Concert band - Grade 3 SKU: MH.1-59913-050-5 Composed by traditional Engl...(+)
Concert band - Grade 3
SKU:
MH.1-59913-050-5
Composed by traditional
English carols. Arranged
by William Ryden.
Suitable for advanced
middle school, high
school, community and
college bands. Conductor
score and set of parts.
Duration 6:30. Published
by Manhattan Beach Music
(MH.1-59913-050-5).
ISBN
9781599130507.
Char
les Dickens certainly
would have known the
three carols in A CHARLES
DICKENS CHRISTMAS. They
were among the best-known
and best-loved carols of
the Victorian Era, and
were a staple of the
repertoire of roving
waits, or carollers, that
appear in his novels.
Today this music is as
familiar as Santa Claus
and Tiny Tim. THE FIRST
NOWELL was first
collected in Christmas
Carols, Ancient and
Modern by William Sandys
in 1833. It is most
probably 200 years older
than that. The Oxford
Book of Carols contains
nine verses, which makes
it an ideal processional
for Christmas or Epiphany
(the feast commemorating
the coming of the Magi).
COVENTRY CAROL, or Lully,
Lullay, comes from the
medieval tradition of
mystery and miracle
plays. In 1534 the
Pageant of the Shearman
and Tailors Guild
included a scene in which
the mothers of Jewish
children sang this
haunting lullaby after
hearing the horrifying
order: Herod the king, In
his raging, All young
children to slay. The
music is anonymous; the
text believed to be by
Robert Croo. ANGELS WE
HAVE HEARD ON HIGH is
probably of French
origin, but the English
long ago adopted it as
their own. Besides the
French text, Les Anges
dans nos compagnes, it is
known in several versions
and by several titles,
including Angels from the
Realms of Glory, When the
Crimson Sun Had Set, and
Westminster Carol. It
belongs to a category
known as macaronic
carols, which mix
vernacular verses with
Latin refrains - in this
instance, Gloria in
Excelsis Deo (Glory be to
God on High). Ensemble
instrumentation: 1
Piccolo, 8 Flute, 2 Oboe,
1 Bassoon 1, 1 Bassoon 2,
4 Bb Clarinet 1, 4 Bb
Clarinet 2, 4 Bb Clarinet
3, 1 Eb Alto Clarinet, 3
Bb Bass Clarinet & Bb
Contrabass Clarinet, 2 Eb
Alto Saxophone 1, 2 Eb
Alto Saxophone 2, 1 Bb
Tenor Saxophone, 1 Eb
Baritone Saxophone, 3 Bb
Trumpet 1, 3 Bb Trumpet
2, 3 Bb Trumpet 3, 2 F
Horn 1, 2 F Horn 2, 2
Trombone 1, 2 Trombone 2,
2 Trombone 3, 3 Euphonium
(Bass Clef), 2 Euphonium
(Treble Clef), 5 Tubas, 1
Timpani, 2 Bells &
Chimes, 3 Percussion 1:
small triangle, suspended
cymbal, crash cymbal,
snare drum, bass drum, 2
Percussion 2: large
triangle, finger
cymbals.
Christmas Classics for Easy Piano composed by Various. Arranged by Alexander Col...(+)
Christmas Classics for
Easy Piano composed by
Various. Arranged by
Alexander Cole. For easy
piano. This edition:
Paperback. Collection.
Christmas. Book. Text
Language: English. 48
pages. Published by
Santorella Publications
Jingle Bell Gallop Orchestre d'harmonie [Conducteur et Parties séparées] - Facile Belwin
By James Pierpont (1822-1893). Arranged by Douglas E. Wagner. Concert Band. Conc...(+)
By James Pierpont
(1822-1893). Arranged by
Douglas E. Wagner.
Concert Band. Concert
Band; Part(s); Score;
SmartMusic. Belwin Young
Band. Christmas; Light
Concert; Secular; Winter.
Grade 2. 246 pages.
Published by Belwin Music
For voice and piano. Format: piano/vocal/chords songbook. With vocal melody, pia...(+)
For voice and piano.
Format:
piano/vocal/chords
songbook. With vocal
melody, piano
accompaniment, lyrics,
chord names, basic guitar
chords chart (diagrams),
illustrations and
introductory text. Folk.
352 pages. 9x12 inches.
Published by Hal Leonard.
Singer's Jazz Anthology - High Voice with Recorded Piano Accompaniments Online...(+)
Singer's Jazz Anthology -
High Voice with Recorded
Piano Accompaniments
Online.
Composed by Various.
Singer's
Jazz Anthology. Jazz,
Standards. Softcover
Audio
Online. 110 pages.
Published
by Hal Leonard
(Selections from the Cello Repertoire). Performed by Carey Cheney. For Cello. St...(+)
(Selections from the
Cello Repertoire).
Performed by Carey
Cheney. For Cello. String
- Cello Studies or
Collection. Companion CD
to the print music
version (see item
20810X). Audio CD.
Published by Alfred
Publishing.
