Bassoon and Piano SKU: ST.C182 Composed by Graham Sheen. Wind & brass mus...(+)
Bassoon and Piano
SKU:
ST.C182
Composed by
Graham Sheen. Wind &
brass music. Clifton
Edition #C182. Published
by Clifton Edition
(ST.C182).
ISBN
9790570811823.
Bodhán T
he melody here is very
broken up, so breathe and
be ready for the next
entry in good time.
Don’t drag behind the
drum in the piano part.
Notice that only some of
the notes are marked
staccato.
À la
Modal Modes
are scales based on the
white notes of the piano,
say, so you won’t find
a single accidental in
this piece. It shows that
expression in music
depends on more than just
the dynamics, that is,
how loudly and softly you
play. We also need to
observe the articulation
markings such as
staccato, tenuto and the
accents on both long and
short
notes.
Sch
ubert’s
Ghost Schuber
t is one of my favourite
composers. I hope you
enjoy the swing of the
dotted rhythms and
accents in this little
Viennese impression.
There are three musical
quotations: one from
Schubert himself, one
from a later Viennese
composer, Gustav Mahler
and, near the end, the
Dies Irae tune
which has been used by
many composers. Three
Pieces for Bassoon and
Piano
By David M. Pierce, bassoon and Naki Sung Kripfgans, piano. For bassoon and pi...(+)
By David M. Pierce,
bassoon
and Naki Sung Kripfgans,
piano. For bassoon and
piano.
Solo part and 2
performace/accompaniment
CDs.
Published by Music Minus
One
Bassoon and Piano SKU: ST.C130 Composed by Mark Tanner. Wind & brass musi...(+)
Bassoon and Piano
SKU:
ST.C130
Composed by
Mark Tanner. Wind & brass
music. Clifton Edition
#C130. Published by
Clifton Edition
(ST.C130).
ISBN
9790570811304.
As I
sit myself down to write
this brief foreword, I
ask myself can there be
music more stirring than
these old Cornish folk
melodies? Though not
Cornish myself (I confess
to being born a little
further up the road, in
Bristol), I feel I have
spent sufficient time in
these 'ere parts to
resonate with the sturdy
brass band tradition that
continues to permeate
this incomparably
beautiful, rugged county.
One can almost detect a
French 'accent' when
listening to the piano
music of Debussy, and
likewise, speaking as a
lapsed brass player,
there is undoubtedly
something of the Cornish
twang about Trelawny when
played on a cornet or
euphonium. Then again,
one gets a different, yet
entirely convincing
effect upon hearing these
melodies rendered on
woodwind instruments;
hence, with a little
gamesmanship on my part,
I am pleased to see my
collection of these
fifteen delectable
ditties come to fruition
in the form of
arrangements for treble
clef brass instruments
(in B flat and E flat),
trombone and tuba (bass
clef), horn in F, flute,
clarinet and bassoon.
While many will find
themselves humming the
likes of Going up
Camborne Hill, Lamorna or
The Helston Furry Dance
even before they have
turned to the first page
- for these are indelibly
intertwined with Cornish
culture – I wonder if I
might draw your attention
to The Cornish Squire,
The Pool of Pilate and
Cold Blows the Wind Today
Sweetheart, which are
quite simply sublime
melodies, perhaps needing
that extra bit of help in
bringing them to mind
nowadays. In the best
tradition of musical
hand-me-downs, Cornish
folk music works equally
ideally sung and played,
and only by doing so on a
regular basis can such
traditions hope to
continue forward with
vigour and authority. A
legitimate way of
achieving this is to
revitalise the harmonic
scheme of these ancient
tunes and bring them up
to date for a modern
audience; after all, it
was such an approach that
fuelled the imagination
of Benjamin Britten and
Ralph Vaughan Williams in
decades past, while
skilfully paying homage
to the underlying charm
and, for want of a better
word, simplicity, of the
original music. But this
is only a start – for
without an energetic
response from younger
generations, Cornish folk
music is destined to
wither on the vine in
much the same way as is
happening with the
Cornish dialect. So, put
your instrument to your
lips and proceed, not
with caution, but with
enthusiasm and a smile,
for your great
grandparents (and perhaps
even their grandparents)
would surely raise a
glass if they could hear
you doing your bit to
ensure the survival of
this splendid
heritage. Timeless
Cornish melodies, cooked
up for hungry clarinet
players Grades
1–4 Former Spartan
Press Cat. No.:
SP1219.
