For voice and C instrument. Format: fakebook. With vocal melody, lyrics and chor...(+)
For voice and C
instrument. Format:
fakebook. With vocal
melody, lyrics and chord
names. Traditional pop
and vocal standards.
Series: Hal Leonard Fake
Books. 424 pages. 9x12
inches. Published by Hal
Leonard.
Sister Act -- The Musical. (Vocal Selections (Piano/Vocal/Chords)). By Alan Menk...(+)
Sister Act -- The
Musical. (Vocal
Selections
(Piano/Vocal/Chords)). By
Alan Menkin. For
Keyboard; Piano; Voice.
This edition: Vocal
Selections
(Piano/Vocal/Chords).
Book; Piano/Vocal/Chords;
Shows and Movies. Faber
Edition. Broadway.
Published by Faber Music
(Words and Chords to Nearly 1200 Songs 9x12 Spiral Bound). Edited by Annie Patte...(+)
(Words and Chords to
Nearly 1200 Songs 9x12
Spiral Bound). Edited by
Annie Patterson and Peter
Blood. For Vocal. Vocal.
Softcover. 304 pages.
Published by Hal Leonard
(Words and Chords to Nearly 1200 Songs Spiral-Bound). Edited by Annie Patterson ...(+)
(Words and Chords to
Nearly 1200 Songs
Spiral-Bound). Edited by
Annie Patterson and Peter
Blood. For Vocal. Vocal.
Softcover. 304 pages.
Published by Hal Leonard
My Sister's Song Voix Soprano [Conducteur] University Of York Music Press
Soprano Voice SKU: BT.MUSM570200207 Composed by David Lumsdaine. Vocal Sc...(+)
Soprano Voice
SKU:
BT.MUSM570200207
Composed by David
Lumsdaine. Vocal Score. 7
pages. University of York
Music Press
#MUSM570200207. Published
by University of York
Music Press
(BT.MUSM570200207).
English.
For
solo Soprano. Published
in 1974. Text from Tamil
love poems. Commissioned
by Camden Festival. First
performance by Jane
Manning, London 1975.
Score.
My Dearest Ruth Voix Mezzo-Soprano, Piano Theodore Presser Co.
For Mezzo-soprano and Piano. Composed by Stacy Garrop. Sws. Duration 6 minutes...(+)
For Mezzo-soprano and
Piano.
Composed by Stacy Garrop.
Sws. Duration 6 minutes,
40
seconds. Theodore Presser
Company #111-40297.
Published
by Theodore Presser
Company
For Baritone and Piano. Composed by Stacy Garrop. Sws. Duration 6 minutes, 40 ...(+)
For Baritone and Piano.
Composed by Stacy Garrop.
Sws. Duration 6 minutes,
40
seconds. Theodore Presser
Company #111-40298.
Published
by Theodore Presser
Company
Piano, Voix et Guitare [Partition] - Intermédiaire Hal Leonard
For voice, piano and guitar chords. From the motion picture "Sister Act". Format...(+)
For voice, piano and
guitar chords. From the
motion picture "Sister
Act". Format:
piano/vocal/chords
songbook. With vocal
melody, piano
accompaniment, lyrics,
chord names, guitar chord
diagrams and black &
white photos. Movies. 48
pages. 9x12 inches.
Published by Hal Leonard.
(B-Flat Instruments). Composed by Various. Arranged by Robert Rawlins. For B...(+)
(B-Flat Instruments).
Composed
by Various. Arranged by
Robert
Rawlins. For B-flat
Instruments. Fake Book.
Softcover. 380 pages.
Published by Hal Leonard
Complete Lyrics for Over 1000 Songs from Broadway to Rock. By Various. Lyric Lib...(+)
Complete Lyrics for Over
1000 Songs from Broadway
to Rock. By Various.
Lyric Library. Softcover.
Size 8.5x11 inches. 373
pages. Published by Hal
Leonard.
Paint Me Chorale 3 parties SSA, Piano Carl Fischer
Choral SSA choir, piano SKU: CF.CM9585 Composed by Debra Morton. Fold. Pe...(+)
Choral SSA choir, piano
SKU: CF.CM9585
Composed by Debra Morton.
Fold. Performance Score.
12 pages. Duration 2
minutes, 59 seconds. Carl
Fischer Music #CM9585.
Published by Carl Fischer
Music (CF.CM9585).
ISBN 9781491154076.
UPC: 680160912575. 6.875
x 10.5 inches. Key: G
major. English.
Original.
Good
friends see the best in
us. They tend to downplay
our faults while
applauding our strengths.
In short, they encourage
us to be the best we can
be, maybe even a little
more. The text of
Paint Me was
born out of the desire to
be that person my best
friend thinks I am. To
Mary Jo, my sister and
best friend. May I really
be that person you see
and love. In setting the
text of Paint Me
to music, I tried to let
the cadence of the words
dictate the rhythm of the
music. Use rubato, word
stress and syllabic
stress to enhance this.
Remember, no two eighth
notes are alike, so dont
be afraid to let the
interior part of a phrase
move along, while
relaxing the beginning
and ending. I would
recommend a straight tone
as opposed to vibrato for
the held notes, since the
accompaniment plays
around with other
harmonies while choral
chords are being held.
