Johannes Brahms. Arranged by Robert D. Mccashin. String Orchestra. FJH String Or...(+)
Johannes Brahms. Arranged
by Robert D. Mccashin.
String Orchestra. FJH
String Orchestra. Score
for this title: ST6080S.
Extra part for this
title: ST6080P. Level: 5.
Published by The FJH
Music Company Inc.
Composed by Muzio
Clementi. Arranged by
Douglas Townsend. Carl
Fischer Young String
Orchestra Series.
Classical. Full score.
With Standard notation.
12 pages. Carl Fischer
Music #YAS13F. Published
by Carl Fischer Music
(CF.YAS13F).
ISBN
9780825848339. UPC:
798408048334. 8.5 X 11
inches. Key: G
major.
IApart from
some of his Sonatinas,
Opus 36, Clementi's life
and music are hardly
known to the piano
teachers and students of
today. For example, in
addition to the above
mentioned Sonatinas,
Clementi wrote sixty
sonatas for the piano,
many of them unjustly
neglected, although his
friend Beethoven regarded
some of them very highly.
Clementi also wrote
symphonies (some of which
he arranged as piano
sonatas), a substantial
number of waltzes and
other dances for the
piano as well as sonatas
and sonatinas for piano
four-hands.In addition to
composing, Clementi was a
much sought after piano
teacher, and included
among his students John
Field (Father of the
'Nocturne'), and
Meyerbeer.In his later
years, Clementi became a
very successful music
publisher, publishing
among other works the
first English edition of
Beethoven's Violin
Concerto, in the great
composer's own
arrangement for the
piano, as well as some of
his string quartets.
Clementi was also one of
the first English piano
manufacturers to make
pianos with a metal frame
and string them with
wire.The Sonatina in C,
Opus 36, No. 1 was one of
six such works Clementi
wrote in 1797. He must
have been partial to
these little pieces (for
which he also provided
the fingerings), since
they were reissued
(without the fingering)
by the composer shortly
after 1801. About 1820,
he issued ''the sixth
edition, with
considerable improvements
by the author;· with
fingerings added and
several minor changes,
among which were that
many of them were written
an octave higher.IIIt has
often been said,
generally by those
unhampered by the facts,
that composers of the
past (and, dare we add,
the present?), usually
handled their financial
affairs with their public
and publishers with a
poor sense of business
acumen or common sense.
As a result they
frequently found
themselves in financial
straits.Contrary to
popular opinion, this was
the exception rather than
the rule. With the
exception of Mozart and
perhaps a few other
composers, the majority
of composers then, as
now, were quite
successful in their
dealings with the public
and their publishers, as
the following examples
will show.It was not
unusual for 18th- and
19th-century composers to
arrange some of their
more popular compositions
for different
combinations of
instruments in order to
increase their
availability to a larger
music-playing public.
Telemann, in the
introduction to his
seventy-two cantatas for
solo voice and one melody
instrument (flute, oboe
or violin, with the usual
continua) Der Harmonische
Gottesdienst, tor
example, suggests that if
a singer is not available
to perform a cantata the
voice part could be
played by another
instrument. And in the
introduction to his Six
Concertos and Six Suites
for flute, violin and
continua, he named four
different instrumental
combinations that could
perform these pieces, and
actually wrote out the
notes for the different
possibilities. Bach
arranged his violin
concertos for keyboard,
and Beethoven not only
arranged his Piano Sonata
in E Major, Opus 14, No.
