(Chorale cantata). Composed by Felix Bartholdy Mendelssohn (1809-1847). Edited by Oswald Bill. For SATB choir, 2 violins, viola, cello/contrabass, [flute or oboe or clarinet]. Stuttgart Urtext Edition. German title: Christe, du Lamm Gottes. Cantatas, Mass sections, Lent and Passiontide, Holy Week, Eucharist, Communion. Complete orchestral parts. Language: German/English. Composed 1827. A 5. Duration 7 minutes. Published by Carus Verlag

Choralkantate. By Felix Mendelssohn. Edited by Bill, Oswald. For SATB Choir, 2 Violins, Viola, Cello/Contrabass, [Flute or Oboe or Clarinet]. Cantatas, Mass Sections; Stuttgart Urtext editions; Occasions: Eucharist, Communion; Use during church year: Lent and Passiontide, Holy Week. Score. Language: German/English. Composed 1827. 20 pages. Duration 7 min. Published by Carus Verlag (German import).

Choralkantate. By Felix Mendelssohn. Edited by Bill, Oswald. For SATB Choir, 2 Violins, Viola, Cello/Contrabass, [Flute or Oboe or Clarinet]. Full score available separately - see item CA.4018400. Cantatas, Mass Sections; Stuttgart Urtext editions; Occasions: Eucharist, Communion; Use during church year: Lent and Passiontide, Holy Week. Organ reduction. Language: German/English. Composed 1827. 12 pages. Duration 7 min. Published by Carus Verlag (German import).

Ten Years of Eric Whitacre's Virtual Choir. Composed by Eric Whitacre (1970-). Eric Whitacre Choral. Contemporary. CD. Published by Hal Leonard

SATB and Organ. By Benjamin Britten. (SATB). Boosey and Hawkes Large Choral. Size 7.25x10.25 inches. 14 pages. Published by Boosey and Hawkes.

(Har ar din himmel). Composed by Marten Jansson. For SATB choir. Stapled. Level 4. Choral score. Language: Swedish/English. 7 pages. Published by Baerenreiter Verlag

Choral SATB choir, piano

SKU: PR.342402070

Composed by Steven Stucky. -. Ars Nova Chamber Singers, Boulder CO. Performance Score. With Standard notation. Composed 7-Feb. 8 pages. Duration 3 minutes. Theodore Presser Company #342-40207. Published by Theodore Presser Company (PR.342402070).

ISBN 9781491111253. UPC: 680160643226. Octavo inches. Text: Archibald R. Ammons. Archibald Ammons. Text by A.R. Ammons.

To benefit Chorus America, Stucky allowed himself to be auctioned off as a prize - the high bidder would receive a new work from the composer. After a few years and not really hearing anything, Stucky suddenly found himself up against a deadline. He reached back to a favorite poem by A.R. Ammons, Eyesight, which, he says, Won't let...his reader rest till the very last word...one of those sudden insights that leave us breathless..
This piece has an odd history. A few years ago, I agreed to be one of the“prizes” in an auction to benefit Chorus America: the highest bidder wouldget a new piece from me, while their money went to the organization. Thewinning bid came from a collection of several professional choruses anddirectors. But I was always a little vague about the details, and, hearingnothing more about it for a few years, forgot the whole thing.One day I received a message from Thomas Edward Morgan, directorof the Ars Nova Chamber Singers in Boulder: they had scheduled thepremiere of my new piece for a few weeks later, and could they have themusic, please? I needed a text, quickly, and (as usual) I was in a Los Angeleshotel room, not at home with my books. So I turned to the internet andsoon tracked down my favorite poet, A.R. Ammons (1926-2001).Once I stumbled on “Eyesight,” I remembered having loved the poemyears before. Archie must have loved it, too, because he included it bothin his Collected Poems 1951-1971 and in the later Selected Poems. It haseverything you want in an Archie Ammons poem: what Edward Hirschcalled his “offbeat, sideways, unpredictable radiance,” his “homespunglory.â� � It has one of his trademark conversations with a mountain (perhapsfrom his native North Carolina), it has the fluid motion from one line tothe next (enjambment, if you want to get technical) that won’t let him orhis reader rest till the very last word of the very last line, and it has in thatlast line one of those sudden insights that leave us breathless: “some thingsthat go are gone.”I miss Archie, but he’s not gone. I’m grateful for the wonderful poems heleft us, and I’m grateful that he was always generous and kind when I hadthe chutzpah to add my music to his.

