Chamber Music Clarinet, Piano, Violin SKU: PR.164002390 Composed by Dan W...(+)
Chamber Music Clarinet,
Piano, Violin
SKU:
PR.164002390
Composed
by Dan Welcher. Set of
Score and Parts. With
Standard notation.
Composed 1995. 26+14+14
pages. Duration 14
minutes. Theodore Presser
Company #164-00239.
Published by Theodore
Presser Company
(PR.164002390).
UPC:
680160038091.
I
became interested in the
work of Plato through my
friend and collaborator,
the writer and
philosopher Paul
Woodruff. Paul's new
translation, with
Alexander Nehamas, of the
Symposium gave me
insights into ancient
Greek ways of thinking
about Love, Beauty, and
Wisdom -- and managed to
keep the earthy, and
often bawdy side of it
all in full view. But
their new translation of
Plato's later dialogue
Phaedrus went even
further: the beauty of
the speeches is
breathtaking, and the
discourse itself is
enough to keep one awake
at night. Basically the
Great Speech of Socrates
in the Phaedrus dialogue
has to do with the place
of Eros in the world, and
with the conflict in the
soul between fleshly
pleasure and philosophic
discovery. I will not
attempt to encapsulate
this brilliant discourse
in a program note:
suffice it to say that
reading it gave rise to
my two-sided work for
clarinet, violin, and
piano, Phaedrus. The
first movement represents
the Philosophic life, and
is thus subtitled
Apollo's Lyre (Invocation
and Hymn). It begins with
an unaccompanied melody
for the clarinet, which
(after a pair of
harp-like flourishes for
the piano, expands into
an accompanied canon. The
voices in the dialogue
(clarinet and violin)
follow each other by a
prescribed number of
beats, but the music is
totally devoid of any
meter at all. The piano,
representing the lyre,
accompanies this lyric
love-feast with repeated
strummed chords. The
canon has three large
sections, and ends with
violin echoing the
unaccompanied clarinet
invocation as the sound
of the lyre fades. The
second movement, called
Dionysus' Dream-Orgy
(Ritual Dance) presents,
after a brief
introduction, another
kind of unmetered music.
Rather than long lyric
flights of philosophic
song, however, this time
we hear a unison dance of
unbridled energy and
sensual transport. The
piece soon forms itself
into a loose arch form,
with contrasting metered
dance sections divided by
the unison unmetered orgy
tune. Midway through the
movement, Apollo's melody
returns from the first
movement, but it is a
temporary reminiscence.
The orgiastic dance
returns, reaches a
climax, and ends with a
stomping of feet. While
Plato asserts that a
proper balance between
lust and reason is
necessary in all men, he
(naturally) gives the nod
to Philosophy as the
better choice in which to
live. Not so in my music:
the two sides are meant
to coexist and to
complement each other. No
sides are taken. Phaedrus
was commissioned of the
Verdehr Trio by Michigan
State University. It is
dedicated to the Vedehr
Trio with great affection
and admiration.
Nostalgia Violon et Piano [Conducteur] Theodore Presser Co.
Chamber Music Cello, Clarinet, Flute, Piano, Violin SKU: PR.14440517S Com...(+)
Chamber Music Cello,
Clarinet, Flute, Piano,
Violin
SKU:
PR.14440517S
Composed
by Robert Martin. Full
score. With Standard
notation. 20 pages.
Theodore Presser Company
#144-40517S. Published by
Theodore Presser Company
(PR.14440517S).
UPC:
680160667888. 9 x 12
inches.
In 1979,
Martin produced a set of
three quintets, in
consideration of Gorky's
piece Nighttime Enigma
Nostalgia. Each is scored
for flute, clarinet,
violin, cello, and piano.
There are passages in
Nostalgia that build
using two layers, a
louder foreground and a
quieter background. Both
of these layers are
independent of specific
instruments, in other
words, the various
instruments jump in to
play a role in either
layer, then jump to the
other layer. It is as if
the ensemble has doubled.
