Choir; Orchestra; Early Music SKU: UT.TME-1 Composed by Giovanni Battista...(+)
Choir; Orchestra; Early
Music
SKU:
UT.TME-1
Composed by
Giovanni Battista
Bassani. Edited by
Elisabetta Pasquini.
Hardback (Cloth Hard
Cover). Tesori Musicali
Emiliani (Emilian Musical
Treasures). Classical. Ut
Orpheus #TME 1. Published
by Ut Orpheus (UT.TME-1).
ISBN 9790215316096. 9
x 12 inches.
P
erformance Material on
Hire
[S
olo: SAATB - Str -
Bc]
Thanks to its
patron the Duke Francesco
II, Modena became a
capital city worldwide
for the oratorio genre:
renowned maestro di
cappella in Ferrara, also
Bassani wished to offer
to the Duke his own work,
setting aside for him the
summit of his melodic and
dramaturgical
inventiveness. Accordi
ng to the documents that
we have, the performance
of Giona was
Bassani's debut at the
court of Francesco II.
Born in Padua around
1650, the composer
carried out the main part
of his activities in
Ferrara, where he was
organist (probably from
1667), and maestro di
cappella at the
Accademia della Morte
(from 1683), and
subsequently also at the
Cathedral (from 1686); he
also became a member of
the Accademia Filarmonica
of Bologna (in 1677) and
was committed to
Alessandro II Pico, Duke
of Mirandola and Marquis
of Concordia. In 1712 he
moved to Bergamo, where
he was maestro di
cappella at S. Maria
Maggiore; he died there
on 1st October 1716.
Before his commission in
Modena, the <> - as he was
often called at that time
- had already printed
seven instrumental and
vocal works as well as a
few operas and
oratorios.
Choral (SATB divisi) SKU: HL.1436076 Composed by Evelyn Simpson-Curenton....(+)
Choral (SATB divisi)
SKU: HL.1436076
Composed by Evelyn
Simpson-Curenton. Gentry
Publications. Octavo.
Gentry Publications
#JG2718. Published by
Gentry Publications
(HL.1436076).
UPC:
196288203773.
Are
you looking for a unique
setting by a mutifaceted
composer? Look no
further. Explore Evelyn
Simpson-Curenton's
remarkable adaptation,
“Prayer for the
Congregation,” blending
St. Francis of Assisi's
text into a reverent SATB
div, piano, organ, bass
guitar, and drum set
piece. With
Simpson-Curenton's unique
fusion of acappella
sections and
unconventional
instruments, this
composition transitions
seamlessly between
reverence and a swung
jazz-inspired section,
providing space for
keyboard improvisation.
Perfect for advanced
choirs seeking a fresh
take on timeless text.
Simpson-Curenton's
innovative style breathes
new life into choral
music, making this piece
a must-perform for those
seeking captivating
musical experiences.
Composed
by Amilcare Ponchielli.
Edited by Pietro Zappala.
Sacred vocal music,
Masses, Latin. Vocal
score. Op. 20. Duration
70 minutes. Carus Verlag
#CV 27.077/03. Published
by Carus Verlag
(CA.2707703).
ISBN
M-007-24595-5.
Latin.
Amilcare
Ponchielli (1834-1886) is
known nowadays mainly as
an opera composer and the
composition teacher of
Giacomo Puccini and
Pietro Mascagni. He
scored his greatest
success in 1876 at La
Scala Milan with the
opera La Gioconda, a work
which is still in the
repertoire of the major
opera houses.
Ponchielli's sacred works
were composed in his
later years, when he was
maestro di cappella at
the Basilica di Santa
Maria Maggiore in
Bergamo. There his Mass
in A major op. 20 (also
known as Messa per la
notte di natale) was
premiered on Christmas
Day 1882. The Mass is
captivating because of
its flowing, singable
melodies, rich harmonies,
and warm tonal colors.
The important role given
to the chorus, with which
the three male soloists
interact closely, is
striking. The first music
edition of the Messa is a
real discovery for choirs
with good male voices;
the second tenor part can
largely be sung by the
baritones.
Known
as Messa per la notte di
natale / first
edition. Composed by
Amilcare Ponchielli.
Edited by Pietro Zappala.
Sacred vocal music,
Masses, Latin. Full
Score. Op. 20. Duration
70 minutes. Carus Verlag
#CV 27.077/00. Published
by Carus Verlag
(CA.2707700).
ISBN
9790007245856.
Latin.
