Double bass and piano SKU: M7.DOHR-16436 Composed by Norbert Laufer. Shee...(+)
Double bass and piano
SKU: M7.DOHR-16436
Composed by Norbert
Laufer. Sheet music.
Score and part. 24 pages.
Duration 10'. MDS (Music
Distribution Services)
#DOHR 16436. Published by
MDS (Music Distribution
Services)
(M7.DOHR-16436).
ISBN
9790202034361.
Picc
ola musica profonda
entstand für die
Kontrabassklasse von
Jürgen Michel an der
Städt.
Clara-Schumann-Musikschul
e Düsseldorf,
insbesondere für den
Einsatz bei Jugend
musiziert. Der erste Satz
Canzonetta profonda kam
im Jahre 2016 bei diesem
Wettbewerb zur
Uraufführung. Laurenz
Radig spielte beim
Regionalwettbwerb
Düsseldorf und beim
Landeswettbewerb NRW in
Altersgruppe 3. Ihm wurde
der Sonderpreis des DTKV
Düsseldorf/Mettmann
für die beste
Interpretation eines
zeitgenössischen
Stückes zuerkannt.
Begleitet wurde er am
Klavier von Susanne
Ankener-Maczewski. Die
maßvollen technischen
Anforderungen der drei
Sätze schließen
neben den traditionellen
Bogen- und Grifftechniken
auch natürliche
Flageoletts ein sowie ein
Flageolett-Glissando.
112 Stucke fur gemischten Chor a cappella. Composed by Andreas Gopfert. Edited...(+)
112 Stucke fur gemischten
Chor a cappella. Composed
by
Andreas Gopfert. Edited
by
Matthias Gopfert. The
Mitteldeutsches Chorbuch,
the
official choirbook of the
Deutsches Chorfest
[German
Choral Festival] 2020 in
Leipzig, was compiled by
Prof. Andreas Gopfert on
commission of the
Deutscher
Chorverband [German
Choral
Society]. Breitkopf and
Haertel #CHB 5365-00.
Published by Breitkopf
and
Haertel
Solfege SKU: HL.14046092 Composed by Ibanez-Cursa. CARISCH - MUSIC SALES....(+)
Solfege
SKU:
HL.14046092
Composed
by Ibanez-Cursa. CARISCH
- MUSIC SALES. Tuition.
General Merchandise. Real
Musical #MK19067.
Published by Real Musical
(HL.14046092).
ISBN
9788438712443.
French.
Nueva
edición de la
colección
Cuadernos de
Audición
con CD con las
grabaciones de los
ejercicios que contiene
el libro del profesor. Se
plantea una amplia serie
de propuestas encaminadas
a percibir y asimilar al
máximo los
múltiples aspectos
que componen el complejo
fenómeno de la
audición.
Los libros del
Profesor y del Alumno
tienen la misma
paginación para
facilitar su manejo y el
libro del Profesor
contiene, además,
la parte del alumno con
las respuestas correctas
que éste debe
escribir de manera que el
profesor no tenga que
manejar dos libros, el
suyo y el del alumno.
Lacolección
consta de seis cursos y
en cada uno de ellos se
abordan los contenidos
propios de la
enseñanza del
Lenguaje Musical en su
aspecto auditivo. Sin
excluir el tradicional
“dictado”,
proponemos nuevos y
variados procedimientos
para fortalecer la
memoria musical, agudizar
la percepción del
alumno en detalles
rítmicos y
melódicos y
desarrollar una buena
destreza auditiva a
través del
análisis
considerado como la
culminación de
todo el proceso
auditivo.
“Cuadernos de
Lenguaje”,
“Nuevos Cuadernos
de Teoría”,
“Canta con los
Clásicos” y
“Cuadernos de
Vacaciones” son
otros títulos de
las colecciones
Ibáñez-Curs
á que completan la
enseñanza del
lenguaje musical.