The technical musical
term for multiple
instruments interweaving
to produce a single
thread or idea is called
Klangfarbenmelodie
(tone-color-melody).
Because there are two
layers (louder and
softer), both using this
technique, Nostalgia is a
unique example of 'double
Klangfarbenmelodie.' The
piece ends with a series
of intense rhythmic
pulsations and several
apocalyptic fanfares.
(From the performance
notes.).
Composed by Samuel Adler. For violin and piano. Contemporary. Score and Part. St...(+)
Composed by Samuel Adler.
For violin and piano.
Contemporary. Score and
Part. Standard Notation.
10 pages. Duration 4
minutes. Published by
Theodore Presser Company
Enigma Violon et Piano [Conducteur] Theodore Presser Co.
Chamber Music Cello, Clarinet, Flute, Piano, Violin SKU: PR.14440516S Com...(+)
Chamber Music Cello,
Clarinet, Flute, Piano,
Violin
SKU:
PR.14440516S
Composed
by Robert Martin. Full
score. With Standard
notation. 44 pages.
Duration 9 minutes, 15
seconds. Theodore Presser
Company #144-40516S.
Published by Theodore
Presser Company
(PR.14440516S).
UPC:
680160667864. 9 x 12
inches.
In 1979,
Martin produced a set of
three quintets, in
consideration of Gorky's
piece Nighttime Enigma
Nostalgia. Each is scored
for flute, clarinet,
violin, cello, and piano.
As the title suggests,
the music is in a state
of perpetual questioning
using a variety of
approaches. For example,
Enigma opens using
ostinati (plural of
ostinato) that do not
match in length, like a
staircase with each step
a different height.
Additionally, the music
has sudden starts and
stops, again unexplained.
There are dramatic and
powerful explosive
passages that are
interrupted. The
technique, used to create
this feeling of a
perplexed music world
where things seem often
not to make sense and to
be left unresolved, is
called in poetry and
literature, anticlimax.
In Enigma, the music
suggests one direction;
then refuses to continue,
striking out in another
direction. Artists use
approaches such as this
to force themselves into
creative circumstances
that they otherwise might
not have discovered.
(From the performance
notes.).
(Fantasia for Violin and Piano). Composed by Edward Mollenhauer. Edited by Kurt ...(+)
(Fantasia for Violin and
Piano). Composed by
Edward Mollenhauer.
Edited by Kurt
Sassmannshaus. For violin
solo and piano. Stapled.
Barenreiter's Concert
Pieces. Level 2. Piano
reduction, part(s).
Published by Baerenreiter
Verlag
(Fantasia for Violin and Piano). Composed by Edward Mollenhauer. Edited by Kurt ...(+)
(Fantasia for Violin and
Piano). Composed by
Edward Mollenhauer.
Edited by Kurt
Sassmannshaus. For violin
solo and piano. Stapled.
Barenreiter's Concert
Pieces. Level 2. Piano
reduction, part(s).
Published by Baerenreiter
Verlag
Violin and piano - advanced SKU: HL.49045998 For Violin and Piano....(+)
Violin and piano -
advanced
SKU:
HL.49045998
For
Violin and Piano.
Composed by Vijay Iyer.
This edition: Saddle
stitching. Sheet music.
String. Softcover.
Composed 2018. 44 pages.
Duration 13'. Schott
Music #ED 30262.
Published by Schott Music
(HL.49045998).
ISBN
9781540034960. UPC:
888680790998.
9.0x12.0x0.142
inches.
In The
Diamond Sutra, an early
Buddhist text also known
as The Diamond that Cuts
Through Illusion, the
Buddha leads his
interlocutor, the Elder
Subhuti, through a series
of questions and
provocations. The Buddha
then concludes the
session by offering this
teaching to those
assembled:All composed
things are like a dream,a
phantom, a drop of dew, a
flash of lightning.That
is how to meditate on
them;that is how to
observe them.This duo
piece is in four
sections, corresponding
roughly to these four
disparate visions of
impermanence: four
distinct moments of
interplay between form
and emptiness, four
corners of a diamond.
