(Words and Chords to Nearly 1200 Songs 9x12 Spiral Bound). Edited by Annie Patte...(+)
(Words and Chords to
Nearly 1200 Songs 9x12
Spiral Bound). Edited by
Annie Patterson and Peter
Blood. For Vocal. Vocal.
Softcover. 304 pages.
Published by Hal Leonard
(Words and Chords to Nearly 1200 Songs Spiral-Bound). Edited by Annie Patterson ...(+)
(Words and Chords to
Nearly 1200 Songs
Spiral-Bound). Edited by
Annie Patterson and Peter
Blood. For Vocal. Vocal.
Softcover. 304 pages.
Published by Hal Leonard
For C instrument and voice. Format: fakebook (spiral bound). With chord names, v...(+)
For C instrument and
voice. Format: fakebook
(spiral bound). With
chord names, vocal melody
and lyrics. Jazz. Series:
Hal Leonard Fake Books.
448 pages. 9x12 inches.
Published by Hal Leonard.
Fakebook for Eb instrument and voice. With vocal melody, lyrics and leadsheet no...(+)
Fakebook for Eb
instrument and voice.
With vocal melody, lyrics
and leadsheet notation.
Series: Hal Leonard Fake
Books. 448 pages.
Published by Hal Leonard.
For voice and C instrument. Format: fakebook. With vocal melody, lyrics and chor...(+)
For voice and C
instrument. Format:
fakebook. With vocal
melody, lyrics and chord
names. Folk. Series: Hal
Leonard Fake Books. 536
pages. 9.6x12 inches.
Published by Hal Leonard.
Chamber Music
Mezzo-soprano, Piano,
baritone voice soprano
voice, tenor voice
SKU: PR.411411980
Sung Monologues for
Solo Voices and Piano
Inspired by Classic
Literature. Composed
by Nkeiru Okoye. Theodore
Presser Company
#411-41198. Published by
Theodore Presser Company
(PR.411411980).
9th Grade and Higher Edition. By William Bay and Mike Christiansen. For Guitar (...(+)
9th Grade and Higher
Edition. By William Bay
and Mike Christiansen.
For Guitar (All).
Methods. Mastering
Guitar. All Styles.
Level: Beginning. Book.
Size 8.75x11.75. 136
pages. Published by Mel
Bay Publications, Inc.
By William Bay and Mike Christiansen. For Guitar (All). Methods. Mastering Guita...(+)
By William Bay and Mike
Christiansen. For Guitar
(All). Methods. Mastering
Guitar. All Styles.
Level: Beginning. Book.
Size 8.75x11.75. 136
pages. Published by Mel
Bay Publications, Inc.
Cello and piano (VC/PF) - intermediate to advanced SKU: HL.49008105 14...(+)
Cello and piano (VC/PF) -
intermediate to advanced
SKU: HL.49008105
14 Pieces. Edited
by Barbara Heller and Eva
Rieger. This edition:
Paperback/Soft Cover.
Sheet music. Edition
Schott. Classical. 128
pages. Schott Music #ED
8628. Published by Schott
Music (HL.49008105).
ISBN 9790001115964.
UPC: 196288077473.
9.0x12.0x0.355
inches.
Concert Band Wind Band SKU: AP.12-0571570127 Suite for Military Band(+)
Concert Band Wind Band
SKU:
AP.12-0571570127
Suite for Military
Band. Composed by
Frank Bridge. 5 or More;
Performance Music
Ensemble; Solo Small
Ensembles; Wind Band.
Faber Edition: Faber Wind
Band Series. Form: Suite.
20th Century; Masterwork.
Score. Faber Music
#12-0571570127. Published
by Faber Music
(AP.12-0571570127).
ISBN 9780571570126.
English.
