Cantata for
Reformation Day.
Composed by Johann
Sebastian Bach. Edited by
Klaus Hofmann. Arranged
by Paul Horn. This
edition: urtext.
Stuttgart Urtext Edition:
Bach vocal; Hymns by
Martin Luther: Ein feste
Burg ist unser Gott.
German title: Ein feste
Burg. Innovative practice
aids, Sacred vocal music,
Cantatas, Reformation
day. Single Part, Viola.
BWV 80. 12 pages.
Duration 30 minutes.
Carus Verlag #CV
31.080/13. Published by
Carus Verlag
(CA.3108013).
ISBN
9790007045371. Key: D
major. Language:
German/English. Text:
Luther, Martin. Text:
Martin Luther, Salomo
Franck.
Bach's
Reformation cantata,
based on what is probably
Martin Luther's most
famous hymn, evolved over
a period of several
years. At the beginning
was a Weimar cantata for
Oculi Sunday 1716, now
missing, which was based
on the hymn with an
instrumental quotation in
the opening aria and with
the final chorale. In the
Leipzig years around
1730, Bach wrote a
cantata for Reformation
Day using this material.
It began with the first
verses of Luther's hymn
in a simple four-part
setting and also included
the other verses. Later
on, in the 1730s or
1740s, Bach replaced the
introductory chorale
movement with a chorale
setting which was unique,
spacious and motet-like
in its style; this -
uniquely in this respect
- incorporated the choral
writing in an
instrumental canon for
oboes and organ continuo.
The powerful opening
chorus is followed by
recitatives and arias
which reflect the full
breadth of Bach's art of
word painting and
emotion. One of Bach's
most magnificent
cantatas, one of the
greatest works in the
history of music. In
addition to the complete
performance material the
arrangements of movements
1 and 5 (with 3 trumpets,
timpani as playing score)
by Wilhelm Friedemann
Bach are available (Carus
3108089). Score and part
available separately -
see item CA.3108000.
Cantata for
Reformation Day.
Composed by Johann
Sebastian Bach. Edited by
Klaus Hofmann. This
edition: urtext.
Stuttgart Urtext Edition:
Bach vocal; Hymns by
Martin Luther: Ein feste
Burg ist unser Gott.
Harmony parts. Innovative
practice aids, Sacred
vocal music, Cantatas,
Reformation day. Set of
Orchestra Parts. BWV 80.
12 pages. Duration 30
minutes. Carus Verlag #CV
31.080/89. Published by
Carus Verlag
(CA.3108089).
ISBN
9790007206840. Key: D
major. Text language:
German/English. Text:
Luther,
Martin.
Bach's
Reformation cantata,
based on what is probably
Martin Luther's most
famous hymn, evolved over
a period of several
years. At the beginning
was a Weimar cantata for
Oculi Sunday 1716, now
missing, which was based
on the hymn with an
instrumental quotation in
the opening aria and with
the final chorale. In the
Leipzig years around
1730, Bach wrote a
cantata for Reformation
Day using this material.
It began with the first
verses of Luther's hymn
in a simple four-part
setting and also included
the other verses. Later
on, in the 1730s or
1740s, Bach replaced the
introductory chorale
movement with a chorale
setting which was unique,
spacious and motet-like
in its style; this -
uniquely in this respect
- incorporated the choral
writing in an
instrumental canon for
oboes and organ continuo.
The powerful opening
chorus is followed by
recitatives and arias
which reflect the full
breadth of Bach's art of
word painting and
emotion. One of Bach's
most magnificent
cantatas, one of the
greatest works in the
history of music. In
addition to the complete
performance material the
arrangements of movements
1 and 5 (with 3 trumpets,
timpani as playing score)
by Wilhelm Friedemann
Bach are available (Carus
3108089). Score and parts
available separately -
see item CA.3108000.
2nd Sunday after
Trinity. Composed by
Johann Sebastian Bach.
Edited by Reinhold Kubik.
Arranged by Reinhold
Kubik. Hymns by Martin
Luther: Ach Gott, vom
Himmel sieh darein.
German title: Ach Gott,
vom Himmel. Sacred vocal
music, Cantatas. Single
Part, Violin 2. Composed
1724. BWV 2. 8 pages.
Duration 20 minutes.
Carus Verlag #CV
31.002/12. Published by
Carus Verlag
(CA.3100212).
ISBN
9790007041359. Key: D
minor. Language:
German/English. Text:
Luther, Martin. Text:
Martin Luther.
