By Mark Hayes. Orchestra. For SATB divisi Choir, Solo Quartet, flute/piccolo, ob...(+)
By Mark Hayes. Orchestra.
For SATB divisi Choir,
Solo Quartet,
flute/piccolo,
oboe/english horn,
clarinet, bassoon, horn,
trumpet, percussion,
harp, piano (for
rehearsal only), violin 1
and 2, viola, cello, bass
(with optional orchestra:
Flute/Piccolo,
Oboe/English Horn,
Clarinet, Bassoon, Horn,
Trumpet, Percussion,
Harp, Piano (for
rehearsal only), Violin 1
and 2, Viola, Cello,
Bass). Christmas,
General. Orchestral Score
and Parts. Published by
Roger Dean Publishing
Orchestra - all SKU: PR.816600040 Composed by Wolfgang Amadeus Mozart. CD...(+)
Orchestra - all
SKU:
PR.816600040
Composed
by Wolfgang Amadeus
Mozart. CD Sheet Music
(Version 1). Full Scores
to all of the major works
for orchestra by Mozart -
parts not included.
Classical Period. CD
Sheet Music. 2000
printable pages.
Published by Theodore
Presser Company
(PR.816600040).
UPC:
680160600045. 5.5x5
inches.
This disk
contains study scores of
all 41 of Mozart's
Symphonies, as well as
Concertos for Winds and
Strings (Piano Concertos
are on a companion
CD-ROM), Serenades, Opera
Overtures, Divertimentos,
and other works.
About CD Sheet
Music (Version
1)
CD
Sheet Music (Version 1)
was the initial CD Sheet
Music series distributed
by Theodore Presser. The
CDs include thousands of
pages of music that are
viewable and printable on
Mac or PC. Version 1
titles are a great value
at 40% off, as we make
room in our warehouse for
the newly enhanced CD
Sheet Music (Version 2.0)
series.
Maximizing Student Performance: Assessment in Orchestra by Wendy Barden. For orc...(+)
Maximizing Student
Performance: Assessment
in Orchestra by Wendy
Barden. For orchestra.
Maximizing Student
Performance. Book A,1.
Book. Published by Neil
A. Kjos Music Company
Orchestra SKU: FG.55011-315-2 Composed by Kalevi Aho. Study score. Fennic...(+)
Orchestra
SKU:
FG.55011-315-2
Composed by Kalevi Aho.
Study score. Fennica
Gehrman #55011-315-2.
Published by Fennica
Gehrman (FG.55011-315-2).
ISBN
9790550113152.
The
Sieidi concerto is in one
movement but divided into
several sections both
faster and slower, wildly
rhythmic, lyrical and
more static. For the
soloist it is extremely
demanding because he is
constantly having to
switch from one technique
to another - for djembe
and darabuka playing with
the hands differs
radically from that of
tom-tom or drumstick
technique or the playing
of pitched percussion
instruments such as the
marimba and
vibraphone.
Normal
ly, in a percussion
concerto, the soloist has
to play surrounded by a
huge battery of
instruments, often behind
the orchestra. In Sieidi
he uses only nine
instruments, and he is in
front of the orchestra
the whole time. The
instruments are in a row
in front of the platform,
starting with the djembe
on the far right (as
viewed by the audience)
and ending with the
tam-tam on the far left.
The soloist plays only
one instrument at a
time.
The title
of the concerto, Sieidi,
is Sami - a language
spoken in the northern
region of Finland, Sweden
and Norway known as
Lapland. It denotes an
ancient cult place such
as an unusually-shaped
rock, sometimes also a
special rock face or even
a whole mountain
fell.
The Sieidi
concerto is in one
movement but divided into
several sections both
faster and slower, wildly
rhythmic, lyrical and
more static. For the
soloist it is extremely
demanding because he is
constantly having to
switch from one technique
to another - for djembe
and darabuka playing with
the hands differs
radically from that of
tom-tom or drumstick
technique or the playing
of pitched percussion
instruments such as the
marimba and
vibraphone.
Normally, in a percussion
concerto, the soloist has
to play surrounded by a
huge battery of
instruments, often behind
the orchestra. In Sieidi
he uses only nine
instruments, and he is in
front of the orchestra
the whole time. The
instruments are in a row
in front of the platform,
starting with the djembe
on the far right (as
viewed by the audience)
and ending with the
tam-tam on the far left.
The soloist plays only
one instrument at a
time.
The title
of the concerto, Sieidi,
is Sami - a language
spoken in the northern
region of Finland, Sweden
and Norway known as
Lapland. It denotes an
ancient cult place such
as an unusually-shaped
rock, sometimes also a
special rock face or even
a whole mountain
fell.
The Sieidi
concerto is in one
movement but divided into
several sections both
faster and slower, wildly
rhythmic, lyrical and
more static. For the
soloist it is extremely
demanding because he is
constantly having to
switch from one technique
to another - for djembe
and darabuka playing with
the hands differs
radically from that of
tom-tom or drumstick
technique or the playing
of pitched percussion
instruments such as the
marimba and
vibraphone.
