(Hymns of Inspiration and Hope). Composed by Billy Ray Hearn and Tom Fettke. Arranged by Thomas Fettke. For SATB choir. Musical. Any Choir Series. Sacred. Split-channel accompaniment CD. Published by Lillenas Publishing Company

Choral (ShowTrax CD)

SKU: HL.302309

From Breakthrough. By Chrissy Metz. By Diane Warren. Arranged by Mac Huff. Pop Choral Series. Inspirational, Movies, Pop, Show Choir. CD. Duration 250 seconds. Published by Hal Leonard (HL.302309).

UPC: 888680966843. 5.0x5.0x0.152 inches.

From the 2019 film Breakthrough, which tells the incredible true story of a Missouri teen whose heart stopped beating for 45 minutes after he fell through a layer of ice atop a frozen lake, comes this Dianne Warren-penned, gospel-themed soliloquy of the boy's mother, who never gave up hope. This is a chance for your singers to dig deep into emotional reserves to send a resounding message.

Composed by Andrew Mcmahon, arranged by Dan Fox, performed by Jack's Mannequin. Songbook for voice, piano and guitar (chords only). Published by Carl Fischer.

For voice and C instrument. Format: fakebook (spiral bound). With vocal melody, lyrics, piano accompaniment, chord names and leadsheet notation. Hymn. Series: Hal Leonard Fake Books. 494 pages. 9x12 inches. Published by Hal Leonard.

Soprano voice solo/3 tenor voice solos/3 baritone voice solos/orchestra (Soprano Voice Solo, 3 Tenor Voice Solo, 3 Baritone Voice Solo, Orchestra)

SKU: BA.BA08812-01

Comedy in one act in verses, with ariettes and vaudevilles. Composed by Adolphe Benoît Blaise and Marie-Justine-Benoîte Favart. Edited by Andreas Münzmay and Janine Droese. This edition: Edition of selected works, Urtext edition. Linen. Spectrum of European Music Theatre in Separate Editions 2. Edition of selected works, Score, Critical commentary, USB flash drive. Baerenreiter Verlag #BA08812_01. Published by Baerenreiter Verlag (BA.BA08812-01).

ISBN 9790006543182. 33.1 x 26.5 cm inches. Text Language: French. Preface: Münzmay, Andreas. Text: nach Jean-Francois Marmontel.

Annette et Lubin

Justine Favart and Adolphe Blaise'sAnnette et Lubinwas premiered on 15 February 1762 at the Paris Opera-Comique - the first new production at that theater following its merger with the Comedie-Italien. It was a resounding success: by the time the season came to an end, on 3 April, it had been almost continuously on the program with no decline in interest from the public, and it remained in the repertoire for more than thirty years. Countless new editions, translations, and parodies of the play bear witness to its impact far beyond the borders of Paris. Like all of Favart's works, it deals with the subject of natural love, unencumbered by considerations of money or social status endangering it from the outside through powerful aristocratic or wealthy rivals. The plot is based on a literary model, the like-named tale by Jean-Francois Marmontel, which is in turn based on a contemporary occurrence.

Annette and her cousin Lubin are sharply reprimanded for their love by an estate administrator (Le Bailli) who himself has designs on Annette. He takes advantage of Annette's illegitimate pregnancy to extort her: only by marrying him can she escape condemnation by society and the church. But Annette and her lover are able to gain the protection of the local squire (Le Seigneur), and the story ends happily with a conciliatory gesture from the lord of the manor.

The second volume in our series OPERA, Annette et Lubin, consists of a cloth-bound book and an Edirom file stored on a USB card in credit-card format. The number of simultaneous users of the edition's digital component is unlimited.
Further information on the work and the OPERA series can be found at http://www. opera-edition.com/en/anne tteetlubin_en.htm.


OPERA: Spectrum of European Music Theatre in Separate Editions is dedicated to critical editions of outstanding works of European music theatre from the 17th to the 20th centuries.

Compositions of French, Italian, German, English, Scandinavian and Slavic origin are being edited. These include specific genres which have seldom been given attention in editorial undertakings until now and which present their own editorial problems, such as ballet, theatre music, melodrama or operetta.