Bach
composed the cantata O
God, from heaven look on
us BWV 2 for the 2nd
Trinity Sunday 1724 as
the second cantata of the
annual cycle of chorale
cantatas. It is based on
Martin Luther's rewriting
of Psalm 112. The opening
movement is one of a
group of cantata opening
movements which are not
concertante but kept
entirely in the motet
style, with the
instruments serving only
to reinforce the singers.
The archaic character of
this movement is
heightened by the
addition of a trombone
quartet. The concertante
style is all the more
significant in the first
aria for contralto, solo
violin and continuo. The
first secco recitative
represents a special
feature: two fragments of
the chorale are woven as
arioso into the
recitative, both in text
and melody; futhermore,
they are also taken up
canonically by the
continuo. Score and part
available separately -
see item CA.3100200.
2nd Sunday after
Trinity. Composed by
Johann Sebastian Bach.
Edited by Reinhold Kubik.
Arranged by Reinhold
Kubik. Hymns by Martin
Luther: Ach Gott, vom
Himmel sieh darein.
German title: Ach Gott,
vom Himmel sieh darein.
Sacred vocal music,
Cantatas. Single Part,
Violin solo + Vio.
Composed 1724. BWV 2. 8
pages. Duration 20
minutes. Carus Verlag #CV
31.002/11. Published by
Carus Verlag
(CA.3100211).
ISBN
9790007041342. Key: D
minor. Language:
German/English. Text:
Luther, Martin. Text:
Martin Luther.
Bach
composed the cantata O
God, from heaven look on
us BWV 2 for the 2nd
Trinity Sunday 1724 as
the second cantata of the
annual cycle of chorale
cantatas. It is based on
Martin Luther's rewriting
of Psalm 112. The opening
movement is one of a
group of cantata opening
movements which are not
concertante but kept
entirely in the motet
style, with the
instruments serving only
to reinforce the singers.
The archaic character of
this movement is
heightened by the
addition of a trombone
quartet. The concertante
style is all the more
significant in the first
aria for contralto, solo
violin and continuo. The
first secco recitative
represents a special
feature: two fragments of
the chorale are woven as
arioso into the
recitative, both in text
and melody; futhermore,
they are also taken up
canonically by the
continuo. Score and part
available separately -
see item CA.3100200.
2nd Sunday after
Trinity. Composed by
Johann Sebastian Bach.
Edited by Reinhold Kubik.
Arranged by Reinhold
Kubik. 2x 31.002/21 2
oboes, 1x 31.002/31
trumpet, 1x 31.002/32
trombone 1, 1x 31.002/33
trombone 2, 1x 31.002/34
trombone 3, 1x 31.002/35
trombone 4. Hymns by
Martin Luther: Ach Gott,
vom Himmel sieh darein.
German title: Ach Gott,
vom Himmel sieh darein 7.
Sacred vocal music,
Cantatas. Set of
Orchestra Parts. Composed
1724. BWV 2. 20 pages.
Duration 20 minutes.
Carus Verlag #CV
31.002/09. Published by
Carus Verlag
(CA.3100209).
ISBN
9790007041335. Key: D
minor. Language:
German/English. Text:
Luther, Martin. Text:
Martin Luther.
Bach
composed the cantata O
God, from heaven look on
us BWV 2 for the 2nd
Trinity Sunday 1724 as
the second cantata of the
annual cycle of chorale
cantatas. It is based on
Martin Luther's rewriting
of Psalm 112. The opening
movement is one of a
group of cantata opening
movements which are not
concertante but kept
entirely in the motet
style, with the
instruments serving only
to reinforce the singers.
The archaic character of
this movement is
heightened by the
addition of a trombone
quartet. The concertante
style is all the more
significant in the first
aria for contralto, solo
violin and continuo. The
first secco recitative
represents a special
feature: two fragments of
the chorale are woven as
arioso into the
recitative, both in text
and melody; futhermore,
they are also taken up
canonically by the
continuo. Score and parts
available separately -
see item CA.3100200.
2nd Sunday after
Trinity. Composed by
Johann Sebastian Bach.
Edited by Reinhold Kubik.
Arranged by Reinhold
Kubik. Hymns by Martin
Luther: Ach Gott, vom
Himmel sieh darein.
German title: Ach Gott,
vom Himmel. Sacred vocal
music, Cantatas. Single
Part, Viola. Composed
1724. BWV 2. 8 pages.
Duration 20 minutes.