Piano, Voix et Guitare [Partition] - Intermédiaire Hal Leonard
For voice, piano and guitar chords. Format: piano/vocal/chords songbook. With vo...(+)
For voice, piano and
guitar chords. Format:
piano/vocal/chords
songbook. With vocal
melody, piano
accompaniment, lyrics,
chord names and guitar
chord diagrams. Gospel.
216 pages. 9x12 inches.
Published by Hal Leonard.
By Colin Mawby. Arranged by Colin Mawby. For Choir. Mixed voices (SATB). Sacred....(+)
By Colin Mawby. Arranged
by Colin Mawby. For
Choir. Mixed voices
(SATB). Sacred. Book.
Published by Kevin Mayhew
Publishers (U.K. Import).
Level: Multiple
Levels.
Concert Band/Harmonie - Grade 3 SKU: BT.AMP-282-140 Quelle est cette o...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.AMP-282-140
Quelle est cette odeur
agreable. Arranged by
Philip Sparke. Anglo
Music Midway Series.
Concert Piece. Score
Only. Composed 2009. 16
pages. Anglo Music Press
#AMP 282-140. Published
by Anglo Music Press
(BT.AMP-282-140).
9x12
inches.
English-German-French-Dut
ch.
‘Whence
is that Goodly Fragrance
Flowing?’ is the
first line of an old
French Christmas song
that originated in the
17th century. In 1728
John Gay used this joyous
and markedly festive
melody that honours Jesus
Christ and His miraculous
birth in his
Beggar’s
Opera. Philip Sparke
has given this melody a
new lease of life with
his charming and
imaginative arrangement
for the Christmas season.
Woher kommt
dieser angenehme
Duft?“ lautet die
erste Zeile dieses
ursprünglich
französischen
Weihnachtsliedes aus dem
17. Jahrhundert. Die
strahlend fröhliche
und festliche Melodie
dieses Liedes über die
Geburt Jesu wurde 1728
von John Gay in seiner
Bettleroper
verwendet und kommt auch
in Philip Sparkes
Bearbeitung für
Blasorchester sehr
schön zur Geltung.
Fanfare Band - Grade 3 SKU: BT.AMP-282-020 Quelle est cette odeur agre...(+)
Fanfare Band - Grade 3
SKU:
BT.AMP-282-020
Quelle est cette odeur
agreable. Arranged by
Philip Sparke. Anglo
Music Midway Series.
Concert Piece. Set (Score
& Parts). Composed 2009.
Anglo Music Press #AMP
282-020. Published by
Anglo Music Press
(BT.AMP-282-020).
9x12
inches.
English-German-French-Dut
ch.
‘Whence
is that Goodly Fragrance
Flowing?’ is the
first line of an old
French Christmas song
that originated in the
17th century. In 1728
John Gay used this joyous
and markedly festive
melody that honours Jesus
Christ and His miraculous
birth in his
Beggar’s
Opera. Philip Sparke
has given this melody a
new lease of life with
his charming and
imaginative arrangement
for the Christmas season.
Woher kommt
dieser angenehme
Duft?“ lautet die
erste Zeile dieses
ursprünglich
französischen
Weihnachtsliedes aus dem
17. Jahrhundert. Die
strahlend fröhliche
und festliche Melodie
dieses Liedes über die
Geburt Jesu wurde 1728
von John Gay in seiner
Bettleroper
verwendet und kommt auch
in Philip Sparkes
Bearbeitung für
Fanfareorchester sehr
schön zur Geltung.
Concert Band/Harmonie - Grade 3 SKU: BT.AMP-282-010 Quelle est cette o...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.AMP-282-010
Quelle est cette odeur
agreable. Arranged by
Philip Sparke. Anglo
Music Midway Series.
Concert Piece. Set (Score
& Parts). Composed 2009.
Anglo Music Press #AMP
282-010. Published by
Anglo Music Press
(BT.AMP-282-010).
9x12
inches.
English-German-French-Dut
ch.
‘Whence
is that Goodly Fragrance
Flowing?’ is the
first line of an old
French Christmas song
that originated in the
17th century. In 1728
John Gay used this joyous
and markedly festive
melody that honours Jesus
Christ and His miraculous
birth in his
Beggar’s
Opera. Philip Sparke
has given this melody a
new lease of life with
his charming and
imaginative arrangement
for the Christmas season.
Woher kommt
dieser angenehme
Duft?“ lautet die
erste Zeile dieses
ursprünglich
französischen
Weihnachtsliedes aus dem
17. Jahrhundert. Die
strahlend fröhliche
und festliche Melodie
dieses Liedes über die
Geburt Jesu wurde 1728
von John Gay in seiner
Bettleroper
verwendet und kommt auch
in Philip Sparkes
Bearbeitung für
Blasorchester sehr
schön zur Geltung.
Fanfare Band - Grade 3 SKU: BT.AMP-282-120 Quelle est cette odeur agre...(+)
Fanfare Band - Grade 3
SKU:
BT.AMP-282-120
Quelle est cette odeur
agreable. Arranged by
Philip Sparke. Anglo
Music Midway Series.
