SKU: LO.99-2314L Composed by Lloyd Larson. Choral. Sacred Anthem, Christm...(+)
SKU: LO.99-2314L
Composed by Lloyd Larson.
Choral. Sacred Anthem,
Christmas.
Performance/accompaniment
CD. Lorenz Publishing
Company #99/2314L.
Published by Lorenz
Publishing Company
(LO.99-2314L).
UPC:
000308123692.
Excit
ing opening and closing
fanfares herald the glad
Christmas tidings in this
regal carol medley by
celebrated composer,
Lloyd Larson. Following
the opening acclamation,
the choir sings in unison
the pastoral strains of
“While Shepherds
Watched Their
Flocks.†Next,
“He Is Born, the
Divine Christ
Child†increases
the joyous celebration.
Then, this carol partners
with “Hark! the
Herald Angels Singâ€
as the choral texture
builds to the festive
closing! In two voicings
with optional orchestral
accompaniment, this
medley is filled with the
spirit of Christmas.
(From the cantata
“And Glory Shone
Around;†SATB
— 65/1993L, SAB
— 65/1994L.).
SKU: LO.99-2549L Composed by Lloyd Larson. Choral. Sacred Anthem, Christm...(+)
SKU: LO.99-2549L
Composed by Lloyd Larson.
Choral. Sacred Anthem,
Christmas. Part-dominant
rehearsal CD
(reproducible). Lorenz
Publishing Company
#99/2549L. Published by
Lorenz Publishing Company
(LO.99-2549L).
UPC:
000308123708.
Excit
ing opening and closing
fanfares herald the glad
Christmas tidings in this
regal carol medley by
celebrated composer,
Lloyd Larson. Following
the opening acclamation,
the choir sings in unison
the pastoral strains of
“While Shepherds
Watched Their
Flocks.†Next,
“He Is Born, the
Divine Christ
Child†increases
the joyous celebration.
Then, this carol partners
with “Hark! the
Herald Angels Singâ€
as the choral texture
builds to the festive
closing! In two voicings
with optional orchestral
accompaniment, this
medley is filled with the
spirit of Christmas.
(From the cantata
“And Glory Shone
Around;†SATB
— 65/1993L, SAB
— 65/1994L.).
By Mark Patterson. For SAT (B) choir. Mixed Voices Series. Sacred Anthem, Christ...(+)
By Mark Patterson. For
SAT (B) choir. Mixed
Voices Series. Sacred
Anthem, Christmas.
Octavo. Published by
Chorister's Guild .
Octavo. Sacred Anthem,
Christmas.
SATB Choir SKU: WD.080689893278 Composed by Ric Domenico. Arranged by Ric...(+)
SATB Choir
SKU:
WD.080689893278
Composed by Ric Domenico.
Arranged by Ric Domenico.
Choral. Sacred Anthem,
Christmas. Octavo.
Duration 7'14 (alternate
6'23). Word Music
#080689893278. Published
by Word Music
(WD.080689893278).
UPC:
080689893278.
Some
of the most beloved
carols that reference the
appearance of the angels
to Bethlehem's
shepherds-Angels We Have
Heard On High, The First
Noel, andIt Came Upon the
Midnight Clear-are
seamlessly combined to
provide your congregation
the opportunity to 'sing
with the angels!
Choir SKU: HP.C6155C Composed by Allen Pote. Arranged by Allen Pote. Pian...(+)
Choir
SKU:
HP.C6155C
Composed by
Allen Pote. Arranged by
Allen Pote. Piano
Accompaniment. Christmas,
Sacred. Choral
Performance/Accompaniment
CDs. Hope Publishing
Company #C6155C.
Published by Hope
Publishing Company
(HP.C6155C).
UPC:
763628961558.
Origi
nal anthem This lively
Christmas anthem begins
with the familiar Latin
phrase translated as
'Glory to God in the
highest and good will to
all people on earth.
'Including contrasting
verses depicting angels
singing to the shepherds
with an accented,
syncopated accompaniment,
the music builds to an
exciting climax with
voices in full, rich
harmonies. This is a
perfect way to
incorporate the song of
the angels into a
Christmas worship service
or school concert.
