Composed by Franz Schubert (1797-1828), arranged by Kirby Shaw. Octavo for SATB ...(+)
Composed by Franz
Schubert (1797-1828),
arranged by Kirby Shaw.
Octavo for SATB choir and
piano accompaniment
(optional flute/violin
part). Choral. Ab Major.
12 pages. Published by
Hal Leonard.
Guitare notes et tablatures Guitare classique [Feuillet] Alfred Publishing
Composed by Charles Francois Gounod (1818-1893), Johann Sebastian Bach (1685-175...(+)
Composed by Charles
Francois Gounod
(1818-1893), Johann
Sebastian Bach
(1685-1750), arranged by
Alexander Gluklikh.
Guitar tablature single
for solo guitar. C Major.
7 pages. Published by
Alfred Publishing.
For Violin and Piano Piano Accompaniment; Violin (Violin/Piano) SKU: HL.97847...(+)
For Violin and Piano
Piano Accompaniment;
Violin (Violin/Piano)
SKU: HL.978474
Arranged by Endre Granat.
LKM Music. Classical,
General Worship, Sacred.
Softcover. Lauren Keiser
Music Publishing
#S511046. Published by
Lauren Keiser Music
Publishing (HL.978474).
ISBN 9781638871361.
UPC: 196288090922.
9.0x12.0x0.102
inches.
This one of
a kind album pairs two of
the most performed Ave
Maria's for violin and
piano, meticulously
edited by Jascha Heifetz'
protege, Endre Granat.
The first of these is
Schubert's melody, which
was originally composed
as a setting of a song
from Walter Scott's
popular narrative poem
The Lady of the Lake,
titled, “Ellen's Third
Song” (Ellens dritter
Gesang). The opening
words and refrain of
Ellen's song, namely
“Ave Maria” (Latin
for “Hail Mary”), may
have led to the idea of
adapting Schubert's
melody as a setting for
the full text of the
traditional Roman
Catholic prayer. The
Latin version of the song
is now so frequently used
with Schubert's melody
that it has led to the
misconception that he
originally wrote the
melody as a setting for
the “Ave Maria.” The
second Ave Maria in this
collection was created
when Gounod famously
improvised the melody
over the background of
J.S. Bach's Prelude No. 1
in C major, BWV 846, from
The Well-Tempered
Clavier. Gounod's
beatiful improvisation
was transcribed by his
future father-in-law
Pierre-Joseph-Guillaume
Zimmermann, which was
published with the Bach
keyboard accompaniment in
1835 under the title
“Méditation sur le
Premier Prélude de Piano
de S. Bach.” Alongside
Schubert's version, the
Bach/Gounod Ave Maria has
become a fixture at
funerals, wedding masses,
and quinceañeras. Both
works have been recorded
hundreds of times during
the twentieth
century.
error-free, reliable
musical texts based on
meticulous musicological
research - fingerings and
bowings by famous artists
and pedagogues
preface in 3
languages with
information on the
genesis and history of
the workÂ
Critical Commentary
in 1 â 3 languages
with a description and
evaluation of the sources
and explaining all source
discrepancies and
editorial
decisionsÂ
most beautiful music
engravingÂ
page-turns, fold-out
pages, and cues where you
need themÂ
excellent print
quality and
bindingÂ
largest Urtext
catalogue
world-wideÂ
longest Urtext
experience (founded 1948
exclusively for Urtext
editions)
Gounod had
no qualms about arranging
well-known works by
earlier masters after his
own fashion. Thus in 1852
he added a melody with
its own operatic climax
to the famous arpeggios
of the C-major Prelude
BWV 846 from Bach's
Well-Tempered Clavier. He
first published
instrumental versions of
it under the title
�M�ditationï¿
½, then tried fitting
various texts to the
melody until in 1859 he
arrived at the definitive
vocal version using the
text of the Ave Maria.
Already by the 1890s it
was claimed that
�[we] have heard
this sweet melody
innumerable times from
the best lady
singers�, and its
popularity has continued
to the present day.
Reason enough, then, for
Henle Verlag to publish
an Urtext edition of this
worldwide hit, based on
the sources and with
appropriate critical
commentary. In 1859, at
the same time as the
original edition for high
voice, editions for
middle and low voice,
presumably commissioned
by the publishers, were
also issued. Following
this model, the Henle
Urtext edition of
�Ave Maria� is
also offered in two
transpositions for the
lower register.
About Henle
Urtext
What I can expect from
Henle Urtext
editions:
error-free, reliable
musical texts based on
meticulous musicological
research - fingerings and
bowings by famous artists
and pedagogues
preface in 3
languages with
information on the
genesis and history of
the workÂ
Critical Commentary
in 1 – 3 languages
with a description and
evaluation of the sources
and explaining all source
discrepancies and
editorial
decisionsÂ
most beautiful music
engravingÂ
page-turns, fold-out
pages, and cues where you
need themÂ
excellent print
quality and
bindingÂ
largest Urtext
catalogue
world-wideÂ
longest Urtext
experience (founded 1948
exclusively for Urtext
editions)
Composed by Michael
Haydn. Edited by Charles
H. Sherman. Ave Maria In
F (Offertorium) Mh 72.
