SKU: HL.49030290

ISBN 9790220123511. 9.0x12.0x0.045 inches.

SKU: GI.G-317209

SKU: CL.012-4197-75

Written for an icon in the band world, Favor And Treasure honors Col. John Bourgeois, Director Emeritus of the United States Marine Band, past president of the American Bandmasters Association, president of the John Philip Sousa Foundation, American vice president of the International Military Music Society, mentor and friend. Favor And Treasure is based on John's Theme, a bold, original theme conveying inspirational imagery of excellence, artistry and duty congruous with Col. Bourgeois' distinguished career at the helm of the band to which President Thomas Jefferson gave the title The President's Own. To honor Bourgeois' affinity for Cajun folk music, the old Cajun waltz, J'ai Passe Devant Ta Porte is also used, most prominently in the quasi-zydeco section of the work. Musicians and audience members of all ages will be assuredly affected by the spirit and essence of this extraordinary composition.

SKU: CA.3910512

ISBN 9790007055233. Language: German/English.

The Advent cantata Machet die Tore weit has long been one of the most frequently performed of Telemann's sacred works. Among the copies of this cantata which have been handed down is a copy by J. S. Bach which bears testimony to the high respect he paid to his then more celebrated colleague from Hamburg: It is a copy of the score in the hand of the Thomaskantor which was made for a performance in Leipzig on Avent Sunday in 1734 (therefore during the same period as the first performance of Bach's Christmas Oratorio). Of the four solo singers the soprano and bass, each of whom has an aria, are indispensable. The brief alto solos in the opening chorus can be sung by a member of the choir, and the tenor recitative can be sung by the soprano soloist. This work is now available in carus music, the choir app! Score and part available separately - see item CA.3910500.

SKU: BT.EMBZ14941

Latin.

The composer Péter Andorka (born 1987) studied under Miklós Kocsár and Miklós Csemiczky at the Bartók Secondary School of Music and under János Vajda at the Liszt Academy of Music, both in Budapest. Apart from solo, chamber and orchestral works, several vocal compositions of his (oratorios and choral works) have been performed, and he has also composed for the stage.The Three Liturgical Chants to Latin texts were composed for six-part female choir in 2009. The text of the first piece (Lux aeterna) comes from the mass for the dead, that of the second (Laudate Dominum) from Psalm 116 (117 in many English translations), and that of the third (Adoro te devote) from a hymn by StThomas Aquinas, whose Gregorian chant is also incorporated into the work. The euphony and elaborate part-writing of the Three Liturgical Chants place a serious task before choirs, particularly in terms of intonation. Especially the wide compass of Lux aeterna requires a professional choir. The pieces in the cycle can be purchased separately (Z. 14941, 14942 and 14943).

SKU: BT.EMBZ14942

Latin.

The composer Péter Andorka (born 1987) studied under Miklós Kocsár and Miklós Csemiczky at the Bartók Secondary School of Music and under János Vajda at the Liszt Academy of Music, both in Budapest. Apart from solo, chamber and orchestral works, several vocal compositions of his (oratorios and choral works) have been performed, and he has also composed for the stage.The Three Liturgical Chants to Latin texts were composed for six-part female choir in 2009. The text of the first piece (Lux aeterna) comes from the mass for the dead, that of the second (Laudate Dominum) from Psalm 116 (117 in many English translations), and that of the third (Adoro te devote) from a hymn by StThomas Aquinas, whose Gregorian chant is also incorporated into the work. The euphony and elaborate part-writing of the Three Liturgical Chants place a serious task before choirs, particularly in terms of intonation. Especially the wide compass of Lux aeterna requires a professional choir. The pieces in the cycle can be purchased separately (Z. 14941, 14942 and 14943).

SKU: CA.5504819

ISBN 9790007133702. Language: German.

The extraordinarily high reputation among Handel's contemporaries of his Passion Oratorio to words by Brockes is indicated by the fact that no less eminent a musician than Johann Sebastian Bach himself made a copy of this work. Although Bach copied it without making substantial changes in it, our edition of the work brings together two of the greatest baroque composers. The Brockes Passion was - not only for the Leipzig Thomaskantor - an alternative to the betterknown Bach Passions. Score and parts available separately - see item CA.5504800.

SKU: CA.3910511

ISBN 9790007055226. Language: German/English.

The Advent cantata Machet die Tore weit has long been one of the most frequently performed of Telemann's sacred works. Among the copies of this cantata which have been handed down is a copy by J. S. Bach which bears testimony to the high respect he paid to his then more celebrated colleague from Hamburg: It is a copy of the score in the hand of the Thomaskantor which was made for a performance in Leipzig on Avent Sunday in 1734 (therefore during the same period as the first performance of Bach's Christmas Oratorio). Of the four solo singers the soprano and bass, each of whom has an aria, are indispensable. The brief alto solos in the opening chorus can be sung by a member of the choir, and the tenor recitative can be sung by the soprano soloist. This work is now available in carus music, the choir app! Score and part available separately - see item CA.3910500.

SKU: BT.EMBZ14943

Latin.

The composer Péter Andorka (born 1987) studied under Miklós Kocsár and Miklós Csemiczky at the Bartók Secondary School of Music and under János Vajda at the Liszt Academy of Music, both in Budapest. Apart from solo, chamber and orchestral works, several vocal compositions of his (oratorios and choral works) have been performed, and he has also composed for the stage.The Three Liturgical Chants to Latin texts were composed for six-part female choir in 2009. The text of the first piece (Lux aeterna) comes from the mass for the dead, that of the second (Laudate Dominum) from Psalm 116 (117 in many English translations), and that of the third (Adoro te devote) from a hymn by StThomas Aquinas, whose Gregorian chant is also incorporated into the work. The euphony and elaborate part-writing of the Three Liturgical Chants place a serious task before choirs, particularly in terms of intonation. Especially the wide compass of Lux aeterna requires a professional choir The pieces in the cycle can be purchased separately (Z. 14941, 14942 and 14943).