Carus Verlag #CV
31.002/13. Published by
Carus Verlag
(CA.3100213).
ISBN
9790007041366. Key: D
minor. Language:
German/English. Text:
Luther, Martin. Text:
Martin Luther.
Bach
composed the cantata O
God, from heaven look on
us BWV 2 for the 2nd
Trinity Sunday 1724 as
the second cantata of the
annual cycle of chorale
cantatas. It is based on
Martin Luther's rewriting
of Psalm 112. The opening
movement is one of a
group of cantata opening
movements which are not
concertante but kept
entirely in the motet
style, with the
instruments serving only
to reinforce the singers.
The archaic character of
this movement is
heightened by the
addition of a trombone
quartet. The concertante
style is all the more
significant in the first
aria for contralto, solo
violin and continuo. The
first secco recitative
represents a special
feature: two fragments of
the chorale are woven as
arioso into the
recitative, both in text
and melody; futhermore,
they are also taken up
canonically by the
continuo. Score and part
available separately -
see item CA.3100200.
2nd Sunday after
Trinity. Composed by
Johann Sebastian Bach.
Edited by Reinhold Kubik.
Arranged by Reinhold
Kubik. Hymns by Martin
Luther: Ach Gott, vom
Himmel sieh darein.
German title: Ach Gott,
vom Himmel. Sacred vocal
music, Cantatas. Single
Part, Cello/Double Bass.
Composed 1724. BWV 2. 12
pages. Duration 20
minutes. Carus Verlag #CV
31.002/14. Published by
Carus Verlag
(CA.3100214).
ISBN
9790007041373. Key: D
minor. Language:
German/English. Text:
Luther, Martin. Text:
Martin Luther.
Bach
composed the cantata O
God, from heaven look on
us BWV 2 for the 2nd
Trinity Sunday 1724 as
the second cantata of the
annual cycle of chorale
cantatas. It is based on
Martin Luther's rewriting
of Psalm 112. The opening
movement is one of a
group of cantata opening
movements which are not
concertante but kept
entirely in the motet
style, with the
instruments serving only
to reinforce the singers.
The archaic character of
this movement is
heightened by the
addition of a trombone
quartet. The concertante
style is all the more
significant in the first
aria for contralto, solo
violin and continuo. The
first secco recitative
represents a special
feature: two fragments of
the chorale are woven as
arioso into the
recitative, both in text
and melody; futhermore,
they are also taken up
canonically by the
continuo. Score and part
available separately -
see item CA.3100200.
2nd Sunday after
Trinity. Composed by
Johann Sebastian Bach.
Edited by Reinhold Kubik.
Arranged by Reinhold
Kubik. Hymns by Martin
Luther: Ach Gott, vom
Himmel sieh darein.
German title: Ach Gott,
vom Himmel sieh darein.
Sacred vocal music,
Cantatas. Choral Score.
Composed 1724. BWV 2. 12
pages. Duration 20
minutes. Carus Verlag #CV
31.002/05. Published by
Carus Verlag
(CA.3100205).
ISBN
9790007041311. Key: D
minor. Language:
German/English. Text:
Luther, Martin. Text:
Martin Luther.
Bach
composed the cantata O
God, from heaven look on
us BWV 2 for the 2nd
Trinity Sunday 1724 as
the second cantata of the
annual cycle of chorale
cantatas. It is based on
Martin Luther's rewriting
of Psalm 112. The opening
movement is one of a
group of cantata opening
movements which are not
concertante but kept
entirely in the motet
style, with the
instruments serving only
to reinforce the singers.
The archaic character of
this movement is
heightened by the
addition of a trombone
quartet. The concertante
style is all the more
significant in the first
aria for contralto, solo
violin and continuo. The
first secco recitative
represents a special
feature: two fragments of
the chorale are woven as
arioso into the
recitative, both in text
and melody; futhermore,
they are also taken up
canonically by the
continuo. Score available
separately - see item
CA.3100200.
2nd Sunday after
Trinity. Composed by
Johann Sebastian Bach.
Edited by Reinhold Kubik.
Arranged by Reinhold
Kubik. Hymns by Martin
Luther: Ach Gott, vom
Himmel sieh darein.
German title: Ach Gott,
vom Himmel sieh darein.
Sacred vocal music,
Cantatas. Set of
Orchestra Parts. Composed
1724. BWV 2. Duration 20
minutes. Carus Verlag #CV
31.002/19. Published by
Carus Verlag
(CA.3100219).