Amilcare
Ponchielli (1834-1886) is
known nowadays mainly as
an opera composer and the
composition teacher of
Giacomo Puccini and
Pietro Mascagni. He
scored his greatest
success in 1876 at La
Scala Milan with the
opera La Gioconda, a work
which is still in the
repertoire of the major
opera houses.
Ponchielli's sacred works
were composed in his
later years, when he was
maestro di cappella at
the Basilica di Santa
Maria Maggiore in
Bergamo. There his Mass
in A major op. 20 (also
known as Messa per la
notte di natale) was
premiered on Christmas
Day 1882. The Mass is
captivating because of
its flowing, singable
melodies, rich harmonies,
and warm tonal colors.
The important role given
to the chorus, with which
the three male soloists
interact closely, is
striking. The first music
edition of the Messa is a
real discovery for choirs
with good male voices;
the second tenor part can
largely be sung by the
baritones.
From:
Psalmi Vespertini.
Composed by Virgilio
Mazzocchi. Organ. Sacred,
Magnificat, Motets; Use
during church year:
Christmas. Single Part,
Organ. 8 pages. Carus
Verlag #CV 27.202/49.
Published by Carus Verlag
(CA.2720249).
ISBN
9790007200985. Language:
Latin.
During his
tenure under Pope Urban
VIII Virgilio Mazzocchi
was among the most
renowned musicians of
Rome. He directed the
Cappella Giulia in St.
Peters Basilica for 17
years. He also organized
the musical activities at
the court of the Pope's
influential nephew,
Francesco Barberini. The
Psalmi Vespertini,
Mazzocchi's most
important sacred work,
were published two years
after his death. This
collection contains two
complete vesper cycles
for double choir with a
basso continuo
accompaniment. At the
conclusion of the first
vesper cycle, in the
predominately festive
setting of the
Magnificat, Mazzocchi
displays his artistry in
the old and new styles by
combining contrapuntal
choral sections with
concertante passages. The
new Carus edition of this
work presents a most
significant and
impressive document of
Roman church music in the
first half of the 17th
century. Score and part
available separately -
see item CA.2720200.
From:
Psalmi Vespertini.
Composed by Virgilio
Mazzocchi. This edition:
Paperbound. German title:
Magnificat. Sacred,
Magnificat, Motets; Use
during church year:
Christmas. Full score. 32
pages. Carus Verlag #CV
27.202/00. Published by
Carus Verlag
(CA.2720200).
ISBN
9790007045210. Language:
Latin.
During his
tenure under Pope Urban
VIII Virgilio Mazzocchi
was among the most
renowned musicians of
Rome. He directed the
Cappella Giulia in St.
Peters Basilica for 17
years. He also organized
the musical activities at
the court of the Pope's
influential nephew,
Francesco Barberini. The
Psalmi Vespertini,
Mazzocchi's most
important sacred work,
were published two years
after his death. This
collection contains two
complete vesper cycles
for double choir with a
basso continuo
accompaniment. At the
conclusion of the first
vesper cycle, in the
predominately festive
setting of the
Magnificat, Mazzocchi
displays his artistry in
the old and new styles by
combining contrapuntal
choral sections with
concertante passages. The
new Carus edition of this
work presents a most
significant and
impressive document of
Roman church music in the
first half of the 17th
century.
Arranged by Johann
Sebastian Bach.
Composed by Francesco
Durante. Edited by
Frieder Rempp. Arranged
by Johann Sebastian Bach.
This edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Missa C-Moll.
Bwv Anh.26. Sacred vocal
music, Masses, Latin.
Single Part, Violin 2. 12
pages. Duration 18
minutes. Carus Verlag #CV
35.008/12. Published by
Carus Verlag
(CA.3500812).
ISBN
9790007213008. Text
language:
Latin.
Johann
Sebastian Bach was able
to appreciate good works
by other composers, as is
shown by contemporary
accounts, and by a
glimpse into what remains
of his music library.
Francesco Durante,
maestro di cappella in
Naples, was known in his
time as an accomplished
composer, who in his
sacred works sought to
achieve accommodation
between the strict stile
antico and the stile
moderno of concert music
at that time. This
combination distinguishes
his Mass in C minor, and
it may have been what
awakened Johann Sebastian
Bach's interest in this
work. He copied it about
1730, not merely for
study purposes but in
order to perform it, as
is indicated by various
alterations which he made
to the composition. Bach
replaced the Christe by a
composition of his own,
and for the Kyrie II he
used Durante's music for
the Gloria, making the
alterations required by
the different words. A
worthwhile discovery!
