Silver Moon Orchestre à Cordes [Conducteur et Parties séparées] Carl Fischer
Composed by Nishimura Yukiko. Folio. Score and part(s). 80 Cover pages. Durat...(+)
Composed by Nishimura
Yukiko. Folio. Score and
part(s). 80 Cover pages.
Duration 3 minutes, 2
seconds. Carl Fischer
Music
#YAS192. Published by
Carl
Fischer Music
(P+KRB) SKU: HL.49042459 Composed by Carl Maria von Weber. Edited by Andr...(+)
(P+KRB)
SKU:
HL.49042459
Composed
by Carl Maria von Weber.
Edited by Andreas
Fukerider and Claudia
Theis. This edition:
Full-cloth binding. Sheet
music. Edition Schott.
Score and critical
commentary, complete
edition. 274 pages.
Schott Music #WGA1061.
Published by Schott Music
(HL.49042459).
ISBN
9783795794682.
8.75x12.25x1.022
inches.
Carl Maria
von Weber's fame rests
mainly on 'Der
Freischutz'. The
unprecedented success of
this opera overshadowed
all his other works and
contributed to their
increasing fall into
oblivion. Certain works
such as 'Preciosa',
'Oberon', and
'Euryanthe', the
overtures, solo concertos
and piano sonatas, the
lieder and chamber works
enjoyed great popularity
and were widely known in
Germany and abroad as
late as the second half
of the 19th century.
However, any chance of a
revival of Weber's
influential and
substantial oeuvre was
wasted in the 1920s, when
a complete edition -
begun by Hans Joachim
Moser and with potential
contributors including
Wilhelm Kempff, Hans
Pfitzner, Max von
Schillings, Fritz Stein
and Richard Strauss -
failed after the third
volume.Ever since there
have been numerous
attempts to restart a
complete edition of
Weber's works, but as
this kind of project
would have required the
co-operation of scholars
from both sides of the
inter-German border, the
political situation after
1945 was not conducive to
any such enterprise.
Careful negotiations led
to the first tangible
steps in the 1980s. The
intention, right from the
beginning, was to place
Weber's work in context,
and not to separate his
musical output from his
influential work as a
writer, critic and
organiser in the musical
field, but to publish his
compositions together
with his letters, diaries
and other literary output
as the best way to
document the
cross-fertilisation
between his musical,
literary and practical
activities.Since the
German re-unification
both working-parties
concerned - at the
Staatsbibliothek zu
Berlin, and at the
Musikwissenschaftliches
Seminar,
Detmold/Paderborn - have
co-operated on the
complete edition of the
musical works (c. 45
volumes in 10 series:
sacred music; cantatas,
odes and other occasional
works; stage works;
lieder and vocal works;
orchestral works; chamber
music; music for piano;
piano reductions;
miscellanea, arrangements
and orchestrations; works
of doubtful attribution).
The diaries (6-8 vols.)
are edited in Berlin and
the letters (8-10 vols.)
and other writings (2
vols.) in Detmold. This
complete edition aims to
be a reliable basis of
scholarly debate as well
as for the authentic
performance practice of
Carl Maria von Weber's
music. Conforming to the
standards of recent
historico-critical
editions, the textual
material will be based on
all available authentic
sources, accompanied by a
detailed documentation of
the genesis and a list of
variants for each work.
The musicological
importance of the works
will be evaluated by
placing them in their
historical context, the
presentation of their
genesis, history and
Critical Commentaries.
The letters, writings and
diaries will be treated
as inter-related and
relevant to each other in
the commentaries,
therefore readers should
benefit from a wealth of
concise information and
cross-references.
Urtext. Composed
by George Frideric
Handel. Edited by Ton
Koopman. Stapled.
Orchester-Bibliothek
(Orchestral Library).
,I want to make an
edition that is not a
Koopman interpretation,
but contains only that
which Handel really
wrote.' (Ton Koopman)
Solo concerto; Baroque.
Part. 4 pages. Duration
15'. Breitkopf and
Haertel #OB 5215-16.
Published by Breitkopf
and Haertel
(BR.OB-5215-16).
ISBN
9790004331170. 9 x 12
inches.
