(nach Worten der Heiligen Schrift). Composed by Johannes Brahms (1833-1897). For SB vocal soli, SATB choir, piccolo, 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 4 horns, 2 trumpets, 3 trombones, tuba, 3 timpani, harp, 2 violin, viola, cello, contrabass, [organ]. This edition: Paperbound. German title: Ein deutsches Requiem. Requiem, End of the church year, Mourning, death. Study score. Language: German. Op. 45. 256 pages. Duration 70 minutes. Published by Carus Verlag

(nach Worten der Heiligen Schrift). By Johannes Brahms (1833-1897). Arranged by Johannes Brahms. For Soli SB, SATB Choir, Piccolo, 2 Flute, 2 Oboe, 2 Clarinet, 2 Bassoon, 4 Horn, 2 Trumpet, 3 Trombone, Tuba, 3 Timpani, Harp, 2 Violin, Viola, Cello, Contrabass, [Organ]. This edition: paperbound. Full score available separately - see item CA.2705500. Requiem; Occasions: Mourning, Death; Use during church year: End of the church year. Piano/Vocal score. Language: German. 45. 96 pages. Duration 70 min

(nach Worten der Heiligen Schrift). By Johannes Brahms (1833-1897). Arranged by Johannes Brahms. For Soli SB, SATB Choir, Piccolo, 2 Flute, 2 Oboe, 2 Clarinet, 2 Bassoon, 4 Horn, 2 Trumpet, 3 Trombone, Tuba, 3 Timpani, Harp, 2 Violin, Viola, Cello, Contrabass, [Organ]. This edition: paperbound. Requiem; Occasions: Mourning, Death; Use during church year: End of the church year. Score. Language: German. 45. 256 pages. Duration 70 min

(nach Worten der Heiligen Schrift). Composed by Johannes Brahms (1833-1897). For SB vocal soli, SATB choir, piccolo, 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 4 horns, 2 trumpets, 3 trombones, tuba, 3 timpani, harp, 2 violin, viola, cello, contrabass, [organ]. German title: Ein deutsches Requiem. Requiem, End of the church year, Mourning, death. Complete orchestral parts. Language: German. Op. 45. Duration 70 minutes. Published by Carus Verlag

For Violin. Classical (duets). Contains printed music score and a compact disc featuring all the works in split-channel stereo, with the first violin on the right channel, the second violin on the left. By adjusting the balance, the soloist can remove either violin and play the other. Published by Music Minus One.

Mixed choir:SSATBB, children choir:SSA or JuCh:SSA or Chor (gleichigh voices), organ ad libitum (Mixed choir:SSATBB, Children's choir:SSA or Youth choir:SSA or Choir (gleichstimmig), Organ ad libitum) - Level 3

SKU: BA.BA08957

Sechs Motetten zur Weihnachtszeit. Edited by Gerd-Peter Munden. Stapled. Christmas. Choral score, anthology. Baerenreiter Verlag #BA08957_00. Published by Baerenreiter Verlag (BA.BA08957).

ISBN 9790006525515. 29 x 21 cm inches. Text Language: German, English, Latin. Preface: Münden, Gerd-Peter.

Year after year, during Advent and the Christmas season, compositions are sought which present well-known carols in a new light, whether it be compositions set for small or larger groups, for children or adults, with or without accompanying keyboard instruments. This collection by Gerd-Peter Münden presents carols in new settings as a welcome addition to the Christmas literature and will enrich the repertoire of an adultsâ?? or childrenâ??s choir.


The Editor
Gerd-Peter Münden is one of the most creative German church-musicians today. From 1992 to 1999 he worked as the cantor in Minden, where he also directed the music school for choristers. From 1999 he has been the Cathedral-Cantor at the Braunschweig Cathedral and the director of the cathedral school for choristers. He is the initiator and artistic director of a successful school project throughout Germany encouraging youngsters to sing.

By Kosnik. For organ. General, sacred. Published by Concordia Publishing House.
Level: Easy-Moderately Easy.

Over 500 Songs For All C Instruments. By Various. Fake Book. Love, Wedding. Softcover. 456 pages. Published by Hal Leonard

By Matthew Martin. Choir Sacred. SATB choir. Choral (Sacred); Choral Octavo; Worship Resources. Faber Edition: Choral Signature Series. Sacred. Published by Faber Music

Concert Band (Score) - Grade 3

SKU: HL.4003170

Composed by Robert Buckley. MusicWorks Grade 3. 12 pages. Duration 840 seconds. Published by Hal Leonard (HL.4003170).