ISBN
9790007135904. Key: D
minor. Language:
German/English. Text:
Luther, Martin. Text:
Martin Luther.
Bach
composed the cantata O
God, from heaven look on
us BWV 2 for the 2nd
Trinity Sunday 1724 as
the second cantata of the
annual cycle of chorale
cantatas. It is based on
Martin Luther's rewriting
of Psalm 112. The opening
movement is one of a
group of cantata opening
movements which are not
concertante but kept
entirely in the motet
style, with the
instruments serving only
to reinforce the singers.
The archaic character of
this movement is
heightened by the
addition of a trombone
quartet. The concertante
style is all the more
significant in the first
aria for contralto, solo
violin and continuo. The
first secco recitative
represents a special
feature: two fragments of
the chorale are woven as
arioso into the
recitative, both in text
and melody; futhermore,
they are also taken up
canonically by the
continuo. Score and parts
available separately -
see item CA.3100200.
Cantata
for St. Michael.
Composed by Johann
Sebastian Bach. Edited by
Ingrid Jach. Arranged by
Paul Horn. This edition:
urtext. Stuttgart Urtext
Edition: Bach vocal.
German title: Man singet
mit Freuden vom Sieg.
Sacred vocal music,
Cantatas, Special days.
Single Part, Violin 2.
BWV 149. 4 pages.
Duration 22 minutes.
Carus Verlag #CV
31.149/12. Published by
Carus Verlag
(CA.3114912).
ISBN
9790007208578. Key: D
major. Language:
German/English. Text:
Henrici (Picander),
Christian Friedrich.
Text: Christian Friedrich
Henrici
(Picander).
In
composing the Cantata BWV
149 Bach reverted to
parts of an earlier work:
The opening chorus is a
parody of the Jadgkantate
BWV 208 (Hunting
Cantata). In addition to
smaller changes which
were made necessary due
to the text, Bach used
trumpets instead of
horns. For this purpose
he transposed the
movement from F major to
C major. Musically, the
form of the three arias
and their instrumentation
is rich in variety. The
bass aria (2nd mvt.) is
characterized by an
active continuo
accompaniment. After the
secco recitative an
extended dance like
soprano aria with string
accompaniment follows.
The third aria (6th mvt.)
is impressive due to the
animated melody and the
forming of a canon
between the voices, and
especially through the
entry of the bassoon as
the instrumental
counterpart to a duet
between the alto and
tenor. Score and part
available separately -
see item CA.3114900.
Cantata
for St. Michael.
Composed by Johann
Sebastian Bach. Edited by
Ingrid Jach. Arranged by
Paul Horn. This edition:
urtext. Stuttgart Urtext
Edition: Bach vocal.
German title: Man singet
mit Freuden vom Sieg.
Sacred vocal music,
Cantatas, Special days.
Single Part, Violin 1.
BWV 149. 4 pages.
Duration 22 minutes.
Carus Verlag #CV
31.149/11. Published by
Carus Verlag
(CA.3114911).
ISBN
9790007208561. Key: D
major. Language:
German/English. Text:
Henrici (Picander),
Christian Friedrich.
Text: Christian Friedrich
Henrici
(Picander).
In
composing the Cantata BWV
149 Bach reverted to
parts of an earlier work:
The opening chorus is a
parody of the Jadgkantate
BWV 208 (Hunting
Cantata). In addition to
smaller changes which
were made necessary due
to the text, Bach used
trumpets instead of
horns. For this purpose
he transposed the
movement from F major to
C major. Musically, the
form of the three arias
and their instrumentation
is rich in variety. The
bass aria (2nd mvt.) is
characterized by an
active continuo
accompaniment. After the
secco recitative an
extended dance like
soprano aria with string
accompaniment follows.
The third aria (6th mvt.)
is impressive due to the
animated melody and the
forming of a canon
between the voices, and
especially through the
entry of the bassoon as
the instrumental
counterpart to a duet
between the alto and
tenor. Score and part
available separately -
see item CA.3114900.
Cantata
for St. Michael.
Composed by Johann
Sebastian Bach. Edited by
Ingrid Jach. Arranged by
Paul Horn. This edition:
urtext. Stuttgart Urtext
Edition: Bach vocal.
German title: Man singet
mit Freuden vom Sieg.
Sacred vocal music,
Cantatas, Special days.