Ton
Koopman's new edition of
all 16 organ concertos by
Handel has drawn to a
close. The quality of
this edition has been
highly praised from all
quarters. Source-critical
responsibility goes hand
in hand with a high level
of performance practice
when Koopman provides
interpretative tips for
the ad libitum passages
in the organ part without
restricting the
creativity of the
interpreter who is
interested in stylistic
matters and prefers to
work out his own
solutions. I want to make
an edition that is not a
Koopman interpretation,
but contains only that
which Handel really
wrote. Nevertheless,
there are occasional
performance suggestions
in small print which are
elucidated in the
Critical Commentary. (Ton
Koopman in Concerto)
Koopman offers a
basically unmarked text,
thus leaving the
performance details up to
the performer. Especially
note-worthy is the clear
printing, extensive
preface and detailed
Critical Notes.
(Katholische
Kirchenmusik) Whoever
wishes to hear the entire
Koopman edition on CD can
look forward to the new
recording by Christian
Schmitt and the
Stuttgarter
Kammerorchester
(Brilliant Classics).
This is the first
recording for which all
16 new Koopman editions
were used as the basis
for the
performance.
,I
want to make an edition
that is not a Koopman
interpretation, but
contains only that which
Handel really wrote.'
(Ton Koopman).
Composed
by Aaron Fryklund. Full
score. 8 pages. Duration
2 minutes, 28 seconds.
Carl Fischer Music
#YAS227F. Published by
Carl Fischer Music
(CF.YAS227F).
ISBN
9781491163092. UPC:
680160921843. Key: A
minor.
This
imperial work smolders
with a stately intensity,
marching forward with a
precise and forceful
energy. Set in A minor
and 2/4 time, engaging
melodic figures unfold
with unflinching focus
while progressing through
sometimes-unexpected
harmonies. Students will
encounter easy
accidentals in first
position and interesting
counterpoint between the
sections as the piece
builds to a powerful
conclusion.
About Carl
Fischer Young String
Orchestra
Series
Thi
s series of Grade 2/Grade
2.5 pieces is designed
for second and third year
ensembles. The pieces in
this series are
characterized
by: --Occasionally
extending to third
position --Keys
carefully considered for
appropriate
difficulty --Addition
of separate 2nd violin
and viola
parts --Viola T.C.
part
included --Increase
in independence of parts
over beginning levels
SATB choir, divisi &
piano (SATB) - Moderately
Difficult
SKU:
OU.9780193529007
Composed by Connor J.
Koppin. Secular Choral -
Mixed Voices. New
Horizons. Vocal score. 16
pages. Duration 4.5'.
Oxford University Press
#9780193529007. Published
by Oxford University
Press (OU.9780193529007).
ISBN 9780193529007. 10
x 7 inches.
For
SATB (with divisions) and
piano This imaginative
through-composed setting
of a poem by 13th-century
Persian poet Jalal ad-Din
Muhammad Rumi is rich in
dramatic potential. The
composer creates a
mysterious and evocative
soundworld that is
fitting for the realm
'where everything is
music' that this ecstatic
poem describes.
About Oxford
New
Horizons
N
ew Horizons showcases the
wealth of exciting,
innovative, and
occasionally challenging
choral music being
written today. It
encompasses the whole
gamut of small-scale
choral genres, both
secular and sacred, and
includes pieces for
upper-voice and mixed
choirs. With titles by
some of the most
accomplished choral
composers active in Great
Britain and abroad, the
series introduces new
repertoire and fresh
talent to a broad
spectrum of choirs. New
Horizons features
composers with growing
reputations for quality
composition reflecting a
strong individual voice.
The series is continually
expanding and should be
the first place to look
for attractive and
performable contemporary
choral music.
(A Workbook for Examinations). By Paul Harris. This edition: Revised. Book; CD; ...(+)
(A Workbook for
Examinations). By Paul
Harris. This edition:
Revised. Book; CD;
Reference Textbooks;
Textbook - Instrumental.
Faber Edition: Improve
Your Aural!. Grade 3;
Grade 3.5; Late
Elementary. Published by
Faber Music
Sea Visions Chorale SSAA SSAA A Cappella Treble Clef Music Press
SSAA, a cappella SKU: SU.80300121 For SSAA, a cappella. Composed b...(+)
SSAA, a cappella
SKU:
SU.80300121
For
SSAA, a cappella.
