Score and Parts String Quartet (Score & Parts) SKU: HL.233292 For Stri...(+)
Score and Parts String
Quartet (Score & Parts)
SKU: HL.233292
For String
Quartet. Composed by
John Luther Adams. Music
Sales America. Classical.
Set. Composed 2017.
Chester Music #CH86119.
Published by Chester
Music (HL.233292).
9.0x12.0x0.571
inches.
This work
was commissioned to
celebrate the 50th
Anniversary of Theodore
Front Musical Literature.
It is dedicated to
Christine Clark.
3rd
Movement. Composed by
Claude Debussy. Arranged
by M. Ackroyd. Pick and
Mix series. Wonderful
Winds #PXD002. Published
by Wonderful Winds
(WN.PXD002).
ISBN
9790570746224.
Comp
leted in 1893, Debussy's
String Quartet is widely
considered to be a
masterwork of the chamber
music repertory. The 3rd
mvt: Andantino, doucement
expressif seems well
suited to the varying
timbres of the wind
quintet, with its lyrical
themes heard on each of
the five intruments. A
stunning recital piece
for an advanced
ensemble.
String Quartet (Score) SKU: HL.284555 String Quartet. Composed by ...(+)
String Quartet (Score)
SKU: HL.284555
String Quartet.
Composed by John Luther
Adams. Music Sales
America. Classical.
Softcover. Composed 2018.
74 pages. Chester Music
#CH87868. Published by
Chester Music
(HL.284555).
UPC:
888680912901. 9x12
inches.
Composers
note:
I never
imagined I would write a
string quartet. Then I
heard the JACK Quartet,
and I understood how I
might be able to make the
medium my own. The result
was The Wind in High
Places - a twenty-minute
work composed entirely on
natural harmonics and
open strings.
Over
the next few years, two
more quartets followed.
The second quartet,
untouched, is a further
exploration of the
aeolian sound world of
the first. Then, in
Canticles of the Sky, the
musicians finally touch
the fingerboards of their
instruments.
And
now comes Everything That
Rises.
This fourth
quartet is more
expansive, both in time
and in space. It grows
out of Sila: The Breath
of the World - a
performance-length
choral/orchestral work
composed on a rising
series of sixteen
harmonic
clouds.
Everything
That Rises traverses this
same territory, but in a
much more melodic
way.
Each musician
is a soloist, playing
throughout. They surround
the audience. Time
floats.
Over the
course of an hour, the
lines spin out - always
rising - in acoustically
perfect intervals that
grow progressively
smaller as they spiral
upward... until the music
dissolves into the soft
noise of the bows,
sighing.
Gone With The Wind main title theme Quatuor à cordes: 2 violons, alto, violoncelle [Set de Parties séparées] Boardman Music Publishing, LLC.
By Max Steiner. Arranged by Carla Boardman Padron. For String Quartet (2 violin...(+)
By Max Steiner. Arranged
by Carla Boardman Padron.
For String Quartet (2
violins, viola, cello).
Instrumental piece from
film Forrest Gump..
Contemporary. Set of
parts. 16 pages
String Quartet (String Quartet) SKU: HL.14042754 Composed by Various. Mus...(+)
String Quartet (String
Quartet)
SKU:
HL.14042754
Composed
by Various. Music Sales
America. Ballad.
Softcover. Composed 1993.
Chester Music #CH61368.
Published by Chester
Music (HL.14042754).
ISBN
9780711965447.
A
series of popular music
for working string
quartets. Light enjoyable
repertoire pieces and
entertaining encores.
Each folio contains five
pieces. Contents: 'Bridge
Over Troubled Water',
'Candle In The Wind',
'(Everything I Do) IDo It
For You', 'Killing Me
Softly With His Song',
'Without You'.
Arrangement for String Quartet. By Franz Joseph Haydn. This edition: HN851. Henl...(+)
Arrangement for String
Quartet. By Franz Joseph
Haydn. This edition:
HN851. Henle Music
Folios. Book only. 74
pages. Published by Henle
Urtext Edition.
Chamber Music String Quartet SKU: PR.144404550 Composed by Sydney F. Hodk...(+)
Chamber Music String
Quartet
SKU:
PR.144404550
Composed
by Sydney F. Hodkinson.
Set of Score and Parts.
With Standard notation.
Composed 2002.
53+20+16+16+16 pages.
Duration 22 minutes.
Theodore Presser Company
#144-40455. Published by
Theodore Presser Company
(PR.144404550).
UPC:
680160030859.
After
finishing a serious
woodwind quintet in the
fall of 2001 [Tela
Lacerata], I found, in
the ensuing months, that
its cinders/ashes were
still impregnating my
eardrums. Therefore, when
I set out to write the
present string piece, I
realized that the musical
veins of the quartet,
like related cousins,
were sharing the same
blood as the earlier wind
composition. The
resultant Fifth Quartet
evolved into two large,
extended movements, each
one containing seven
parts that are played
without pause. As the
list of the various
sub-sections clearly
indicates, the formal
structure of the
movements appear to be
identical: each with
three main parts
enveloped by interludes,
plus an introduction and
coda. However, the
principal segments of the
first (slow) movement
gradually decrease in
length, while those of
the second (fast)
movement increase. In
addition, there is a
goodly amount of sonic
material stolen from the
first movement which
reappears -- stitched
together in a new guise
-- into the world of the
second. for example, the
bulk of Parts B and C of
Movement II are lifted
bodily, although
elaborately modified,
from their first
appearances in the
Introduction and Part A
of the fist movement.