Score and part available
separately - see item
CA.3500800.
Arranged by Johann
Sebastian Bach.
Composed by Francesco
Durante. Edited by
Frieder Rempp. Arranged
by Johann Sebastian Bach.
This edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Missa C-Moll.
Bwv Anh.26. Sacred vocal
music, Masses, Latin.
Single Part, Cello/Double
Bass. 12 pages. Duration
18 minutes. Carus Verlag
#CV 35.008/13. Published
by Carus Verlag
(CA.3500813).
ISBN
9790007213015. Text
language:
Latin.
Johann
Sebastian Bach was able
to appreciate good works
by other composers, as is
shown by contemporary
accounts, and by a
glimpse into what remains
of his music library.
Francesco Durante,
maestro di cappella in
Naples, was known in his
time as an accomplished
composer, who in his
sacred works sought to
achieve accommodation
between the strict stile
antico and the stile
moderno of concert music
at that time. This
combination distinguishes
his Mass in C minor, and
it may have been what
awakened Johann Sebastian
Bach's interest in this
work. He copied it about
1730, not merely for
study purposes but in
order to perform it, as
is indicated by various
alterations which he made
to the composition. Bach
replaced the Christe by a
composition of his own,
and for the Kyrie II he
used Durante's music for
the Gloria, making the
alterations required by
the different words. A
worthwhile discovery!
Score and part available
separately - see item
CA.3500800.
Arranged by Johann
Sebastian Bach.
Composed by Francesco
Durante. Edited by
Frieder Rempp. Arranged
by Johann Sebastian Bach.
This edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Missa C-Moll.
Bwv Anh.26. Sacred vocal
music, Masses, Latin.
Full score. 76 pages.
Duration 18 minutes.
Carus Verlag #CV
35.008/00. Published by
Carus Verlag
(CA.3500800).
ISBN
9790007143091. Text
language:
Latin.
Johann
Sebastian Bach was able
to appreciate good works
by other composers, as is
shown by contemporary
accounts, and by a
glimpse into what remains
of his music library.
Francesco Durante,
maestro di cappella in
Naples, was known in his
time as an accomplished
composer, who in his
sacred works sought to
achieve accommodation
between the strict stile
antico and the stile
moderno of concert music
at that time. This
combination distinguishes
his Mass in C minor, and
it may have been what
awakened Johann Sebastian
Bach's interest in this
work. He copied it about
1730, not merely for
study purposes but in
order to perform it, as
is indicated by various
alterations which he made
to the composition. Bach
replaced the Christe by a
composition of his own,
and for the Kyrie II he
used Durante's music for
the Gloria, making the
alterations required by
the different words. A
worthwhile discovery!
Arranged by Johann
Sebastian Bach.
Composed by Francesco
Durante. Edited by
Frieder Rempp. Arranged
by Johann Sebastian Bach.
This edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Missa C-Moll.
Bwv Anh.26. Sacred vocal
music, Masses, Latin.
Single Part, Violin 1. 12
pages. Duration 18
minutes. Carus Verlag #CV
35.008/11. Published by
Carus Verlag
(CA.3500811).
ISBN
9790007212995. Text
language:
Latin.
Johann
Sebastian Bach was able
to appreciate good works
by other composers, as is
shown by contemporary
accounts, and by a
glimpse into what remains
of his music library.
Francesco Durante,
maestro di cappella in
Naples, was known in his
time as an accomplished
composer, who in his
sacred works sought to
achieve accommodation
between the strict stile
antico and the stile
moderno of concert music
at that time. This
combination distinguishes
his Mass in C minor, and
it may have been what
awakened Johann Sebastian
Bach's interest in this
work. He copied it about
1730, not merely for
study purposes but in
order to perform it, as
is indicated by various
alterations which he made
to the composition. Bach
replaced the Christe by a
composition of his own,
and for the Kyrie II he
used Durante's music for
the Gloria, making the
alterations required by
the different words. A
worthwhile discovery!
Score and part available
separately - see item
CA.3500800.
Arranged by Johann
Sebastian Bach.
Composed by Francesco
Durante. Edited by
Frieder Rempp. Arranged
by Johann Sebastian Bach.
This edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Missa C-Moll.
Bwv Anh.26. Sacred vocal
music, Masses, Latin. Set
of Orchestra Parts.
Duration 18 minutes.
Carus Verlag #CV
35.008/19. Published by
Carus Verlag
(CA.3500819).
ISBN
9790007143251. Text
language:
Latin.