Frank
Bridge was one of the
finest English composers
of the first half of the
20th century. The Pageant
of London is his only
work for wind band,
comprising of two
marches, one scored from
Bridge's best known organ
piece and including the
chimes of Big Ben, plus
three short renaissance
pastiche items, one
arranged from Playford
(later used by Peter
Warlock in Capriol
Suite). The music is
tuneful, approachable,
and, in the words of wind
band legend Timothy
Reynish makes a fine
alternative to Holst's
two suites, which were
composed around the same
time. Reynish has
introduced this work to
concert bands right
across the world. It has
been performed in USA and
the Far East, recorded by
the celebrated Kosei Wind
Orchestra of Japan and
also by the BBC National
Orchestra of Wales in the
Chandos edition of Bridge
Orchestral Music.
Konnakol Meets
Rudimental Drumming.
Composed by Claudio
Spieler and Claus
Hessler. Duet or Duo;
Method/Instruction;
Percussion - Snare Drum
Method. Book; CD; Digital
Download. Alfred Music
#00-20297US. Published by
Alfred Music
(AP.20297US).
ISBN
9783947998371. UPC:
038081558189.
English.
The
rhythmical language of
South India is combined
with snare drum
rudiments?a book for
drummers, percussionists
and rhythm enthusiasts.
Konnakol is one
of the most effective
ways of learning and
mastering rhythm, and
rudiments form an
essential vocabulary of
Western drumming. Both
traditions can be counted
among the most ancient
and highly developed
rhythm concepts across
the world and are
additionally useful
methodical tools.
The beauty of
both konnakol and
rudiments is their
simplicity and clarity.
Both concepts help us to
memorize an extensive
rhythmic vocabulary,
visualize patterns and
compositions and plan
ahead mentally during
performance. They enable
us to cross borders,
illuminating new paths
towards rhythmic
creativity and
improvisation in any
musical genre.
This thorough and
clear introduction to
South Indian rhythms
containing 26 selected
pieces ranging from easy
to complex demonstrates
how the two rhythmic
cultures blend with one
another, enrich each
other reciprocally, and
provide access to new
musical worlds.
Taladiddle by
Claus Hessler and Claudio
Spieler is thereby
creating a bridge between
these previously
unconnected worlds which
display so many common
factors and
parallels.
String quartet SKU: HL.49045639 Chaconne. Composed by Fred Lerdahl...(+)
String quartet
SKU:
HL.49045639
Chaconne. Composed
by Fred Lerdahl. This
edition: Saddle
stitching. Sheet music.
String Ensemble.
Softcover. Composed 2016.
108 pages. Duration 990
seconds. Schott Music #ED
30174. Published by
Schott Music
(HL.49045639).
ISBN
9781540004796. UPC:
888680710774.
9.5x12.0x0.37
inches.
Chaconne
(2016), for string
quartet, was commissioned
by the Daedalus Quartet
to celebrate its 15th
anniversary. The
commission was supported
by New Music USA, made
possible by annual
program support and/or
endowment gifts from
Pennsylvania Council on
the Arts, Helen F.
Whitaker Fund, and Aaron
Copland Fund for Music.My
music has a substantial
history with Daedalus. I
composed the Third String
Quartet (2008) for them,
and subsequently they
performed my three string
quartets on several
occasions and recorded
them brilliantly on
Bridge Records (Bridge
9352: Music of Fred
Lerdahl, vol. 3).
Chaconne is in one
movement lasting 19
minutes. It is
effectively my fourth
string quartet. Quartets
1-3 form a unified cycle
lasting 70 minutes. When
I finished the cycle, I
thought I would never
write again for the
medium; yet I could not
resist the opportunity of
working again with
Daedalus. The issue was
how to compose another
string quartet unrelated
to the earlier cycle. The
solution came from my
solo cello piece There
and Back Again (2010),
which was based on a
four-bar variation
pattern from a
17th-century chaconne.
Unlike the asymmetrical
phrases and expanding
variations of much of my
music, the chaconne form
requires symmetrical
phrases and strictly
periodic variations. I
wished to work again with
these symmetries but on a
larger scale. Chaconne
also differs in character
and expression from the
three-quartet cycle. The
cycle is inward and
intense, a kind of
psychological excavation.