Soprano voice solo, SATB choir, 2 violins, viola, cello/contrabass - Level 3

SKU: CA.4013211

Chorale cantata. Composed by Felix Bartholdy Mendelssohn. Edited by Thomas Christian Schmidt. This edition: urtext. Stuttgart Urtext Edition: Mendelssohn. German title: Wer nur den lieben Gott lasst walten. Innovative practice aids, Sacred vocal music, Cantatas. Single Part, Violin 1. Composed 1829. MWV A 7. 4 pages. Duration 12 minutes. Carus Verlag #CV 40.132/11. Published by Carus Verlag (CA.4013211).

ISBN 9790007217822. Language: German/English. Text: Neumark, Johann Georg. Text: Georg Neumark.

During Mendelssohns years of study with Zelter, the arrangement of chorales already played an important role, and he continued to be occupied with the protestant chorale throughout his symphonic and oratorical work. The break Bach's works in connection with the reperformance of the St. Matthew Passion led to a series of cantatas based on well-known chorale melodies for choir, instruments, and sometimes also for soloists. Score and part available separately - see item CA.4013200.

Soprano voice solo, SATB choir, 2 violins, viola, cello/contrabass - Level 3

SKU: CA.4013212

Chorale cantata. Composed by Felix Bartholdy Mendelssohn. Edited by Thomas Christian Schmidt. This edition: urtext. Stuttgart Urtext Edition: Mendelssohn. German title: Wer nur den lieben Gott lasst walten. Innovative practice aids, Sacred vocal music, Cantatas. Single Part, Violin 2. Composed 1829. MWV A 7. 4 pages. Duration 12 minutes. Carus Verlag #CV 40.132/12. Published by Carus Verlag (CA.4013212).

ISBN 9790007217839. Language: German/English. Text: Neumark, Johann Georg. Text: Georg Neumark.

During Mendelssohns years of study with Zelter, the arrangement of chorales already played an important role, and he continued to be occupied with the protestant chorale throughout his symphonic and oratorical work. The break Bach's works in connection with the reperformance of the St. Matthew Passion led to a series of cantatas based on well-known chorale melodies for choir, instruments, and sometimes also for soloists. Score and part available separately - see item CA.4013200.

Soprano voice solo, SATB choir, 2 violins, viola, cello/contrabass - Level 3

SKU: CA.4013213

Chorale cantata. Composed by Felix Bartholdy Mendelssohn. Edited by Thomas Christian Schmidt. This edition: urtext. Stuttgart Urtext Edition: Mendelssohn. German title: Wer nur den lieben Gott lasst walten. Innovative practice aids, Sacred vocal music, Cantatas. Single Part, Viola. Composed 1829. MWV A 7. 4 pages. Duration 12 minutes. Carus Verlag #CV 40.132/13. Published by Carus Verlag (CA.4013213).

ISBN 9790007217846. Language: German/English. Text: Neumark, Johann Georg. Text: Georg Neumark.

During Mendelssohns years of study with Zelter, the arrangement of chorales already played an important role, and he continued to be occupied with the protestant chorale throughout his symphonic and oratorical work. The break Bach's works in connection with the reperformance of the St. Matthew Passion led to a series of cantatas based on well-known chorale melodies for choir, instruments, and sometimes also for soloists. Score and part available separately - see item CA.4013200.

Soprano voice solo, SATB choir, 2 violins, viola, cello/contrabass - Level 3

SKU: CA.4013214

Chorale cantata. Composed by Felix Bartholdy Mendelssohn. Edited by Thomas Christian Schmidt. This edition: urtext. Stuttgart Urtext Edition: Mendelssohn. German title: Wer nur den lieben Gott lasst walten. Innovative practice aids, Sacred vocal music, Cantatas. Single Part, Cello/Double Bass. Composed 1829. MWV A 7. 4 pages. Duration 12 minutes. Carus Verlag #CV 40.132/14. Published by Carus Verlag (CA.4013214).

ISBN 9790007217853. Language: German/English. Text: Neumark, Johann Georg. Text: Georg Neumark.

