Mixed Trios. By Various. Arranged by Daniel Kelley. For Cello or Bassoon. Trios....(+)
Mixed Trios. By Various.
Arranged by Daniel
Kelley. For Cello or
Bassoon. Trios. Music for
Three. Classical /
Baroque. Level:
Intermediate/Advanced.
Part 3. Published by Last
Resort Music Publishing.
Bassoon (bassoon/piano) SKU: HL.48181173 For Bassoon and Piano. Co...(+)
Bassoon (bassoon/piano)
SKU: HL.48181173
For Bassoon and
Piano. Composed by
Eugè and ne Bozza.
Leduc. Classical.
Softcover. 8 pages.
Alphonse Leduc #AL20421.
Published by Alphonse
Leduc (HL.48181173).
UPC: 888680861698.
9.0x12.0x0.058
inches.
To this
day, Eugene Bozza
(1905-1991) remains one
of the most prolific
composers for wind
instruments, despite
being a violinist
himself. His Fantasy for
bassoon and piano is no
exception to the
composer's success.
During his studies at the
Paris Conservatoire,
Bozza won prizes for
violin, conducting and
composition, as well as
the Grand Prix de Rome.
He then conducted the
orchestra of the
Opera-Comique and became
Head of the Conservatoire
in Valenciennes, whilst
remaining a prominent
composer. Composed in
1945, Bozza's Fantasy for
bassoon and piano is a
virtuosic work,
addressing advanced
features including
complex rhythms,
chromaticism, a wide
range and articulation.
As music educationalist,
Paul Griffiths has
written of Bozza's
compositions, his works
reveal melodic fluency,
elegance of structure and
a consistently sensitive
concern of instrumental
capabilities..
Clarinet SKU: HL.48183370 Composed by Eugene Bozza. Leduc. Classical. Sof...(+)
Clarinet
SKU:
HL.48183370
Composed
by Eugene Bozza. Leduc.
Classical. Softcover. 16
pages. Alphonse Leduc
#AL25443. Published by
Alphonse Leduc
(HL.48183370).
UPC:
888680946364.
9.0x12.0x0.091
inches.
To this
day, Eugene Bozza
(1905-1991) remains one
of the most prolific
composers for wind
instruments, despite
being a violinist
himself. His Contrasts
III for Clarinet and
Bassoon is no exception
to the composer's
success. During his
studies at the Paris
Conservatoire, Bozza won
prizes for Violin,
conducting and
composition, as well as
the Grand Prix de Rome.
He then conducted the
orchestra of the
Opera-Comique and became
Head of the Conservatoire
in Valenciennes, whilst
remaining a prominent
composer. Composed in
1955, Bozza's Brief Piece
is to be played on the
Alto Saxophone and is a
virtuosic work,
addressing advanced
features including,
complex rhythms,
chromaticism, a wide
range and articulation.
As music educationalist,
Paul Griffiths has
written of Bozza's
compositions, his works
reveal melodic fluency,
elegance of structure and
a consistently sensitive
concern of instrumental
capabilities..
Bassoon; Clarinet; Oboe SKU: HL.48181188 For Oboe, Clarinet and Bassoo...(+)
Bassoon; Clarinet; Oboe
SKU: HL.48181188
For Oboe, Clarinet and
Bassoon. Composed by
Eugene Bozza. Leduc.
Classical. Alphonse Leduc
#AL20462. Published by
Alphonse Leduc
(HL.48181188).
UPC:
888680907389.
9.0x12.0x0.179
inches.
Composed by
Eugène Bozza in 1947,
Short Suite in Trio Form,
Op. 67 is a piece for
oboe, clarinet and
bassoon. This edition
features the parts for
the three instruments and
a full score. This
four-movement work is
quite difficult and would
be perfect for advanced
players. A great piece
for recitals, it is also
really interesting to
play for each of the
three instruments. The
four movements are
Allegro moderato, which
starts with the oboe,
Allegro vivo, Adagio
espressivo and Allegro
vivo, and the piece lasts
approximatively 10
minutes. Eugène Bozza
won different prizes at
the Conservatoire de
Paris such as the First
Prizes for the Violin,
conducting and
composition, as well as
the Grand Prix de Rome.
He composed several
operas, chamber works and
ballets among others.
Composed by
Victor Herbert. Symphonic
Band (SPS). Set of Score
and Parts. With Standard
notation.
3+12+12+6+6+3+12+24+24+6+
6+8+8+6+6+9+18+18+27+8+8+
8+8+9+9+9+9+12+3+6+6+40+6
pages. Duration 7:37.
Carl Fischer Music
#SPS78. Published by Carl
Fischer Music (CF.SPS78).
ISBN 9781491152553.
UPC: 680160910052. Key:
Bb major.
Festival
March is presented in a
new edition arranged by
Richard Summers. It is a
tour de force composition
for advanced bands and
hearkens back to a bygone
era during the golden age
of the band movement.
