Composed by Traditional
African-American
Spiritual. Arranged by
Kevin Phillip Johnson.
Set of Score and Parts.
44+32+2 pages. Duration 4
minutes, 5 seconds. Carl
Fischer Music #CM9743IN.
Published by Carl Fischer
Music (CF.CM9743IN).
ISBN 9781491162231.
UPC: 680160920990. Key: E
minor. English. Iyana
Davis. Negro Spiritual
with Rap crafter by Ayana
Davis.
This Negro
Spiritual was made
popular by the Golden
Gate Quartet in the
1930s. Willie T. Johnson,
the lead singer of the
group, is the father of
Kevin P. Johnson the
arranger of this version.
The composer, like his
father, uses rhythm in
exciting new ways to
deliver Negro Spirituals
to contemporary
audiences. The text of
this spiritual has been
interpreted in many
different ways over the
years. Here's a popular
interpretation of the
text. One for the little
bitty baby born, born,
born in Bethlehem: This
refers to the infant
Jesus. Two for Paul and
Silas: This verse honors
Paul and Silas who went
on many missionary
journeys to spread the
teachings of Christ.
Three for the Hebrew
children: The three
Hebrew children could be
Shadrach, Meshach and
Abednego. Four for the
four that stood at the
door: Many people
interpret the four to be
the four writers of the
Gospel books - Matthew,
Mark, Luke and John,
though this does not
explain the part about
standing at the door.
Five for the gospel
preachers: The five are
Matthew, Mark, Luke, John
and Peter. Paul is
already mentioned above,
in line two. Six for the
six that never got fixed:
Could this mean the
sinners who never change
their ways? Seven for the
seven that went up to
heaven: The seven in
heaven could be the seven
stars in Ursa Major or
the sevenfold spirit of
God or the seven early
Christian churches or the
seven stars in the right
hand of Christ mentioned
in the Revelation. Eight
for the eight that stood
at the gate: This could
refer to the eight people
who entered Noah's ark
(Noah, his wife, their
three sons and their
wives). Nine for the nine
that dressed so fine:
This could refer to the
nine orders of Angels in
heaven. Ten for the ten
commandments: This refers
to the ten commandments
given to Moses.
Performance notes: Swing
the 8th notes Djembe
drums should be played
freely with flexible
precision The rap can be
optional The ending solo
can be sung down an
octave and can be changed
to match the ability of
the soloist. Do not clap
louder than you sing If
doing choral movement on
the piece, pay attention
to detail synchronizing
movements as much as
possible. While the rap
is words in rhythm, if
adding one is not
possible for your
performance, consider a
spoken word of your own
choosing Have
fun!. This Negro
Spiritual was made
popular by the Golden
Gate Quartet in the
1930s. Willie T. Johnson,
the lead singer of the
group, is the father of
Kevin P. Johnson the
arranger of this
version. The
composer, like his
father, uses rhythm in
exciting new ways to
deliver Negro Spirituals
to contemporary
audiences.The text of
this spiritual has been
interpreted in many
different ways over the
 years. Here's a
popular interpretation of
the text. One for the
little bitty baby born,
born, born in
Bethlehem: This refers
to the infant Jesus. Two
for Paul and
Silas: This verse
honors Paul and Silas who
went on many missionary
journeys to spread the
teachings of Christ.ÂÂ
Three for the Hebrew
children: The three
Hebrew children could be
Shadrach, Meshach and
Abednego. Four for
the four that stood at
the door: Many people
interpret the four
to be the four writers
of the Gospel books
– Matthew, Mark,
Luke and John, though
this does not explain the
part about standing at
the door. Five for the
gospel preachers: The
five are Matthew, Mark,
Luke, John and Peter.
Paul is already mentioned
above, in line two. Six
for the six that never
got fixed: Could this
mean the sinners who
never change their
ways? Seven for the
seven that went up to
heaven: The seven in
heaven could be
the seven stars in
Ursa
Major or the sev
enfold
spirit of God or
 the seven early
 Christian churches
 or the sevenÂÂ
stars in the
right hand of Ch
rist mentioned inÂ
 the Revelation.
Eight for the eight that
stood at the gate: This
could refer to the eight
people who entered
Noah’s ark (Noah,
his wife, their three
sons and their wives).
