By The Blues Brothers. By Robert Johnson (0-). Arranged by Roger Holmes. For Jaz...(+)
By The Blues Brothers. By
Robert Johnson (0-).
Arranged by Roger Holmes.
For Jazz Ensemble (Score
and Parts). Young Jazz
(Jazz Ensemble). Grade 3.
Published by Hal Leonard
Piano, Voix et Guitare [Partition] - Intermédiaire Hal Leonard
For voice and piano. From the motion picture 'Chicago'. Format: piano/vocal/chor...(+)
For voice and piano. From
the motion picture
'Chicago'. Format:
piano/vocal/chords
songbook. With vocal
melody, piano
accompaniment, lyrics,
chord names and guitar
chord diagrams. Movies.
96 pages. 9x12 inches.
Published by Hal Leonard.
(Featuring: Theme from New York, New York / Walking to New Orleans / My K...(+)
(Featuring: Theme from
New York, New York
/ Walking to New Orleans
/ My Kind of Town
(Chicago Is) / Hooray for
Hollywood). Arranged by
Greg Gilpin. Choir
Secular. 3-Part Mixed
Choir (SAB). Choral
Octavo. Pop Choral.
Choral Octavo. 24 pages
(Featuring: Theme from New York, New York / Walking to New Orleans / My K...(+)
(Featuring: Theme from
New York, New York
/ Walking to New Orleans
/ My Kind of Town
(Chicago Is) / Hooray for
Hollywood). Arranged by
Greg Gilpin. Choir
Secular. SATB choir.
Choral Octavo. Pop
Choral. Choral Octavo. 24
pages
Composed by Robert D. Vandall. For Piano. Book; Duet or Duo; Graded Standard Rep...(+)
Composed by Robert D.
Vandall. For Piano. Book;
Duet or Duo; Graded
Standard Repertoire;
Piano Duet Suite (1
Piano, 4 Hands). Duet
Recital Suite Series.
Form: Suite. Recital.
Intermediate. 24 pages.
Published by Alfred Music
Chamber Music bass trombone SKU: PR.114418410 Composed by Stacy Garrop. S...(+)
Chamber Music bass
trombone
SKU:
PR.114418410
Composed
by Stacy Garrop. Sws.
Performance Score. 8
pages. Duration 6:30.
Theodore Presser Company
#114-41841. Published by
Theodore Presser Company
(PR.114418410).
ISBN
9781491133644. UPC:
680160641932. 9 x 12
inches.
Stormy,
Husky, Brawling takes its
name from the 4th line of
the poem Chicago, written
by Carl Sandburg in 1916
when Chicago was the
heart of the meatpacking
and railroad industries.
When bass trombonist Sun
He commissioned Garrop,
he mentioned a deep love
for Chicago, adding,
“I remember the
first time I walked on
the street in Chicago, by
the corner of Michigan
and Roosevelt, and how I
felt the energy of this
city almost brought my
blood to a boil...â€
Those images inspired
Garrop to write a piece
that conveys the beating
pulse of the city, as
well as its
grandeur. Stormy,
Husky, Brawling takes its
name from the 4th line of
the poem Chicago, written
by the American poet Carl
Sandburg. Dating from
1916, the city of Chicago
at that time served as
the heart of the
meatpacking and railroad
industries. The
poem’s lines
mingle the dark
underbelly of the
city:And they tell me you
are brutal and my reply
is: On the faces of
women   Â
    Â
  and children I
have seen the marks of
wanton hunger.with
immense pride felt by its
inhabitants:Â Â
  Come and show
me another city with
lifted head singing so
proud to be aliveÂ
    and
course and strong and
cunning.As a Chicagoan
myself, I find much of
Sandburg’s
unabashed view of the
city very appealing and
still relevant over a
hundred years later.When
bass trombonist Sun He
commissioned me for a
solo trombone piece, he
mentioned his deep love
for Chicago. He wrote to
me in an email:“I
remember the first time I
walked on the street in
Chicago, by the corner of
Michigan and Roosevelt,
and how I felt the energy
of this city almost
brought my blood to a
boil...â€His words
inspired me to write a
piece that conveys the
beating pulse of the
city, as well as its
grandeur. Carl
Sandburg’s poem
became the perfect
inspiration to tell the
story of the pride Sun He
and I have for
Chicago.Sun He has
dedicated Stormy, Husky,
Brawling to Jane Addams
and the Hull House of
Chicago. Ms. Addams
(1860-1935) was a
distinguished
sociologist, social
worker, philosopher, and
author, who opened the
Hull House in 1889. She
provided many services to
immigrant families at the
Hull House, including
kindergarten, day care,
an employment bureau, and
classes in English,
citizenship, music,
theater, and the
arts.