Orchestra (2 flutes (2nd
flute doubling piccolo),
2 oboes, 2 clarinets in
bb, 2 bassoons, 4 french
horns in f, 2 trumpets in
c, 2 trombones, 1 bass
trombone, 1 tuba,
percussion 1: small
beijing opera gong,
marimba, tam-tam,
japanese high, wood
block, percussion 2: s)
SKU: PR.416415110
For Violin And
Orchestra. Composed
by Chen Yi. Contemporary.
Full score. With Standard
Notation. Duration 10
minutes. Theodore Presser
Company #416-41511.
Published by Theodore
Presser Company
(PR.416415110).
UPC:
680160621286.
Commi
ssioned by Kennesaw State
University Symphony
Orchestra in 2012,
Chinese Rap for violin
and orchestra is
premiered by Prof. Helen
Kim as the soloist and
the KSUSO led by Prof.
Michael Alexander at
Bailey Center in KSU, GA
on Feb. 17, 2014. The
work is inspired by
Chinese folk musical
story telling, Quyi, in a
form of mixed reciting
and singing style, with
interludes played by
percussion and plucking
instruments in
accompaniment. The folk
musical story telling is
sung in dialects from
different geographic
regions. I mixed all
these elements in a
complex three-part form,
with an introduction, a
cadenza in the middle,
and a coda as the frame
in the structure. The
melodies are delicate and
leisurely, and the
rhythmic parts are
energetic, vivid and
lively. There are big
contrasts between
sections, which are
juxtaposed and connected
smoothly and
congenially. Commissio
ned by Kennesaw State
University Symphony
Orchestra in 2012,Chinese
Rap for violin and
orchestra is premiered by
Prof. Helen Kim as
thesoloist and the KSUSO
led by Prof. Michael
Alexander at Bailey
Center inKSU, GA on Feb.
17, 2014. The work is
inspired by Chinese folk
musical storytelling,
Quyi, in a form of mixed
reciting and singing
style, with
interludesplayed by
percussion and plucking
instruments in
accompaniment. The
folkmusical story telling
is sung in dialects from
different geographic
regions. Imixed all these
elements in a complex
three-part form, with an
introduction, a cadenza
in the middle, and a coda
as the frame in the
structure. The melodies
are delicate and
leisurely, and the
rhythmic parts are
energetic, vivid and
lively. There are big
contrasts between
sections, which are
juxtaposed and connected
smoothly and
congenially.
Orchestra (2 flutes (2nd
flute doubling piccolo),
2 oboes, 2 clarinets in
bb, 2 bassoons, 4 french
horns in f, 2 trumpets in
c, 2 trombones, 1 bass
trombone, 1 tuba,
percussion 1: small
beijing opera gong,
marimba, tam-tam,
japanese high, wood
block, percussion 2: s)
SKU: PR.41641511L
For Violin And
Orchestra. Composed
by Chen Yi. Contemporary.
Large Score. With
Standard Notation.
Duration 10 minutes.
Theodore Presser Company
#416-41511L. Published by
Theodore Presser Company
(PR.41641511L).
UPC:
680160621293.
Commi
ssioned by Kennesaw State
University Symphony
Orchestra in 2012,
Chinese Rap for violin
and orchestra is
premiered by Prof. Helen
Kim as the soloist and
the KSUSO led by Prof.
Michael Alexander at
Bailey Center in KSU, GA
on Feb. 17, 2014. The
work is inspired by
Chinese folk musical
story telling, Quyi, in a
form of mixed reciting
and singing style, with
interludes played by
percussion and plucking
instruments in
accompaniment. The folk
musical story telling is
sung in dialects from
different geographic
regions. I mixed all
these elements in a
complex three-part form,
with an introduction, a
cadenza in the middle,
and a coda as the frame
in the structure. The
melodies are delicate and
leisurely, and the
rhythmic parts are
energetic, vivid and
lively. There are big
contrasts between
sections, which are
juxtaposed and connected
smoothly and
congenially. Commissio
ned by Kennesaw State
University Symphony
Orchestra in 2012,Chinese
Rap for violin and
orchestra is premiered by
Prof. Helen Kim as
thesoloist and the KSUSO
led by Prof. Michael
Alexander at Bailey
Center inKSU, GA on Feb.
