Prize-Winning Works for Young Guitar Ensembles. Saarland Wettbewerb fur Kompos...(+)
Prize-Winning Works for
Young
Guitar Ensembles.
Saarland
Wettbewerb fur
Komposition.
Score and part(s). With
Standard notation. 28
pages.
Chanterelle #ZECH 2703.
Published by Chanterelle
Composed by Francesco Geminiani (1687-1762). Edited by Peter Walls. This edition...(+)
Composed by Francesco
Geminiani (1687-1762).
Edited by Peter Walls.
This edition: Critical
Edition. Opera Omnia -
Vol. 12. Early Music,
Instructional. Score
(cloth bound). 180 pages.
Published by Ut Orpheus
Performance Score violin and viola SKU: HL.49044125 9 Duets for Violin...(+)
Performance Score violin
and viola
SKU:
HL.49044125
9
Duets for Violin and
Viola Performance
Score. Composed by
Barbara Heller. Edited by
Ulla Levens. This
edition: Saddle
stitching. Sheet music.
String. Softcover.
Composed 2012/2013. 44
pages. Duration 10'.
Schott Music #ED21825.
Published by Schott Music
(HL.49044125).
ISBN
9790001197595.
9.0x12.0x0.167
inches.
Playing in
a duo is great fun for
professional musicians
and amateurs alike and
can inspire creative
music making. Bringing
together the sounds of
different string
instruments extends the
range of notes and volume
of sound to be enjoyed by
players and audiences,
too. These pieces
represent encounters
between two people, with
each of the nine
compositions taking a
specific moment or mood
as its theme. Titles and
indications of style and
tempo will give
performers ideas for
interpretation, with
markings relating to
technique, articulation,
bowing and fingerings
offered for guidance. For
players who would like to
work out their own
interpretation of these
Dialogues, the second
section of the book
includes an unmarked
score of the same pieces
(with no indications of
dynamics, fingerings,
bowings, articulation or
phrasing). This
additional score is
intended for use by
instrumental teachers who
wish to work with their
pupils on marking up and
arranging pieces of music
for string
instruments.These
Dialogues are aimed at
young people and adult
musicians, too. They may
be played as a cycle in
the order given in this
book, or else combined at
will. Individual
Dialogues may serve as
useful teaching material,
for student auditions or
for inclusion in student
concerts or chamber
performances. Their
musical content and
brevity make these duets
particularly suitable
repertoire for youth
music competitions. The
overall duration of the
set of Dialogues is about
fifteen minutes.
Piano SKU: BT.EMBZ14755 Method. Book Only. Composed 2012. 96 pages. Editi...(+)
Piano
SKU:
BT.EMBZ14755
Method.
Book Only. Composed 2012.
96 pages. Editio Musica
Budapest #EMBZ14755.
Published by Editio
Musica Budapest
(BT.EMBZ14755).
Hungarian.
Ãg
nes Lakos writes the
following about her
four-volume piano tutor,
enlivened with cheerful
illustrations by
Christina Diederich: A
friendly piano tutor,
without dry finger
exercises, full of little
masterpieces and
colourful as a picture
book! Piano playing can
only be learnt with
attractive, good quality
works from the very
beginning. J. S. Bach
composed masterful
character pieces for his
children and his many
pupils 18th-century piano
tutors contained a
selection of performance
pieces, so that from
their first encounter
with the piano, learners
could feel that they were
performers. This is
precisely what we are
aiming at too. The piano
pieces in the four
volumesrepresent every
stylistic period of music
history. The numerous
works for three or four
hands can be performed
together with the teacher
or with another pupil.
Ãgnes Lakos
schreibt über ihre mit
Christina Diederichs
lustigen Bildern
illustrierte
vierbändige
Klavierschule: Eine
freundliche
Klavierschule, ganz ohne
trockene
Fingerübungen, aber
voll mit kleinen
Meisterwerken, und sie
ist bunt wie ein
Märchenbuch! Das
Klavierspiel kann man vom
Anfang an nur an
schönen und guten
Werken erlernen. J. S.
Bach komponierte für
seine Kinder und
zahlreiche Schüler
meisterhafte
Charakterstücke: Die
Klavierschulen des 18.
Jahrhunderts wählten
Vortragsstücke aus,
mit derenHilfe sich der
Schüler vom ersten
Kennenlernen an mit dem
Klavier als Interpret
fühlen konnte. Genau
das ist auch unser Ziel.
Die Klavierstücke der
vier Hefte vertreten
beinahealle Epochen der
Musikgeschichte. Die
zahlreichen Werke für
drei oder vier Hände
können mit dem
Lehrenden oder den
Mitschülern gemeinsam
gespielt werden.
Piano SKU: BT.EMBZ14756 Method. Book Only. Composed 2012. 104 pages. Edit...(+)
Piano
SKU:
BT.EMBZ14756
Method.
Book Only. Composed 2012.
104 pages. Editio Musica
Budapest #EMBZ14756.
Published by Editio
Musica Budapest
(BT.EMBZ14756).
Hungarian.
Ãg
nes Lakos writes the
following about her
four-volume piano tutor,
enlivened with cheerful
illustrations by
Christina Diederich: A
friendly piano tutor,
without dry finger
exercises, full of little
masterpieces and
colourful as a picture
book! Piano playing can
only be learnt with
attractive, good quality
works from the very
beginning. J. S. Bach
composed masterful
character pieces for his
children and his many
pupils 18th-century piano
tutors contained a
selection of performance
pieces, so that from
their first encounter
with the piano, learners
could feel that they were
performers. This is
precisely what we are
aiming at too. The piano
pieces in the four
volumesrepresent every
stylistic period of music
history. The numerous
works for three or four
hands can be performed
together with the teacher
or with another pupil.
Ãgnes Lakos
schreibt über ihre mit
Christina Diederichs
lustigen Bildern
illustrierte
vierbändige
Klavierschule: Eine
freundliche
Klavierschule, ganz ohne
trockene
Fingerübungen, aber
voll mit kleinen
Meisterwerken, und sie
ist bunt wie ein
Märchenbuch! Das
Klavierspiel kann man vom
Anfang an nur an
schönen und guten
Werken erlernen. J. S.
Bach komponierte für
seine Kinder und
zahlreiche Schüler
meisterhafte
Charakterstücke: Die
Klavierschulen des 18.
Jahrhunderts wählten
Vortragsstücke aus,
mit derenHilfe sich der
Schüler vom ersten
Kennenlernen an mit dem
Klavier als Interpret
fühlen konnte. Genau
das ist auch unser Ziel.
Die Klavierstücke der
vier Hefte vertreten
beinahealle Epochen der
Musikgeschichte. Die
zahlreichen Werke für
drei oder vier Hände
können mit dem
Lehrenden oder den
Mitschülern gemeinsam
gespielt werden.