Choral SATB choir SKU: CF.CM9700 Composed by Hungarian Folk. Arranged by ...(+)
Choral SATB choir
SKU:
CF.CM9700
Composed by
Hungarian Folk. Arranged
by Stacy Garrop. 20
pages. Duration 4:44.
Carl Fischer Music
#CM9700. Published by
Carl Fischer Music
(CF.CM9700).
ISBN
9781491160008. UPC:
680160918607. Key: A
minor. Hungarian.
Hungarian Folk.
In
2014, Chanticleer
commissioned me to make a
new arrangement of the
Hungarian-Romani folk
song Jarba, Mare Jarba
for their 2014 touring
program. Passed down
orally through the Romani
communities, this
beautiful folk song, with
text in a language called
Beas (beh-osh), speaks of
a deep longing to visit
one's homeland, a place
where the singer can
never return. Chanticleer
consists of twelve men
whose vocal ranges span
from low bass to high
soprano, equivalent to
the range of a mixed
choir of women and men. I
composed slow sections of
original material to
represent the singers'
longing to return home;
these are interspersed
with the folk song's
traditional fast
sections. The
incorporated shouts and
calls in the score are
typically found in the
performance of Central
European folk songs. I
hope you enjoy singing
this new version of
Jarba, Mare Jarba that
contains all of the vigor
and excitement of the
Chanticleer version.
PERFORMANCE NOTES All
spoken sounds (indicated
by x noteheads) should be
performed by individuals.
Feel free to elaborate
with more sounds of your
own in the tradition of
Eastern European folk
music. If the piece is
memorized, feel free to
experiment with clapping
on the off-beats of m. 93
to the end. TEXT
Transliteration Jarba,
mare jarba mas duce a
casa, da nu pot ca am
jurat, Jarba, mare jarba
mas duce a casa, da nu
pot ca am jurat. Mare
jarba, verde jarba nu me
pot duce a casa. Jarba,
mare jarba mas duce a
casa, da nu pot ca am
jurat. O mers mama de pe
sat, O lasat coliba
goala, Infrunzitu,
ingurzitu da plina de
saracie, da plina de
saracie. Mare jarba,
verde jarba nu me pot
duce a casa. Jarba, mare
jarba mas duce a casa, da
nu pot ca am jurat.
Translation Green grass,
tall grass, I would like
to go home, but I cannot,
because I have sworn not
to. Tall grass, green
grass - oh, that I cannot
go home! My mother has
left the village; she
left the hut empty,
Adorned with leaves but
full of poverty. Tall
grass, green grass - oh,
that I cannot go home!
Tall grass, green grass -
I would like to go home.
but I cannot, because I
have sworn not to. Stacy
Garrop's music is
centered on dramatic and
lyrical storytelling. The
sharing of stories is a
defining element of our
humanity; we strive to
share with others the
experiences and concepts
that we find compelling.
She shares stories by
taking audiences on sonic
journeys - some simple
and beautiful, while
others are complicated
and dark - depending on
the needs and dramatic
shape of the story.
Garrop served as the
first Emerging Opera
Composer of Chicago Opera
Theater's Vanguard
Program. She also held a
3-year
composer-in-residence
position with the
Champaign-Urbana Symphony
Orchestra, funded by New
Music USA and the League
of American Orchestras.
