Void of Day Trio de Flûtes: 3 flûtes Potenza Music
Flute trio SKU: P2.10022 Composed by Cornelius Boots. Chamber music, 20th...(+)
Flute trio
SKU:
P2.10022
Composed by
Cornelius Boots. Chamber
music, 20th century.
Published by Potenza
Music (P2.10022).
The third part
of the Chthonic Flute
Suite commissioned by
Areon Flutes in 2012.
This suite has two main
inspirations:
ideologically it draws
guidance from the book
The Dream and the
Underworld (1979)by James
Hillman (1926-2011) and
musically it explores the
textural possibilities of
a flute ensemble within
the context of the heavy
chamber music style I
have developed with
Edmund Welles: the bass
clarinet quartet since
1996. This style draws
virtuosic precision from
the classical realm;
innovation and texture
from jazz; and power,
rhythm and overall
perspective from rock and
metal. The term chthonic
[thon-ik] generally means
underworld. However,
Hillman thoroughly
elaborates that its true
meaning extends below the
earth and beyond it into
invisible, non-physical
and far distant psychic
realms: the deeper
mysteries of the
invisible. The trio is
divided into three
sections: The Way We
Descend--Reflection of
Narcissus--Below Nature.
Taking a break from Greek
myth-nerd terms, this
movement introduces
chthonic-flavored phrases
that elaborate on our
descent into the
underworld, specifically
through dreams. The realm
of the underworld can be
such a shock to our
dayworld, limited, egoic
consciousness that it can
seem like a violation as
Hillman points out,
referencing the Greeks:
This style of the
underworld experience is
overwhelming, it comes as
violation, dragging one
out of life and into the
Kingdom that the Orphic
Hymn to Pluto describes
as 'void of day.' So it
often says on Greek
epitaphs that entering
Hades is 'leaving the
sweet sunlight.' (p.49)
He elaborates on the
differences between
dayworld and underworld
perspectives: The dream
is not compensation but
initiation. It does not
complete
ego-consciousness, but
voids it. So it matters
very much the way we
descend. (p.112) He goes
on to describe the
various modes in which
mythical figures have
descended: Ulysses and
Aenas to learn; Hercules
to take and to test, for
example. To act like
Hercules, like the hero,
in the underworld is to
miss the point and cause
more problems, the
villain in the underworld
is the heroic ego, not
Hades. (p.113).
By Wolfgang Amade Mozart. Edited by Christopher Hogwood. For Three flutes. Full ...(+)
By Wolfgang Amade Mozart.
Edited by Christopher
Hogwood. For Three
flutes. Full score and
parts. Published by
Edition HH Music
Publishers (U.K. Import).
Editio
Musica Budapest is
launching a new series
entitled 'Musica da
camera'. As its very
general title indicates,
the publishers' intention
is that the volumes in
this series, which is
designed specifically for
music school students,
will include works
composed for chamber
ensembles of every kind,
from the trio to the
sextet. The first two
volumes contain mostly
transcriptions for three
and four flutes
respectively, selected
from every period of
music history from the
late Renaissance to the
present day.
Unter
dem Titel ‚Musica
da camera' bringt Editio
Musica Budapest eine neue
Serie auf den Weg.
Bereits dieser sehr
allgemeine Titel zeigt
an, dass in die Bände
dieser neuen Serie den
Wünschen des Verlags
entsprechend Werke für
Kammerensembles der
unterschiedlichsten
Besetzung - vom Trio bis
zum Sextett - aufgenommen
werden. Die ersten beiden
Bände enthalten
grösstenteils
Bearbeitungen für drei
oder vier Flöten aus
allen
musikgeschichtlichen
Epochen von der
Spätrenaissance bis
zur Gegenwart.
Flute Trio - easy SKU: BT.DHP-1185982-070 As performed by The Blues Br...(+)
Flute Trio - easy
SKU:
BT.DHP-1185982-070
As performed by The
Blues Brothers.
Arranged by Eric J. Hovi.
De Haske Flute Series.
Pop and Rock. Set (Score
and Parts). Composed
2018. De Haske
Publications #DHP
1185982-070. Published by
De Haske Publications
(BT.DHP-1185982-070).
ISBN
9789043156455.
Blac
k suit and tie, white
shirt, hat and dark
sunglasses: the iconic
Blues Brothers of course!
Their smash hit
ââ¬ËEverybody
Needs Somebody to
Loveââ¬â¢ is
loved by young and old.
This easy version can be
performed by as few as
three players to create
an instant party!
Een zwart pak met
stropdas, een wit
overhemd, een hoed en een
donkere zonnebril: de
outfit van de iconische
Blues Brothers! Hun
megahit
ââ¬ËEverybody
Needs Somebody to
Loveââ¬â¢ is
populair bij jong en oud.
Deze eenvoudige versie
voor drie spelers is
ideaal om een feestje te
bouwen!
Schwarzer
Anzug und Krawatte,
weißes Hemd, Hut
und dunkle Sonnenbrille:
Das sind natürlich
die kultigen Blues
Brothers! Der Superhit
Everybody Needs Somebody
to Loveââ¬Â ist
bei Jung und Alt beliebt.
Diese einfache Version
für drei Musiker
eignet sich bestens, um
eine spontane Party
steigen zu lassen!
For Flute Trio and Piano. By Peter Ilich Tchaikovsky. Edited by Q. E. Maganini. ...(+)
For Flute Trio and Piano.
By Peter Ilich
Tchaikovsky. Edited by Q.
E. Maganini. Arranged by
Wilhelm Popp. For Flute
I, Flute II, Flute III,
Piano. Score and parts.
Opus 71. 5 pages.
Published by Carl
Fischer.
Curtain Up! Trios Trio de Flûtes: 3 flûtes [Partition + CD] - Facile Universal Edition
6 Easy to Intermediate Arrangements. Composed by Thomas Morley / Claude L...(+)
6 Easy to Intermediate
Arrangements.
Composed by Thomas Morley
/ Claude Le Jeune /
Edvard Hagerup Grieg /
Daniel Friderici / Johann
Hermann Schein. Arranged
by Barbara Gisler-Haase.
Score, parts and CD. 28
pages. Universal Edition
#UE36691. Published by
Universal Edition
(PR.UE036691).
By William Rayer. For Flute Trio. The Suite is designed to be played as a singl...(+)
By William Rayer. For
Flute Trio. The Suite is
designed to be played as
a single unit with all
three movements being
treated as a section of
the larger piece. The
piece was constructed
using the technique of
serialism, but it is not
strictly serial. . Grade
5. Full score and set of
parts. Duration 8:19