During Mendelssohns years of study with Zelter, the arrangement of chorales already played an important role, and he continued to be occupied with the protestant chorale throughout his symphonic and oratorical work. The break Bach's works in connection with the reperformance of the St. Matthew Passion led to a series of cantatas based on well-known chorale melodies for choir, instruments, and sometimes also for soloists. Score and part available separately - see item CA.4013200.

Soloists, Choir, Orchestra (7 Soprano Voice Solo, 2 Alto Voice Solo, 5 Bass Voice Solo, SATB Choir, ballet, Orchestra)

SKU: BA.BA08854

Tragédie in a prologue and 5 acts. Composed by Jean-Philippe Rameau. Edited by Cécile Davy-Rigaux and Denis Herlin. This edition: complete edition, urtext edition. Linen. Jean-Philippe Rameau. Opera Omnia (OOR) IV/5. Version 1739. Complete edition, Score. Duration 3 hours, 30 minutes. Baerenreiter Verlag #BA08854_00. Published by Baerenreiter Verlag (BA.BA08854).

ISBN 9790006527915. 33.7 x 25.8 cm inches. Text Language: French. Preface: Bouissou, Sylvie / Davy-Rigaux, Cécile / Herlin, Denis. Text: Leclerc de La Bruère, Charles-Antoine.

Th e first version of “Dardanus”, which was performed at the end of 1739, was composed apparently in only six months and marks a particularly productive phase in Rameau’s career. In a period of only six years five of his major works were performed at the Acadmie Royale de Musique in Paris.
The theme is taken from Greek mythology: The opera describes the war between Teucer (the future founder of Troy), his Phrygian people and the army of Dardanus.

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding

(50 Motets and Anthems for Mixed Voice Choir). By Various. Edited by Lionel Pike. For Choral, Mixed Choir, Piano Accompaniment (SATB). Choral. Softcover. 400 pages. Novello and Co Ltd. #NOV881000. Published by Novello and Co Ltd.

SATB choir, divisi, piano reduction - Intermediate

SKU: GI.WW1822

Composed by J. Aaron McDermid. Walton Choral. Classical. 12 pages. Walton Music #WW1822. Published by Walton Music (GI.WW1822).

UPC: 785147040163. Latin. Text Source: I John 4:7, 8b, 12, 16b.

Written first nearly 2000 years ago, this text offers a new and unique way of understanding love. Rich harmonies underlay a beautiful melodic structure. This work is well suited for high school and above.

Composed by George Frideric Handel (1685-1759). Edited by Donald Burrows. For Choral, Piano Accompaniment (SATB). Music Sales America. Softcover. 205 pages. Novello and Co Ltd. #NOV162448. Published by Novello and Co Ltd.

Chorus a cappella

SKU: BR.CHB-5381-00

Composed by Howard Arman. Choir; stapled. Chor-Bibliothek (Choral Library). Song; Music post-1945; New music (post-2000). Choral score. 80 pages. Breitkopf and Haertel #ChB 5381-00. Published by Breitkopf and Haertel (BR.CHB-5381-00).

ISBN 9790004413821. 7.5 x 10.5 inches. English.

As director of the Bavarian Radio Choir, Howard Arman has been actively engaged with international Christmas carols through various Christmas-related CD productions in the past years. This has resulted in a number of original arrangements for four- to eight-part mixed choir a cappella, shedding new light on well-known classics such as O du frohliche [O, you joyful], Stille Nacht [Silent Night] and Lasst uns froh und munter sein [Let us be happy and cheerful]. The first volume includes five Christmas carols from the German-speaking regions. They range from simple but harmonically intriguing settings such as Lieb Nachtigall, wach auf [Dear nightingale, wake up] to eight-part sound paintings with bell-like chimes as in O du frohliche and classical double choir settings such as Resonet in laudibus. The second volume includes five Christmas spirituals with English texts, forming a contrast to the solemn and festive character of the first. The choir can prove its swing and jazz qualities here; the stirring arrangements are a gain for classical Christmas concerts, too. Following the tradition of the spiritual, some settings also require soloists, which can, however, also be recruited from the choir if adequate singers are available. The first piece combines the spirituals It's a Birthday and Wasn't That a Mighty Day to form a medley, Ain't That a Rockin' gives a moment of tranquility before the likewise rousing spirituals Mary Had a Baby and Little David conclude the volume. In both volumes, Howard Arman provides a short preface in German and English, explaining the background of each piece and giving advice on performance.