17, 2014. The work is
inspired by Chinese folk
musical storytelling,
Quyi, in a form of mixed
reciting and singing
style, with
interludesplayed by
percussion and plucking
instruments in
accompaniment. The
folkmusical story telling
is sung in dialects from
different geographic
regions. Imixed all these
elements in a complex
three-part form, with an
introduction, a cadenza
in the middle, and a coda
as the frame in the
structure. The melodies
are delicate and
leisurely, and the
rhythmic parts are
energetic, vivid and
lively. There are big
contrasts between
sections, which are
juxtaposed and connected
smoothly and
congenially.
Guitarra Liturgia Guitare [Conducteur] - Intermédiaire OR-TAV Music Publications
Guitar - Intermediate SKU: OT.26114 Composed by Ariel Lazarus. A short su...(+)
Guitar - Intermediate
SKU: OT.26114
Composed by Ariel
Lazarus. A short suite
for classical guitar
based on themes from the
Spanish and Portuguese
tradition. Classical.
Score. OR-TAV Music
Publications #26114.
Published by OR-TAV Music
Publications (OT.26114).
ISBN 9789655051049.
8.27 x 11.69
inches.
Ariel
Lazarus Guitarra
Liturgia Two pieces
based on music from the
Spanish and Portuguese
tradition.
Contents: Jerusalem
de Sefarad - Suite for
Guitar Contrapunto
Sefardi The composer
writes: For many
years I wanted to compose
a piece for guitar which
would inspire interested
students to expand their
repertoire in the
direction of Jewish
music. The most natural
thing for me was to write
a suite based on themes
from the synagogue in
which I grew up –
the Spanish and
Portuguese synagogue of
Gibraltar. My beloved
grandfather served all
his life as hazzan
(cantor) of this
synagogue, and I always
felt as a composer and
educator that I had a
special obligation to
continue his tradition
and pass it on to a new
generation. In this
composition, I let the
guitar echo the piyyutim
(semi-liturgical poems)
that were part of my
childhood: Adon Olam,
Sh'charchoret, Achot
K'tana, Yigdal, Borei ad
Ana, all of which are
sung in the Spanish and
Portuguese tradition from
Gibraltar to London, and
from New York to
Jerusalem. I let myself
dream the piyyutim, take
them apart and
reconstruct them as a
short suite for guitar,
the results of which you
are invited to hear here.
As a conceptual idea for
the suite, I choose to
suggest about the
cultural continuation
between the Diaspora and
the land of Israel by way
of referencing the
well-known melody of
Naomi Shemer, which is
also popular among the
hazzanim. Dr. Ariel
Lazarus is a unique voice
among Israeli
composer-performers
today. Brought up in a
family with Jewish
musical roots both in
Gibraltar and Westphalia,
he began composing and
playing the guitar in his
teens, and has been
committed to developing
his own compositional
language ever since,
always maintaining an
open dialogue with his
traditions. Lazarus
received his BMus and
MMus degrees from
Oklahoma City University
in classical guitar
performance and
composition where he
studied with American
composer Dr. Edward
Knight. He earned his PhD
from Bar Ilan University,
studying composition with
Prof. Betty Olivero and
Prof. Gideon Lewensohn
and conducting research
under the supervision of
Prof. Edwin Seroussi from
the Hebrew University.
His symphonic works have
been premiered by the
Raanana Symphonette
Orchestra, and his
chamber works have been
performed by various
ensembles in the United
States, Central Europe,
Portugal, Gibraltar,
Scandinavia and Israel.
Lazarus performs
regularly as Art
Ambassador on behalf of
the Israeli Ministry of
Diaspora affairs Amiel
BaKehila program. His
solo album A Hebrew
Capriccio was released by
the German boutique label
SmoothFactor and was
awarded critical acclaim,
among others, in Haaretz,
and Neue Westfalishe.