1 for string quartet, he
also transposed it to the
key of F. Brahm's
well-known Quintet in F
Minor for piano and
strings was his own
arrangement of his
earlier sonata for two
pianos, also in F
Minor.IIIWe come now to
Clementi. It is well
known that some of his
sixty piano sonatas were
his own arrangements of
some of his lost
symphonies, and that some
of his rondos for piano
four-hands were
originally the last
movements of his solo
sonatas or piano trios.In
order to make the first
movement of his
delightful Sonatina in C,
Opus 36, No. 1 accessible
to young string players,
I have followed the
example established by
the composer himself by
arranging and transposing
one of his piano
compositions from one
medium (the piano) to
another. (string
instruments). In order to
simplify the work for
young string players, in
the process of adapting
it to the new medium it
was necessary to
transpose it from the
original key of C to G,
thereby doing away with
some of the difficulties
they would have
encountered in the
original key. The first
violin and cello parts
are similar to the right-
and left-hand parts of
the original piano
version. The few changes
I have made in these
parts have been for the
convenience of the string
players, but in no way do
they change the nature of
the music.Since the
original implied a
harmonic framework in
many places, I have added
a second violin and viola
part in such a way that
they not only have
interesting music to
play, but also fill in
some of the implied
harmony without in any
way detracting from the
composition's musical
value. Occasionally, it
has been necessary to
raise or lower a few
passages an octave or to
modify others slightly to
make them more accessible
for young players.It is
hoped that the musical
value of the composition
has not been too
compromised, and that
students and teachers
will come to enjoy this
little piece in its new
setting as much as
pianists have in the
original one. This
arrangement may also be
performed by a solo
string quartet. When
performed by a string
orchestra, the double
bass part may be
omitted.- Douglas
TownsendString editing by
Amy Rosen.
About Carl
Fischer Young String
Orchestra
Series
Thi
s series of Grade 2/Grade
2.5 pieces is designed
for second and third year
ensembles. The pieces in
this series are
characterized
by: --Occasionally
extending to third
position --Keys
carefully considered for
appropriate
difficulty --Addition
of separate 2nd violin
and viola
parts --Viola T.C.
part
included --Increase
in independence of parts
over beginning levels
Hungarian Dance, No. 13 Orchestre à Cordes [Conducteur et Parties séparées] Kendor Music Inc.
By Johannes Brahms (1833-1897). Arranged by Robert S. Frost. For string orchestr...(+)
By Johannes Brahms
(1833-1897). Arranged by
Robert S. Frost. For
string orchestra. Concert
String Orchestra Series.
Score and parts. Duration
1:15. Published by Kendor
Music Inc
The Best of Brahms Orchestre à Cordes [Conducteur et Parties séparées] - Facile Carl Fischer
By Johannes Brahms (1833-1897). Arranged by Joseph Compello. For String Orchestr...(+)
By Johannes Brahms
(1833-1897). Arranged by
Joseph Compello. For
String Orchestra. Carl
Fischer Young String
Orchestra Series. Grade
2-2.5. Score and Parts.
Standard notation
The Best of Brahms Orchestre à Cordes [Conducteur] - Facile Carl Fischer
By Johannes Brahms (1833-1897). Arranged by Joseph Compello. For String Orchestr...(+)
By Johannes Brahms
(1833-1897). Arranged by
Joseph Compello. For
String Orchestra. Carl
Fischer Young String
Orchestra Series. Grade
2-2.5. Full Score.
Standard notation.
Published by Carl Fischer
Scherzo Orchestre à Cordes [Conducteur] - Intermédiaire/avancé Kendor Music Inc.
String Orchestra - Grade 6 SKU: KN.KSS2302FS From F-A-E Sonata for Vio...(+)
String Orchestra - Grade
6
SKU:
KN.KSS2302FS
From
F-A-E Sonata for Violin
and Piano. Composed
by Johannes Brahms.
Arranged by Deborah Baker
Monday. Symphonic String
Orchestra Series 4 & Up.
Score Only. Kendor Music
Inc #KSS2302FS. Published
by Kendor Music Inc
(KN.KSS2302FS).
12 x 9
inches.
Deborah
Baker Monday has done a
masterful job of
arranging this difficult
Brahms Violin Sonata for
string orchestra. All the
thrilling highs and
despondent lows are
represented in this new
arrangement. F-A-E refers
to the German frei aber
einsam which translates
to free but lonely or
free but alone.
Composed by Johannes
Brahms. Arranged by
Carrie Lane Gruselle.
Series; String Orchestra.
FJH String Orchestra.
Masterwork Arrangement;
Multicultural. Score and
Part(s). Duration 3:00.
The FJH Music Company Inc
#98-ST6451. Published by
The FJH Music Company Inc
(FJ.ST6451).
UPC:
241444387962.
English.