She has received numerous
awards and grants
including an Arts and
Letters Award in Music
from the American Academy
of Arts and Letters,
Fromm Music Foundation
Grant, Barlow Prize, and
three Barlow Endowment
commissions, along with
prizes from competitions
sponsored by the Detroit
Symphony Orchestra, Civic
Orchestra of Chicago,
Omaha Symphony, New
England Philharmonic,
Boston Choral Ensemble,
Utah Arts Festival, and
Pittsburgh New Music
Ensemble. She is a
Cedille Records artist;
her works are
commercially available on
more than ten additional
labels. Her catalog
covers a wide range, with
works for orchestra,
opera, oratorio, wind
ensemble, choir, art
song, various sized
chamber ensembles, and
works for solo
instruments. Notable
commissions include My
Dearest Ruth for soprano
and piano with text by
Martin Ginsburg, the
husband of the late
Supreme Court Justice
Ruth Bader Ginsburg, The
Transformation of Jane
Doe for Chicago Opera
Theater, The Battle for
the Ballot for the
Cabrillo Festival
Orchestra, Goddess
Triptych for the St.
Louis Symphony Orchestra,
Glorious Mahalia for the
Kronos Quartet, Give Me
Hunger for Chanticleer,
Rites for the Afterlife
for the Akropolis and
Calefax Reed Quintets,
and Terra Nostra: an
oratorio about our
planet, commissioned by
the San Francisco Choral
Society and Piedmont East
Bay Children's Chorus.
Garrop previously served
as composer-in-residence
with the Albany Symphony
and Skaneateles Festival,
and as well as on faculty
of the Fresh Inc Festival
(2012-2017). She taught
composition and
orchestration full-time
at Roosevelt University
2000-2016) before leaving
to launch her freelance
career. She earned
degrees in music
composition at the
University of
Michigan-Ann Arbor
(B.M.), University of
Chicago (M.A.), and
Indiana
University-Bloomington
(D.M.). In 2014,
Chanticleer commissioned
me to make a new
arrangement of the
Hungarian-Romani folk
song Jarba, Mare Jarba
for their 2014 touring
program. Passed down
orally through the Romani
communities, this
beautiful folk song, with
text in a language called
Beas (beh-osh), speaks of
a deep longing to visit
one’s homeland, a
place where the singer
can never return.
Chanticleer consists of
twelve men whose vocal
ranges span from low bass
to high soprano,
equivalent to the range
of a mixed choir of women
and men. I composed slow
sections of original
material to represent the
singers’ longing
to return home; these are
interspersed with the
folk song’s
traditional fast
sections. The
incorporated shouts and
calls in the score are
typically found in the
performance of Central
European folk songs. I
hope you enjoy singing
this new version of
Jarba, Mare Jarba that
contains all of the vigor
and excitement of the
Chanticleer
version.PERFORMANCE
NOTESAll spoken sounds
(indicated by x
noteheads) should be
performed by individuals.
Feel free to elaborate
with more sounds of your
own in the tradition of
Eastern European folk
music.If the piece is
memorized, feel free to
experiment with clapping
on the off-beats of m. 93
to the
end.TEXTTransliterationJa
rba, mare jarba mas duce
a casa, da nu pot ca am
jurat, Jarba, mare jarba
mas duce a casa, da nu
pot ca am jurat. Mare
jarba, verde jarba nu me
pot duce a casa.Jarba,
mare jarba mas duce a
casa, da nu pot ca am
jurat.O mers mama de pe
sat, O lasat coliba
goala,Infrunzitu,
ingurzitu da plina de
saracie, da plina de
saracie. Mare jarba,
verde jarba nu me pot
duce a casa.Jarba, mare
jarba mas duce a casa, da
nu pot ca am
jurat.TranslationGreen
grass, tall grass, I
would like to go home,
but I cannot, because I
have sworn not to.Tall
grass, green grass
– oh, that I
cannot go home!My mother
has left the village; she
left the hut empty,
Adorned with leaves but
full of poverty.Tall
grass, green grass
– oh, that I
cannot go home! Tall
grass, green grass
– I would like to
go home.but I cannot,
because I have sworn not
to.Stacy Garrop’s
music is centered on
dramatic and lyrical
storytelling. The sharing
of stories is a defining
element of our humanity;
we strive to share with
others the experiences
and concepts that we find
compelling. She shares
stories by taking
audiences on sonic
journeys – some
simple and beautiful,
while others are
complicated and dark
– depending on the
needs and dramatic shape
of the story.Garrop
served as the first
Emerging Opera Composer
of Chicago Opera
Theater’s Vanguard
Program. She also held a
3-year
composer-in-residence
position with the
Champaign-Urbana Symphony
Orchestra, funded by New
Music USA and the League
of American Orchestras.