Dr. Lazarus is the
musical director and
co-founder of the Israeli
Ladino Orchestra. His
work with the orchestra
has been recognized by
the official Carta de
España. He teaches at
the Academic College for
Education Givat
Washington, and the Rimon
School of Music.
Lazarus’s work has
been awarded by the
Israeli Pais Art council
and ACUM.
Breeze in the Forest Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire De Haske Publications
Concert Band/Harmonie and Flute Solo - Grade 3.5 SKU: BT.DHP-1195859-010 ...(+)
Concert Band/Harmonie and
Flute Solo - Grade 3.5
SKU:
BT.DHP-1195859-010
For Solo Flute and
Concert Band.
Composed by Satoshi
Yagisawa. Solo Spectrum.
Solo & Concerto. Set
(Score & Parts). Composed
2019. De Haske
Publications #DHP
1195859-010. Published by
De Haske Publications
(BT.DHP-1195859-010).
English-German-French-
Dutch.
Breeze in
the Forest was
commissioned for the
concert to celebrate the
60th birthday of
Professor Haruyuki
Nakatsukasa of Osaka
Kyoiku University.
“Kanreki†is
a special term used to
celebrate reaching the
age of 60 in Japan. The
composer was inspired by
some of Professor
Nakatsukasa’s
admirable characteristics
upon composing this work:
he speaks softly and at
the same level as his
students; he is
fashionable, stylish and
refined. The band
accompaniment is at a
moderate level of
difficulty, allowing the
solo flautist to choose
this work for many an
occasion.
Dit werk
werd geschreven ter
gelegenheid van het
‘Kanreki-concertâ
™ voor de zestigste
verjaardag van professor
Haruyuki Nakatsukasa van
de Osaka Kyoiku
University. Kanreki is
een speciale term die in
Japan wordt gebruikt
wanneer iemand de
leeftijd van zestig heeft
bereikt. De componist
haalde zijn inspiratie
uit een aantal mooie
eigenschappen van
Nakatsukasa: hij spreekt
zacht en weet zijn
studenten in hun eigen
taal te benaderen; hij is
eigentijds, stijlvol en
verfijnd. De
harmonieorkestbegeleiding
is van een gemiddelde
moeilijkheidsgraad, zodat
de solofluitist dit werk
voor diverse gelegenheden
op het programma kan
zetten.
Breeze in
the Forest“ wurde
für ein Konzert
anlässlich des 60.
Geburtstags von Prof.
Haruyuki Nakatsukasa von
der Osaka Kyoiku
University in Auftrag
gegeben. Kanreki“
ist ein spezieller
Begriff, mit dem in Japan
das Erreichen des 60.
Lebensjahres gefeiert
wird. Der Komponist
ließ sich bei der
Komposition dieses Werks
von einigen der
bewundernswerten
Eigenschaften von Prof.
Nakatsukasa inspirieren:
Er spricht leise und auf
Augenhöhe mit seinen
Schülern; er ist
modisch, stilvoll und
gebildet. Die
Orchesterbegleitung hat
einen mittelschweren
Schwierigkeitsgrad,
sodass Soloflötisten
dieses Werk bei vielen
Gelegenheiten
aufführen
können.
Breeze in the Forest Orchestre d'harmonie [Conducteur] - Intermédiaire De Haske Publications
Concert Band/Harmonie and Flute Solo - Grade 3.5 SKU: BT.DHP-1195859-140 ...(+)
Concert Band/Harmonie and
Flute Solo - Grade 3.5
SKU:
BT.DHP-1195859-140
For Solo Flute and
Concert Band.
Composed by Satoshi
Yagisawa. Solo Spectrum.
Solo & Concerto. Score
Only. Composed 2019. 27
pages. De Haske
Publications #DHP
1195859-140. Published by
De Haske Publications
(BT.DHP-1195859-140).
English-German-French-
Dutch.
Breeze in
the Forest was
commissioned for the
concert to celebrate the
60th birthday of
Professor Haruyuki
Nakatsukasa of Osaka
Kyoiku University.