Choral SSATB choir (SATB choir) SKU: HP.C6155 Composed by Allen Pote. Arr...(+)
Choral SSATB choir (SATB
choir)
SKU:
HP.C6155
Composed by
Allen Pote. Arranged by
Allen Pote. Piano
Accompaniment. Christmas,
Sacred. Octavo. Hope
Publishing Company
#C6155. Published by Hope
Publishing Company
(HP.C6155).
UPC:
763628161552.
Origi
nal anthem This lively
Christmas anthem begins
with the familiar Latin
phrase translated as
'Glory to God in the
highest and good will to
all people on earth.
'Including contrasting
verses depicting angels
singing to the shepherds
with an accented,
syncopated accompaniment,
the music builds to an
exciting climax with
voices in full, rich
harmonies. This is a
perfect way to
incorporate the song of
the angels into a
Christmas worship service
or school concert.
Gloriacapella Chorale SATB SATB A Cappella Lorenz Publishing Company
Composed by Pepper Choplin. Choral. Sacred Anthem, Christmas, Concert. Octavo....(+)
Composed by Pepper
Choplin.
Choral. Sacred Anthem,
Christmas, Concert.
Octavo.
Lorenz Publishing Company
#10/5185L. Published by
Lorenz Publishing Company
Choral SSA choir SKU: CF.CM9580 Composed by Richard Rasch. Arranged by Ri...(+)
Choral SSA choir
SKU:
CF.CM9580
Composed by
Richard Rasch. Arranged
by Richard Rasch. Fold.
Performance Score. 4
pages. Duration 2
minutes, 42 seconds. Carl
Fischer Music #CM9580.
Published by Carl Fischer
Music (CF.CM9580).
ISBN 9781491154021.
UPC: 680160912520. 6.875
x 10.5 inches. Key: D
mixolydian. English,
Latin. 15th Century
Medieval Carol.
The
text of this poem is from
the Trinity Carol Roll,
an English manuscript
housed at the Wren
Library of Trinity
College, Cambridge. It is
originally in the Norfolk
dialect of Middle English
but has been modernized
for use in this setting.
Also, it's macaronic,
meaning it combines words
from two languages, the
other being Latin which
was in use by the church
when this carol was
written. The Latin
phrases come from
different parts of the
Advent/Christmas
liturgies; a sequence
called
Laetabundus, the
title of an Introit
antiphon called
Gaudeamus, and
the shepherds response in
the gospel of Luke 2:15,
Transeamus.
Latin phrase translation
source Alleluia Alleluia
Laetabundus Res miranda A
thing to be wondered at
Laetabundus Pari forma of
equal form Laetabundus
Gaudeamus Let us rejoice!
Gaudeamus Transeamus Let
us go Luke 2:15 The poet
compares the Virgin Mary
to a rose. She has a
special place among all
women in being chosen as
the mother of Jesus, and
likewise the rose has a
special place among all
flowers surpassing them
in complexity and beauty.
The music in this setting
mimics the petals of a
rose as it blooms.
Imagine the petals
unfurling over time as
does the music which
starts in unison for each
verse and expands outward
into two and three vocal
lines with increasingly
complex harmonic twists.
Word painting is employed
in several places but
none are as important as
the dramatic climax in
the fourth verse where
the shepherds along with
all the angels in heaven
proclaim Gloria in
excelsis Deo (Glory to
God on high). What a
sound that must be! On
these words the music
reaches it loudest point
as the sopranos rise to
their highest note and
the compassthe distance
between the highest and
lowest noteis at its
widest. The setting is
brought to a close as the
five Latin phrases that
finished each verse are
repeated as a coda and
musically summarize the
five verses of the
carol. The text of
this poem is from the
Trinity Carol Roll, an
English manuscript housed
at the Wren Library of
Trinity College,
Cambridge. It is
originally in the Norfolk
dialect of Middle English
but has been modernized
for use in this setting.
Also, it's macaronic,
meaning it combines words
from two languages, the
other being Latin which
was in use by the church
when this carol was
written. The Latin
phrases come from
different parts of the
Advent/Christmas
liturgies; a sequence
called
Laetabundus, the
title of an Introit
antiphon called
Gaudeamus, and
the shepherdas response
in the gospel of Luke
2:15,
Transeamus.