Nine for the nine that
dressed so fine: This
could refer to the nine
orders of Angels in
heaven. Ten for the
ten commandments: This
refers to the ten
commandments given to
Moses.Performance notes:
Swing the 8th notes
Djembe drums should be
played freely with
flexible precision The
rap can be optional The
ending solo can be sung
down an octave and can be
changed to match the
ability of the soloist.
Do not clap louder than
you sing If doing choral
movement on the piece,
pay attention to detail
synchronizing movements
as much as possible.
While the rap is words in
rhythm, if adding one is
not possible for your
performance, consider a
spoken word of your own
choosing Have fun!
Choral SATB Choir, Bass Guitar, Percussion, Piano SKU: CF.CM9743 Composed...(+)
Choral SATB Choir, Bass
Guitar, Percussion, Piano
SKU: CF.CM9743
Composed by Traditional
African-American
Spiritual. Arranged by
Kevin Phillip Johnson. 20
pages. Duration 4
minutes, 5 seconds. Carl
Fischer Music #CM9743.
Published by Carl Fischer
Music (CF.CM9743).
ISBN 9781491161562.
UPC: 680160920211. Key: E
minor. English. Iyana
Davis. Negro Spiritual
with Rap crafter by Ayana
Davis.
This Negro
Spiritual was made
popular by the Golden
Gate Quartet in the
1930s. Willie T. Johnson,
the lead singer of the
group, is the father of
Kevin P. Johnson the
arranger of this version.
The composer, like his
father, uses rhythm in
exciting new ways to
deliver Negro Spirituals
to contemporary
audiences. The text of
this spiritual has been
interpreted in many
different ways over the
years. Here's a popular
interpretation of the
text. One for the little
bitty baby born, born,
born in Bethlehem: This
refers to the infant
Jesus. Two for Paul and
Silas: This verse honors
Paul and Silas who went
on many missionary
journeys to spread the
teachings of Christ.
Three for the Hebrew
children: The three
Hebrew children could be
Shadrach, Meshach and
Abednego. Four for the
four that stood at the
door: Many people
interpret the four to be
the four writers of the
Gospel books - Matthew,
Mark, Luke and John,
though this does not
explain the part about
standing at the door.
Five for the gospel
preachers: The five are
Matthew, Mark, Luke, John
and Peter. Paul is
already mentioned above,
in line two. Six for the
six that never got fixed:
Could this mean the
sinners who never change
their ways? Seven for the
seven that went up to
heaven: The seven in
heaven could be the seven
stars in Ursa Major or
the sevenfold spirit of
God or the seven early
Christian churches or the
seven stars in the right
hand of Christ mentioned
in the Revelation. Eight
for the eight that stood
at the gate: This could
refer to the eight people
who entered Noah's ark
(Noah, his wife, their
three sons and their
wives). Nine for the nine
that dressed so fine:
This could refer to the
nine orders of Angels in
heaven. Ten for the ten
commandments: This refers
to the ten commandments
given to Moses.
Performance notes: Swing
the 8th notes Djembe
drums should be played
freely with flexible
precision The rap can be
optional The ending solo
can be sung down an
octave and can be changed
to match the ability of
the soloist. Do not clap
louder than you sing If
doing choral movement on
the piece, pay attention
to detail synchronizing
movements as much as
possible. While the rap
is words in rhythm, if
adding one is not
possible for your
performance, consider a
spoken word of your own
choosing Have
fun!. This Negro
Spiritual was made
popular by the Golden
Gate Quartet in the
1930s. Willie T. Johnson,
the lead singer of the
group, is the father of
Kevin P. Johnson the
arranger of this
version. The
composer, like his
father, uses rhythm in
exciting new ways to
deliver Negro Spirituals
to contemporary
audiences.The text of
this spiritual has been
interpreted in many
different ways over the
 years. Here's a
popular interpretation of
the text. One for the
little bitty baby born,
born, born in
Bethlehem: This refers
to the infant Jesus. Two
for Paul and
Silas: This verse
honors Paul and Silas who
went on many missionary
journeys to spread the
teachings of Christ.ÂÂ
Three for the Hebrew
children: The three
Hebrew children could be
Shadrach, Meshach and
Abednego. Four for
the four that stood at
the door: Many people
interpret the four
to be the four writers
of the Gospel books
– Matthew, Mark,
Luke and John, though
this does not explain the
part about standing at
the door. Five for the
gospel preachers: The
five are Matthew, Mark,
Luke, John and Peter.