Composed by Daniel E.
Gawthrop. Vocal/Choral,
Secular Choral. A
cappella. Choral Octavo.
Treble Clef Music Press
#80300121. Published by
Treble Clef Music Press
(SU.80300121).
The central
poem, by Madeleine
L'Engle, depicts Neptune
as a Sea Bishop who
blesses all the creatures
of sea and land.
Gawthrop's vocally
grateful text setting is
particularly strong here,
with occasional imitative
entrances. SSAA a
cappella. Medium. SSAA, a
cappella Published by:
Treble Clef Music Minimum
order quantity: 8
copies.
Composed by
Susan Day. Yas. Set of
Score and Parts. Duration
2 minutes, 42 seconds.
Carl Fischer Music
#YAS242. Published by
Carl Fischer Music
(CF.YAS242).
ISBN
9781491164945. UPC:
680160923854. Key: D
minor.
This piece,
written in 3/4 time
throughout, evokes
visions of dancing
figures, their faces
unrecognizable in the
shadows created from the
play of light at dusk.
Moving from D minor to E
minor, the eerie keys and
accidentals provide
intriguing effects.
Teachable moments abound
for low first finger on A
and E and some high third
finger in the upper
strings, augmented
intervals and extended
patterns in all
instruments, as well as
slurs and hooked bowings.
This piece can be
performed any time of the
year, or as an autumn or
Halloween feature.
About Carl
Fischer Young String
Orchestra
Series
Thi
s series of Grade 2/Grade
2.5 pieces is designed
for second and third year
ensembles. The pieces in
this series are
characterized
by: --Occasionally
extending to third
position --Keys
carefully considered for
appropriate
difficulty --Addition
of separate 2nd violin
and viola
parts --Viola T.C.
part
included --Increase
in independence of parts
over beginning levels
An American Christmas Chorale SATB SATB divisi, A Cappella [Vocal Score] Oxford University Press
(16 carols and carol arrangements from North America). By Jerry Rubino. For SATB...(+)
(16 carols and carol
arrangements from North
America). By Jerry
Rubino. For SATB choir
(with occasional
divisions) and
piano/unaccompanied.
Mixed Voices. Christmas,
Choral Collection. Vocal
score. 128 pages.
Published by Oxford
University Press
(OU.97801933
Urtext. Composed
by George Frideric
Handel. Edited by Ton
Koopman. Stapled.
Orchester-Bibliothek
(Orchestral Library). I
want to make an edition
that is not a Koopman
interpretation, but
contains only that which
Handel really wrote.'
(Ton Koopman). Solo
concerto; Baroque. Part.
4 pages. Duration 12'.
Breitkopf and Haertel #OB
5252-15. Published by
Breitkopf and Haertel
(BR.OB-5252-15).
ISBN
9790004334027. 9 x 12
inches.
Ton
Koopman's new edition of
all 16 organ concertos by
Handel has drawn to a
close. The quality of
this edition has been
highly praised from all
quarters. Source-critical
responsibility goes hand
in hand with a high level
of performance practice
when Koopman provides
interpretative tips for
the ad libitum passages
in the organ part without
restricting the
creativity of the
interpreter who is
interested in stylistic
matters and prefers to
work out his own
solutions. I want to make
an edition that is not a
Koopman interpretation,
but contains only that
which Handel really
wrote. Nevertheless,
there are occasional
performance suggestions
in small print which are
elucidated in the
Critical Commentary. (Ton
Koopman in Concerto)
Koopman offers a
basically unmarked text,
thus leaving the
performance details up to
the performer. Especially
note-worthy is the clear
printing, extensive
preface and detailed
Critical Notes.
(Katholische
Kirchenmusik) Whoever
wishes to hear the entire
Koopman edition on CD can
look forward to the new
recording by Christian
Schmitt and the
Stuttgarter
Kammerorchester
(Brilliant Classics).
This is the first
recording for which all
16 new Koopman editions
were used as the basis
for the
performance.
,I
want to make an edition
that is not a Koopman
interpretation, but
contains only that which
Handel really wrote.'
(Ton Koopman).