SKU: CA.5504805

ISBN 9790007130756. Language: German.

The extraordinarily high reputation among Handel's contemporaries of his Passion Oratorio to words by Brockes is indicated by the fact that no less eminent a musician than Johann Sebastian Bach himself made a copy of this work. Although Bach copied it without making substantial changes in it, our edition of the work brings together two of the greatest baroque composers. The Brockes Passion was - not only for the Leipzig Thomaskantor - an alternative to the betterknown Bach Passions. Score available separately - see item CA.5504800.

SKU: BR.BV-348

ISBN 9783765103483. 5.5 x 8.5 inches. German.

Editorial BoardThomas Phleps (Music), Georg Witte (Writings)Editorial MembersMusic: Oliver Dahin / Johannes C. Gall, Writings: Maren KosterEditorial CommitteeMusic: Hartmut Fladt, Werner Grunzweig, Elmar Juchem, Roland Kluttig, Giselher SchubertWritings: Albrecht Betz, Albrecht Riethmuller, Jurgen Schebera, Friederike WissmannThe editorial works are supported by the Deutsche Forschungsgemeinschaft.Sp ecial volumes are made possible with the support of the following foundations:Klockner-Stif tung, Lotto-Stiftung, Hanns und Steffy Eisler StiftungThe goal of the Hanns Eisler Complete Edition (HEGA) is to present to the public all available compositions, writings and letters in an appropriately scholarly form. It takes a historico-critical approach and seeks to document the history of the works and writings by shedding light on their transformations, thus identifying the various versions as witnesses of evolving aesthetic and historical positions. Eislers complete oeuvre (only a limited number of his works had penetrated the publics awareness up until the 1990s) first became the object of an editorial undertaking when the Eisler - Gesammelte Werke (EGW) was founded by Nathan Notowicz. It was later placed under the direction of Manfred Grabs and Eberhardt Klemm, and began issuing its publications in 1968 through the intermediary of the Deutscher Verlag fur Musik in Leipzig. However, only four volumes of music and five volumes of writings were published. The Hanns Eisler Complete Edition pursues the work begun at that time, although it has had to fundamentally revise its editorial principles. In this respect, the Hanns Eisler Complete Edition can be considered as a completely new editorial undertaking. It became necessary to reconceive the organization of the volumes and series as well as the editorial guidelines in order to adapt the standards of historico-critical editing generally applicable today to the specific and sometimes singular circumstances of Eislers works.The Critical Commentaries pertaining to the main volumes follow the music section or, whenever they are too extensive, appear in a special volume.Series I: Choral MusicSeries II: Music for Voice and Instrumental Ensemble or OrchestraSeries III: Music for Voice and PianoSeries IV: Instrumental MusicSeries V: Incidental MusicSeries VI: Film MusicSeries VII: Sketches and FragmentsSeries VIII: Arrangements of works by other composersSeries IX: Writings, Letters and InterviewsSON 501 has been awarded the German Music Edition Prize 2003.SON 502 has been awarded the German Music Edition Prize 2007.

The major upheavals that transformed society and musical aesthetics during the first half of the 20th century also profoundly affected the life of Hanns Eisler, as well as his compositions and writings. The importance and scope of Eislers oeuvre are reason enough to make his works accessible to musical scholarship and practice in a comprehensive fashion. Price reduction for a subscription.

SKU: CA.3910513

ISBN 9790007055240. Language: German/English.

The Advent cantata Machet die Tore weit has long been one of the most frequently performed of Telemann's sacred works. Among the copies of this cantata which have been handed down is a copy by J. S. Bach which bears testimony to the high respect he paid to his then more celebrated colleague from Hamburg: It is a copy of the score in the hand of the Thomaskantor which was made for a performance in Leipzig on Avent Sunday in 1734 (therefore during the same period as the first performance of Bach's Christmas Oratorio). Of the four solo singers the soprano and bass, each of whom has an aria, are indispensable. The brief alto solos in the opening chorus can be sung by a member of the choir, and the tenor recitative can be sung by the soprano soloist. This work is now available in carus music, the choir app! Score and part available separately - see item CA.3910500.

SKU: CA.3910514

ISBN 9790007055257. Language: German/English.

The Advent cantata Machet die Tore weit has long been one of the most frequently performed of Telemann's sacred works. Among the copies of this cantata which have been handed down is a copy by J. S. Bach which bears testimony to the high respect he paid to his then more celebrated colleague from Hamburg: It is a copy of the score in the hand of the Thomaskantor which was made for a performance in Leipzig on Avent Sunday in 1734 (therefore during the same period as the first performance of Bach's Christmas Oratorio). Of the four solo singers the soprano and bass, each of whom has an aria, are indispensable. The brief alto solos in the opening chorus can be sung by a member of the choir, and the tenor recitative can be sung by the soprano soloist. This work is now available in carus music, the choir app! Score and part available separately - see item CA.3910500.

SKU: CA.5504849

ISBN 9790007132620. Language: German.

The extraordinarily high reputation among Handel's contemporaries of his Passion Oratorio to words by Brockes is indicated by the fact that no less eminent a musician than Johann Sebastian Bach himself made a copy of this work. Although Bach copied it without making substantial changes in it, our edition of the work brings together two of the greatest baroque composers. The Brockes Passion was - not only for the Leipzig Thomaskantor - an alternative to the betterknown Bach Passions. Score and part available separately - see item CA.5504800.

SKU: HL.49033226