“Kanreki†is
a special term used to
celebrate reaching the
age of 60 in Japan. The
composer was inspired by
some of Professor
Nakatsukasa’s
admirable characteristics
upon composing this work:
he speaks softly and at
the same level as his
students; he is
fashionable, stylish and
refined. The band
accompaniment is at a
moderate level of
difficulty, allowing the
solo flautist to choose
this work for many an
occasion.
Dit werk
werd geschreven ter
gelegenheid van het
‘Kanreki-concertâ
™ voor de zestigste
verjaardag van professor
Haruyuki Nakatsukasa van
de Osaka Kyoiku
University. Kanreki is
een speciale term die in
Japan wordt gebruikt
wanneer iemand de
leeftijd van zestig heeft
bereikt. De componist
haalde zijn inspiratie
uit een aantal mooie
eigenschappen van
Nakatsukasa: hij spreekt
zacht en weet zijn
studenten in hun eigen
taal te benaderen; hij is
eigentijds, stijlvol en
verfijnd. De
harmonieorkestbegeleiding
is van een gemiddelde
moeilijkheidsgraad, zodat
de solofluitist dit werk
voor diverse gelegenheden
op het programma kan
zetten.
Breeze in
the Forest“ wurde
für ein Konzert
anlässlich des 60.
Geburtstags von Prof.
Haruyuki Nakatsukasa von
der Osaka Kyoiku
University in Auftrag
gegeben. Kanreki“
ist ein spezieller
Begriff, mit dem in Japan
das Erreichen des 60.
Lebensjahres gefeiert
wird. Der Komponist
ließ sich bei der
Komposition dieses Werks
von einigen der
bewundernswerten
Eigenschaften von Prof.
Nakatsukasa inspirieren:
Er spricht leise und auf
Augenhöhe mit seinen
Schülern; er ist
modisch, stilvoll und
gebildet. Die
Orchesterbegleitung hat
einen mittelschweren
Schwierigkeitsgrad,
sodass Soloflötisten
dieses Werk bei vielen
Gelegenheiten
aufführen
können.
Piano 2, 4 or 6 hands - Level 1 SKU: LM.24736 Composed by Josiane Havelan...(+)
Piano 2, 4 or 6 hands -
Level 1
SKU:
LM.24736
Composed by
Josiane Havelange and
Patrick Davin. Classical.
Score. Editions Henry
Lemoine #24736. Published
by Editions Henry Lemoine
(LM.24736).
ISBN
9790230947367.
Le
Forgeron - Comptine - Pas
d'accord ! - Saute-mouton
- L'Orgue de Barbarie -
Une Guitare espagnole -
Le Petit train - 6 heures
du matin au pays des
Samourais - Une Petite
valse sans pretention -
Le Petit indien triste (1
ou 2, ou 3 eleves + le
professeur) - Le Boogie
du chat (l'eleve + le
professeur) - La Danse
des hippopotames qui ont
mal aux dents (2 eleves +
le professeur) - Un
dernier tango.
(VOL17) SKU: HL.49006653 Teil I: Das Konzert- und Vereinswesen. Co...(+)
(VOL17)
SKU:
HL.49006653
Teil
I: Das Konzert- und
Vereinswesen.
Composed by Gustav
Bereths. This edition:
Paperback/Soft Cover.
Book. Edition Schott.
Classical. 264 pages.
Schott Music #ED 6783.
Published by Schott Music
(HL.49006653).
ISBN
9783795713171.
5.75x8.25x0.805 inches.
German.
Herausgegeb
en von der
Arbeitsgemeinschaft fur
mittelrheinische
Musikgeschichte, Mainz.
Sie wurde am 22.4.1961
von Pralat Prof. Dr. Dr.
h.c. Adam Gottron, der
aufgrund seiner Studien
zur Mainzer
Musikgeschichte an der
Universitat Mainz eine
Honorarprofessur fur
musikalische Landeskunde
innehatte, und von Prof.
Dr. Franz Bosken als
eingetragener Verein mit
Sitz in Mainz
gegrundet.