Latin phraseA translation
source Alleluia Alleluia
Laetabundus Res miranda A
thing to be wondered at
Laetabundus Pari forma of
equal form Laetabundus
Gaudeamus Let us rejoice!
Gaudeamus Transeamus Let
us go Luke 2:15 The poet
compares the Virgin Mary
to a rose. She has a
special place among all
women in being chosen as
the mother of Jesus, and
likewise the rose has a
special place among all
flowers surpassing them
in complexity and beauty.
The music in this setting
mimics the petals of a
rose as it blooms.
Imagine the petals
unfurling over time as
does the music which
starts in unison for each
verse and expands outward
into two and three vocal
lines with increasingly
complex harmonic twists.
Word painting is employed
in several places but
none are as important as
the dramatic climax in
the fourth verse where
the shepherds along with
all the angels in heaven
proclaim Gloria in
excelsis Deo (Glory to
God on high). What a
sound that must be! On
these words the music
reaches it loudest point
as the sopranos rise to
their highest note and
the compassathe distance
between the highest and
lowest noteais at its
widest. The setting is
brought to a close as the
five Latin phrases that
finished each verse are
repeated as a coda and
musically summarize the
five verses of the
carol. The text of
this poem is from the
Trinity Carol Roll, an
English manuscript housed
at the Wren Library of
Trinity College,
Cambridge. It is
originally in the Norfolk
dialect of Middle English
but has been modernized
for use in this setting.
Also, it's macaronic,
meaning it combines words
from two languages, the
other being Latin which
was in use by the church
when this carol was
written. The Latin
phrases come from
different parts of the
Advent/Christmas
liturgies; a sequence
called
Laetabundus, the
title of an Introit
antiphon called
Gaudeamus, and
the shepherd's response
in the gospel of Luke
2:15,
Transeamus.
Latin phrase translation
source Alleluia Alleluia
Laetabundus Res miranda A
thing to be wondered at
Laetabundus Pari forma of
equal form Laetabundus
Gaudeamus Let us rejoice!
Gaudeamus Transeamus Let
us go Luke 2:15 The poet
compares the Virgin Mary
to a rose. She has a
special place among all
women in being chosen as
the mother of Jesus, and
likewise the rose has a
special place among all
flowers surpassing them
in complexity and beauty.
The music in this setting
mimics the petals of a
rose as it blooms.
Imagine the petals
unfurling over time as
does the music which
starts in unison for each
verse and expands outward
into two and three vocal
lines with increasingly
complex harmonic twists.
Word painting is employed
in several places but
none are as important as
the dramatic climax in
the fourth verse where
the shepherds along with
all the angels in heaven
proclaim Gloria in
excelsis Deo (Glory to
God on high). What a
sound that must be! On
these words the music
reaches it loudest point
as the sopranos rise to
their highest note and
the compass--the distance
between the highest and
lowest note--is at its
widest. The setting is
brought to a close as the
five Latin phrases that
finished each verse are
repeated as a coda and
musically summarize the
five verses of the
carol. The text of
this poem is from the
Trinity Carol Roll, an
English manuscript housed
at the Wren Library of
Trinity College,
Cambridge. It is
originally in the Norfolk
dialect of Middle English
but has been modernized
for use in this setting.
Also, it's macaronic,
meaning it combines words
from two languages, the
other being Latin which
was in use by the church
when this carol was
written. The Latin
phrases come from
different parts of the
Advent/Christmas
liturgies; a sequence
called Laetabundus, the
title of an Introit
antiphon called
Gaudeamus, and the
shepherd's response in
the gospel of Luke 2:15,
Transeamus. Latin phrase
translation source
Alleluia Alleluia
Laetabundus Res miranda A
thing to be wondered at
Laetabundus Pares forma
of equal form Laetabundus
Gaudeamus Let us rejoice!
Gaudeamus Transeamus Let
us go Luke 2:15 The poet
compares the Virgin Mary
to a rose. She has a
special place among all
women in being chosen as
the mother of Jesus, and
likewise the rose has a
special place among all
flowers surpassing them
in complexity and beauty.
The music in this setting
mimics the petals of a
rose as it blooms.