Sacred vocal music,
Feasts of the Blessed
Virgin Mary, Hymns in
praise of the Virgin
Mary. Set of Orchestra
Parts. Composed 1765. MH
72. Duration 5 minutes.
Carus Verlag #CV
50.345/19. Published by
Carus Verlag
(CA.5034519).
ISBN
9790007145491. Key: F
major. Language:
Latin.
The present
offertory Ave Maria is
one of Haydn's earliest
Salzburg sacred
compositions. Dating, in
all probability, from the
year 1765, it displays
the modest means and
genial lyricism that is
typical of his music from
the time. Score and parts
available separately -
see item CA.5034500.
Composed by Michael
Haydn. Edited by Charles
H. Sherman. Ave Maria In
F (Offertorium) Mh 72.
Sacred vocal music,
Feasts of the Blessed
Virgin Mary, Hymns in
praise of the Virgin
Mary. Single Part, Violin
1. Composed 1765. MH 72.
2 pages. Duration 5
minutes. Carus Verlag #CV
50.345/11. Published by
Carus Verlag
(CA.5034511).
ISBN
9790007081393. Key: F
major. Language:
Latin.
The present
offertory Ave Maria is
one of Haydn's earliest
Salzburg sacred
compositions. Dating, in
all probability, from the
year 1765, it displays
the modest means and
genial lyricism that is
typical of his music from
the time. Score and part
available separately -
see item CA.5034500.
Composed
by Johannes Brahms.
German title: Ave Maria
op.12. Sacred vocal
music, Feasts of the
Blessed Virgin Mary,
Hymns in praise of the
Virgin Mary. Single Part,
Double Bass. Composed
1858. Op. 12. 2 pages.
Duration 5 minutes. Carus
Verlag #CV 40.180/15.
Published by Carus Verlag
(CA.4018015).
ISBN
9790007064099. Key: F
major. Language:
Latin/English.
Brah
ms's Ave Maria was
composed in 1858. The
widely-held opinions in
the literature on Brahms
- that the work has
justifiably been
forgotten, the
part-writing is
monotonous and the style
and diction is ponderous
- don't do justice to a
truly charming piece,
based on folksong-like
models. Score and part
available separately -
see item CA.4018000.
Composed
by Johannes Brahms.
German title: Ave Maria
op.12. Sacred vocal
music, Feasts of the
Blessed Virgin Mary,
Hymns in praise of the
Virgin Mary. Single Part,
Violin 2. Composed 1858.
Op. 12. 2 pages. Duration
5 minutes. Carus Verlag
#CV 40.180/12. Published
by Carus Verlag
(CA.4018012).
ISBN
9790007064068. Key: F
major. Language:
Latin/English.
Brah
ms's Ave Maria was
composed in 1858. The
widely-held opinions in
the literature on Brahms
- that the work has
justifiably been
forgotten, the
part-writing is
monotonous and the style
and diction is ponderous
- don't do justice to a
truly charming piece,
based on folksong-like
models. Score and part
available separately -
see item CA.4018000.
Composed by Michael
Haydn. Edited by Charles
H. Sherman. Ave Maria In
F (Offertorium) Mh 72.
Sacred vocal music,
Feasts of the Blessed
Virgin Mary, Hymns in
praise of the Virgin
Mary. Single Part,
Cello/Double Bass.
Composed 1765. MH 72. 2
pages. Duration 5
minutes. Carus Verlag #CV
50.345/13. Published by
Carus Verlag
(CA.5034513).
ISBN
9790007081416. Key: F
major. Language:
Latin.
The present
offertory Ave Maria is
one of Haydn's earliest
Salzburg sacred
compositions. Dating, in
all probability, from the
year 1765, it displays
the modest means and
genial lyricism that is
typical of his music from
the time. Score and part
available separately -
see item CA.5034500.
Composed by Michael
Haydn. Edited by Charles
H. Sherman. Ave Maria In
F (Offertorium) Mh 72.
Sacred vocal music,
Feasts of the Blessed
Virgin Mary, Hymns in
praise of the Virgin
Mary. Single Part, Violin
2. Composed 1765. MH 72.
2 pages. Duration 5
minutes. Carus Verlag #CV
50.345/12. Published by
Carus Verlag
(CA.5034512).
ISBN
9790007081409. Key: F
major. Language:
Latin.
The present
offertory Ave Maria is
one of Haydn's earliest
Salzburg sacred
compositions. Dating, in
all probability, from the
year 1765, it displays
the modest means and
genial lyricism that is
typical of his music from
the time. Score and part
available separately -
see item CA.5034500.
Composed by Michael
Haydn. Edited by Charles
H. Sherman. Ave Maria In
F (Offertorium) Mh 72.
Sacred vocal music,
Feasts of the Blessed
Virgin Mary, Hymns in
praise of the Virgin
Mary. Vocal score.
Composed 1765. MH 72. 8
pages. Duration 5
minutes. Carus Verlag #CV
50.345/03. Published by
Carus Verlag
(CA.5034503).