Directors and students
will hear operatic music
from composer Victor
Herbert who is best known
for his Christmas
classic, Toyland. This
is a richly scored
masterpiece that deserves
to return to standard
status in concert band
repertoire. We are proud
to bring you this new
setting of this cherished
classic. Festival
March by Victor Herbert
was written for the
Pittsburgh Symphony and
first performed under
Herbert’s
direction in Chicago on
Dec. 9, 1901 celebrating
the 12th anniversary
of Chicago’s
Auditorium Theatre. Also
known as the Auditorium
Festival March, he
included it many times
for programs of a
festival nature. The main
theme Auld Lang Syne, a
famous Scottish folk
song, is incorporated
many times along with
brass fanfares,
interludes and march
melodies. This band
arrangement is very
similar to the original
orchestral composition.
The missing string parts,
the addition of the
saxophone section and
other band instruments,
editing of the
superimposed triplets
against
sixteenth notes, to
one or the other, and
articulations suitable
for the band, were major
challenges. The style of
early twentieth-century
American music is
captured here. This
arrangement will give
band musicians access to
a fine piece of music
that could only be
appreciated by orchestra
musicians up to now.
Although suitable for
many occasions, this
piece is a great way to
begin or end a December
holiday concert.
 Notes to the
ConductorVictor
Herbert’s music
can be interpreted in a
romantic style, which is
the conductor’s
responsibility to read in
nuance and musicality.
The beginning and other
triple-tonguing sections
of this piece have a
March of the Toys quality
to it. Â The interludes
and Auld Lang Syne
sections are legato and
musical. The March
sections can also be
shaped musically.About
the ComposerVictor
Herbert was born in
Ireland in 1861 and
raised in Germany. When
he moved to America in
1886, he joined the
Metropolitan Opera as
principal cellist and
eventually composed many
works including
forty-three operettas
on Broadway from the
1890s to World War I,
including Naughty
Marietta and Babes in
Toyland. Victor Herbert
conducted the Pittsburgh
Symphony from 1898 to
1904 and then was the
conductor of his own
Victor Herbert Orchestra.
He formed ASCAP with a
group of composers in
1914 and was the director
until his death in 1924.
Among his thirty-one
compositions for
orchestra, Festival March
was a favorite of his and
was eventually published
by Carl Fischer Music.
 .
Composed by
Victor Herbert. Symphonic
Band (SPS). Full score.
With Standard notation.
40 pages. Carl Fischer
Music #SPS78F. Published
by Carl Fischer Music
(CF.SPS78F).
ISBN
9781491153239. UPC:
680160910731.
Festi
val March is presented in
a new edition arranged by
Richard Summers. It is a
tour de force composition
for advanced bands and
hearkens back to a bygone
era during the golden age
of the band movement.
Directors and students
will hear operatic music
from composer Victor
Herbert who is best known
for his Christmas
classic, Toyland. This
is a richly scored
masterpiece that deserves
to return to standard
status in concert band
repertoire. We are proud
to bring you this new
setting of this cherished
classic. About the
CompositionFestival March
by Victor Herbert was
written for the
Pittsburgh Symphony and
first performed under
Herbert’s
direction in Chicago on
Dec. 9, 1901 celebrating
the 12th anniversary
of Chicago’s
Auditorium Theatre. Also
known as the Auditorium
Festival March, he
included it many times
for programs of a
festival nature. The main
theme Auld Lang Syne, a
famous Scottish folk
song, is incorporated
many times along with
brass fanfares,
interludes and march
melodies. This band
arrangement is very
similar to the original
orchestral composition.
The missing string parts,
the addition of the
saxophone section and
other band instruments,
editing of the
superimposed triplets
against
sixteenth notes, to
one or the other, and
articulations suitable
for the band, were major
challenges. The style of
early twentieth-century
American music is
captured here. This
arrangement will give
band musicians access to
a fine piece of music
that could only be
appreciated by orchestra
musicians up to now.
Although suitable for
many occasions, this
piece is a great way to
begin or end a December
holiday concert.
 Notes to the
ConductorVictor
Herbert’s music
can be interpreted in a
romantic style, which is
the conductor’s
responsibility to read in
nuance and musicality.
The beginning and other
triple-tonguing sections
of this piece have a
March of the Toys quality
to it. Â The interludes
and Auld Lang Syne
sections are legato and
musical. The March
sections can also be
shaped musically.About
the ComposerVictor
Herbert was born in
Ireland in 1861 and
raised in Germany. When
he moved to America in
1886, he joined the
Metropolitan Opera as
principal cellist and
eventually composed many
works including
forty-three operettas
on Broadway from the
1890s to World War I,
including Naughty
Marietta and Babes in
Toyland. Victor Herbert
conducted the Pittsburgh
Symphony from 1898 to
1904 and then was the
conductor of his own
Victor Herbert Orchestra.
He formed ASCAP with a
group of composers in
1914 and was the director
until his death in 1924.
Among his thirty-one
compositions for
orchestra, Festival March
was a favorite of his and
was eventually published
by Carl Fischer Music.
 .
Composed by
Gregory Rudgers. Carl
Fischer Symphonic
Performance Series. Full
score. With Standard
notation. 16 pages. Carl
Fischer Music #SPS38F.
Published by Carl Fischer
Music (CF.SPS38F).
ISBN 9780825870736.
UPC:
798408070731.
A
passionate new lyrical
piece based on themes
from Verdi's opera La
Forza del Destino.
Composer Gregory Rudgers
morphs these themes and
makes them his own in a
welcome addition to the
band repertoire for more
advanced groups. It will
stretch the musiciality
of all groups that wisely
choose to program this
substantial work.