She has received
numerous awards and
grants including an
Arts and Letters Award in
Music from the American
Academy of Arts and
Letters, Fromm Music
Foundation Grant, Barlow
Prize, and three Barlow
Endowment commissions,
along with prizes from
competitions sponsored by
the Detroit Symphony
Orchestra, Civic
Orchestra of Chicago,
Omaha Symphony, New
England Philharmonic,
Boston Choral Ensemble,
Utah Arts Festival, and
Pittsburgh New Music
Ensemble. She is a
Cedille Records artist;
her works are
commercially available on
more than ten additional
labels.Her catalog covers
a wide range, with works
for orchestra, opera,
oratorio, wind ensemble,
choir, art song, various
sized chamber ensembles,
and works for solo
instruments. Notable
commissions include My
Dearest Ruth for
soprano and piano with
text by Martin Ginsburg,
the husband of the late
Supreme Court Justice
Ruth Bader
Ginsburg, The
Transformation of Jane
Doe for Chicago Opera
Theater, The Battle for
the Ballot for the
Cabrillo Festival
Orchestra, Goddess
Triptych for the St.
Louis Symphony Orchestra,
Glorious Mahalia for
the Kronos Quartet, Give
Me Hunger for
Chanticleer, Rites for
the Afterlife for the
Akropolis and Calefax
Reed Quintets,
and Terra
Nostra:Â an oratorio
about our planet,
commissioned by the San
Francisco Choral Society
and Piedmont East Bay
Children’s
Chorus.Garrop previously
served as
composer-in-residence
with the Albany Symphony
and Skaneateles Festival,
and as well as on faculty
of the Fresh Inc Festival
(2012-2017). She taught
composition and
orchestration full-time
at Roosevelt University
2000-2016) before leaving
to launch her freelance
career. She earned
degrees in music
composition at the
University of
Michigan-Ann Arbor
(B.M.), University of
Chicago (M.A.), and
Indiana
University-Bloomington
(D.M.).ÂÂ.
Everest Fanfare [Conducteur et Parties séparées] - Facile De Haske Publications
Fanfare Band - Grade 3 SKU: BT.DHP-1043638-020 Composed by Jacob De Haan....(+)
Fanfare Band - Grade 3
SKU:
BT.DHP-1043638-020
Composed by Jacob De
Haan. Brilliant Marches.
March. Set (Score &
Parts). Composed 2004. De
Haske Publications #DHP
1043638-020. Published by
De Haske Publications
(BT.DHP-1043638-020).
Everest is the
name of a restaurant on
the 40th floor of a
skyscraper in Chicago. In
2003 the composer Jacob
de Haan had dinner there
together with his
publishers and other
fellow composers. The
idea of composing a march
to honour the excellent
cuisine, the magnificent
view of the skyline and
the pleasant atmosphere
in the restaurant arose
during the visit. The
results can be heard in
this delightful and
unusual work.
Everest is de
naam van een restaurant
op de veertigste
verdieping van een
wolkenkrabber in Chicago.
Jacob de Haan liet zich
daar inspireren door de
voortreffelijke keuken,
het magnifieke uitzicht
op de skyline en de
bijzonder aangenamesfeer.