Chaconne is, for the most
part, transparent and
playful. Many of its
textures emerge from
little canons, not
completely unlike the
rounds that children
sing. Any composer who
writes in chaconne form
(one thinks above all of
the last movement of
Bach's D minor violin
partita and the finale of
Brahms's Fourth Symphony)
is confronted with the
challenge of how to
create a larger form out
of a constantly repeating
pattern.My Chaconne grows
from paired
antecedent-consequent
phrases, each variation
lasting eight bars. The
50 variations group into
three large rotations,
forming three arcs of
tension and relaxation,
with subtle parallel
connections across the
rotations.
Notwithstanding my
attraction to chaconne
form, I purposefully
disguised its symmetries
and periodicities in
order to build an overall
dramatic shape. Fred
Lerdahl.
Composed
by Sam Gelfer. Sws. Cas.
Full score. 16 pages.
Carl Fischer Music
#CAS130F. Published by
Carl Fischer Music
(CF.CAS130F).
ISBN
9781491157480. UPC:
680160916061. 9 x 12
inches.
This
energetic composition,
written in the style of
traditional fiddle-tunes,
gradually modulates from
B minor to D Major.
Players will encounter
authentic fiddle
techniques such as
shuffle-bowing, chops,
and double-stops at a
brisk tempo. The chop is
accomplished by dropping
the bow firmly on the D
and A strings at the
frog, sinking and
stopping with slight
motion toward the scroll.
Players should straighten
their fingers on the frog
and the bow hair should
be tilted toward the
bridge when performing
this technique. A
syncopated bass
accompaniment and
relentless pace depict a
stormy winter season,
melting into spring. Each
section is given
interesting melodic and
accompaniment lines, with
exciting accented rhythms
that require all players
to match bow placement,
internalize a common
tempo, and listen across
the ensemble for a
precise, focused
sound.
About Carl
Fischer Concert String
Orchestra
Series
Thi
s series of pieces (Grade
3 and higher) is designed
for advancing ensembles.
The pieces in this series
are characterized
by:
Expanded use
of rhythms, ranges and
keys but technical
demands are still
carefully
considered
More
comprehensive bowing
techniques
Viola
T.C.
included
Careful
selection of keys and
degree of difficulty for
advancing
musicians
Composed by
Sam Gelfer. Folio. Cas.
Set of Score and Parts.
16+16+2+10+10+10+16
pages. Duration 2
minutes, 37 seconds. Carl
Fischer Music #CAS130.
Published by Carl Fischer
Music (CF.CAS130).
ISBN 9781491157664.
UPC: 680160916245. 9 x 12
inches.
This
energetic composition,
written in the style of
traditional fiddle-tunes,
gradually modulates from
B minor to D Major.
Players will encounter
authentic fiddle
techniques such as
shuffle-bowing, chops,
and double-stops at a
brisk tempo. The chop is
accomplished by dropping
the bow firmly on the D
and A strings at the
frog, sinking and
stopping with slight
motion toward the scroll.
Players should straighten
their fingers on the frog
and the bow hair should
be tilted toward the
bridge when performing
this technique. A
syncopated bass
accompaniment and
relentless pace depict a
stormy winter season,
melting into spring. Each
section is given
interesting melodic and
accompaniment lines, with
exciting accented rhythms
that require all players
to match bow placement,
internalize a common
tempo, and listen across
the ensemble for a
precise, focused
sound.
About Carl
Fischer Concert String
Orchestra
Series
Thi
s series of pieces (Grade
3 and higher) is designed
for advancing ensembles.
The pieces in this series
are characterized
by:
Expanded use
of rhythms, ranges and
keys but technical
demands are still
carefully
considered
More
comprehensive bowing
techniques
Viola
T.C.
included
Careful
selection of keys and
degree of difficulty for
advancing
musicians