Diction is so important
in this song. You have a
great opportunity to
paint the words, as well
as making every idea
understood. Enjoy adding
the color and shading to
make this piece of art
your own. Good friends
see the best in us. They
tend to downplay our
faults while applauding
our strengths. In short,
they encourage us to be
the best we can be, maybe
even a little more. The
text of Paint
MeA was born out of
the desire to be that
person my best friend
thinks I am. To Mary Jo,
my sister and best
friend. May I really be
that person you see and
love. In setting the text
of Paint Me to
music, I tried to let the
cadence of the words
dictate the rhythm of the
music. Use rubato, word
stress and syllabic
stress to enhance this.
Remember, no two eighth
notes are alike, so donat
be afraid to let the
interior part of a phrase
move along, while
relaxing the beginning
and ending. I would
recommend a straight tone
as opposed to vibrato for
the held notes, since the
accompaniment plays
around with other
harmonies while choral
chords are being held.
Diction is so important
in this song. You have a
great opportunity to
apainta the words, as
well as making every idea
understood. Enjoy adding
the color and shading to
make this piece of art
your own. Good friends
see the best in us. They
tend to downplay our
faults while applauding
our strengths. In short,
they encourage us to be
the best we can be, maybe
even a little more. The
text of Paint Me
was born out of the
desire to be that person
my best friend thinks I
am. To Mary Jo, my sister
and best friend. May I
really be that person you
see and love. In setting
the text of Paint
Me to music, I tried
to let the cadence of the
words dictate the rhythm
of the music. Use rubato,
word stress and syllabic
stress to enhance this.
Remember, no two eighth
notes are alike, so don't
be afraid to let the
interior part of a phrase
move along, while
relaxing the beginning
and ending. I would
recommend a straight tone
as opposed to vibrato for
the held notes, since the
accompaniment plays
around with other
harmonies while choral
chords are being held.
Diction is so important
in this song. You have a
great opportunity to
paint the words, as well
as making every idea
understood. Enjoy adding
the color and shading to
make this piece of art
your own. Good friends
see the best in us. They
tend to downplay our
faults while applauding
our strengths. In short,
they encourage us to be
the best we can be, maybe
even a little more. The
text of Paint Me was born
out of the desire to be
that person my best
friend thinks I am. To
Mary Jo, my sister and
best friend. May I really
be that person you see
and love. In setting the
text of Paint Me to
music, I tried to let the
cadence of the words
dictate the rhythm of the
music. Use rubato, word
stress and syllabic
stress to enhance this.
Remember, no two eighth
notes are alike, so don't
be afraid to let the
interior part of a phrase
move along, while
relaxing the beginning
and ending. I would
recommend a straight tone
as opposed to vibrato for
the held notes, since the
accompaniment plays
around with other
harmonies while choral
chords are being held.
Diction is so important
in this song. You have a
great opportunity to
paint the words, as well
as making every idea
understood. Enjoy adding
the color and shading to
make this piece of art
your own. Good friends
see the best in us. They
tend to downplay our
faults while applauding
our strengths. In short,
they encourage us to be
the best we can be, maybe
even a little more. The
text of Paint Me was
born out of the desire to
be that person my best
friend thinks I am.To
Mary Jo, my sister and
best friend. May I really
be that person you see
and love.In setting the
text of Paint Me to
music, I tried to let the
cadence of the words
dictate the rhythm of the
music. Use rubato, word
stress and syllabic
stress to enhance this.
Remember, no two eighth
notes are alike, so
don’t be afraid to
let the interior part of
a phrase move along,
while relaxing the
beginning and ending. I
would recommend a
straight tone as opposed
to vibrato for the held
notes, since the
accompaniment plays
around with other
harmonies while choral
chords are being held.
Diction is so important
in this song. You have a
great opportunity to
“paint†the
words, as well as making
every idea
understood.Enjoy adding
the color and shading to
make this piece of art
your own.
Cruel Sister Chorale 3 parties SSA University Of York Music Press
SSA Choir SKU: BT.MUSM570366071 Arranged by Sarah Dacey. Classical. Chora...(+)
SSA Choir
SKU:
BT.MUSM570366071
Arranged by Sarah Dacey.
Classical. Choral Score.
Composed 2016. 11 pages.
University of York Music
Press #MUSM570366071.
Published by University
of York Music Press
(BT.MUSM570366071).
Cruel Sister
for three voices (SSA), a
traditional ballad
arranged by Sarah Dacey .
Duration: 4 minutes.
Composed: 2010 Also
published as part of
UYMP's Songspin Songbook,
ISMN M 57036 603 3. This
murder ballad first
appeared in broadside in
1656 as The Twa Sisters
but is also known as
Binnorie and The Singing
Bone. The versions vary a
great deal, for example
the Norse version has the
authorities bring the
family a pipe to identify
the murderer. When the
older sister plays it,
blood drips from it and
she is condemned to death
and pulled apart by
horses. My version ends
with her unsuccessfully
trying to smash the harp
in two and then running
into the forests, driven
mad by the songwhich will
forever pursue her. First
performed by Juice Vocal
Ensemble on 28th July
2010 at Harrogate
Festival, St James’
Church, Birstwith.