Dit werk is een prachtige
hommage aan Chicago en
aan de chef-kok van
Everest.
Everest
ist der Name eines
Restaurants im 40. Stock
eines Wolkenkratzers in
Chicago. Jacob de Haan
ließ sich dort von der
ausgezeichneten Küche,
dem wundervollen Ausblick
auf die Skyline und von
der angenehmen
Atmosphäre inspirieren
und schrieb diesen
Marsch. Eine Hommage an
die Stadt und den
Restaurantchef, wie man
sie sich passender nicht
vorstellen kann.
(50 Hits of the '60s, '70s and '80s). Composed by various artists and composers....(+)
(50 Hits of the '60s,
'70s and '80s). Composed
by various artists and
composers. For Guitar.
This edition: Easy Hits
Guitar TAB. Book; Guitar
Mixed Folio; Guitar TAB.
Alfred's Easy. Rock. 168
pages. Published by
Alfred Music
Solemnity Orchestre d'harmonie - Facile Molenaar Edition
Concert Band - Grade 3 SKU: ML.013751080 Composed by Alexandre Carlin. Fu...(+)
Concert Band - Grade 3
SKU: ML.013751080
Composed by Alexandre
Carlin. Full set.
Molenaar Edition
#013751080. Published by
Molenaar Edition
(ML.013751080).
Solemnity was
composed when the
composer came back from
his first Midwest Clinic
in Chicago. Inspired by
all the concert bands
performing there, and all
the fellow composers met
at this occasion, he
decided to write a kind
of fanfare work, leading
to a fast theme on a
driving rhythm.The piece
begins like a fanfare
with a solemn character
which gives the title of
the work, the brass here
have a nice part to play.
Then, a new theme full of
energy, using the same
rhythmic motive as the
fanfare theme, is exposed
by the high woodwinds and
finally by more
instruments. The central
part is a slow one, where
a melancolic theme is
exposed by the oboe, and
finally the rest of the
band. After a fugato
section, the energic
theme is back to lead to
a brilliant
coda.
Solemnity
werd gecomponeerd toen de
componist terugkwam van
zijn eerste Midwest
Clinic in Chicago.
Geïnspireerd door alle
concertbands die daar
optraden en alle
collega-componisten die
hij bij deze gelegenheid
ontmoette, besloot hij
een soort fanfarewerk te
schrijven, leidend naar
een snel thema op een
stuwend ritme.Het stuk
begint als een fanfare
met een plechtig karakter
dat de titel van het werk
geeft, de koperblazers
hebben hier een mooie rol
te spelen. Dan volgt een
nieuw thema vol energie,
gebruikmakend van
hetzelfde ritmische
motief als het thema van
de fanfare, belicht door
de hoge houtblazers en
tenslotte door meer
instrumenten. Het
centrale deel is
langzaam, waar een
melancholisch thema wordt
belicht door de hobo en
uiteindelijk de rest van
de band. Na een
fugatogedeelte is het
energieke thema terug om
te leiden naar een
briljante
coda.
Solemnity a
été composée lorsque
le compositeur est revenu
de sa première Midwest
Clinic à Chicago.
Inspiré par tous les
orchestres de concert qui
s'y produisaient et par
tous les collègues
compositeurs rencontrés
à cette occasion, il a
décidé d'écrire une
sorte de fanfare,
conduisant à un thème
rapide sur un rythme
entraînant.La pièce
commence comme une
fanfare avec un
caractère solennel qui
donne le titre de
l'œuvre, les cuivres ont
ici un beau rôle à
jouer. Ensuite, un
nouveau thème plein
d'énergie, utilisant le
même motif rythmique que
le thème de la fanfare,
est exposé par les bois
aigus et finalement par
d'autres instruments. La
partie centrale est une
partie lente, où un
thème mélancolique est
exposé par le hautbois,
puis par le reste de
l'orchestre. Après une
section fugato, le thème
énergique est de retour
pour mener à une
brillante
coda.