This series of images is
itself a 'composed
thing,' gathering
dissimilar elements into
a unified system. It
suggests that the things
we make are similar to
things that exist beyond
intention. The Buddha's
utterance helps us hear
so-called 'composition'
and 'improvisation' - or
the encompassing
category, 'music' - as
part of an even larger
aggregate: that which
forms and recedes.- Vijay
Iyer.
Urtext based on the Complete Edition Jean Sibelius Works (JSW). Composed by Je...(+)
Urtext based on the
Complete
Edition Jean Sibelius
Works
(JSW). Composed by Jean
Sibelius (1865-1957).
Edited
by Anna Pulkkis.
Breitkopf
and Haertel #EB-9340.
Published by Breitkopf
and
Haertel
Discourse Violon et Piano [Conducteur] Theodore Presser Co.
Chamber Music Clarinet, Flute, Piano, Violin SKU: PR.11440561S Composed b...(+)
Chamber Music Clarinet,
Flute, Piano, Violin
SKU: PR.11440561S
Composed by Ralph Shapey.
Score. With Standard
notation. 36 pages.
Duration 12:30. Theodore
Presser Company
#114-40561S. Published by
Theodore Presser Company
(PR.11440561S).
UPC:
680160009039.
The
three movements examine
the same materials from
different points of view;
in the first, the ideas
are chronologically
separated, but they
alternate and develop
through the instruments
in an intensifying way
that generates a rather
imposing and grandiose
rhetoric. The second,
with its hypnoti,
incessant reiterations at
maximum volume of a
simultaneous combination
of motives of different l
lengths and shapes, ends
just short of becoming
unbearable... In the last
movement the flute,
clarinet and violin
slowly unfold a
continuous texture that
combines several of the
earlier elements, while
the piano softly
interjects the echo of
its first movement
triplets.
Violin and Piano - easy SKU: BT.DOW-04532-400 8 Easy Pieces for Violin...(+)
Violin and Piano - easy
SKU:
BT.DOW-04532-400
8
Easy Pieces for Violin
and Piano. Dowani 3
Tempi Play Along.
Classical. Book with Part
and Audio-Online.
Composed 2021. 20 pages.
Dowani #DOW 04532-400.
Published by Dowani
(BT.DOW-04532-400).
ISBN 9789043160636.
English-German-French.
This edition presents
you with an array of
musical highlights from
two centuries of music
history. It offers
easy-to-play yet
musically challenging
arrangements for violin
and piano, and enables
you to learn the
piecessystematically and
at three different tempi
with professional
accompaniments. The
recordings begin with the
concert version of each
piece, following which
you will hear the piano
accompaniment at slow and
medium tempo to helpyou
practise. Having mastered
these slower versions,
you’ll now be
ready to play with piano
accompaniment at the
original tempo. All of
the versions were
recorded live.
Mit
dieser Ausgabe stellen
wir Ihnen eine Sammlung
musikalischer Highlights
aus zwei Jahrhunderten
Musikgeschichte vor.
Unsere Ausgabe mit
spieltechnisch leichten,
aber musikalisch
anspruchsvollen
Bearbeitungen für
Violine undKlavier
ermöglicht es Ihnen,
die Werke systematisch
und in drei verschiedenen
Tempi mit professioneller
Begleitung zu
erarbeiten. Sie
hören zunächst die
Konzertversion eines
jeden Stückes (Violine
und Klavier). Zum Ãœben
folgtnun im langsamen und
mittleren Tempo die
Klavierbegleitung:
anschließend können
Sie sich im Originaltempo
begleiten lassen. Alle
eingespielten Versionen
wurden live
aufgenommen.
