section. The second 'movement,' propelled by the released tension, is a brilliant virtuosic display, which begins with a long solo of wispy percussion, later joined in duet with the piano. Not to be ignored, the orchestra takes over shooting the material throughout all its sections like a small agile bird deftly maneuvering through nothing but air, while the piano counterposes moments of lyricism. The orchestra reaches a climax, thrusting us into the third 'movement' which begins with a cadenza-like section for the piano. This moves gently into an expressive section (expressive is not a negative term to me) in which duets are formed with various instruments. There are fleeting glimpses of remembrances past, as a fragmented recapitulation. One glimpse is hazily expressed by strings and percussion in a moment of simultaneous contrasting levels of activity, a technique of which I have been fond and have utilized in various fixed-free relationships, particularly in my Percussion Concerto, Contextures and Games: Collage No. 1. The second half of the third 'movement; is a large coda - akin to those in Beethoven - which brings about another display of virtuosity, this time gutsy and driving, raising the Concerto to a final climax, the soloist completing the fragmented recapitulation concept as well as the work with the single-note sforzando and low cluster from the very opening of the first movement.

Jazz Ensemble - Grade 3.5

SKU: KN.52520S

Composed by Toshiko Akiyoshi. Kendor Archive Editions. Kendor Music Inc #52520S. Published by Kendor Music Inc (KN.52520S).

As recorded by the Toshiko Akiyoshi-Lew Tabackin Big Band on their Grammy-nominated album Long Yellow Road, this boppish classic offers solo space for tenor, alto, and trumpet. The even-8ths intro and finale in 5/4 time give this chart distinctive symmetry, and the roaring ensemble shout takes no prisoners! Duration 6:15.