Normally, in a percussion
concerto, the soloist has
to play surrounded by a
huge battery of
instruments, often behind
the orchestra. In Sieidi
he uses only nine
instruments, and he is in
front of the orchestra
the whole time. The
instruments are in a row
in front of the platform,
starting with the djembe
on the far right (as
viewed by the audience)
and ending with the
tam-tam on the far left.
The soloist plays only
one instrument at a
time.
The title
of the concerto, Sieidi,
is Sami - a language
spoken in the northern
region of Finland, Sweden
and Norway known as
Lapland. It denotes an
ancient cult place such
as an unusually-shaped
rock, sometimes also a
special rock face or even
a whole mountain
fell.
The Sieidi
concerto is in one
movement but divided into
several sections both
faster and slower, wildly
rhythmic, lyrical and
more static. For the
soloist it is extremely
demanding because he is
constantly having to
switch from one technique
to another - for djembe
and darabuka playing with
the hands differs
radically from that of
tom-tom or drumstick
technique or the playing
of pitched percussion
instruments such as the
marimba and
vibraphone.
Normally, in a percussion
concerto, the soloist has
to play surrounded by a
huge battery of
instruments, often behind
the orchestra. In Sieidi
he uses only nine
instruments, and he is in
front of the orchestra
the whole time. The
instruments are in a row
in front of the platform,
starting with the djembe
on the far right (as
viewed by the audience)
and ending with the
tam-tam on the far left.
The soloist plays only
one instrument at a
time.
The title
of the concerto, Sieidi,
is Sami - a language
spoken in the northern
region of Finland, Sweden
and Norway known as
Lapland. It denotes an
ancient cult place such
as an unusually-shaped
rock, sometimes also a
special rock face or even
a whole mountain
fell.
Orchestra SKU: FG.55011-516-3 Composed by Paavo Heininen. Study score. Fe...(+)
Orchestra
SKU:
FG.55011-516-3
Composed by Paavo
Heininen. Study score.
Fennica Gehrman
#55011-516-3. Published
by Fennica Gehrman
(FG.55011-516-3).
ISBN
9790550115163.
The
pictorial title of DIA
(1979) with its wedge
form refers to the idea
of an arrow pointing
through the
multidimensional musical
space of the piece -- the
beginning of a trajectory
crossing through all of
it, visiting every point,
but a trajectory free of
any preordained form or
curvature. The grand old
man of Finnish Modernism
Paavo Heininen (b. 1938)
sees form as an idea of
time and reflects it in
one continuous movement
with five distinct
sections. DIA was
commissioned NOMUS
(National Federation of
Swedish Orchestral
Associations) and
premiered by the Finnish
Radio Symphony Orchestra
conducted by Leif
Segerstam in September
1979. The edition of the
score at hand is
published to celebrate
Paavo Heininen's 80th
birthday. The edition
includes the composer's
forward from the year
1979 as well as aspects
and memories about DIA
written in August
2018.
Orchestra SKU: FG.55011-235-3 Composed by Jean Sibelius. Score. Published...(+)
Orchestra
SKU:
FG.55011-235-3
Composed by Jean
Sibelius. Score.
Published by Fennica
Gehrman (FG.55011-235-3).
ISBN
9790550112353.
Firs
t publication! This is
the first version of
Cassazione op. 6 (1904)
for large orchestra with
double woodwinds, four
French horns, two
trumpets and three
trombones - a chamber
orchestra version was
made by the composer
later during 1904.
Sibelius made his first
sketches for material
that would later find its
way into Cassazione at
the end of the 1890s.
There are already hints
of it among the sketches
of his first
symphony.
Orchestra SKU: LO.30-2170L Composed by Mark Hayes. Choral. Sacred Anthem,...(+)
Orchestra
SKU:
LO.30-2170L
Composed
by Mark Hayes. Choral.
Sacred Anthem, Holy Week,
Lent. Orchestral score
and parts. Exaltation
Publications #30/2170L.
Published by Exaltation
Publications
(LO.30-2170L).
Orchestra SKU: HL.50499306 Parts. Composed by Arrigo Pedrollo. Orc...(+)
Orchestra
SKU:
HL.50499306
Parts. Composed by
Arrigo Pedrollo.
Orchestra. Solo &
Concerto. Softcover.
Composed 2003. Libreria
Musicale G. Zanibon
#GZ00415400. Published by
Libreria Musicale G.
Zanibon (HL.50499306).
Orchestra SKU: HL.50513700 Composed by L. Markham. Lengnick Publishing. C...(+)
Orchestra
SKU:
HL.50513700
Composed
by L. Markham. Lengnick
Publishing. Classical.
Set (Score & Parts).
Alfred Lengnick & Co
#AL1091A. Published by
Alfred Lengnick & Co
(HL.50513700).
Orchestra SKU: ST.B676 Composed by Frederick Delius. Edited by Eric Fenby...(+)
Orchestra
SKU:
ST.B676
Composed by
Frederick Delius. Edited
by Eric Fenby. Books &
Study Scores. Full Score.
Edited Eric Fenby
(Complete Works Volume
24a). Full Score. Stainer
& Bell Ltd. #B676.
Published by Stainer &
Bell Ltd. (ST.B676).