Violin and Piano SKU: AP.36-60710001 For Violin and Piano. Compose...(+)
Violin and Piano
SKU:
AP.36-60710001
For
Violin and Piano.
Composed by Percy
Aldridge Grainger.
Arranged by Fritz
Kreisler. Solo; Violin.
Master String Series.
Book. LudwigMasters
Publications
#36-60710001. Published
by LudwigMasters
Publications
(AP.36-60710001).
ISBN
9798888521878. UPC:
676737670276.
English.
Percy
Grainger's (1882-1961)
love for music of the
simple rural folk of the
British Isles led to a
series of forty-three
pieces that he grouped
into a series called
British Folk-Music
Settings, including Molly
on the Shore, Irish Reel
from British Folk Music
Settings, No. 1. Grainger
produced at least six
versions of this folk
tune arrangement of two
contrasting Irish Reels
(Temple Hill and Molly on
the Shore, from The
Complete Petrie
Collection of Ancient
Irish Music), starting
with the original 1907
version for string
quartet or string
orchestra. That same
year, Grainger also
produced a version for
violin solo and piano,
which is also available
from the publisher. This
wholly unique version was
freely arranged for
violin and piano by
famous early 20th century
violinist Fritz Kreisler,
offering players already
familiar with Grainger's
original rendition an
opportunity to approach
the music in a different
way. Reprint edition.
These products
are currently being
prepared by a new
publisher. While many
items are ready and will
ship on time, some others
may see delays of several
months.
Violin and piano SKU: LM.26851 Composed by Jean Marc Allerme. Pop, jazz. ...(+)
Violin and piano
SKU:
LM.26851
Composed by
Jean Marc Allerme. Pop,
jazz. Score and CD.
Editions Henry Lemoine
#26851. Published by
Editions Henry Lemoine
(LM.26851).
ISBN
9790230968515.
Two
Days - Travel in winter -
Here comes the jazz show
- My friend Gabriel -
Maria's memories - Never
in September - When
Charley meets Dan - For a
moment of stillness -
Time to rag - Somewhere
in my heart - White and
Blue song - Call me -
Fleeting moment - She is
gone - Like in a
dream.
Edited by Gail Acosta. Arranged by Daniel Kelley. For Violin and Piano. Solos. R...(+)
Edited by Gail Acosta.
Arranged by Daniel
Kelley. For Violin and
Piano. Solos. Recital.
Level: Intermediate.
Piano Score and Solo
Part. Published by Last
Resort Music Publishing.
Violin, Piano SKU: BA.BA11086 Composed by Thomas Daniel Schlee. Stapled. ...(+)
Violin, Piano
SKU:
BA.BA11086
Composed
by Thomas Daniel Schlee.
Stapled. Urauffuhrung
24.10.2017, Wien.
Performance score, Part
(1). Opus 82. 20/9 pages.
Baerenreiter Verlag
#BA11086_00. Published by
Baerenreiter Verlag
(BA.BA11086).
ISBN
9790006564446. 32.5 x
25.5 cm inches.
A
suite whose movements
always deliver something
other than what they seem
to promise. But
throughout, the two
instruments and
respectively their
players act like two
people in very specific
situations:
I.:
The opening movement is
reserved for the piano;
the initially earnest,
solitary cantilena
intensifies creating
expectation.
Suddenly II.: the
violin sounds. Its moving
figures replace the now
silent piano, also
soloistically. III.
„Passacaglia“
: The title is taken
literally – the
two instruments/persons
encounter each other in
the street. Two musical
characters who meet at a
specific point, recognize
each other, but move on
again, each one by
itself. IV.
„Rondo“: The
two of them dance
together. Before me, I
saw people dancing the
Sardana – a round
dance – in front
of the cathedral of
Barcelona. Four themes in
different time signatures
circle ceaselessly
between the two
instruments. V.