ISBN
9790007081379. Key: F
major. Language:
Latin.
The present
offertory Ave Maria is
one of Haydn's earliest
Salzburg sacred
compositions. Dating, in
all probability, from the
year 1765, it displays
the modest means and
genial lyricism that is
typical of his music from
the time. Score available
separately - see item
CA.5034500.
Composed
by Johannes Brahms.
German title: Ave Maria.
Sacred vocal music,
Feasts of the Blessed
Virgin Mary, Hymns in
praise of the Virgin
Mary. Set of Orchestra
Parts. Composed 1858. Op.
12. Duration 5 minutes.
Carus Verlag #CV
40.180/19. Published by
Carus Verlag
(CA.4018019).
ISBN
9790007137816. Key: F
major. Language:
Latin/English.
Brah
ms's Ave Maria was
composed in 1858. The
widely-held opinions in
the literature on Brahms
- that the work has
justifiably been
forgotten, the
part-writing is
monotonous and the style
and diction is ponderous
- don't do justice to a
truly charming piece,
based on folksong-like
models. Score and parts
available separately -
see item CA.4018000.
Composed
by Johannes Brahms.
German title: Ave Maria.
Sacred vocal music,
Feasts of the Blessed
Virgin Mary, Hymns in
praise of the Virgin
Mary. Vocal score.
Composed 1858. Op. 12.
Duration 5 minutes. Carus
Verlag #CV 40.180/03.
Published by Carus Verlag
(CA.4018003).
ISBN
9790007064037. Key: F
major. Language:
Latin/English.
Brah
ms's Ave Maria was
composed in 1858. The
widely-held opinions in
the literature on Brahms
- that the work has
justifiably been
forgotten, the
part-writing is
monotonous and the style
and diction is ponderous
- don't do justice to a
truly charming piece,
based on folksong-like
models. Score available
separately - see item
CA.4018000.
Composed
by Johannes Brahms.
German title: Ave Maria
op.12. Sacred vocal
music, Feasts of the
Blessed Virgin Mary,
Hymns in praise of the
Virgin Mary. Single Part,
Violin 1. Composed 1858.
Op. 12. 2 pages. Duration
5 minutes. Carus Verlag
#CV 40.180/11. Published
by Carus Verlag
(CA.4018011).
ISBN
9790007064051. Key: F
major. Language:
Latin/English.
Brah
ms's Ave Maria was
composed in 1858. The
widely-held opinions in
the literature on Brahms
- that the work has
justifiably been
forgotten, the
part-writing is
monotonous and the style
and diction is ponderous
- don't do justice to a
truly charming piece,
based on folksong-like
models. Score and part
available separately -
see item CA.4018000.
Composed by Michael
Haydn. Edited by Charles
H. Sherman. Ave Maria In
F (Offertorium) Mh 72.
Sacred vocal music,
Feasts of the Blessed
Virgin Mary, Hymns in
praise of the Virgin
Mary. Choral Score.
Composed 1765. MH 72. 4
pages. Duration 5
minutes. Carus Verlag #CV
50.345/05. Published by
Carus Verlag
(CA.5034505).
ISBN
9790007081386. Key: F
major. Language:
Latin.
The present
offertory Ave Maria is
one of Haydn's earliest
Salzburg sacred
compositions. Dating, in
all probability, from the
year 1765, it displays
the modest means and
genial lyricism that is
typical of his music from
the time. Score available
separately - see item
CA.5034500.
Composed by Michael
Haydn. Edited by Elmar
Schloter. Ave Maria
5046401. Sacred vocal
music, Feasts of the
Blessed Virgin Mary,
Hymns in praise of the
Virgin Mary. Single Part,
Cello/Double Bass.
Composed 1784. MH 388. 4
pages. Duration 3
minutes. Carus Verlag #CV
91.013/13. Published by
Carus Verlag
(CA.9101313).
ISBN
9790007230142. Key: E
major. Language:
Latin.
E-Dur (E
major). Score and part
available separately -
see item CA.9101300.
Composed by Michael
Haydn. Edited by Elmar
Schloter. Ave Maria
5046401. Sacred vocal
music, Feasts of the
Blessed Virgin Mary,
Hymns in praise of the
Virgin Mary. Single Part,
Violin 2. Composed 1784.
MH 388. 4 pages. Duration
3 minutes. Carus Verlag
#CV 91.013/12. Published
by Carus Verlag
(CA.9101312).
ISBN
9790007230135. Key: E
major. Language:
Latin.
E-Dur (E
major). Score and part
available separately -
see item CA.9101300.
Composed by Michael
Haydn. Edited by Charles
H. Sherman. Ave Maria In
E Mh 388. Sacred vocal
music, Feasts of the
Blessed Virgin Mary,
Hymns in praise of the
Virgin Mary. Set of
Orchestra Parts. Composed
1784. MH 388. Duration 3
minutes. Carus Verlag #CV
50.343/19. Published by
Carus Verlag
(CA.5034319).
ISBN
9790007145484. Key: E
major. Language:
Latin.
Score and
parts available
separately - see item
CA.5034300.