Paul is already mentioned
above, in line two. Six
for the six that never
got fixed: Could this
mean the sinners who
never change their
ways? Seven for the
seven that went up to
heaven: The seven in
heaven could be
the seven stars in
Ursa
Major or the sev
enfold
spirit of God or
 the seven early
 Christian churches
 or the sevenÂÂ
stars in the
right hand of Ch
rist mentioned inÂ
 the Revelation.
Eight for the eight that
stood at the gate: This
could refer to the eight
people who entered
Noah’s ark (Noah,
his wife, their three
sons and their wives).
Nine for the nine that
dressed so fine: This
could refer to the nine
orders of Angels in
heaven. Ten for the
ten commandments: This
refers to the ten
commandments given to
Moses.Performance notes:
Swing the 8th notes
Djembe drums should be
played freely with
flexible precision The
rap can be optional The
ending solo can be sung
down an octave and can be
changed to match the
ability of the soloist.
Do not clap louder than
you sing If doing choral
movement on the piece,
pay attention to detail
synchronizing movements
as much as possible.
While the rap is words in
rhythm, if adding one is
not possible for your
performance, consider a
spoken word of your own
choosing Have fun!
Composed by Traditional
African American
Spiritual. Arranged by
Kevin Phillip Johnson. 16
pages. Duration 4
minutes, 5 seconds. Carl
Fischer Music #CM9742.
Published by Carl Fischer
Music (CF.CM9742).
ISBN 9781491161555.
UPC: 680160920204. Key: E
minor. English. Iyana
Davis.
This Negro
Spiritual was made
popular by the Golden
Gate Quartet in the
1930s. Willie T. Johnson,
the lead singer of the
group, is the father of
Kevin P. Johnson the
arranger of this version.
The composer, like his
father, uses rhythm in
exciting new ways to
deliver Negro Spirituals
to contemporary
audiences. The text of
this spiritual has been
interpreted in many
different ways over the
years. Here's a popular
interpretation of the
text. One for the little
bitty baby born, born,
born in Bethlehem: This
refers to the infant
Jesus. Two for Paul and
Silas: This verse honors
Paul and Silas who went
on many missionary
journeys to spread the
teachings of Christ.
Three for the Hebrew
children: The three
Hebrew children could be
Shadrach, Meshach and
Abednego. Four for the
four that stood at the
door: Many people
interpret the four to be
the four writers of the
Gospel books - Matthew,
Mark, Luke and John,
though this does not
explain the part about
standing at the door.
Five for the gospel
preachers: The five are
Matthew, Mark, Luke, John
and Peter. Paul is
already mentioned above,
in line two. Six for the
six that never got fixed:
Could this mean the
sinners who never change
their ways? Seven for the
seven that went up to
heaven: The seven in
heaven could be the seven
stars in Ursa Major or
the sevenfold spirit of
God or the seven early
Christian churches or the
seven stars in the right
hand of Christ mentioned
in the Revelation. Eight
for the eight that stood
at the gate: This could
refer to the eight people
who entered Noah's ark
(Noah, his wife, their
three sons and their
wives). Nine for the nine
that dressed so fine:
This could refer to the
nine orders of Angels in
heaven. Ten for the ten
commandments: This refers
to the ten commandments
given to Moses.
Performance notes: Swing
the 8th notes Djembe
drums should be played
freely with flexible
precision The rap can be
optional The ending solo
can be sung down an
octave and can be changed
to match the ability of
the soloist. Do not clap
louder than you sing If
doing choral movement on
the piece, pay attention
to detail synchronizing
movements as much as
possible. While the rap
is words in rhythm, if
adding one is not
possible for your
performance, consider a
spoken word of your own
choosing Have
fun!. This Negro
Spiritual was made
popular by the Golden
Gate Quartet in the
1930s. Willie T. Johnson,
the lead singer of the
group, is the father of
Kevin P. Johnson the
arranger of this
version. The
composer, like his
father, uses rhythm in
exciting new ways to
deliver Negro Spirituals
to contemporary
audiences.The text of
this spiritual has been
interpreted in many
different ways over the
 years. Here's a
popular interpretation of
the text. One for the
little bitty baby born,
born, born in
Bethlehem: This refers
to the infant Jesus. Two
for Paul and
Silas: This verse
honors Paul and Silas who
went on many missionary
journeys to spread the
teachings of Christ.ÂÂ
Three for the Hebrew
children: The three
Hebrew children could be
Shadrach, Meshach and
Abednego. Four for
the four that stood at
the door: Many people
interpret the four
to be the four writers
of the Gospel books
– Matthew, Mark,
Luke and John, though
this does not explain the
part about standing at
the door. Five for the
gospel preachers: The
five are Matthew, Mark,
Luke, John and Peter.
