Voice and piano (or orchestra) For Voice and Piano (or Orchestra). Composed by Mikis Theodorakis (1925-). This edition: Saddle stitching. Sheet music. Vocal. Softcover. Composed 2002. 68 pages. Duration 34'. Schott Music #ED21658. Published by Schott Music

Voice and piano

SKU: CU.EC9241

Composed by Guido Pannain. Published by Edizioni Curci (CU.EC9241).

Voice and piano

SKU: CU.EC10391

Composed by Sandro Fuga. Published by Edizioni Curci (CU.EC10391).

Voice and piano

SKU: CU.EC6901

Composed by Guido Pannain. Published by Edizioni Curci (CU.EC6901).

Voice and piano (solo: S/Mez - 2.2.1.B-clar.2 - 4.0.0.0 - perc - str)

SKU: BR.DLV-3496

Then I Ceased to Ask Those Questions. Composed by Jean Sibelius. Voice; stapled. Deutscher-Lieder-Verlag.

Nearly all of the orchestral arrangements were made years after the original compositions. Yet even though the arrangements were made in a very short period of time, Sibelius handled the combination of solo voice and orchestra with equal mastery.

Song; Early modern; Late-romantic. Piano/Vocal Score. 4 pages. Duration 3'. Breitkopf and Haertel #DLV 3496. Published by Breitkopf and Haertel (BR.DLV-3496).

ISBN 9790004801666. 9 x 12 inches. Swedish / German.

Sibelius made most of the orchestral versions of his songs for the soprano Ida Ekman (1875-1942), the incomparable Sibelius singer the composer called her in a dedication written in a score. Ida Ekman gave the first performance of the orchestral version of Se'n har jag ej fragat mera on March 30, 1914, in Turku. Idas husband Karl conducted the orchestra of the Turku Musical Society.Nearly all of the orchestral arrangements were made years after the original compositions for voice and piano. Yet even though the arrangements were made in a very short period of time, Sibelius handled the combination of solo voice and orchestra in all songs with equal mastery, sometimes creating dark and dramatic atmospheres (in Pa verandan vid havet), sometimes radiant, colorful impressions (in Soluppgang), or light-colored, transparent textures (in Varen flyktar hastigt), and always basing his ideas on the poetic idea of the song while discovering refined ways of supporting it.In most cases, Sibelius used a comparatively small orchestra: Varen flyktar hastigt has only two flute and four horns added to the strings.

Nearly all of the orchestral arrangements were made years after the original compositions. Yet even though the arrangements were made in a very short period of time, Sibelius handled the combination of solo voice and orchestra with equal mastery.

Voice & Piano

SKU: SU.21000004

For Voice & Piano. Composed by Samuel Ward. Vocal/Choral, Solo Voice. Accompanied by piano. Piano Vocal Score. Calabrese Brothers Music, LLC #21000004. Published by Calabrese Brothers Music, LLC (SU.21000004).

Voice Range D4 to G5This a contemporary arrangement by Helmut C. Calabrese using the original melody of Samuel A. Ward and the words of Katerine Lee BatesVoice & Piano Duration: 4' Composed: 2001 Published by: Calabrese Brothers Music Performance materials for version with orchestraavailable on rental only:.

Voice and Piano

SKU: AP.36-M181291

Composed by Maurice Ravel. Performance Music Ensemble; Solo Voice with Piano. Ludwig Masters. Score and Part(s). Alfred Music #36-M181291. Published by Alfred Music (AP.36-M181291).

UPC: 660355185809. English.