UPC: 884088651466. 9.0x12.0x0.044 inches.

“Cath edral Grove” is a magnificent park on Vancouver Island in British Columbia, Canada, containing some of the oldest and largest trees in the world. It is the towering, majestic pillars of these ancient giants and the quiet serenity of this place that inspired this music. Evocative and impressionistic in nature, Robert Buckley's writing depicts the richness of the colors and textures, and the diffused light shining through the canopy of leaves above. At times hauntingly lyrical, and other times prayer-like and reverent, but always filled with awe and beauty. (Includes optional part for acoustic guitar or harp). Dur: 3:05.

Piano Solo - Easy

SKU: FP.FBH01

Composed by Horace A. Bate. Sheet Music and Books. 13 pieces for piano inspired by rural life by Horace Bate, a much respected 20th Century organist. Suitable for early to intermediate players of grade 1-3 standard. Classical. Collection. Forsyths Publications #FBH01. Published by Forsyths Publications (FP.FBH01).

ISBN 9790570504220.

Hora ce Bate (1899-1995) studied organ with Charles Hylton Stewart at Rochester Cathedral, and then with Henry George Ley and Charles Herbert Kitson at the Royal College of Music in London. In 1921 he became organist of St Margaret's in Rochester, before becoming organist of St James in Muswell Hill (1923-1950), and was conductor of the Madrigal Society in Muswell Hill (1934-1995).

Choral SATB choir

SKU: CF.CM9606

Composed by Paul Salerni. Fold. Performance. 8 pages. Duration 3 minutes, 17 seconds. Carl Fischer Music #CM9606. Published by Carl Fischer Music (CF.CM9606).

ISBN 9781491154281. UPC: 680160912780. 6.875 x 10.5 inches. Key: C major. English. Charles A. Coffin (1844-1926).

Be thlehem Carol was the result of a commission in 2000 from the Cathedral Church of the Nativity in Bethlehem, Pennsylvania. The request came from the Cathedrals music director, Russell Jackson; he had very much liked the Italian Fable cum Violin Concerto (The Big Sword and the Little Broom) I had written in 1997 for the Lehigh Valley Chamber Orchestra. Russell chose the text by Charles Coffin, a French poet and educator whose hymn verses were often translated into English. My approach toward setting the poem was my usual one; that is, to translate literally the words into music (note the dips into the minor mode for the cave of Bethlehem and the child of poverty.) But most of all, I wanted to capture the sense of joy and peace brought by the arrival of the Christ Child.
Bethlehem Carol was the result of a commission in 2000 from the Cathedral Church of the Nativity in Bethlehem, Pennsylvania. The request came from the Cathedralas music director, Russell Jackson; he had very much liked the Italian Fable cum Violin Concerto (The Big Sword and the Little Broom) I had written in 1997 for the Lehigh Valley Chamber Orchestra. Russell chose the text by Charles Coffin, a French poet and educator whose hymn verses were often translated into English. My approach toward setting the poem was my usual one; that is, to translate literally the words into music (note the dips into the minor mode for athe cave of Bethlehema and athe child of poverty.a)A But most of all, I wanted to capture the sense of joy and peace brought by the arrival of the Christ Child.
Bethlehem Carol was the result of a commission in 2000 from the Cathedral Church of the Nativity in Bethlehem, Pennsylvania. The request came from the Cathedral's music director, Russell Jackson; he had very much liked the Italian Fable cum Violin Concerto (The Big Sword and the Little Broom) I had written in 1997 for the Lehigh Valley Chamber Orchestra. Russell chose the text by Charles Coffin, a French poet and educator whose hymn verses were often translated into English. My approach toward setting the poem was my usual one; that is, to translate literally the words into music (note the dips into the minor mode for the cave of Bethlehem and the child of poverty.) But most of all, I wanted to capture the sense of joy and peace brought by the arrival of the Christ Child.
Bethlehem Carol was the result of a commission in 2000 from the Cathedral Church of the Nativity in Bethlehem, Pennsylvania. The request came from the Cathedral's music director, Russell Jackson; he had very much liked the Italian Fable cum Violin Concerto (The Big Sword and the Little Broom) I had written in 1997 for the Lehigh Valley Chamber Orchestra. Russell chose the text by Charles Coffin, a French poet and educator whose hymn verses were often translated into English. My approach toward setting the poem was my usual one; that is, to translate literally the words into music (note the dips into the minor mode for the cave of Bethlehem and the child of poverty.) But most of all, I wanted to capture the sense of joy and peace brought by the arrival of the Christ Child.
Bethlehem Carol was the result of a commission in 2000 from the Cathedral Church of the Nativity in Bethlehem, Pennsylvania. The request came from the Cathedral’s music director, Russell Jackson; he had very much liked the Italian Fable cum Violin Concerto (The Big Sword and the Little Broom) I had written in 1997 for the Lehigh Valley Chamber Orchestra. Russell chose the text by Charles Coffin, a French poet and educator whose hymn verses were often translated into English. My approach toward setting the poem was my usual one; that is, to translate literally the words into music (note the dips into the minor mode for “the cave of Bethlehem” and “the child of poverty.”)  But most of all, I wanted to capture the sense of joy and peace brought by the arrival of the Christ Child.