Paul is already mentioned
above, in line two. Six
for the six that never
got fixed: Could this
mean the sinners who
never change their
ways? Seven for the
seven that went up to
heaven: The seven in
heaven could be
the seven stars in
Ursa
Major or the sev
enfold
spirit of God or
 the seven early
 Christian churches
 or the sevenÂÂ
stars in the
right hand of Ch
rist mentioned inÂ
 the Revelation.
Eight for the eight that
stood at the gate: This
could refer to the eight
people who entered
Noah’s ark (Noah,
his wife, their three
sons and their wives).
Nine for the nine that
dressed so fine: This
could refer to the nine
orders of Angels in
heaven. Ten for the
ten commandments: This
refers to the ten
commandments given to
Moses.Performance notes:
Swing the 8th notes
Djembe drums should be
played freely with
flexible precision The
rap can be optional The
ending solo can be sung
down an octave and can be
changed to match the
ability of the soloist.
Do not clap louder than
you sing If doing choral
movement on the piece,
pay attention to detail
synchronizing movements
as much as possible.
While the rap is words in
rhythm, if adding one is
not possible for your
performance, consider a
spoken word of your own
choosing Have fun!
Unison/2-part children's choir - Easy SKU: WD.080689585364 An Easy-to-...(+)
Unison/2-part children's
choir - Easy
SKU:
WD.080689585364
An
Easy-to-Learn,
Easy-to-Sing Easter
Musical. Composed by
Janet McMahan, David
Huntsinger & Dale
Mathews. Choral,
cantatas. Easter. CD
preview pak. Duration 25
minutes. Word Music
#080689585364. Published
by Word Music
(WD.080689585364).
UPC:
080689585364.
Three
, two, one, action! Local
newscaster Virginia Hamm
is broadcasting live from
Mr. Pigg's famous
Barbeque Emporium where
the biggest Easter
extravaganza ever is
being performed. The
children's choir from The
Firm Foundational
Non-Denominational
Tabernacle Temple of
Glory has come to share a
great story the story of
the first Easter! But
their presentation may be
derailed by a stubborn
donkey named Duncan who
feels he should be the
center of the
performance. It takes a
gentle word from the
person with the smallest
role in the cast to
remind everyone that God
has a special part for
all of us to play, and
that every day can be
like Easter as we tell
the world about the
greatest love we'll ever
know. Overflowing with
sparkling songs, clever
dialogue, and
unmistakable spiritual
truth, Mr. Pigg is the
latest offering from
WordKidz.
Children's
music veterans Janet
McMahan and David
Huntsinger have created a
delicious mix of humor
and heart in this
25-minute work that gives
your children the
opportunity to take a
leading role in
presenting the Easter
message to your church.
This musical would also
make an ideal outreach
presentation at a local
park or mall during the
Easter season. So pull up
a chair; we're saving a
place for you at Mr.
Pigg's Barbeque
Emporium!
Unison/2-part children's choir - Easy SKU: WD.080689791727 An Easy-to-...(+)
Unison/2-part children's
choir - Easy
SKU:
WD.080689791727
An
Easy-to-Learn,
Easy-to-Sing Easter
Musical. Composed by
Janet McMahan, David
Huntsinger & Dale
Mathews. Choral,
cantatas. Easter. Bulk CD
(10-pak). Duration 25
minutes. Word Music
#080689791727. Published
by Word Music
(WD.080689791727).
UPC:
080689791727.
Three
, two, one, action! Local
newscaster Virginia Hamm
is broadcasting live from
Mr. Pigg's famous
Barbeque Emporium where
the biggest Easter
extravaganza ever is
being performed. The
children's choir from The
Firm Foundational
Non-Denominational
Tabernacle Temple of
Glory has come to share a
great story the story of
the first Easter! But
their presentation may be
derailed by a stubborn
donkey named Duncan who
feels he should be the
center of the
performance. It takes a
gentle word from the
person with the smallest
role in the cast to
remind everyone that God
has a special part for
all of us to play, and
that every day can be
like Easter as we tell
the world about the
greatest love we'll ever
know. Overflowing with
sparkling songs, clever
dialogue, and
unmistakable spiritual
truth, Mr. Pigg is the
latest offering from
WordKidz.