Solemnity
wurde komponiert, als der
Komponist von seiner
ersten Midwest Clinic in
Chicago zurückkam.
Inspiriert von all den
Konzertkapellen, die dort
auftraten, und all den
Komponistenkollegen, die
er bei dieser Gelegenheit
traf, beschloss er, eine
Art Fanfare zu schreiben,
die zu einem schnellen
Thema auf einem
treibenden Rhythmus
führt.Das Stück beginnt
wie eine Fanfare mit
einem feierlichen
Charakter, der dem Werk
seinen Titel gibt; die
Blechbläser haben hier
einen schönen Part zu
spielen. Dann folgt ein
neues, energiegeladenes
Thema, das dasselbe
rhythmische Motiv wie das
Fanfarenmotiv verwendet
und von den hohen
Holzbläsern und
schließlich von weiteren
Instrumenten vorgetragen
wird. Der Mittelteil ist
ein langsamer Teil, in
dem ein melancholisches
Thema von der Oboe und
schließlich vom Rest des
Orchesters vorgetragen
wird. Nach einem
Fugato-Abschnitt kehrt
das energische Thema
zurück und führt zu
einer brillanten
Coda.
Everest Orchestre d'harmonie [Conducteur] - Facile De Haske Publications
Concert Band/Harmonie - Grade 3 SKU: BT.DHP-1043638-140 Composed by Jacob...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.DHP-1043638-140
Composed by Jacob De
Haan. Brilliant Marches.
March. Score Only.
Composed 2004. 24 pages.
De Haske Publications
#DHP 1043638-140.
Published by De Haske
Publications
(BT.DHP-1043638-140).
Everest is the
name of a restaurant on
the 40th floor of a
skyscraper in Chicago. In
2003 the composer Jacob
de Haan had dinner there
together with his
publishers and other
fellow composers. The
idea of composing a march
to honour the excellent
cuisine, the magnificent
view of the skyline and
the pleasant atmosphere
in the restaurant arose
during the visit. The
results can be heard in
this delightful and
unusual work.
Everest is de
naam van een restaurant
op de veertigste
verdieping van een
wolkenkrabber in Chicago.
Jacob de Haan liet zich
daar inspireren door de
voortreffelijke keuken,
het magnifieke uitzicht
op de skyline en de
bijzonder aangenamesfeer.
Dit werk is een prachtige
hommage aan Chicago en
aan de chef-kok van
Everest.
Everest
ist der Name eines
Restaurants im 40. Stock
eines Wolkenkratzers in
Chicago. Jacob de Haan
ließ sich dort von der
ausgezeichneten Küche,
dem wundervollen Ausblick
auf die Skyline und von
der angenehmen
Atmosphäre inspirieren
und schrieb diesen
Marsch. Eine Hommage an
die Stadt und den
Restaurantchef, wie man
sie sich passender nicht
vorstellen kann.
Everest Fanfare [Conducteur] - Facile De Haske Publications
Fanfare Band - Grade 3 SKU: BT.DHP-1043638-120 Composed by Jacob De Haan....(+)
Fanfare Band - Grade 3
SKU:
BT.DHP-1043638-120
Composed by Jacob De
Haan. Brilliant Marches.
March. Score Only.
Composed 2004. De Haske
Publications #DHP
1043638-120. Published by
De Haske Publications
(BT.DHP-1043638-120).
Everest is the
name of a restaurant on
the 40th floor of a
skyscraper in Chicago. In
2003 the composer Jacob
de Haan had dinner there
together with his
publishers and other
fellow composers. The
idea of composing a march
to honour the excellent
cuisine, the magnificent
view of the skyline and
the pleasant atmosphere
in the restaurant arose
during the visit. The
results can be heard in
this delightful and
unusual work.
Everest is de
naam van een restaurant
op de veertigste
verdieping van een
wolkenkrabber in Chicago.