Single Part, basso
continuo. BWV 149. 12
pages. Duration 22
minutes. Carus Verlag #CV
31.149/14. Published by
Carus Verlag
(CA.3114914).
ISBN
9790007208592. Key: D
major. Language:
German/English. Text:
Henrici (Picander),
Christian Friedrich.
Text: Christian Friedrich
Henrici
(Picander).
In
composing the Cantata BWV
149 Bach reverted to
parts of an earlier work:
The opening chorus is a
parody of the Jadgkantate
BWV 208 (Hunting
Cantata). In addition to
smaller changes which
were made necessary due
to the text, Bach used
trumpets instead of
horns. For this purpose
he transposed the
movement from F major to
C major. Musically, the
form of the three arias
and their instrumentation
is rich in variety. The
bass aria (2nd mvt.) is
characterized by an
active continuo
accompaniment. After the
secco recitative an
extended dance like
soprano aria with string
accompaniment follows.
The third aria (6th mvt.)
is impressive due to the
animated melody and the
forming of a canon
between the voices, and
especially through the
entry of the bassoon as
the instrumental
counterpart to a duet
between the alto and
tenor. Score and part
available separately -
see item CA.3114900.
Cantata
for St. Michael.
Composed by Johann
Sebastian Bach. Edited by
Ingrid Jach. Arranged by
Paul Horn. This edition:
urtext. Stuttgart Urtext
Edition: Bach vocal.
German title: Man singet
mit Freuden vom Sieg.
Sacred vocal music,
Cantatas, Special days.
Single Part, Organ. BWV
149. 16 pages. Duration
22 minutes. Carus Verlag
#CV 31.149/49. Published
by Carus Verlag
(CA.3114949).
ISBN
9790007208608. Key: D
major. Language:
German/English. Text:
Henrici (Picander),
Christian Friedrich.
Text: Christian Friedrich
Henrici
(Picander).
In
composing the Cantata BWV
149 Bach reverted to
parts of an earlier work:
The opening chorus is a
parody of the Jadgkantate
BWV 208 (Hunting
Cantata). In addition to
smaller changes which
were made necessary due
to the text, Bach used
trumpets instead of
horns. For this purpose
he transposed the
movement from F major to
C major. Musically, the
form of the three arias
and their instrumentation
is rich in variety. The
bass aria (2nd mvt.) is
characterized by an
active continuo
accompaniment. After the
secco recitative an
extended dance like
soprano aria with string
accompaniment follows.
The third aria (6th mvt.)
is impressive due to the
animated melody and the
forming of a canon
between the voices, and
especially through the
entry of the bassoon as
the instrumental
counterpart to a duet
between the alto and
tenor. Score and part
available separately -
see item CA.3114900.
Cantata
for St. Michael.
Composed by Johann
Sebastian Bach. Edited by
Ingrid Jach. Arranged by
Paul Horn. This edition:
urtext. Stuttgart Urtext
Edition: Bach vocal.
German title: Man singet
mit Freuden vom Sieg.
Sacred vocal music,
Cantatas, Special days.
Single Part, Viola. BWV
149. 4 pages. Duration 22
minutes. Carus Verlag #CV
31.149/13. Published by
Carus Verlag
(CA.3114913).
ISBN
9790007208585. Key: D
major. Language:
German/English. Text:
Henrici (Picander),
Christian Friedrich.
Text: Christian Friedrich
Henrici
(Picander).
In
composing the Cantata BWV
149 Bach reverted to
parts of an earlier work:
The opening chorus is a
parody of the Jadgkantate
BWV 208 (Hunting
Cantata). In addition to
smaller changes which
were made necessary due
to the text, Bach used
trumpets instead of
horns. For this purpose
he transposed the
movement from F major to
C major. Musically, the
form of the three arias
and their instrumentation
is rich in variety. The
bass aria (2nd mvt.) is
characterized by an
active continuo
accompaniment. After the
secco recitative an
extended dance like
soprano aria with string
accompaniment follows.
The third aria (6th mvt.)
is impressive due to the
animated melody and the
forming of a canon
between the voices, and
especially through the
entry of the bassoon as
the instrumental
counterpart to a duet
between the alto and
tenor. Score and part
available separately -
see item CA.3114900.
Cantata
for St. Michael.
Composed by Johann
Sebastian Bach. Edited by
Ingrid Jach. Arranged by
Paul Horn. This edition:
urtext. 1x 31.149/21 oboe
1, 1x 31.149/22 oboe 2,
1x 31.149/23 oboe 3, 1x
31.149/24 bassoon, 4x
31.149/31
trumpet/timpani.