„Fuga“: At
last, regardless, panic
flight – again the
title is taken literally
... Human, only too human
…
Piano Accompaniment;
Violin (Score & Parts) -
difficult
SKU:
HL.49018055
Memorial for the
Columbia Astronauts
Violin and Piano
Reduction. Composed
by Peter Eö, s, and
tvö. This edition:
Saddle stitching. Sheet
music. String. Classical.
Softcover. Composed
2006/2007. 80 pages.
Duration 21'. Schott
Music #ED20258. Published
by Schott Music
(HL.49018055).
ISBN
9790001149044. UPC:
884088556327.
9.0x12.0x0.313
inches.
Eotvos
wrote this piece in
memory of the seven
astronauts who lost their
lives in the Space
Shuttle Columbia tragedy
in 2003. The number 7
determines the musical,
rhythmic and formal
structure of the work: 49
musicians are divided
into seven groups, and as
well as the solo violin
there are six further
violins arranged
correspondingly around
the hall; and the solo
violin itself portrays
each of the astronauts
and their different
origin, from America via
Israel to India, in
folkloristically tinged
cadenzas.'The violin
concerto Seven is a very
personal monologue and
the musical expression of
my sympathy towards the
seven astronauts who lost
their lives while
exploring space in
fulfilment of a
fundamental dream of
mankind.' (Peter
Eotvos)
Composed by Jean Sibelius (1865-1957). Arranged by Otto Taubmann. Edition Breitk...(+)
Composed by Jean Sibelius
(1865-1957). Arranged by
Otto Taubmann. Edition
Breitkopf. Early 20th
Century. Solo part,
piano reduction.
Breitkopf and Haertel
#EB-3122. Published by
Breitkopf and Haertel
(BR.EB-3122).
Composed by Jean Sibelius (1865-1957). Arranged by Otto Taubmann. Edition Breitk...(+)
Composed by Jean Sibelius
(1865-1957). Arranged by
Otto Taubmann. Edition
Breitkopf. Early 20th
Century. Solo part,
piano reduction.
Breitkopf and Haertel
#EB-3122. Published by
Breitkopf and Haertel
(BR.EB-3122).
Violin, piano SKU: BR.EB-9250 Composed by Nicolaus A. Huber. Solo instrum...(+)
Violin, piano
SKU:
BR.EB-9250
Composed
by Nicolaus A. Huber.
Solo instruments;
stapled. Edition
Breitkopf.
World
premiere: Toronto,
November 17, 2016Written
for the Duo Wapiti
(Genevieve Liboiron,
Daniel Anez)
New
music (post-2000); Music
post-1945. Performance
score. Composed 2016. 12
pages. Duration 12'.
Breitkopf and Haertel #EB
9250. Published by
Breitkopf and Haertel
(BR.EB-9250).
ISBN
9790004185506. 10 x 12.5
inches.
Whereas
Nono considered the world
to be only fragmentarily
analyzable, so-called
consumer capitalism
increasingly intrudes
upon ego structures, by
fragmenting them to the
point of: assumed
insufficiency, i.e., was
consumption a form of
infiltration?, or: in
television you can see
models licking face cream
because it's so rich etc.
(retranslated), as
Meredith Haaf cited in
her book review (SZ /
23.05.2016 Alexandra
Kleeman: You Too Can Have
A Body Like Mine) , and
to the point of similar
perfection-senselessness.
Music doesn't do things
by halves. Even when
events or notes are
puffed up, they can
retain elegance and
significance. Other ego
amplitudes are of
violinistic nature or are
favourite memories -
Paganini's Capricci,
Stockhausen's Studie I,
Steve Reich, the tone C
and similar things. The
craziest egos are
quantums, because at no
time are they identical
with themselves. They can
entangle and superpose,
are nonlocal, etc.
Although the sound
character in this Duo is
fairly open, I believe I
succeeded in making
probability waves of
harmonic stopovers
perceptible. This means
hearing without analyzing
and without constantly
measuring. Nonlocality -
without messenger
particles - means no
harmonic steps, but with
the capacity to interact.