Jacob de Haan liet zich
daar inspireren door de
voortreffelijke keuken,
het magnifieke uitzicht
op de skyline en de
bijzonder aangenamesfeer.
Dit werk is een prachtige
hommage aan Chicago en
aan de chef-kok van
Everest.
Everest
ist der Name eines
Restaurants im 40. Stock
eines Wolkenkratzers in
Chicago. Jacob de Haan
ließ sich dort von der
ausgezeichneten Küche,
dem wundervollen Ausblick
auf die Skyline und von
der angenehmen
Atmosphäre inspirieren
und schrieb diesen
Marsch. Eine Hommage an
die Stadt und den
Restaurantchef, wie man
sie sich passender nicht
vorstellen kann.
Concert Band/Harmonie and Piano SKU: BT.BMP8095417 Composed by Leroy Ande...(+)
Concert Band/Harmonie and
Piano
SKU:
BT.BMP8095417
Composed by Leroy
Anderson. Arranged by
Jörg Murschinski.
Score Only. Composed
2008. Beriato Music
#BMP8095417. Published by
Beriato Music
(BT.BMP8095417).
A lot is known
about the American
composer Leroy Anderson.
This son of Swedish
immigrants played the
piano, organ, accordion,
trombone, tuba and double
bass. He spoke several
languages fluently and
graduated from Harvard
with first-class
honours.While on military
service, the army also
commissioned him to write
a manual on Icelandic
grammar.He already
started writing musical
arrangements as a
student, and from his
30th year arranged and
composed for the Boston
Pops Orchestra. Such
melodiesas Serenata, The
Typewriter, Sleigh Ride
and Bugler�s
Holiday made him world
famous. His best-known
work, Blue Tango, reached
number one in the US
charts in 1952, and it
sold more than a million
copies. In 1975, a year
after hisdeath, he was
given a star at the Walk
of Fame in Hollywood.Most
of his works last no
longer than three
minutes, about the
maximum length of a
single at that time. One
work that lasts longer is
his 1953 Piano Concerto
in C for piano and
orchestra.The first
performance was in
Chicago, conducted by the
composer and with Eugene
List at the piano.
However, after three
performances he was no
longer happy with the
work and withdrew it. He
always intended to revise
it, but never got round
to it. Itwas only in 1989
that the Anderson family
decided to republish the
work.This three-part
composition is on the one
hand characterised by a
careless elegance, but on
the other one can hear
the influence of
Rachmaninoff, Copland,
Gershwin, and
evenBeethoven and Mozart,
as well as the Viennese
classics.Anderson used
the sonata form for the
first movement. It ends
with a cadenza that
carries us on into the
second part (in e minor).
The third part is a
typically cheerful
American folk dance in2/4
time, a so-called Hoe
Down, with a lilting,
lyrical passage as its
middle section. At the
end comes a solo passage
followed by a rapid
close.In this piano
concerto, Anderson
combines a rigidly
classical form of
composition with simple
andappealing themes and
elements from light
music. So this work is a
perfect synthesis of
light music and what is
called serious music, in
the same way as
Gershwin�s
Rhapsody in Blue. A work
that can be played
equally well in a
concerthall, at an
open-air concert or even
a pop
concert.
A Midwest Fanfare Ensemble de cuivres [Conducteur et Parties séparées] - Intermédiaire Anglo Music
Brass Band - Grade 5 SKU: BT.AMP-473-030 Composed by Philip Sparke. Cerem...(+)
Brass Band - Grade 5
SKU:
BT.AMP-473-030
Composed by Philip
Sparke. Ceremonial
Series. Opening Pieces.
Set (Score & Parts).
Composed 2019. Anglo
Music Press #AMP 473-030.
Published by Anglo Music
Press (BT.AMP-473-030).
English-German-French-
Dutch.