Children's
music veterans Janet
McMahan and David
Huntsinger have created a
delicious mix of humor
and heart in this
25-minute work that gives
your children the
opportunity to take a
leading role in
presenting the Easter
message to your church.
This musical would also
make an ideal outreach
presentation at a local
park or mall during the
Easter season. So pull up
a chair; we're saving a
place for you at Mr.
Pigg's Barbeque
Emporium!
Unison/2-part children's choir - Easy SKU: WD.080689866227 An Easy-to-...(+)
Unison/2-part children's
choir - Easy
SKU:
WD.080689866227
An
Easy-to-Learn,
Easy-to-Sing Easter
Musical. Composed by
Janet McMahan, David
Huntsinger & Dale
Mathews. Choral,
cantatas. Christmas.
Listening CD. Duration 25
minutes. Word Music
#080689866227. Published
by Word Music
(WD.080689866227).
UPC:
080689866227.
Three
, two, one, action! Local
newscaster Virginia Hamm
is broadcasting live from
Mr. Pigg's famous
Barbeque Emporium where
the biggest Easter
extravaganza ever is
being performed. The
children's choir from The
Firm Foundational
Non-Denominational
Tabernacle Temple of
Glory has come to share a
great story the story of
the first Easter! But
their presentation may be
derailed by a stubborn
donkey named Duncan who
feels he should be the
center of the
performance. It takes a
gentle word from the
person with the smallest
role in the cast to
remind everyone that God
has a special part for
all of us to play, and
that every day can be
like Easter as we tell
the world about the
greatest love we'll ever
know. Overflowing with
sparkling songs, clever
dialogue, and
unmistakable spiritual
truth, Mr. Pigg is the
latest offering from
WordKidz.
Children's
music veterans Janet
McMahan and David
Huntsinger have created a
delicious mix of humor
and heart in this
25-minute work that gives
your children the
opportunity to take a
leading role in
presenting the Easter
message to your church.
This musical would also
make an ideal outreach
presentation at a local
park or mall during the
Easter season. So pull up
a chair; we're saving a
place for you at Mr.
Pigg's Barbeque
Emporium!
Kebek Orchestre d'harmonie - Intermédiaire/avancé De Haske Publications
Concert Band/Harmonie - Grade 4 SKU: BT.DHP-1064018-013 Composed by Jan V...(+)
Concert Band/Harmonie -
Grade 4
SKU:
BT.DHP-1064018-013
Composed by Jan Van der
Roost. Inspiration
Series. Concert Piece.
Set (Score & Parts) with
CD. Composed 2006. De
Haske Publications #DHP
1064018-013. Published by
De Haske Publications
(BT.DHP-1064018-013).
Guitar SKU: HL.50510141 Performace Pieces, Etudes and Technical Exerci...(+)
Guitar
SKU:
HL.50510141
Performace Pieces,
Etudes and Technical
Exercises for
Advanced. Composed by
Erzsé, Mikló,
bet Nagy, czi, and s
Mosó. EMB. Volume
5. Baroque, Classical,
Hungarian, Renaissance.
Softcover. 108 pages.
Editio Musica Budapest
#Z12891. Published by
Editio Musica Budapest
(HL.50510141).
ISBN
9790080128916. UPC:
073999708516. Bach (23 x
30,2 cm) inches.
Hungarian, English,
German. Erzsebet Nagy;
Miklos
Mosoczi.
This
publication is a
completely revised
edition of our
five-volume guitar tutor.
In the decades since its
first edition, the
musical interests of
students and their
practice possibilities
have changed. To adapt to
this, we have partly
expanded and partly
reduced the musical and
technical material of the
tutor. We have increased
the number of recital
pieces at all levels of
difficulty,so that
students can spend longer
on a varied repertoire at
their respective level.
We have determined the
works in the volume V
which demand a more
developed technique and
musicality to extend the
repertoire of those who
wish to study further.