Piano duets (solo: pno- 1.2.2.2 - 2.2.0.0 - timp - str) SKU: BR.EB-10787 ...(+)
Piano duets (solo: pno-
1.2.2.2 - 2.2.0.0 - timp
- str)
SKU:
BR.EB-10787
Urtext. Composed
by Wolfgang Amadeus
Mozart. Edited by Ernst
Herttrich. Solo
instruments; Softcover.
Edition Breitkopf.
In
Cooperation with G. Henle
VerlagEB 10787 is printed
in score form; two copies
are needed for
performance.Our ed
ition EB 8579
contains Ferrucci
Busoni's cadenzas for the
Piano Concerto in C majo.
Solo concerto; Classical.
Piano reduction. 68
pages. Duration 28'.
Breitkopf and Haertel #EB
10787. Published by
Breitkopf and Haertel
(BR.EB-10787).
ISBN
9790201807874. 9.5 x 12
inches.
Composed
under pressure, edited in
peace: K. 491In spring
1786 Mozart was under
pressure: he had only two
weeks between the
composition and first
performance of the
C-minor Piano Concerto K.
491. It is no wonder that
the autograph was written
very hastily and the
piano part occasionally
only sketched. Mozart,
who played the solo part
at the premiere, still
thought about it later.
During subsequent
revisions of the piano
part, he caused a certain
amount of confusion
through corrected
versions and parallel
versions. Editor Ernst
Herttrich thus faced
great challenges when
preparing the Breitkopf
Urtext edition,
especially since printed
editions were only
published posthumously.
But since they contain
readings that play an
important role in the
reception of the work,
they were included in the
new edition as
variants.
Concert Band (Score and Parts) SKU: HL.4007401 Composed by Philip Sparke....(+)
Concert Band (Score and
Parts)
SKU:
HL.4007401
Composed
by Philip Sparke. Anglo
Music Concert Band.
Concert. Hardcover.
Duration 330 seconds.
Anglo Music Press #AMP
493-010. Published by
Anglo Music Press
(HL.4007401).
UPC:
196288023425.
Bacch
analia was commissioned
by the Yokohama Bacchus
Brass Orchestra to
celebrate their 20th
anniversary in 2019. The
band wanted the title of
this short opener to
reflect the reference to
Bacchus in their name, so
Bacchanalia was agreed
upon. The spirit of the
Greek god of wine does
indeed permeate the
piece, with bustling
themes, dance motifs and
occasional harmonic
ambiguity. A lovely piece
of music full of joie de
vivre.
Urtext. Composed
by George Frideric
Handel. Edited by Ton
Koopman. Orchestra;
stapled.
Orchester-Bibliothek
(Orchestral Library). I
want to make an edition
that is not a Koopman
interpretation, but
contains only that which
Handel really wrote.'
(Ton Koopman). Solo
concerto; Baroque. Part.
4 pages. Duration 12'.
Breitkopf and Haertel #OB
5383-15. Published by
Breitkopf and Haertel
(BR.OB-5383-15).
ISBN
9790004335352. 9 x 12
inches.
Ton
Koopman's new edition of
all 16 organ concertos by
Handel has drawn to a
close. The quality of
this edition has been
highly praised from all
quarters. Source-critical
responsibility goes hand
in hand with a high level
of performance practice
when Koopman provides
interpretative tips for
the ad libitum passages
in the organ part without
restricting the
creativity of the
interpreter who is
interested in stylistic
matters and prefers to
work out his own
solutions. I want to make
an edition that is not a
Koopman interpretation,
but contains only that
which Handel really
wrote. Nevertheless,
there are occasional
performance suggestions
in small print which are
elucidated in the
Critical Commentary. (Ton
Koopman in Concerto)
Koopman offers a
basically unmarked text,
thus leaving the
performance details up to
the performer. Especially
note-worthy is the clear
printing, extensive
preface and detailed
Critical Notes.
(Katholische
Kirchenmusik) Whoever
wishes to hear the entire
Koopman edition on CD can
look forward to the new
recording by Christian
Schmitt and the
Stuttgarter
Kammerorchester
(Brilliant Classics).
This is the first
recording for which all
16 new Koopman editions
were used as the basis
for the
performance.
,I
want to make an edition
that is not a Koopman
interpretation, but
contains only that which
Handel really wrote.'
(Ton Koopman).