Johann
Sebastian Bach was able
to appreciate good works
by other composers, as is
shown by contemporary
accounts, and by a
glimpse into what remains
of his music library.
Francesco Durante,
maestro di cappella in
Naples, was known in his
time as an accomplished
composer, who in his
sacred works sought to
achieve accommodation
between the strict stile
antico and the stile
moderno of concert music
at that time. This
combination distinguishes
his Mass in C minor, and
it may have been what
awakened Johann Sebastian
Bach's interest in this
work. He copied it about
1730, not merely for
study purposes but in
order to perform it, as
is indicated by various
alterations which he made
to the composition. Bach
replaced the Christe by a
composition of his own,
and for the Kyrie II he
used Durante's music for
the Gloria, making the
alterations required by
the different words. A
worthwhile discovery!
Score and parts available
separately - see item
CA.3500800.
Arranged by Johann
Sebastian Bach.
Composed by Francesco
Durante. Edited by
Frieder Rempp. Arranged
by Johann Sebastian Bach.
This edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Missa C-Moll.
Bwv Anh.26. Sacred vocal
music, Masses, Latin.
Choral Score. 20 pages.
Duration 18 minutes.
Carus Verlag #CV
35.008/05. Published by
Carus Verlag
(CA.3500805).
ISBN
9790007162061. Text
language:
Latin.
Johann
Sebastian Bach was able
to appreciate good works
by other composers, as is
shown by contemporary
accounts, and by a
glimpse into what remains
of his music library.
Francesco Durante,
maestro di cappella in
Naples, was known in his
time as an accomplished
composer, who in his
sacred works sought to
achieve accommodation
between the strict stile
antico and the stile
moderno of concert music
at that time. This
combination distinguishes
his Mass in C minor, and
it may have been what
awakened Johann Sebastian
Bach's interest in this
work. He copied it about
1730, not merely for
study purposes but in
order to perform it, as
is indicated by various
alterations which he made
to the composition. Bach
replaced the Christe by a
composition of his own,
and for the Kyrie II he
used Durante's music for
the Gloria, making the
alterations required by
the different words. A
worthwhile discovery!
Score available
separately - see item
CA.3500800.
Arranged by Johann
Sebastian Bach.
Composed by Francesco
Durante. Edited by
Frieder Rempp. Arranged
by Johann Sebastian Bach.
This edition: urtext. 3x
35.008/31 3 trombones.
Stuttgart Urtext Edition:
Bach vocal. Missa C-Moll.
Bwv Anh.26. Sacred vocal
music, Masses, Latin. Set
of Orchestra Parts.
Duration 18 minutes.
Carus Verlag #CV
35.008/09. Published by
Carus Verlag
(CA.3500809).
ISBN
9790007212988. Text
language:
Latin.
Johann
Sebastian Bach was able
to appreciate good works
by other composers, as is
shown by contemporary
accounts, and by a
glimpse into what remains
of his music library.
Francesco Durante,
maestro di cappella in
Naples, was known in his
time as an accomplished
composer, who in his
sacred works sought to
achieve accommodation
between the strict stile
antico and the stile
moderno of concert music
at that time. This
combination distinguishes
his Mass in C minor, and
it may have been what
awakened Johann Sebastian
Bach's interest in this
work. He copied it about
1730, not merely for
study purposes but in
order to perform it, as
is indicated by various
alterations which he made
to the composition. Bach
replaced the Christe by a
composition of his own,
and for the Kyrie II he
used Durante's music for
the Gloria, making the
alterations required by
the different words. A
worthwhile discovery!
Score and parts available
separately - see item
CA.3500800.
Choir; Orchestra; Early Music SKU: UT.TME-1R Composed by Giovanni Battist...(+)
Choir; Orchestra; Early
Music
SKU:
UT.TME-1R
Composed by
Giovanni Battista
Bassani. Edited by
Elisabetta Pasquini.
Paperback (Soft Cover).
Tesori Musicali Emiliani
(Emilian Musical
Treasures). Classical.
Vocal Score. 188 pages.
Ut Orpheus #TME 1R.
Published by Ut Orpheus
(UT.TME-1R).
ISBN
9790215322646. 7.7 x 10.6
inches.
P
erformance Material on
Hire
[S
olo: SAATB - Str -
Bc]
Thanks to its
patron the Duke Francesco
II, Modena became a
capital city worldwide
for the oratorio genre:
renowned maestro di
cappella in Ferrara, also
Bassani wished to offer
to the Duke his own work,
setting aside for him the
summit of his melodic and
dramaturgical
inventiveness.