Imagine the petals
unfurling over time as
does the music which
starts in unison for each
verse and expands outward
into two and three vocal
lines with increasingly
complex harmonic twists.
Word painting is employed
in several places but
none are as important as
the dramatic climax in
the fourth verse where
the shepherds along with
all the angels in heaven
proclaim Gloria in
excelsis Deo (Glory to
God on high). What a
sound that must be! On
these words the music
reaches it loudest point
as the sopranos rise to
their highest note and
the compass--the distance
between the highest and
lowest note--is at its
widest. The setting is
brought to a close as the
five Latin phrases that
finished each verse are
repeated as a coda and
musically summarize the
five verses of the
carol. The text of
this poem is from the
Trinity Carol Roll, an
English manuscript housed
at the Wren Library of
Trinity College,
Cambridge. It is
originally in the Norfolk
dialect of Middle English
but has been modernized
for use in this setting.
Also, it's macaronic,
meaning it combines words
from two languages, the
other being Latin which
was in use by the church
when this carol was
written.The Latin phrases
come from different parts
of the Advent/Christmas
liturgies; a sequence
called Laetabundus, the
title of an Introit
antiphon called
Gaudeamus, and the
shepherd’s
response in the gospel of
Luke 2:15,
Transeamus.Latin
phrase translation
sourceAlleluia Alleluia
LaetabundusRes miranda A
thing to be wondered at
LaetabundusPares forma of
equal form
LaetabundusGaudeamus Let
us rejoice!
GaudeamusTranseamus Let
us go Luke 2:15The poet
compares the Virgin Mary
to a rose. She has a
special place among all
women in being chosen as
the mother of Jesus, and
likewise the rose has a
special place among all
flowers surpassing them
in complexity and
beauty.The music in this
setting mimics the petals
of a rose as it blooms.
Imagine the petals
unfurling over time as
does the music which
starts in unison for each
verse and expands outward
into two and three vocal
lines with increasingly
complex harmonic
twists.Word painting is
employed in several
places but none are as
important as the dramatic
climax in the fourth
verse where the shepherds
along with all the angels
in heaven proclaim Gloria
in excelsis Deo (Glory to
God on high). What a
sound that must be! On
these words the music
reaches it loudest point
as the sopranos rise to
their highest note and
the compass—the
distance between the
highest and lowest
note—is at its
widest.The setting is
brought to a close as the
five Latin phrases that
finished each verse are
repeated as a coda and
musically summarize the
five verses of the
carol.
With Suggested Chordal Accompaniment. Composed by William Bay. Flute, Fife and...(+)
With Suggested Chordal
Accompaniment. Composed
by
William Bay. Flute, Fife
and
Oboe,Guitar: Gospel and
Sacred,Style,Duets and
Ensembles,Solos,Duets and
Ensemble,Solos,Holiday:
Christmas. 100 Hymns.
Book.
124 pages. Published by
Mel
Bay Publications, Inc
With Suggested Chordal Accompaniment. Composed by Craig Duncan. Violin,Guita...(+)
With Suggested Chordal
Accompaniment. Composed
by
Craig Duncan.
Violin,Guitar:
Gospel and
Sacred,Style,Featured
Products,Duets and
Ensembles,Solos,Duets and
Ensemble,Solos,Holiday:
Christmas,. 100 Hymns.
Book.
124 pages. Published by
Mel
Bay Publications, Inc
With Suggested Chordal Accompaniment. Composed by William Bay. Guitar: Gospe...(+)
With Suggested Chordal
Accompaniment. Composed
by
William Bay. Guitar:
Gospel
and Sacred,Style,Trumpet
and
Bugle,Duet and
Ensembles,Solos,Duets and
Ensemble,Solos,Holiday:
Christmas. 100 Hymns.
Book.
124 pages. Published by
Mel
Bay Publications, Inc
With Suggested Chordal Accompaniment. Composed by Craig Duncan. Squareback ...(+)
With Suggested Chordal
Accompaniment. Composed
by
Craig Duncan. Squareback
saddle stitch, Solos,
Holiday: Christmas,
Duet/Ensemble, Duets and
Ensemble. 100 HYMNS.
Style.
Book. 124 pages. Mel Bay
Publications, Inc #30703.
Published by Mel Bay
Publications, Inc