Brahms
captures the fire and
passion of the Roma
culture in these folk
songs set to dance
styles. Intensity and
drama is created with
dynamic exaggeration,
abrupt tempo changes and
contrasting bow styles.
An excellent way to forge
the relationship between
student and conductor as
they learn to engage all
of the wonderfully rich
sections of the
piece.
About FJH
String
Orchestra
More emphasis on bow
technique and
independence of lines.
For the accomplished
middle, high school,
college, or professional
group. Grade 3 and up
Hungarian Dance No. 5 Orchestre à Cordes [Conducteur] - Intermédiaire Alfred Publishing
By Johannes Brahms. Arranged by Merle J. Isaac. Music by Johannes Brahms / arr. ...(+)
By Johannes Brahms.
Arranged by Merle J.
Isaac. Music by Johannes
Brahms / arr. Merle
Isaac. For String
Orchestra. String
Orchestra. String
Orchestra. Level: 3
(grade 3). Conductor
Score. 12 pages.
Published by Alfred
Publishing.
Hungarian Dance No. 4 Orchestre à Cordes [Conducteur] - Intermédiaire Alfred Publishing
By Johannes Brahms. Arranged by Merle J. Isaac. Music by Johannes Brahms / arr. ...(+)
By Johannes Brahms.
Arranged by Merle J.
Isaac. Music by Johannes
Brahms / arr. Merle
Isaac. For String
Orchestra. String
Orchestra. String
Orchestra. Level: 3
(grade 3). Conductor
Score. 8 pages. Published
by Alfred Publishing.
String Orchestra - Grade 3.5 SKU: KN.09834S Composed by Johannes Brahms. ...(+)
String Orchestra - Grade
3.5
SKU: KN.09834S
Composed by Johannes
Brahms. Arranged by
Robert S. Frost. Solo or
Ensemble. Apex String
Orchestra. Kendor Music
Inc #09834S. Published by
Kendor Music Inc
(KN.09834S).
UPC:
822795098341.
Brahm
s wrote 21 Hungarian
Dances for piano
four-hands. Each one is
highly individualistic
and features slow and
fast sections -- in this
arrangement, D major is
used in the slow opening
and closing sections,
while the fast middle
section is in B minor.
Violins have some limited
divisi parts, and melodic
material is given to the
inner voices and cellos
in the fast section.
Duration 1:15. Available
in SmartMusic.
Scherzo Orchestre à Cordes [Conducteur et Parties séparées] - Intermédiaire/avancé Kendor Music Inc.
String Orchestra - Grade 6 SKU: KN.KSS2302 From F-A-E Sonata for Violi...(+)
String Orchestra - Grade
6
SKU: KN.KSS2302
From F-A-E Sonata for
Violin and Piano.
Composed by Johannes
Brahms. Arranged by
Deborah Baker Monday.
Symphonic String
Orchestra Series 4 & Up.
Score and Parts. Kendor
Music Inc #KSS2302.
Published by Kendor Music
Inc (KN.KSS2302).
12 x
9 inches.
Deborah
Baker Monday has done a
masterful job of
arranging this difficult
Brahms Violin Sonata for
string orchestra. All the
thrilling highs and
despondent lows are
represented in this new
arrangement. F-A-E refers
to the German frei aber
einsam which translates
to free but lonely or
free but alone.
Score Only.
Composed by Johannes
Brahms. Arranged by
Carrie Lane Gruselle.
Series; String Orchestra.
FJH String Orchestra.
Masterwork Arrangement;
Multicultural. Score.
Duration 3:00. The FJH
Music Company Inc
#98-ST6451S. Published by
The FJH Music Company Inc
(FJ.ST6451S).
English.
Brahms
captures the fire and
passion of the Roma
culture in these folk
songs set to dance
styles. Intensity and
drama is created with
dynamic exaggeration,
abrupt tempo changes and
contrasting bow styles.
An excellent way to forge
the relationship between
student and conductor as
they learn to engage all
of the wonderfully rich
sections of the
piece.
About FJH
String
Orchestra
More emphasis on bow
technique and
independence of lines.