Maurice Ravel (1875-1937) wrote the first of his CINQ MÉLODIES POPULAIRES GRECQUES (Five Greek Folk Melodies) in 1904 at the urgent request of Pierre Aubry, who wished to illustrate a lecture he was giving on Greek folksong. Initially given five folksongs from which to choose, Ravel supplied a piano accompaniment for them in only thirty-six hours. Having impressed those who supplied the original five, three more were produced, which Ravel also quickly set to piano accompaniment, in a style imitative of the Mediterranean lands, but remaining distinctly French in its execution. The five melodies in this collection were selected from those eight. Ravel had started orchestrating all five as well, completing two, leaving Manuel Rosenthal to complete the remaining three. Songs in the collection: I. Le Réveil de la Mariée (Wake Up, My Dear), II. Là-bas, vers l'église (Out There, Where the Church Tower), III. Quel galant m'est comparable (Which Gallant Can Compare With Me?), IV. Chanson des cueilleuses de lentisques (Song of the Lentisk Gatherers), and V. Tout gai! (Be Gay!). The Ravel/Rosenthal orchestrations have been edited by Clinton Nieweg in an edition available from E.F. Kalmus.

These products are currently being prepared by a new publisher. While many items are ready and will ship on time, some others may see delays of several months.

Piano; Voice

SKU: HL.14041133

Voice and Piano. Composed by Jean-Yves Daniel-Lesur. Arranged by J Masson. Music Sales America. Classical. Softcover. Editions Musicales Transatlantiques #ETR0357/1. Published by Editions Musicales Transatlantiques (HL.14041133).

French.

L'annonc iation (L. Masson): Cantate pour tenor, recitant, choeur mixte et orchestra. Reduction voix et piano.

Voice and piano

SKU: M7.AR-5738-24

Avec CD Play-Back. Composed by Henri Duparc. Sheet music with CD. MDS (Music Distribution Services) #AR 5738-24. Published by MDS (Music Distribution Services) (M7.AR-5738-24).

ISBN 9790048004962.

Voice and piano

SKU: BR.SON-513

Composed by Hanns Eisler. Edited by Knud Breyer. Voice; Hardback. Complete Works. Early modern; Music post-1945. Complete Works. 352 pages. Breitkopf and Haertel #SON 513. Published by Breitkopf and Haertel (BR.SON-513).

ISBN 9790004803721. 9 x 12 inches. German / English.

Editorial BoardThomas Phleps (Music), Georg Witte (Writings)Editorial MembersMusic: Oliver Dahin / Johannes C. Gall, Writings: Maren KosterEditorial CommitteeMusic: Hartmut Fladt, Werner Grunzweig, Elmar Juchem, Roland Kluttig, Giselher SchubertWritings: Albrecht Betz, Albrecht Riethmuller, Jurgen Schebera, Friederike WissmannThe editorial works are supported by the Deutsche Forschungsgemeinschaft.Sp ecial volumes are made possible with the support of the following foundations:Klockner-Stif tung, Lotto-Stiftung, Hanns und Steffy Eisler StiftungThe goal of the Hanns Eisler Complete Edition (HEGA) is to present to the public all available compositions, writings and letters in an appropriately scholarly form. It takes a historico-critical approach and seeks to document the history of the works and writings by shedding light on their transformations, thus identifying the various versions as witnesses of evolving aesthetic and historical positions. Eislers complete oeuvre (only a limited number of his works had penetrated the publics awareness up until the 1990s) first became the object of an editorial undertaking when the Eisler - Gesammelte Werke (EGW) was founded by Nathan Notowicz. It was later placed under the direction of Manfred Grabs and Eberhardt Klemm, and began issuing its publications in 1968 through the intermediary of the Deutscher Verlag fur Musik in Leipzig. However, only four volumes of music and five volumes of writings were published. The Hanns Eisler Complete Edition pursues the work begun at that time, although it has had to fundamentally revise its editorial principles. In this respect, the Hanns Eisler Complete Edition can be considered as a completely new editorial undertaking. It became necessary to reconceive the organization of the volumes and series as well as the editorial guidelines in order to adapt the standards of historico-critical editing generally applicable today to the specific and sometimes singular circumstances of Eislers works.The Critical Commentaries pertaining to the main volumes follow the music section or, whenever they are too extensive, appear in a special volume.Series I: Choral MusicSeries II: Music for Voice and Instrumental Ensemble or OrchestraSeries III: Music for Voice and PianoSeries IV: Instrumental MusicSeries V: Incidental MusicSeries VI: Film MusicSeries VII: Sketches and FragmentsSeries VIII: Arrangements of works by other composersSeries IX: Writings, Letters and InterviewsSON 501 has been awarded the German Music Edition Prize 2003.SON 502 has been awarded the German Music Edition Prize 2007.

