Par MILLER DONALD. L'un d'une série de six livres, Music from Around the World offres niveau un, fingerstyle flatpicking guitare ensemble paramètres ou d'une sélection unique de répertoire de nombreux pays que jusqu'à présent a été inaccessibles à l'ensemble de la guitare. Pour n'en nommer que quelques-uns, les caractéristiques de l'ouvrage : l'italien Balletto, partie d'un opéra français, un travail de Lesotho, Afrique du Sud et une chanson de cow-boy américain. Cet ouvrage réunit tous les d'Etat et de normes nationales. Ecrit en notation standard seulement, ces pièces sont destinées aux guitares multiples pour utilisation en classe ou sur la scène du récital. Parties d'arrachement distinctes sont fournis par souci de commodité. Le chef d'orchestre '' score s comprend une réduction de clavier qui peut être jouée pour le soutien à répétition ou de la performance. / Niveau : Débutant / World Music - Quartets / Recueil / Guitare Flatpick et Fingerpick

Learn Music By Ear. Par MURPHY HENRY. (Formerly titled Basic Bluegrass Runs on Guitar Volume 1) Tired of just strumming the guitar? Wish you could add a little variety to your ryhthm playing? These runs will do it! Each run is explained note-by-note in Murphy's easy-to-learn style. She also shows you how these runs fit into simple three-chord bluegrass songs. Most of the runs are taught in the key of G, but we also introduce the runs in the key of C. In addition, we show you how to make the F chord and do the 'rocking bass.' These are basic, professional-grade runs that all good bluegrass rhythm players use. Yet, the are explained so clearly that even beginning guitar players can use them. This video is a direct follow-up to our Beginning Guitar DVD. If you can make G, C, and D, and play a few songs using these chords, you can learn these runs. Also for folks who have been playing a while but don't yet do any runs. A great way to take your basic strumming rhythm to the next level. / Niveau : Débutant / Bluegrass - Methods / Méthode / Guitare Flatpick et Fingerpick

The Guitar Playing of Lonnie Johnson, Bo Carter, Rev. Gary Davis, Buddy Moss, Josh White and Tommy McC. This collection presents six legendary blues guitarists from the 1920s to early 1940s. Each has his own unique approach, style and techniques for playing. Some like Rev. Gary Davis favored regular tuning while Josh White was equally at home playing in Open D tuning as well as standard tuning. Lonnie Johnson is unique in his playing techniques as well as use of a D G D G B E tuning. Buddy Moss's recordings influenced generations of Piedmont guitarists, especially Blind Boy Fuller. Bo Carter had one of the most unusual tonal approaches for playing blues, ragtime and novelty songs. And lastly there is Tommy McClennan. His recordings sound 'rough and tumble' but once you explore the intricacies of his playing you will discover a powerful blues guitarist. REV. GARY DAVIS: Cincinnati Flow - Piece without Words - Children of Zion - Twelve Gates to The City BO CARTER: Let's Get Drunk Again - Nobody's Business - Honey - What You Want Your Daddy to Do BUDDY MOSS: Oh Lordy Mama - Sleepless Night - Someday Baby (I'll Have Mine)JOSH WHITE Crying Blues - Bad Depression Blues - High Brown Cheater - My Soul Is Gonna Live With God - Pure Religion Hallilu LONNIE JOHNSON: Away Down In the Alley Blues - Stomping 'Em Along Slow - Blue Ghost Blues There Is No Justice - Helena Blues - Sittin' On A Log - Corn Bread Blues TOMMY McCLENNAN: Blues as I Can Be - I'm Goin', Don't You Know - Love With a Feeling - New Highway No.51 - Drop Down Mama HOW TO USE THIS BOOK: 1) Listen over and over to the original recordings available via the download link for this collection. 2) Get a program that can control digital audio files. Use this with the transcriptions and the recordings. 3) Be patient!! Practice, practice and practice some more!! / Niveau : Intermédiaire / Date parution : 2019-05-27/ Recueil / Guitare Flatpicking et Fingerpicking