A new feature is the form of the presentation in so-called hybrid editions. While the scores appear in traditional cloth-bound volumes, the musical and textual sources, the editions of the dramatic texts, as well as the critical commentaries are prepared and presented on an electronic platform (Edirom).
Thanks to this ability to access the underlying sources, the editorial decisions are completely transparent to the user.

This special editorial access being implemented by OPERA's editions uses the software Edirom, which was developed in a project of the Deutsche Forschungsgemeinschaft (German Research Foundation) based at the University of Paderborn. All components of the electronic part are encoded according to the modern standard of XML. The text components follow the standard of the Text Encoding Initiative (TEI).

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding

Flute

SKU: FZ.5952

Serie II - France 1800-1860. Edited by Arlette Biget, Michel Giboureau. This edition: Facsimile. Methodes & Traites. Score. Published by Anne Fuzeau Productions - France (FZ.5952).

ISBN 9790230659529. 24.00 x 33.00 cm inches.

These early music methods are in facsimile in seven books. Benoit Tranquille BERBIGUIER - E. M. M. MIROIR - Antoine REICHA - Johann Georg WUNDERLICH. Table of contents: Wunderlich Johann Georg: Principes elementaires - c. 1812. Reicha Antoine: Cours de composition - 1816. Miroir E. M. M: La clef de l'orchestre - 1818. Berbiguier Benoit Tranquille: Nouvelle methode pour la flute - c. 1818. Collection supervised by the musicologist Jean Saint-Arroman, professor at the Conservatoire National Superieur de Musique et de Danse of Paris and at the CEFEDEM Ile de France (Training Centre for Music Teachers). He is the author of the majority of our prefaces and has also been involved in library searches. Facsimile of copies from: - National Library of Paris (France). - British Library of London (England). Anne Fuzeau Classique propose the complete theoretic documentation, methods, classical music scores on the flute.

Concert Band/Harmonie - Grade 2.5

SKU: BT.DHP-1104961-140

Opus 117. Arranged by Wil van der Beek. Great Classics. Polka. Score Only. Composed 2010. 8 pages. De Haske Publications #DHP 1104961-140. Published by De Haske Publications (BT.DHP-1104961-140).

9x12 inches.

Die Annen-Polka schrieb Johann Strauss (Sohn) zu Ehren der Kaiserin Anna Maria von Österreich. Uraufgeführt wurde das heute noch beliebte Stück im Juli 1852 im Wiener Vergnügungspark Prater. Die Annen-Polka ist eines der frühesten Werke von Johann Strauss (Sohn) und das Manuskript soll gar das älteste überlieferte des Komponisten sein.

L’Annen -Polka, op. 117, de Johann Strauss fils, fut présentée, en 1852, soit dix ans après la première publique de la Beliebte Annen-Polka, op. 137, composée par son père. Le fait que tous deux aient écrit une polka portant le même nom n’est pas un hasard. En effet, l’Annenfest (la fête de sainte Anne) était alors la fête d’été la plus populaire de Vienne. Chaque compositeur viennois, célèbre ou inconnu, a composé une œuvre pour cette occasion. Johann Strauss fils avait 26 ans quand il écrivit cette polka. Il n’était pas en très bons termes avec son père ; une rivalité notoire bouillonnait entre eux. Cependant, la création de sa nouvelle œuvre connutun vif succès. Elle fut bissée plusieurs reprises et louée pour ses motifs très dansants. Dès lors, elle triompha sur les scènes du monde entier.

Concert Band/Harmonie - Grade 2.5

SKU: BT.DHP-1104961-010

Opus 117. Arranged by Wil van der Beek. Great Classics. Polka. Set (Score & Parts). Composed 2010. De Haske Publications #DHP 1104961-010. Published by De Haske Publications (BT.DHP-1104961-010).

9x12 inches.