The major upheavals that transformed society and musical aesthetics during the first half of the 20th century also profoundly affected the life of Hanns Eisler, as well as his compositions and writings. The importance and scope of Eislers oeuvre are reason enough to make his works accessible to musical scholarship and practice in a comprehensive fashion. Price reduction for a subscription.

Voice and piano

SKU: BR.DLV-5633

Composed by Jean Sibelius. Voice. Deutscher-Lieder-Verlag. Song; Early modern; Late-romantic. Score. 8 pages. Breitkopf and Haertel #DLV 5633. Published by Breitkopf and Haertel (BR.DLV-5633).

ISBN 9790004802151. 9 x 12 inches. Swedish / German.

Six single editions:
DLV 5631 - 1. Der Norden
DLV 5632 - 2. Hennes Budskap - Ihre Botschaft
DLV 5632 - 3. Morgonen - Der Morgen
DLV 5634 - 4. Fagelfangaren - Der Vogelsteller
DLV 5635 - 5. Sommernatten - Die Sommernacht
DLV 5636 - 6. Vem Styrde hit din vag - Wer hat dich hergefuhrt Fast alle Orchesterbearbeitungen sind Jahre nach den Originalkompositionen fur Singstimme und Klavier entstanden.

Trotz der Tatsache dass sie rasch hingeworfen sind zeigt sich in allen Liedern Sibelius' Meisterschaft als Orchesterliederkomponist. Manchmal vermag er eine dustere dramatische Atmosphare (in ,,Pa verandan vid havet) zu erzeugen manchmal gelingen ihm leuchtend farbige Impressionen (in ,,Soluppgang) oder zart transparente Gewebe (in ,,Varen flyktar hastigt) - immer jedoch sind die Lieder ganz aus deren poetischer Idee heraus gestaltet und differenziert nachgezeichnet. In den meisten Fallen beschrankte sich Sibelius auf ein relativ kleines Orchester. In ,,Varen flyktar hastigt sind neben den Streichern nur zwei Floten und vier Horner besetzt. Nearly all of the orchestral arrangements were made years after the original compositions for voice and piano.

Yet even though the arrangements were made in a very short period of time Sibelius handled the combination of solo voice and orchestra in all songs with equal mastery sometimes creating dark and dramatic atmospheres (in Pa verandan vid havet) sometimes radiant colorful impressions (in Soluppgang) or light-colored transparent textures (in Varen flyktar hastigt) and always basing his ideas on the poetic idea of the song while discovering refined ways of supporting it. Fast alle Orchesterbearbeitungen sind Jahre nach den Originalkompositionen fur Singstimme und Klavier entstanden.

Trotz der Tatsache dass sie rasch hingeworfen sind zeigt sich in allen Liedern Sibelius' Meisterschaft als Orchesterliederkomponist. manchmal vermag er eine dustere dramatische Atmosphare (in ,,Pa verandan vid havet) zu erzeugen manchmal gelingen ihm leuchtend farbige Impressionen (in ,,Soluppgang) oder zart transparente Gewebe (in ,,Varen flyktar hastigt) - immer jedoch sind die Lieder ganz aus deren poetischer Idee heraus gestaltet und differenziert nachgezeichnet. In den meisten Fallen beschrankte sich Sibelius auf ein relativ kleines Orchester. In ,,Varen flyktar hastigt sind neben den Streichern nur zwei Floten und vier Horner besetzt. Nearly all of the orchestral arrangements were made years after the original compositions for voice and piano.

Yet even though the arrangements were made in a very short period of time Sibelius handled the combination of solo voice and orchestra in all songs with equal mastery sometimes creating dark and dramatic atmospheres (in Pa verandan vid havet) sometimes radiant colorful impressions (in Soluppgang) or light-colored transparent textures (in Varen flyktar hastigt) and always basing his ideas on the poetic idea of the song while discovering refined ways of supporting it.