(Nicolaus A. Huber, May
2016)
World
premiere: Toronto,
November 17, 2016 Written
for the Duo Wapiti
(Genevieve Liboiron,
Daniel Anez).
By George Frideric Handel (1685-1759). Dowani Book/CD. Play Along. Book and CD. ...(+)
By George Frideric Handel
(1685-1759). Dowani
Book/CD. Play Along. Book
and CD. 16 pages. Dowani
International #DOW4519.
Published by Dowani
International
Violin and piano SKU: FG.042-08516-5 Composed by Jean Sibelius. Published...(+)
Violin and piano
SKU:
FG.042-08516-5
Composed by Jean
Sibelius. Published by
Fennica Gehrman
(FG.042-08516-5).
ISBN
979-0-042-08516-5.
The F major sonata is the
last and the most
developed of all the
works Sibelius wrote
during his youth for his
own instrument, the
violin. It was completed
in the summer of 1889 in
Loviisa and premiered
there the same year at a
charity gala. During his
youth Sibelius looked to
the music of Grieg, which
is clearly to be heard in
this work - not only in
the melodies or harmonies
but also in the formal
structure, which is more
romantically oriented
than that of many early
works from Sibelius's
youth, which are more
closely tied to the
classical tradition. In
the andante Sibelius
introduces aspects of
folk music for the first
time, thereby
anticipating the Finnish
stamp of many of his
pieces from the
1890's.
Resignation Violon et Piano - Intermédiaire MorningStar Music Publishers
Composed by David Nowakowsky. Arranged by Gregory Cherninsky. For violin solo wi...(+)
Composed by David
Nowakowsky. Arranged by
Gregory Cherninsky. For
violin solo with piano
accompaniment. David
Nowakowsky Foundation
Series. Medium. Published
by MorningStar Music
Publishers
Violin and Piano - advanced SKU: BT.DOW-04534-400 Composed by Ludwig van ...(+)
Violin and Piano -
advanced
SKU:
BT.DOW-04534-400
Composed by Ludwig van
Beethoven. Dowani 3 Tempi
Play Along. Classical.
Book, CD and
Audio-Online. Composed
2021. 32 pages. Dowani
#DOW 04534-400. Published
by Dowani
(BT.DOW-04534-400).
ISBN 9789043160797.
English-German-French.
This edition presents
one of the most important
chamber works for violin:
the Sonata No. 5 for
Piano and Violin
(“Springâ€,
Op. 24) in F major by
Ludwig van Beethoven. It
allows you to work
through the piece
systematically and at
different tempi with
accompaniment. The
recordings begin with the
concert version of each
piece, following which
you will hear the piano
accompaniment at slow and
medium tempo to help you
practise. Having mastered
these slower versions,
you’ll now be
ready to play with piano
accompaniment at the
original tempo. All of
the versions were
recorded live.
Mit
dieser Ausgabe
präsentieren wir Ihnen
eines der wohl
bedeutendsten
KammerÂmusikwerke
für Violine: die
ÂSonate Nr. 5 für
Klavier und Violine
(Frühlingssonateâ€
, op. 24) in F-Dur von
Ludwig van Beethoven. Die
DOWANI-Ausgabe
ermöglicht es Ihnen,
das Werk systematisch und
in verschiedenen Tempi
mit Begleitung zu
erarbeiten. Sie
hören zunächst die
Konzertversion eines
jeden Stückes
(Flöte und Klavier).
Zum Ãœben folgt nun im
langsamen und mittleren
Tempo die
Klavierbegleitung:
anschließend können
Sie sich im Originaltempo
begleiten lassen. Alle
eingespielten Versionen
wurden live
aufgenommen.