Concert Piece. Score
Only. Composed 2009.
Anglo Music Press #AMP
282-120. Published by
Anglo Music Press
(BT.AMP-282-120).
9x12
inches.
English-German-French-Dut
ch.
‘Whence
is that Goodly Fragrance
Flowing?’ is the
first line of an old
French Christmas song
that originated in the
17th century. In 1728
John Gay used this joyous
and markedly festive
melody that honours Jesus
Christ and His miraculous
birth in his
Beggar’s
Opera. Philip Sparke
has given this melody a
new lease of life with
his charming and
imaginative arrangement
for the Christmas season.
Woher kommt
dieser angenehme
Duft?“ lautet die
erste Zeile dieses
ursprünglich
französischen
Weihnachtsliedes aus dem
17. Jahrhundert. Die
strahlend fröhliche
und festliche Melodie
dieses Liedes über die
Geburt Jesu wurde 1728
von John Gay in seiner
Bettleroper
verwendet und kommt auch
in Philip Sparkes
Bearbeitung für
Fanfareorchester sehr
schön zur Geltung.
Brass Band - Grade 3 SKU: BT.AMP-282-130 Quelle est cette odeur agreab...(+)
Brass Band - Grade 3
SKU:
BT.AMP-282-130
Quelle est cette odeur
agreable. Arranged by
Philip Sparke. Anglo
Music Midway Series.
Concert Piece. Score
Only. Composed 2009. 20
pages. Anglo Music Press
#AMP 282-130. Published
by Anglo Music Press
(BT.AMP-282-130).
9x12
inches.
English-German-French-Dut
ch.
‘Whence
is that Goodly Fragrance
Flowing?’ is the
first line of an old
French Christmas song
that originated in the
17th century. In 1728
John Gay used this joyous
and markedly festive
melody that honours Jesus
Christ and His miraculous
birth in his
Beggar’s
Opera. Philip Sparke
has given this melody a
new lease of life with
his charming and
imaginative arrangement
for the Christmas season.
Woher kommt
dieser angenehme
Duft?“ lautet die
erste Zeile dieses
ursprünglich
französischen
Weihnachtsliedes aus dem
17. Jahrhundert. Die
strahlend fröhliche
und festliche Melodie
dieses Liedes über die
Geburt Jesu wurde 1728
von John Gay in seiner
Bettleroper
verwendet und kommt auch
in Philip Sparkes
Bearbeitung für Brass
Band sehr schön zur
Geltung.
Brass Band - Grade 3 SKU: BT.AMP-282-030 Quelle est cette odeur agreab...(+)
Brass Band - Grade 3
SKU:
BT.AMP-282-030
Quelle est cette odeur
agreable. Arranged by
Philip Sparke. Anglo
Music Midway Series.
Concert Piece. Set (Score
& Parts). Composed 2009.
Anglo Music Press #AMP
282-030. Published by
Anglo Music Press
(BT.AMP-282-030).
9x12
inches.
English-German-French-Dut
ch.
‘Whence
is that Goodly Fragrance
Flowing?’ is the
first line of an old
French Christmas song
that originated in the
17th century. In 1728
John Gay used this joyous
and markedly festive
melody that honours Jesus
Christ and His miraculous
birth in his
Beggar’s
Opera. Philip Sparke
has given this melody a
new lease of life with
his charming and
imaginative arrangement
for the Christmas season.
Woher kommt
dieser angenehme
Duft?“ lautet die
erste Zeile dieses
ursprünglich
französischen
Weihnachtsliedes aus dem
17. Jahrhundert. Die
strahlend fröhliche
und festliche Melodie
dieses Liedes über die
Geburt Jesu wurde 1728
von John Gay in seiner
Bettleroper
verwendet und kommt auch
in Philip Sparkes
Bearbeitung für Brass
Band sehr schön zur
Geltung.
SKU: HL.50603994 Score and Parts. Composed by Daniel D'Adamo. Stri...(+)
SKU: HL.50603994
Score and Parts.
Composed by Daniel
D'Adamo. String.
Softcover. 88 pages.
Duration 600 seconds.
Chant Du Monde
#CDMMC5013. Published by
Chant Du Monde
(HL.50603994).
ISBN
9781705164679. UPC:
196288068310. 9.0x12.0
inches.
Quatuor No
2 was first performed by
the Tana string quartet
on April 14, 2013, at
Radio France, Paris. I
conceived a piece whose
principal subject was
going to consist in the
description of a
minuscule sonic element.
The description of this
tiny initial material
would be so precise, so
detailed that, deployed
on a much larger scale
than its original one, it
would occupy the entire
duration of the piece. At
that point, I just had to
choose a sound model as
the starting point of the
piece, the sound that
would best characterize
the string instruments
themselves: the noisy
sound produced by the bow
barely coming in contact
with one of the strings,
getting ready to acquire
speed, weight,
acceleration, and
producing a full sound of
a violin, a viola or a
cello... -Daniel
D'Adamo.
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