(for Voice and Piano). Composed by Sergei Rachmaninoff (1873-1943). Edited by Dominik Rahmer. For Voice, High Voice, Piano Accompaniment. Henle Music Folios. Softcover. 14 pages. G. Henle #HN1237. Published by G. Henle

Voice and piano

SKU: BR.DLV-5634

Composed by Jean Sibelius. Voice. Deutscher-Lieder-Verlag. Song; Early modern; Late-romantic. Score. 8 pages. Breitkopf and Haertel #DLV 5634. Published by Breitkopf and Haertel (BR.DLV-5634).

ISBN 9790004802168. 9 x 12 inches. Swedish / German.

Six single editions:
DLV 5631 - 1. Der Norden
DLV 5632 - 2. Hennes Budskap - Ihre Botschaft
DLV 5632 - 3. Morgonen - Der Morgen
DLV 5634 - 4. Fagelfangaren - Der Vogelsteller
DLV 5635 - 5. Sommernatten - Die Sommernacht
DLV 5636 - 6. Vem Styrde hit din vag - Wer hat dich hergefuhrt Fast alle Orchesterbearbeitungen sind Jahre nach den Originalkompositionen fur Singstimme und Klavier entstanden.

Trotz der Tatsache dass sie rasch hingeworfen sind zeigt sich in allen Liedern Sibelius' Meisterschaft als Orchesterliederkomponist. Manchmal vermag er eine dustere dramatische Atmosphare (in ,,Pa verandan vid havet) zu erzeugen manchmal gelingen ihm leuchtend farbige Impressionen (in ,,Soluppgang) oder zart transparente Gewebe (in ,,Varen flyktar hastigt) - immer jedoch sind die Lieder ganz aus deren poetischer Idee heraus gestaltet und differenziert nachgezeichnet. In den meisten Fallen beschrankte sich Sibelius auf ein relativ kleines Orchester. In ,,Varen flyktar hastigt sind neben den Streichern nur zwei Floten und vier Horner besetzt. Nearly all of the orchestral arrangements were made years after the original compositions for voice and piano.

Yet even though the arrangements were made in a very short period of time Sibelius handled the combination of solo voice and orchestra in all songs with equal mastery sometimes creating dark and dramatic atmospheres (in Pa verandan vid havet) sometimes radiant colorful impressions (in Soluppgang) or light-colored transparent textures (in Varen flyktar hastigt) and always basing his ideas on the poetic idea of the song while discovering refined ways of supporting it. Fast alle Orchesterbearbeitungen sind Jahre nach den Originalkompositionen fur Singstimme und Klavier entstanden.

Trotz der Tatsache dass sie rasch hingeworfen sind zeigt sich in allen Liedern Sibelius' Meisterschaft als Orchesterliederkomponist. manchmal vermag er eine dustere dramatische Atmosphare (in ,,Pa verandan vid havet) zu erzeugen manchmal gelingen ihm leuchtend farbige Impressionen (in ,,Soluppgang) oder zart transparente Gewebe (in ,,Varen flyktar hastigt) - immer jedoch sind die Lieder ganz aus deren poetischer Idee heraus gestaltet und differenziert nachgezeichnet. In den meisten Fallen beschrankte sich Sibelius auf ein relativ kleines Orchester. In ,,Varen flyktar hastigt sind neben den Streichern nur zwei Floten und vier Horner besetzt. Nearly all of the orchestral arrangements were made years after the original compositions for voice and piano.

Yet even though the arrangements were made in a very short period of time Sibelius handled the combination of solo voice and orchestra in all songs with equal mastery sometimes creating dark and dramatic atmospheres (in Pa verandan vid havet) sometimes radiant colorful impressions (in Soluppgang) or light-colored transparent textures (in Varen flyktar hastigt) and always basing his ideas on the poetic idea of the song while discovering refined ways of supporting it.