This offers, I suppose at
least a hint of a
traditional
recapitulation. As was
true in the earlier
woodwind piece -- both
harmonically and
melodically -- the
embryonic growth of the
musical fabric (primarily
the tritone and perfect
fifth) is omnipresent,
almost obsessively,
throughout the course of
the whole work. These two
intervals, not unlike
plasticine, habitually
transform themselves into
the scales, chords, and
melodic lines that
pervade the texture of
the quartet. Owing to the
largely unrelieved
dramatic flow, the
shifting speed, and the
often fervent intensity,
the quartet places
considerable demands on
the dexterity,
virtuosity, and stamina
of the four performers.
String Quartet No. 5 is
approximately 22 minutes
in duration and
affectionately dedicated
to my violinist wife
Elizabeth, as a gift for
our 47 years together. It
was commissioned by the
Corigliano String
Quartet, New York, NY. --
Sydney Hodkinson.
Chamber Music String Quartet SKU: PR.14440455S Composed by Sydney F. Hodk...(+)
Chamber Music String
Quartet
SKU:
PR.14440455S
Composed
by Sydney F. Hodkinson.
Large Score. With
Standard notation. 53
pages. Duration 22
minutes. Theodore Presser
Company #144-40455S.
Published by Theodore
Presser Company
(PR.14440455S).
UPC:
680160030873.
After
finishing a serious
woodwind quintet in the
fall of 2001 [Tela
Lacerata], I found, in
the ensuing months, that
its cinders/ashes were
still impregnating my
eardrums. Therefore, when
I set out to write the
present string piece, I
realized that the musical
veins of the quartet,
like related cousins,
were sharing the same
blood as the earlier wind
composition. The
resultant Fifth Quartet
evolved into two large,
extended movements, each
one containing seven
parts that are played
without pause. As the
list of the various
sub-sections clearly
indicates, the formal
structure of the
movements appear to be
identical: each with
three main parts
enveloped by interludes,
plus an introduction and
coda. However, the
principal segments of the
first (slow) movement
gradually decrease in
length, while those of
the second (fast)
movement increase. In
addition, there is a
goodly amount of sonic
material stolen from the
first movement which
reappears -- stitched
together in a new guise
-- into the world of the
second. for example, the
bulk of Parts B and C of
Movement II are lifted
bodily, although
elaborately modified,
from their first
appearances in the
Introduction and Part A
of the fist movement.
This offers, I suppose at
least a hint of a
traditional
recapitulation. As was
true in the earlier
woodwind piece -- both
harmonically and
melodically -- the
embryonic growth of the
musical fabric (primarily
the tritone and perfect
fifth) is omnipresent,
almost obsessively,
throughout the course of
the whole work. These two
intervals, not unlike
plasticine, habitually
transform themselves into
the scales, chords, and
melodic lines that
pervade the texture of
the quartet. Owing to the
largely unrelieved
dramatic flow, the
shifting speed, and the
often fervent intensity,
the quartet places
considerable demands on
the dexterity,
virtuosity, and stamina
of the four performers.
String Quartet No. 5 is
approximately 22 minutes
in duration and
affectionately dedicated
to my violinist wife
Elizabeth, as a gift for
our 47 years together. It
was commissioned by the
Corigliano String
Quartet, New York, NY. --
Sydney Hodkinson.
Chamber Music String Quartet - Advanced SKU: PR.114414200 For String Q...(+)
Chamber Music String
Quartet - Advanced
SKU: PR.114414200
For String
Quartet. Composed by
James Matheson. Sws each.
Contemporary. Set of
Score and Parts. With
Standard notation.
Composed February 10
1998. 24+8+8+8+8 pages.
Duration 13 minutes.
Theodore Presser Company
#114-41420. Published by
Theodore Presser Company
(PR.114414200).
ISBN
9781491111284. UPC:
680160594719. 9x12
inches.
Composed
for violinist Baird
Dodge, James Matheson's
SPIN is a three-movement
study in various meanings
of the word spin. I. Gyre
has the character of a
whimsically spinning
object in a sort of
arena. II. Web is
essentially a slow
movement. It explores a
nearly static, sinewy
texture comprised of
slowly undulating chords
in which snippets of
melody emerge from the
notes held while the
chords disappear. Similar
to the first movement,
III. Spiral explores a
kinetic notion of
spinning, this time in
the form of rapidly
rising scales. SPIN
was composed in early
1998. Each of the
work’s three
movements assumes the
task of exploring a
different meaning of the
title.The first movement,
Gyre (as in gyroscope),
has the character of a
whimsically spinning
object in a sort of arena
– spinning and
bouncing off the walls
(like a spinning penny,
which bounces off of an
object unpredictably and
with somewhat explosive
force). The primary
musical idea consists of
high harmonics in the
violins set against a
rocking pulse in the
lower strings. This basic
texture is explored in
various guises as the
movement progresses.Web
is essentially a slow
movement. It explores a
nearly static, sinewy
texture comprised of
slowly undulating chords.
Snippets of melody emerge
from the notes held while
the chords disappear. The
music intensifies,
leading to an expected
climax (or anti-climax)
of pizzicatos, before
returning to the opening
material and winding
gently to a close.Like
Gyre, the third movement,
Spiral, explores a
kinetic notion of
spinning, this time in
the form of rapidly
rising scales. The formal
idea of this movement,
however, has the
character of a spiral,
with its tendency toward
implosion.SPIN was
written for violinist
Baird Dodge.