Die Annen-Polka schrieb Johann Strauss (Sohn) zu Ehren der Kaiserin Anna Maria von Österreich. Uraufgeführt wurde das heute noch beliebte Stück im Juli 1852 im Wiener Vergnügungspark Prater. Die Annen-Polka ist eines der frühesten Werke von Johann Strauss (Sohn) und das Manuskript soll gar das älteste überlieferte des Komponisten sein.

L’Annen -Polka, op. 117, de Johann Strauss fils, fut présentée, en 1852, soit dix ans après la première publique de la Beliebte Annen-Polka, op. 137, composée par son père. Le fait que tous deux aient écrit une polka portant le même nom n’est pas un hasard. En effet, l’Annenfest (la fête de sainte Anne) était alors la fête d’été la plus populaire de Vienne. Chaque compositeur viennois, célèbre ou inconnu, a composé une œuvre pour cette occasion. Johann Strauss fils avait 26 ans quand il écrivit cette polka. Il n’était pas en très bons termes avec son père ; une rivalité notoire bouillonnait entre eux. Cependant, la création de sa nouvelle œuvre connutun vif succès. Elle fut bissée plusieurs reprises et louée pour ses motifs très dansants. Dès lors, elle triompha sur les scènes du monde entier.

(Serie II - France 1800-1860). Edited by Arlette Biget, Michel Giboureau. For Flute. This edition: Facsimile. Methodes and Traites. Score. 2264 pages. Published by Anne Fuzeau Productions - France

(5 Intermediate Piano Duets That Celebrate Latin American Styles). Composed by Wynn-Anne Rossi. For Piano. Book; Duet or Duo; Piano Duet (1 Piano, 4 Hands). Música Latina. Latin; Recital. Intermediate. 32 pages. Published by Alfred Music