Composed by Stephen Burtonwood. Sacred. Lorenz Publishing Company #70/2180L. Published by Lorenz Publishing Company

Composed by Normand Gouin. Cathedral Series. Catholic Year C Christ the King. Catholic Liturgical Setting, Chrism Mass, Entrance/Communion Antiphon Setting, Ordination, Responsorial Psalm/Canticle Setting, Christ the King, Ordination/Installation. Octavo. Published by MorningStar Music Publishers (MN.80-430).

By James D. Wetherald. For Organ, bagpipes (C instrument). Chamber Music. Level: Medium. Published by MorningStar Music Publishers.

Composed by Leo Nestor. For Soprano or Tenor solo, SATB choir, 2 obbligato Instruments (Mixed Voices). Year C: Epiphany of the Lord. Epiphany, Christmas, Services, Concerts, 20th Century. Medium. Octavo. Text Language: English. Published by E.C. Schirmer Publishing

By Dale Adelmann. For AATTBB choir, a cappella. Cathedral/Parish. Choral, Concert, General, Spirituals. Medium. Choral octavo. Published by Paraclete Press

Cathedral Series. Arranged by Carol Barnett. BH Brunelle Cathedral Series. Concert, Festival, Sacred. Octavo. 12 pages. Boosey and Hawkes #M051481682. Published by Boosey and Hawkes

Choral (Studiotrax CD)

SKU: HL.35032363

Arranged by Richard A. Nichols. Shawnee Sacred. General Worship, Sacred. CD. Duration 220 seconds. Published by Shawnee Press (HL.35032363).

UPC: 888680783402. 5.0x5.0x0.152 inches. Acts 4:24, Job 26, Nehemiah 9:6, Psalm 89:11.

A regal celebration of a time-honored hymn is displayed in this festive arrangement! Classic brass motives define the introduction, raising the curtain on a joyful unison presentation of the well-known ELLACOMBE theme. A graceful middle verse offers a pleasing contrast of interesting choral textures, giving directors an opportunity for interpretive freedom. Driving to a climactic conclusion, the anthem explodes in a sensational sonic moment worthy of cathedral or concert hall. Score and Parts (hn, tpt 1-2, tbn, tba, sdm, bdm, cym, timp) available as a digital download.

By Kathryn Salfelder. (Score and Parts). Boosey and Hawkes Concert Band. Published by Boosey and Hawkes.

Score and Parts String Orchestra (Parts And Score) - Level 3.5

SKU: HL.35003018

Composed by Ken Baird. Shawnee Press. Shawnee Press #J0174. Published by Shawnee Press (HL.35003018).

UPC: 747510071570.

Follo wing a stately introduction that reflects the massive grandeur of medieval cathedrals, the orchestra takes off with an energetic original theme that culminates with the inspiring classic hymn, “Praise to the Lord.” The substantial use of multiple meters keeps everyone alert, including the conductor. Optional notes are provided for less experienced ensembles to make this playable in first position (except basses). Technically conservative enough for 3rd year groups, musically and rhythmically interesting enough to hold the attention of advanced players. This flexible piece will work for concert, contest, and sacred settings.