For the accomplished
middle, high school,
college, or professional
group. Grade 3 and up
By Antonin Dvorak. Arranged by Robert Sieving. By Antonin Dvorak / arr. Robert S...(+)
By Antonin Dvorak.
Arranged by Robert
Sieving. By Antonin
Dvorak / arr. Robert
Sieving. For String
Orchestra. String
Orchestra. Highland
String Orchestra. Level:
3.5 (grade 3.5).
Conductor Score and
Parts. 94 pages.
Published by Alfred
Publishing.
By Johannes Brahms. Arranged by Jack Bullock. By Johannes Brahms / arr. Jack Bul...(+)
By Johannes Brahms.
Arranged by Jack Bullock.
By Johannes Brahms / arr.
Jack Bullock. For String
Orchestra. String
Orchestra. Orchestra
Expressions Book 1.
Conductor Score and
Parts. 64 pages. Duration
1:36. Published by Alfred
Publishing. Level: 1
(grade 1).
Hungarian Dance No. 6 Orchestre à Cordes [Conducteur] - Intermédiaire Alfred Publishing
By Johannes Brahms. Arranged by Merle J. Isaac. Music by Johannes Brahms / arr. ...(+)
By Johannes Brahms.
Arranged by Merle J.
Isaac. Music by Johannes
Brahms / arr. Merle
Isaac. For String
Orchestra. String
Orchestra. String
Orchestra. Level: 3
(grade 3). Conductor
Score. 16 pages.
Published by Alfred
Publishing.
(For String Orchestra and Solo Violin). By Susan H. Day. Orchestra. Part(s); Sco...(+)
(For String Orchestra and
Solo Violin). By Susan H.
Day. Orchestra. Part(s);
Score; SmartMusic; String
Orchestra. Highland
String Orchestra. Form:
Variations. Grade 3. 128
pages. Published by
Alfred Music
Beethoven, Inc. Orchestre à Cordes [Conducteur et Parties séparées] - Facile Alfred Publishing
By Richard Meyer. Orchestra. String Orchestra. String Orchestra. Form: Medley. C...(+)
By Richard Meyer.
Orchestra. String
Orchestra. String
Orchestra. Form: Medley.
Classical. Grade 2.5.
Conductor Score and
Parts. 124 pages.
Published by Alfred Music
Publishing
String Orchestra (Full Score) SKU: HL.51483300 For String Orchestra Fu...(+)
String Orchestra (Full
Score)
SKU:
HL.51483300
For
String Orchestra Full
Score. Composed by
Antonin Dvorak. Edited by
Peter Jost. Henle Music
Folios. Classical.
Softcover. 70 pages. G.
Henle #HN3300. Published
by G. Henle
(HL.51483300).
UPC:
196288206965.
10.0x12.75x0.235
inches.
The
serenade flourished in
Mozart's era, but with
Brahms the genre
experienced a new surge
in popularity in the 19th
century. Dvorák's
cheerful and relaxed op.
22 came into being in
1875, during a very happy
time for him both
professionally and
privately. Heput his
personal stamp on the
five-movement composition
by incorporating stylized
Slavonic dances. The
spirited finale
captivates by restating
themes from the previous
movements. Since its
premiere in 1876 the
work, with its melodic
richness and particular
harmonic modulations, has
enjoyed great acclaim
from audiences and
critics alike. Today it
is among Dvorák's most
popular and most
frequently performed
compositions. As well as
the autograph and printed
editions, the composer's
copy of the printed score
with autograph
corrections and additions
has been consulted for
Henle's Urtext
edition.
About Henle
Urtext
What I can expect from
Henle Urtext
editions:
error-free, reliable
musical texts based on
meticulous musicological
research - fingerings and
bowings by famous artists
and pedagogues
preface in 3
languages with
information on the
genesis and history of
the workÂ
Critical Commentary
in 1 â 3 languages
with a description and
evaluation of the sources
and explaining all source
discrepancies and
editorial
decisionsÂ
most beautiful music
engravingÂ
page-turns, fold-out
pages, and cues where you
need themÂ
excellent print
quality and
bindingÂ
largest Urtext
catalogue
world-wideÂ
longest Urtext
experience (founded 1948
exclusively for Urtext
editions)