The Greatest Love Of All Composed by Michael Masser, Linda Creed Homecoming Composed by Hagood Hardy Weve Got Tonight Composed by Bob Seger Song From M*a*s*h (Suicide Is Painless) Composed by Johnny Mandel, Mike Altman Misty Composed by Erroll Garner, Johnny Burke Other Side Of Midnight Composed by Michel Legrand The Rose Composed by Amanda Mc Broom Tears In Heaven Composed by Eric Clapton, Will Jennings Theme From New York, New York Composed by Fred Ebb, John Kander Heart Composed by Richard Adler, Jerry Ross Hey There Composed by Richard Adler, Jerry Ross Colors Of My Life Composed by Cy Coleman, Michael Stewart Over The Rainbow Composed by Harold Arlen, E.y. Harburg Separate Lives Love Theme From "white Nights" Theme From Ice Castles Composed by Marvin Hamlisch, Carole Bayer Sager Tonight I Celebrate My Love Composed by Michael Masser, Gerry Goffin In This Life Composed by Mike Reid, Allen Shamblin Up Where We Belong Composed by W Jennings, B Sainte, Marie, J Nitzsche From A Distance Composed by Julie Gold I Will Always Love You Composed by Dolly Parton Oh! What It Seemed To Be Composed by Bennie Benjamin, George David Weiss, Frankie I Believe I Can Fly Composed by R. Kelly Valentine Composed by Jim Brickman, Jack Kugell How Do I Live Composed by Diane Warren Colors Of The Wind Composed by Stephen Schwartz, Alan Menken A Dream Is A Wish Your Heart Makes Composed by Mack David, Al Hoffman, Jerry Livingston see less... Tell Him Composed by Linda Thompson, David Foster Con Te Patiro / Time To Say Goodbye Composed by Lucio Quarantotto, Francesco Sartori Karen's Theme Composed by Richard Carpenter The Prayer Composed by Carole Bayer Sager, David "babyface" Foster My One True Friend Composed by Carole Bayer Sager, Carole King Love Solo Composed by Dan Coates I Don't Want To Miss A Thing Composed by Diane Warren As Time Goes By Composed by Herman Hupfeld La Vie En Rose Composed by Louiguy, Piaf (French), David (Eng.) What's New? Composed by Bob Haggart, Johnny Burke Summer Me, Winter Me Composed by Michel Legrand, Alan, Marilyn Bergman Evergreen Composed by Barbra Streisand, Paul Williams Arthur's Theme (Best That You Can Do) Composed by Burt Bacharach, Carole Bayer Sager Can You Read My Mind Composed by John Williams, Leslie Bricusse Love And Marriage Composed by Jimmy Van Heusen, Sammy Cahn Desperado Composed by Don Henley, Glenn Frey The Wind Beneath My Wings Composed by Jeff Silbar, Larry Henley How Do You Keep The Music Playing? Composed by Michel Legrand, Alan Bergman Anywhere The Heart Goes Composed by Henry Mancini, Will Jennings Once Before I Go Composed by Dean Pitchford, Peter Allen Star Wars - Main Theme Composed by John Williams Open Arms Composed by Steve Perry, Jonathan Cain Canon In D Composed by Johann Pachelbel That's What Friends Are For Composed by Burt Bacharach, Carole Bayer Sager Friends Or Lovers Both To Each Composed by Paul Gordon, Jay Gruska Forever Composed by Kenny Loggins, Eva Loggins, David Foster Saving All My Love For You Composed by Gerry Goffin, Michael Masser Miss Celie's Blues Composed by Quincy Jones, Rod Temperton, And Anne's Theme Composed by Hagood Hardy One Moment In Time Composed by Albert Hammond, John Bettis Kei's Song Composed by David Benoit I Say A Little Prayer Composed by Burt Bacharach, Hal David Happy Birthday To You Composed by Mildred J. Hill, Patty S. Hill May You Always Composed by Larry Marks, Dick Charles If My Friends Could See Me Now Composed by Cy Coleman, Dorothy Fields You Can Always Count On Me Composed by Cy Coleman, David Zippel Ashokan Farewell Composed by Jay Ungar Everything I Do I Do It For You Composed by Bryan Adams, Robert Lange, Michael Kamen Send In The Clowns Composed by Stephen Sondheim She Loves Me Composed by Sheldon Harnick, Jerry Bock How Could I Ever Know? Composed by Marsha Norman, Lucy Simon My Unknown Someone Composed by Cy Coleman, Adolph Green, Betty Comden Favorite Son Composed by Cy Coleman, Adolph Green, Betty Comden I Swear Composed by Gary Baker, Frank Myers I Can Love You Like That Composed by S Diamond, M Derry, J Kimball Beauty And The Beast Composed by Howard Ashman, Alan Menken Angel Eyes Composed by Jim Brickman If You Believe Composed by Jim Brickman Because You Loved Me Composed by Diane Warren Un-break My Heart Composed by Diane Warren Ragtime Composed by Stephen Flaherty, Lynn Ahrens Complete Advanced Piano Solos (Music for All Occasions). Arranged by Dan Coates. For solo piano. Piano - Intermediate / Advanced Collection; Piano Supplemental. The Professional Touch Series. Contemporary Instrumental and Pop. SMP Level 9 (Advanced). Collection. Standard notation (does not include words to the songs). 304 pages. Published by Alfred Music Publishing

(6 Early Intermediate Piano Duets That Celebrate Latin American Styles). Composed by Wynn-Anne Rossi. For Piano. Book; Duet or Duo; Piano Duet (1 Piano, 4 Hands). Música Latina. Latin; Recital. Early Intermediate. 28 pages. Published by Alfred Music

(5 Late Intermediate Piano Duets That Celebrate Latin American Styles). Composed by Wynn-Anne Rossi. For Piano. Book; Duet or Duo; Piano Duet (1 Piano, 4 Hands). Música Latina. Latin; Recital. Late Intermediate. 32 pages. Published by Alfred Music

(6 Late Elementary Piano Duets That Celebrate Latin American Styles). Composed by Wynn-Anne Rossi. For Piano. Book; Duet or Duo; Piano Duet (1 Piano, 4 Hands). M�ºsica Latina. Latin; Recital. Late Elementary. 28 pages. Published by Alfred Music

Composed by Various. Edited by Frederick M. Noad. Music Sales America. Classical, Renaissance. Softcover Audio Online. 120 pages. Music Sales #AM968066. Published by Music Sales