Stuttgart Urtext Edition:
Bach vocal. German title:
Man singet mit Freuden
vom Sieg. Sacred vocal
music, Cantatas, Special
days. Set of Orchestra
Parts. BWV 149. Duration
22 minutes. Carus Verlag
#CV 31.149/09. Published
by Carus Verlag
(CA.3114909).
ISBN
9790007208554. Key: D
major. Language:
German/English. Text:
Henrici (Picander),
Christian Friedrich.
Text: Christian Friedrich
Henrici
(Picander).
In
composing the Cantata BWV
149 Bach reverted to
parts of an earlier work:
The opening chorus is a
parody of the Jadgkantate
BWV 208 (Hunting
Cantata). In addition to
smaller changes which
were made necessary due
to the text, Bach used
trumpets instead of
horns. For this purpose
he transposed the
movement from F major to
C major. Musically, the
form of the three arias
and their instrumentation
is rich in variety. The
bass aria (2nd mvt.) is
characterized by an
active continuo
accompaniment. After the
secco recitative an
extended dance like
soprano aria with string
accompaniment follows.
The third aria (6th mvt.)
is impressive due to the
animated melody and the
forming of a canon
between the voices, and
especially through the
entry of the bassoon as
the instrumental
counterpart to a duet
between the alto and
tenor. Score and parts
available separately -
see item CA.3114900.
Cantata
for St. Michael.
Composed by Johann
Sebastian Bach. Edited by
Ingrid Jach. Arranged by
Paul Horn. This edition:
urtext. Stuttgart Urtext
Edition: Bach vocal.
German title: Man singet
mit Freuden vom Sieg.
Sacred vocal music,
Cantatas, Special days.
Set of Orchestra Parts.
BWV 149. Duration 22
minutes. Carus Verlag #CV
31.149/19. Published by
Carus Verlag
(CA.3114919).
ISBN
9790007141233. Key: D
major. Language:
German/English. Text:
Henrici (Picander),
Christian Friedrich.
Text: Christian Friedrich
Henrici
(Picander).
In
composing the Cantata BWV
149 Bach reverted to
parts of an earlier work:
The opening chorus is a
parody of the Jadgkantate
BWV 208 (Hunting
Cantata). In addition to
smaller changes which
were made necessary due
to the text, Bach used
trumpets instead of
horns. For this purpose
he transposed the
movement from F major to
C major. Musically, the
form of the three arias
and their instrumentation
is rich in variety. The
bass aria (2nd mvt.) is
characterized by an
active continuo
accompaniment. After the
secco recitative an
extended dance like
soprano aria with string
accompaniment follows.
The third aria (6th mvt.)
is impressive due to the
animated melody and the
forming of a canon
between the voices, and
especially through the
entry of the bassoon as
the instrumental
counterpart to a duet
between the alto and
tenor. Score and parts
available separately -
see item CA.3114900.
Cantata
for St. Michael.
Composed by Johann
Sebastian Bach. Edited by
Ingrid Jach. Arranged by
Paul Horn. This edition:
urtext. Stuttgart Urtext
Edition: Bach vocal.
German title: Man singet
mit Freuden vom Sieg.
Sacred vocal music,
Cantatas, Special days.
Choral Score. BWV 149. 8
pages. Duration 22
minutes. Carus Verlag #CV
31.149/05. Published by
Carus Verlag
(CA.3114905).
ISBN
9790007161958. Key: D
major. Language:
German/English. Text:
Henrici (Picander),
Christian Friedrich.
Text: Christian Friedrich
Henrici
(Picander).
In
composing the Cantata BWV
149 Bach reverted to
parts of an earlier work:
The opening chorus is a
parody of the Jadgkantate
BWV 208 (Hunting
Cantata). In addition to
smaller changes which
were made necessary due
to the text, Bach used
trumpets instead of
horns. For this purpose
he transposed the
movement from F major to
C major. Musically, the
form of the three arias
and their instrumentation
is rich in variety. The
bass aria (2nd mvt.) is
characterized by an
active continuo
accompaniment. After the
secco recitative an
extended dance like
soprano aria with string
accompaniment follows.
The third aria (6th mvt.)
is impressive due to the
animated melody and the
forming of a canon
between the voices, and
especially through the
entry of the bassoon as
the instrumental
counterpart to a duet
between the alto and
tenor. Score available
separately - see item
CA.3114900.