112 Stucke fur gemischten Chor a cappella. Composed by Andreas Gopfert. Edited by Matthias Gopfert. The Mitteldeutsches Chorbuch, the official choirbook of the Deutsches Chorfest [German Choral Festival] 2020 in Leipzig, was compiled by Prof. Andreas Gopfert on commission of the Deutscher Chorverband [German Choral Society]. Breitkopf and Haertel #CHB 5365-00. Published by Breitkopf and Haertel

Chorus a cappella

SKU: BR.CHB-5380-00

Composed by Howard Arman. Choir; stapled. Chor-Bibliothek (Choral Library). Song; Music post-1945; New music (post-2000). Choral score. 40 pages. Breitkopf and Haertel #ChB 5380-00. Published by Breitkopf and Haertel (BR.CHB-5380-00).

ISBN 9790004413814. 7.5 x 10.5 inches. German / Latin.

As director of the Bavarian Radio Choir, Howard Arman has been actively engaged with international Christmas carols through various Christmas-related CD productions in the past years. This has resulted in a number of original arrangements for four- to eight-part mixed choir a cappella, shedding new light on well-known classics such as O du frohliche [O, you joyful], Stille Nacht [Silent Night] and Lasst uns froh und munter sein [Let us be happy and cheerful]. The first volume includes five Christmas carols from the German-speaking regions. They range from simple but harmonically intriguing settings such as Lieb Nachtigall, wach auf [Dear nightingale, wake up] to eight-part sound paintings with bell-like chimes as in O du frohliche and classical double choir settings such as Resonet in laudibus. The second volume includes five Christmas spirituals with English texts, forming a contrast to the solemn and festive character of the first. The choir can prove its swing and jazz qualities here; the stirring arrangements are a gain for classical Christmas concerts, too. Following the tradition of the spiritual, some settings also require soloists, which can, however, also be recruited from the choir if adequate singers are available. The first piece combines the spirituals It's a Birthday and Wasn't That a Mighty Day to form a medley, Ain't That a Rockin' gives a moment of tranquility before the likewise rousing spirituals Mary Had a Baby and Little David conclude the volume. In both volumes, Howard Arman provides a short preface in German and English, explaining the background of each piece and giving advice on performance.

SATB choir

SKU: HP.C5905C

Composed by K. Lee Scott. Piano Accompaniment. General Worship, Commitment, Discipleship, Sacred. Performance/Accompaniment CD. Hope Publishing Company #C5905C. Published by Hope Publishing Company (HP.C5905C).

UPC: 763628959050. Scripture: 1 Kings 2:10, 1 Kings 2:11, 1 Kings 2:12, 1 Kings 3:3, 1 Kings 3:4, 1 Kings 3:5, 1 Kings 3:6, 1 Kings 3:7, 1 Kings 3:8, 1 Kings 3:9, 1 Kings 3:10, 1 Kings 3:11, 1 Kings 3:12, 1 Kings 3:13, 1 Kings 3:14, Deuteronomy 8:13, Deuteronomy 8:14, Deute.

Original anthem
With melodic writing that soars with creative expression, and a rich text by the 15th-century poet Thomas A. Kempis, this K. Lee Scott classic has been a top-seller in the Hope catalog for over 20 years. With a new accessible SAB voicing, its beauty and appeal can now be discovered by the next generation of church musician.

Choral (SATB)

SKU: HL.365865

(Stand by Me). Composed by Victor C Johnson. Shawnee Sacred. General Worship, Sacred. Octavo. Duration 205 seconds. Published by Shawnee Press (HL.365865).

UPC: 840126962376. 6.75x10.5x0.029 inches. II Timothy 4:9-18, Luke 8:22-25, Mark 4:37-41, Psalm 65:5-7.

This text has challenged and inspired many through the years, and this anthem is a reimagining of the words, rich with new melody and heartfelt harmonies. The more lyrical approach sheds new light on the treasured text to affirm our community and need for fellowship. Lovely piano stylings complete a winning combination of music and message, surrounding the listener with delicate text painting. A song for our time!