By Ralph Vaughan Williams (1872-1958). For medium voice and piano or organ. Gene...(+)
By Ralph Vaughan Williams
(1872-1958). For medium
voice and piano or organ.
General. 20th Century and
British. 3 pages.
Published by Galaxy Music
Corporation 20th
Century and British
(Medium High Voice and Piano). Composed by Rosephanye Powell. For Voice. Gentry ...(+)
(Medium High Voice and
Piano). Composed by
Rosephanye Powell. For
Voice. Gentry
Publications. 20 pages.
Gentry Publications
#JG0730. Published by
Gentry Publications
Medium Voice and Piano SKU: AP.36-M328691 Composed by Amy Marcy Beach. Pe...(+)
Medium Voice and Piano
SKU: AP.36-M328691
Composed by Amy Marcy
Beach. Performance Music
Ensemble. Master Vocal
Series. Score. Alfred
Music #36-M328691.
Published by Alfred Music
(AP.36-M328691).
UPC:
660355086960.
English.
Songs: 1.
For Me the Jasmine Buds
(text by Florence Earle
Coates), 2. Ecstasy (text
by the composer), 3.
Golden Gates (text author
unknown, though it was
published in a journal
called Our Dumb Animals,
which was published by
the Massachusetts Society
for the Prevention of
Cruelty to Animals).
These products
are currently being
prepared by a new
publisher. While many
items are ready and will
ship on time, some others
may see delays of several
months.
O Redeemed! Voix moyenne, Piano [Vocal Score] Roger Dean
(A Set of African American Spirituals for Medium-Low Voice and Piano). By Uzee B...(+)
(A Set of African
American Spirituals for
Medium-Low Voice and
Piano). By Uzee Brown.
For Medium Low Voice Solo
and Piano. Sacred Vocal:
Advent, Christmas,
Spiritual. Vocal Score.
Published by Roger Dean
Publishing
(46 Songs for Medium/Low Voice and Piano). Composed by William Bolcom. For Vocal...(+)
(46 Songs for Medium/Low
Voice and Piano).
Composed by William
Bolcom. For Vocal,
Medium/Low Voice, Piano
Accompaniment. E.B.
Marks. Softcover. 248
pages. Published by
Edward B. Marks Music
Medium Voice; Piano Accompaniment (Medium Voice) SKU: HL.49045824 Medi...(+)
Medium Voice; Piano
Accompaniment (Medium
Voice)
SKU:
HL.49045824
Medium
Voice and Piano.
Composed by Max Kowalski.
Edited by Luitgard
Schader. Vocal Solo.
Classical. Softcover. 44
pages. Duration 1680
seconds. Schott Music
#ED22586. Published by
Schott Music
(HL.49045824).
Max Kowalski
(18821956) was a
full-time lawyer who
never gave up on his
passion for music:
singing lessons during
his law studies,
conducting and
counterpoint classes,
among others, at Dr.
Hochs Konservatorium in
addition to his work at
his own law office in
Frankfurt. While
studying, he already
published his first
works; 15 song cycles
were published until
1933. In the years that
followed, the Jewish-born
Kowalski was restricted
in working both as a
lawyer and as a composer
due to his persecution by
the National Socialists.
In 1938 he was arrested,
deported to the
concentration camp of
Buchenwald and finally
forcedto flee into exile
in London. Contemporaries
called Kowalski a
lyricist among the
composers. The choice of
texts of his songs shows
his great knowledge and
love of German
literature. For example,
he set to music texts by
Friedrich Holderlin or
Rainer Maria Rilke, but
also Indian or Japanese
poems. Kowalski left
numerous unpublished
songs which are published
by Schott Music in a
two-volume edition:
Volume 1 (ED 22586)
contains his Jewish songs
(1935-37), the Heinrich
Heine cycle (1937) and
all English-language
songs (1941-46). Volume 2
(ED 22587) contains
Kowalski's late works:
the songs based on texts
by Friedrich Holderlin
(1950) and the Geisha
Lieder according to
Klabund (1951).
Mid.voices, piano (Medium voice, Piano) SKU: BA.BA07787 Arioso for med...(+)
Mid.voices, piano (Medium
voice, Piano)
SKU:
BA.BA07787
Arioso
for medium voice and
piano. Poem by Peter
Härtling. Composed
by Giselher Klebe.
Singing Score. Opus 125.
Duration 9 minutes.
Baerenreiter Verlag
#BA07787_00. Published by
Baerenreiter Verlag
(BA.BA07787).
ISBN
9790006506996. 34 x 28.2
cm inches. Language:
German. Text:
Härtling,
Peter.
For many,
the title will awaken
memories of the
demonstrations against
the clearance of the
Flörsheim Forest to
allow for a new runway at
the Frankfurt Airport.
Both the poem,
which extends beyond this
local incident to remind
us of the seriousness of
our global situation, and
the music join together
to form an expressive,
universally valid call
for the conservation of
our core values, our
future together:
“Die Erde jedoch
wird sich wehren. Sie
wird uns, am Ende, nichts
mehr geben als den Staub,
in dem wir
aufgehn.†(The
earth, however, will
resist. She will, in the
end, not give us any more
than dust, into which we
will submerge.) It is up
to us, to prevent the
situation from advancing
so far: “Wir, die
wir zu ihren Schülern
wurden, sollten die Lehre
der Bäume
verbreiten.†(We,
the students, should
spread the teachings of
the trees.â€