Urtext. Composed
by George Frideric
Handel. Edited by Ton
Koopman. Stapled.
Orchester-Bibliothek
(Orchestral Library).
,I want to make an
edition that is not a
Koopman interpretation,
but contains only that
which Handel really
wrote.' (Ton Koopman)
Solo concerto; Baroque.
Part. 4 pages. Duration
18'. Breitkopf and
Haertel #OB 5212-19.
Published by Breitkopf
and Haertel
(BR.OB-5212-19).
ISBN
9790004330937. 9 x 12
inches.
Ton
Koopman's new edition of
all 16 organ concertos by
Handel has drawn to a
close. The quality of
this edition has been
highly praised from all
quarters. Source-critical
responsibility goes hand
in hand with a high level
of performance practice
when Koopman provides
interpretative tips for
the ad libitum passages
in the organ part without
restricting the
creativity of the
interpreter who is
interested in stylistic
matters and prefers to
work out his own
solutions. I want to make
an edition that is not a
Koopman interpretation,
but contains only that
which Handel really
wrote. Nevertheless,
there are occasional
performance suggestions
in small print which are
elucidated in the
Critical Commentary. (Ton
Koopman in Concerto)
Koopman offers a
basically unmarked text,
thus leaving the
performance details up to
the performer. Especially
note-worthy is the clear
printing, extensive
preface and detailed
Critical Notes.
(Katholische
Kirchenmusik) Whoever
wishes to hear the entire
Koopman edition on CD can
look forward to the new
recording by Christian
Schmitt and the
Stuttgarter
Kammerorchester
(Brilliant Classics).
This is the first
recording for which all
16 new Koopman editions
were used as the basis
for the performance.
Composed
by Gioachino Rossini.
Edited by Klaus Doge.
Carus sheet music series:
Vocal scores XL. Petite
Messe Solennelle Kart.
Innovative practice aids,
Sacred vocal music,
Masses, Latin. Set of
Orchestra Parts. Composed
1863. Duration 90
minutes. Carus Verlag #CV
40.650/19. Published by
Carus Verlag
(CA.4065019).
ISBN
9790007096984. Language:
Latin.
Next to the
Stabat Mater, the Petite
Messe solennelle of 1863
is Rossini's second
extensive sacred
composition. Ostensibly,
the work was an
occasional piece, written
for the dedication of a
private chapel for the
once well-to-do Parisian
nobility. This explains
the reduced instrumental
accompaniment for two
pianos and harmonium. Of
course this instrumental
garb, reminiscent of
decent, elevated salon
music, produces an
unmistakable timbre which
through its typical
Rossini rhythm obtains an
additional flair. Score
and parts available
separately - see item
CA.4065000.
SKU: CA.210405 Composed by Anonymus and John Hoybye. Edited by Volker Hem...(+)
SKU: CA.210405
Composed by Anonymus and
John Hoybye. Edited by
Volker Hempfling, Stanley
Engebretson. Choral
collections. Editionchor.
Sacred vocal music. Choir
Book. 96 pages. Carus
Verlag #CV 02.104/05.
Published by Carus Verlag
(CA.210405).
ISBN
9790007187668.
The
choral collection Gospels
and Spirituals transports
us into the fascinating
world of African American
folk songs. Around 30
gospels and spirituals
have been arranged for
mixed choir,
unaccompanied or with
piano. The choral parts
sometimes divide, and
occasionally solo parts
(or even a small choral
group) are required. As
well as American classics
(e.g. Amazing grace, Go
down Moses, Kumbaya, Deep
river, Down by the
riverside, Good News, O
when the saints, Nobody
knows, Joshua fit the
battle of Jericho), the
collection also contains
some discoveries from the
beginnings of the genre.
Just under half the
arrangements were
specially commissioned
for the collection. Young
composers from the USA
(such as Courtney Carey,
Marques Garrett) and
arrangers from Canada,
Denmark, and Germany
(including Mark Sirett,
John Hoybye, Thomas
Gabriel, Carsten Gerlitz,
Gunther Martin Gottsche,
and Hans Ludemann) have
contributed to this
stylistically extremely
varied choral collection.