The transcription of lute
works has sometimes made
significant compromises
necessary. However, in
our view, it is a
significant gain that
students can get to know
a Dowland fantasy or an
early English Baroque set
of variations. This
volume comprises 44
concert pieces from the
early 17th to the 20th
centuries, 18
advanced-level studies by
Carcassi, Coste,
Giuliani, and Sor, as
well as several
advanced-level technical
exercises. Besides
original works by
Giuliani, Sor, Tarrega,
and others, it features
several transcriptions of
works by Dowland, Rameau,
J. S. Bach, and D.
Scarlatti.
Soli SATB, Coro SATB, 2 Tr, 2 Vl, Va, Bc, [2 Ob in no. 7 ad libitum] SKU: CA....(+)
Soli SATB, Coro SATB, 2
Tr, 2 Vl, Va, Bc, [2 Ob
in no. 7 ad libitum]
SKU: CA.1000849
Composed by Arnold
Melchior Brunckhorst.
Organ. Sacred vocal
music, Cantatas,
Christmas. Single Part,
Organ. 24 pages. Duration
30 minutes. Carus Verlag
#CV 10.008/49. Published
by Carus Verlag
(CA.1000849).
ISBN
9790007245054. Language:
German.
The
Christmas story by the
Celle-born Baroque
composer Arnold Melchior
Brunckhorst (d. 1725)
follows the account of
the Christmas story in St
Luke's Gospel. The text
is set in full in the
composition, with the
biblical text enriched in
a few arias and choruses
by the addition of free
poetry. The demands on
the musicians are
moderate; the scoring is
manageable with 2
trumpets, but at the same
time it is really
festive! Just 30 minutes
in length, the Christmas
story by Brunckhorst is
also very suitable for
performance in church
services. Score and part
available separately -
see item CA.1000800.
A Winter Service of Hope and Healing. Composed by Joseph M. Martin. Harol...(+)
A Winter Service of
Hope and Healing.
Composed by Joseph M.
Martin. Harold Flammer.
Cantata, Advent,
Christmas, Sacred,
Winter. CD. Published by
Harold Flammer Music
(HL.35031588).
Composed
by Thomas Selle. Complete
orchestral parts. Sacred
vocal music, Cantatas,
Oratorios, Christmas. Set
of Orchestra Parts. Carus
Verlag #CV 10.155/19.
Published by Carus Verlag
(CA.1015519).
ISBN
9790007141837. Language:
German.
Score and
parts available
separately - see item
CA.1015500.
Composed
by Michael Herrmann.
Foreward in German.
Musicals for children,
Cantatas and Singspiele
for children, Secular
choral music, Christmas.
Full Score. Duration 20
minutes. Carus Verlag #CV
12.453/00. Published by
Carus Verlag
(CA.1245300).
ISBN
9790007253837. German.
Text: Herrmann,
Michael.
By Franz Joseph Haydn (1732-1809). Edited by Wilhelm Weismann. Arranged by Augus...(+)
By Franz Joseph Haydn
(1732-1809). Edited by
Wilhelm Weismann.
Arranged by August
Eberhard Muller. Choir
and piano. For Soprano
voice, Tenor voice, and
Bass voice (Soli), SATB
Choir, Piano. This
edition: Paperback.
Original Works,
Transcriptions, Liturgic
(A Christmas Musical for Senior Adult Choir). By Marty Parks. For SATB choir, se...(+)
(A Christmas Musical for
Senior Adult Choir). By
Marty Parks. For SATB
choir, senior adult
choir. This edition:
Paperback. Musical.
Christmas musical or
cantata; particularly
useful for senior adult
choirs. Traditional and
Sacred. Book. 80 pages.
Duration 35 minutes.
Published by Lillenas
Publishing Company
(Kantate zum 3. Sonntag nach Trinitatis). By Georg Philipp Telemann (1681-1767)....(+)
(Kantate zum 3. Sonntag
nach Trinitatis). By
Georg Philipp Telemann
(1681-1767). Edited by
Klaus Hofmann. Arranged
by Klaus Hofmann / Paul
Horn. For Soli SS (Alto o
Baritone voice), SS[B]
choir, 2 violins,
[viola], cello, basso
continuo. This edition:
paperbound. TVWV 1:1550.
Score available
separately - see item
CA.3911600. Cantatas; Use
during the church year:
Trinity; Stuttgart Urtext
Editions. Piano/Vocal
score. Language:
German/English. Composed
1744. 20 pages. Duration
21 min. Published by
Carus Verlag