A Time for Singing [Conducteur et Parties séparées] University Of York Music Press
Cello; Clarinet; Piano (Score & Parts) SKU: HL.14043372 For Clarinet, ...(+)
Cello; Clarinet; Piano
(Score & Parts)
SKU:
HL.14043372
For
Clarinet, Cello and Piano
– Score and Parts.
Composed by Ed Hughes.
Music Sales America.
Classical, Contemporary.
Softcover. 72 pages.
University of York Music
Press #M570365517.
Published by University
of York Music Press
(HL.14043372).
8.0x11.75
inches.
Ed Hughes '
A Time For Singing for
Clarinet, Cello and
Piano. Score and parts. '
My sister, the
clarinettist Alison
Hughes, is a member of
the Camilleri Trio who
gave the first
performance. The work was
conceived in memory of
our aunt, Gillian
Nicholls. The four
movements are: 1. Walk
with rainstorm 2. Song 3.
Scherzo 4. Until the day
break It is a kind of
narrative - in one sense
an imagined walk through
a changing landscape. A
very English one, in
other words one in which
it rains! But sometimes
lit up by sunshine. It
remembers Gillie
Nicholls, who loved
walking and loved life.
She died from cancer in
2010. I wanted to write a
piece that would remember
her and her
wonderfulenthusiasm and
sense of humour, as well
as forming a more
traditional lament. So
there are elements of
each in this piece.
Gillie was also a
profoundly spiritual
person. When she and John
Muddiman married in 2010
they asked me to write a
short song for the
wedding, 'Rise Up, My
Love', using words from
'Song of Solomon'. The
new work for the
Camilleri Trio,
commissioned by Jennifer
Hughes in memory of her
sister Gillian Nicholls,
also refers in the main
title, and in the last
movement title, to lines
from 'Song of Solomon':
the time of the singing
of birds is come - Song
of Solomon 2:12 Until the
day break, and the
shadows flee away - Song
of Solomon 2:17 A Time
for Singing was written
for the Camilleri Trio -
Alison Hughes
(clarinet/bass clarinet),
Anja Inge (cello), Joanne
Camilleri (piano). It was
first performed by them
at Mansfield Chapel,
Mansfield College,
Oxford, on 30 October
2011. ' - Ed Hughes
Ed Hughes'
A Time For
Singing for
Clarinet, Cello and
Piano. Score and
parts.
'My
sister, the clarinettist
Alison Hughes, is a
member of the Camilleri
Trio who gave the first
performance. The work was
conceived in memory of
our aunt, Gillian
Nicholls.
The four
movements are:
1.
Walk with rainstorm 2.
Song 3. Scherzo 4.
Until the day
break
It is a
kind of narrative - in
one sense an imagined
walk through a changing
landscape. A very English
one, in other words one
in which it rains! But
sometimes lit up by
sunshine.
It
remembers Gillie
Nicholls, who loved
walking and loved life.
She died from cancer
in2010. I wanted to write
a piece that would
remember her and her
wonderful enthusiasm and
sense of humour, as well
as forming a more
traditional lament. So
there are elements of
each in this
piece.
Gillie was
also a profoundly
spiritual person. When
she and John Muddiman
married in 2010 they
asked me to write a short
song for the wedding,
'Rise Up, My Love', using
words from 'Song of
Solomon'.
The new
work for the Camilleri
Trio, commissioned by
Jennifer Hughes in memory
of her sister Gillian
Nicholls, also refers in
the main title, and in
the last movement title,
to lines from 'Song of
Solomon': the time of
the singing of birds is
come - Song of Solomon
2:12 Until the day
break, and the shadows
flee away - Song of
Solomon 2:17
A Time
for Singing was written
for the Camilleri Trio -
Alison Hughes
(clarinet/bass clarinet),
Anja Inge (cello), Joanne
Camilleri (piano). It was
first performed by them
at Mansfield Chapel,
Mansfield College,
Oxford, on 30 October
2011.' - Ed
Hughes
Basse electrique [Partition] - Intermédiaire Hal Leonard
For bass guitar and voice. Format: bass tablature songbook. With bass tablature,...(+)
For bass guitar and
voice. Format: bass
tablature songbook. With
bass tablature, standard
notation, vocal melody,
lyrics, chord names and
bass notation legend.
Rock and pop rock.
Series: Hal Leonard Bass
Recorded Versions. 1023
pages. 8.5x11 inches.
Published by Hal Leonard.
Piano, Voix et Guitare [Partition] - Facile Hal Leonard
For voice, piano and guitar chords. Format: piano/vocal/chords songbook. With vo...(+)
For voice, piano and
guitar chords. Format:
piano/vocal/chords
songbook. With vocal
melody, piano
accompaniment, lyrics,
chord names and guitar
chord diagrams. Vocal
Standards. 544 pages.
9x12 inches. Published by
Hal Leonard Corporation.