Il Diavolo Violon et Piano SATB, Orchestre Editorial de Musica Boileau
Violin and piano SKU: BO.B.3673 Composed by Jordi Cervello. Published by ...(+)
Violin and piano
SKU:
BO.B.3673
Composed by
Jordi Cervello. Published
by Editorial de Musica
Boileau (BO.B.3673).
It is a work
for violin and piano
inspired directly by
Paganini's Capriccio No.
13, known as La risata
del diavolo and one of
the most renowned
capriccios from the
series of twenty-four
composed by the
celebrated Genovese
violinist and composer.
In my version for violin
and piano, I have singled
out the two essential
features of the work: the
third notes on a double
string that emulate the
devil's laughter, and the
quick eighth notes that
follow, all of it within
a light and humorous
chromaticism.
Il
diavolo begins with a
slow and fragmented but
suggestive violin
cadenza. It then follows
the Allegro deciso, built
on the two features
mentioned above. In the
central part, yet another
violin cadenza of a
similar character but
which recalls the devil's
laughter more evidently.
The Allegro deciso goes
on up to a carefree and
virtuosic
finale.
Piano Accompaniment; Violin (Score and Solo Part) SKU: HL.50600469 For...(+)
Piano Accompaniment;
Violin (Score and Solo
Part)
SKU:
HL.50600469
For
Violin and Piano.
Composed by Krzysztof
Meyer. String. Classical,
Contemporary. Softcover.
48 pages. Sikorski
#SIK1496. Published by
Sikorski (HL.50600469).
8.25x11.75x0.14
inches.
“I
belong to that group of
people who appropriate
Debussy's wonderfully
formulated philosophy
according to which music
begins where words end.
Contrary to a view that
has become widespread
during the past 100
years, I am convinced
that the task of the
composer is to write
music, not to talk about
it. Even if my technical
and aesthetic
commentaries on one of my
compositions were to have
a certain value for
listeners, such a
commentary would have the
effect that I were more
or less forcing my own
vision of the work onto
the listener. The power
of music is, however, a
gift that makes it
capable of calling forth
different reactions in
listeners. I shall
therefore limit myself to
saying that the
'Imaginary Variations'
were inspired by the
wonderful recordings of
Janet Packer that I
listened to with the
greatest pleasure prior
to the beginning of my
work. The title is
derived from the fact
that this composition is
structured similarly to
the classical variation
form and that the
audience can listen to
the constant changes of
the musical ideas. In
truth, however, the
twelve short sections of
the work are not true
variations even though
they reveal some
connections and
similarities.â€
(Krzysztof Meyer).
Violin and Piano Reduction. Composed by Oskar Rieding. Edited by Annette Opper...(+)
Violin and Piano
Reduction.
Composed by Oskar
Rieding.
Edited by Annette
Oppermann.
Henle Music Folios.
Classical. Softcover. G.
Henle #HN1056. Published
by
G. Henle
Concerto Violon et Piano SATB, Orchestre Alfred Lengnick
Violin and Piano SKU: BT.AL-0855 Composed by Edmund Rubbra. Book Only. 62...(+)
Violin and Piano
SKU:
BT.AL-0855
Composed
by Edmund Rubbra. Book
Only. 62 pages. Alfred
Lengnick & Co #AL 0855.
Published by Alfred
Lengnick & Co
(BT.AL-0855).
English.
The
Concerto for Violin
and Orchestra Op.103
was written in 1958 and
is yet another superb
orchestral work by Edmund
Rubbra. Typically, this
is a work that calls more
on musicality than on
virtuosity, although
Rubbra knewthe violin
well for having long
partnered his wife and
for having long played in
a trio with William
Pleeth. Rubbra's
familiarity with the
instrument certainly
helped him avoiding
technical
‘tricks’ and
concentrating his
creativeenergies more on
an inward-looking solo
part than an
outward-dashing virtuosic
one!
This is an
arrangement for Solo
Violin with Piano
Accompaniment. The solo
violin part is also
included on a separate
insert.