The medium difficulty
level will enable many
choirs to get to grips
with the gospel style,
something which perhaps
few of them are very
familiar with. Tips from
the editors on
performance, and a CD
recording with a
selection of the
arrangements will help
with learning the pieces.
With their deep and
emotional symbolism of
captivity and repression
on the one hand and
redemption and freedom on
the other hand, these
Gospel settings are
well-suited for many uses
in concerts and church
services. The
arrangements with their
catchy rhythms, groove,
their blue notes and
other elements from Jazz
and Blues and the
principles of
call-and-response will
move performers and
audiences in equal
measure. * arrangements
of around 30 spirituals
and gospels for four-part
mixed choir * a cappella
or with keyboard
accompaniment * medium
difficulty level * a good
introduction for choirs
with little previous
experience of this
repertoire * includes
popular classics such as
Amazing grace, Deep
river, Go down Moses,
Good News, Nobody knows,
Joshua fit the battle of
Jericho * wide variety of
styles with many new
arrangements * CD
recordings helps with
learning and rehearsing
the pieces. Score
available separately -
see item CA.210400.
Urtext
based on the new Complete
Edition (G. Henle
Verlag). Composed by
Ludwig van Beethoven.
Edited by Shin Augustinus
Kojima. Orchestra;
stapled.
Partitur-Bibliothek
(Score Library).
Solo
concerto; Classical. Full
score. 28 pages.
Breitkopf and Haertel #PB
14590. Published by
Breitkopf and Haertel
(BR.PB-14590).
ISBN
9790004211120. 10 x 12.5
inches.
When Ludwig
van Beethoven wrote the
present two works around
1800, the Romance as a
genre designation for a
soulful, melodious
instrumental piece was
anything but established,
despite the occasional
piece bearing this title.
Beethoven himself named
the pieces Romance in the
autographs, but offered
them to Breitkopf &
Hartel for publication as
Solo. His brother Karl
even spoke of 2 Adagios
to the publisher.
Nevertheless, Beethoven's
two Romances for violin
achieved lasting
popularity ever since the
publication of the first
editions in 1803 and
1805.The present Urtext
edition takes the
autographs and first
editions as its main
sources.
The piano
reduction and the study
score (,,Studien-Edition)
are available at G. Henle
Verlag.
By Muzio Clementi (1752-1832). Arranged by Douglas Townsend. String ensemble. Fo...(+)
By Muzio Clementi
(1752-1832). Arranged by
Douglas Townsend. String
ensemble. For String
Orchestra. Carl Fischer
Young String Orchestra
Series. Classical. Grade
2-2.5. Score and Parts.
Standard notation. 12
pages. Published by Carl
Fischer
Urtext. Composed
by George Frideric
Handel. Edited by Ton
Koopman. Stapled.
Orchester-Bibliothek
(Orchestral Library). I
want to make an edition
that is not a Koopman
interpretation, but
contains only that which
Handel really wrote. '
(Ton Koopman). Solo
concerto; Baroque. Part.
4 pages. Duration 8'.
Breitkopf and Haertel #OB
5385-15. Published by
Breitkopf and Haertel
(BR.OB-5385-15).
ISBN
9790004336717. 10 x 12.5
inches.
Ton
Koopman's new edition of
all 16 organ concertos by
Handel has drawn to a
close. The quality of
this edition has been
highly praised from all
quarters. Source-critical
responsibility goes hand
in hand with a high level
of performance practice
when Koopman provides
interpretative tips for
the ad libitum passages
in the organ part without
restricting the
creativity of the
interpreter who is
interested in stylistic
matters and prefers to
work out his own
solutions. I want to make
an edition that is not a
Koopman interpretation,
but contains only that
which Handel really
wrote. Nevertheless,
there are occasional
performance suggestions
in small print which are
elucidated in the
Critical Commentary. (Ton
Koopman in Concerto)
Koopman offers a
basically unmarked text,
thus leaving the
performance details up to
the performer. Especially
note-worthy is the clear
printing, extensive
preface and detailed
Critical Notes.
(Katholische
Kirchenmusik) Whoever
wishes to hear the entire
Koopman edition on CD can
look forward to the new
recording by Christian
Schmitt and the
Stuttgarter
Kammerorchester
(Brilliant Classics).
This is the first
recording for which all
16 new Koopman editions
were used as the basis
for the performance.