Bassoon, piano SKU: FG.55011-524-8 Composed by Kirmo Lintinen. Score and ...(+)
Bassoon, piano
SKU:
FG.55011-524-8
Composed by Kirmo
Lintinen. Score and part.
Fennica Gehrman
#55011-524-8. Published
by Fennica Gehrman
(FG.55011-524-8).
ISBN
9790550115248.
In
Kirmo Lintinen's Rondo
burlesque (2007-2008) for
bassoon and piano , the
qualitative elements of
the bar, with their
upbeats, accents and GPs,
create a refined musical
rhetoric and are very
much to the fore. At the
premiere, Lintinen's
manner of playing, with
its sparing use of the
pedal obscuring the first
beat but not the sense of
time, underlined the
inherent character of the
piece. The roguish poetic
metres gambolled jerkily
along, and although at
surface level the music
may appear guileless,
Lintinen knows his
polyphony, judging by the
capital roving of his
voices even in the
homophonic textures.
Kirmo Lintinen (b. 1967)
is a man of many musical
talents: composer,
pianist and conductor.
His catalogue encompasses
almost all gen-res and
categories of
composition, from solo
work to opera, and he
operates with ease from
one to another without
being a crossover artist;
in his case, the
versatility is both
internalised and innate.
He often finds
inspiration in French
music of the 1920s and
its intrinsic musicality.
Humour and playfulness
are characteristic
elements of his music, as
are a natural, musicianly
approach and an
enchantingly
effervescent, even
tongue-in-cheek
texture.
Bassoon and Piano SKU: HL.14010241 Composed by Vernon Elliott. Music Sale...(+)
Bassoon and Piano
SKU:
HL.14010241
Composed
by Vernon Elliott. Music
Sales America. Exam
Material. Book
[Softcover]. Composed
2005. 20 pages. Music
Sales #PAT60603.
Published by Music Sales
(HL.14010241).
ISBN
9780853603993. 9x12
inches.
English.
Four short
pieces from the
children's television
series, including the
famous signature theme by
Vernon Elliott for
Bassoon and Piano.
Includes parts for treble
clef C, and Bb
instruments.
Bassoon, piano SKU: FG.55011-438-8 Composed by Paavo Heininen. Fennica Ge...(+)
Bassoon, piano
SKU:
FG.55011-438-8
Composed by Paavo
Heininen. Fennica Gehrman
#55011-438-8. Published
by Fennica Gehrman
(FG.55011-438-8).
ISBN
9790550114388.
All
of Heininen's sonatas
have different characters
that are informed by the
force fields created by
classic solos and
melodies in orchestral
repertoire. There is also
a certain encyclopaedic
nature to the sonata
cycle; many have been
composed to various
instruments. The
character of the bassoon
sonata is serious and
classical, somewhat
solemn.
(Bassoon/Piano Reduction). By Eric Ewazen. For Bassoon, Piano Accompaniment (Sco...(+)
(Bassoon/Piano
Reduction). By Eric
Ewazen. For Bassoon,
Piano Accompaniment
(Score and Solo Part).
Band - Instrumental Solo
And Band. Southern Music.
Grade 4. 40 pages.
Southern Music Company
#SU500. Published by
Southern Music Company
For Bassoon. By Jan Antonin Kozeluh. Arranged by Otto Eifert. For bassoon, piano...(+)
For Bassoon. By Jan
Antonin Kozeluh. Arranged
by Otto Eifert. For
bassoon, piano. Solo Part
with Piano Reduction.
Published by Theodore
Presser Company.
Bassoon and Piano SKU: ST.C110 Composed by Colin Cowles. Wind & brass mus...(+)
Bassoon and Piano
SKU:
ST.C110
Composed by
Colin Cowles. Wind &
brass music. Clifton
Edition #C110. Published
by Clifton Edition
(ST.C110).
ISBN
9790570811106.
A musical ‘Who’s
Who’ of the animal
world. Twelve captivating
pieces for Bassoon and
Piano including The
Dandy Lion,
Crock Rock and
The Zebra
Crossing.
Gra
des 3–5+ (Trinity
Grades 4–5
Syllabuses) Former
Spartan Press Cat. No.:
SP485.