A Midwest
Fanfare was
commissioned by the Brass
Band of Battle Creek and
premiered by them during
their appearance at the
Midwest Clinic in Chicago
on 20th December 2017
where this fanfare was
the opening piece of the
entire event. This piece
is designed to be played
with the cornets split
into two teams either
side of the band. It
opens with the two groups
answering each other
antiphonally over a
repeated figure in the
lower band. A calmer
central section
introduces a euphonium
solo which is then taken
up by the whole ensemble.
This leads back to a
repeat of the opening
fanfares over a rhythmic
accompaniment and a short
coda which brings the
work to a
close.
A
Midwest Fanfare werd
geschreven in opdracht
van de Brass Band of
Battle Creek en op 20
december 2017 door dit
ensemble in première
gebracht als openingswerk
op de Midwest Clinic in
Chicago. Het werk is zo
gecomponeerd dat de
kornetten in twee teams
worden verdeeld, die aan
weerszijden van de band
komen te staan. Deze twee
groepen antwoorden elkaar
op antifonale wijze boven
een herhaald motief in de
lagere registers. Een
rustiger centraal
gedeelte introduceert een
eufoniumsolo, die
aansluitend wordt
overgenomen door de
complete band. Deze
passage mondt uit in een
herhaling van de
openingsfanfares boven
een ritmische
begeleiding, waarna het
werk met een korte coda
fraaiwordt afgesloten.
A Midwest
Fanfare wurde von der
Brass Band of Battle
Creek in Auftrag gegeben
und bei ihrem Auftritt
anlässlich der Midwest
Clinic in Chicago am 20.
Dezember 2017
uraufgeführt, wo diese
Fanfare den Auftakt
für die gesamte
Veranstaltung bildete.
Das Stück ist so
konzipiert, dass die
Kornette in zwei Gruppen
aufgeteilt sind und auf
beiden Seiten der Brass
Band platziert werden. Es
beginnt mit einem
Wechselgesang der beiden
Gruppen, der über
einer sich wiederholenden
Melodie in den tieferen
Stimmen der Brass Band
erklingt. Im ruhigeren
Mittelteil wird ein
Euphonium-Solo
vorgestellt, das dann vom
gesamten Ensemble
aufgenommen wird.
Schließlich kehren die
Eröffnungsfanfarenü
ber einer rhythmischen
Begleitung zurück und
eine kurze Coda bringt
das Werk zum Abschluss.
50 Classics. Composed by various artists and composers. This edition: Eas...(+)
50 Classics.
Composed by various
artists and composers.
This edition: Easy Hits
Guitar TAB. Book; Guitar
Mixed Folio; Guitar TAB.
Alfred's Easy. Love; Pop;
Standard. 144 pages.
Published by Alfred Music
(AP.45245).
Ukulele SKU: AP.45243 50 Classics. Composed by Various Artists and...(+)
Ukulele
SKU:
AP.45243
50
Classics. Composed by
Various Artists and
composers. This edition:
Easy Hits Ukulele.
Series; Ukulele Mixed
Folio. Alfred's Easy.
Love; Pop; Standard.
Book. 104 pages. Alfred
Music #00-45243.
Published by Alfred Music
(AP.45243).
ISBN
9781470633332. UPC:
038081519463.
English.
For
beginning musicians,
Alfred's Easy series is
the fast track to
developing a repertoire
of well-known and
fun-to-play songs, while
more experienced players
will find an excellent
resource of favorite
songs. The Easy Hits
Ukulele format provides
melody, chords, and
lyrics for easy strum and
sing performance---plus
suggested strum patterns
and TAB for any integral
hook parts. This Love and
Romance edition features
songs from such artists
as Celine Dion, Chicago,
Bruno Mars, Andy
Williams, Sam Cooke, Phil
Collins, and many more!
Titles: Against All Odds
(Take a Look at Me Now)
(Phil Collins) * Arthur's
Theme (Best That You Can
Do) (from Arthur)
(Christopher Cross) * At
Last (Etta James) *
Because You Loved Me
(Theme from Up Close and
Personal) (Celine Dion) *
Breathe (Faith Hill) *
Can You Read My Mind?
(Love Theme from
Superman) (Maureen
McGovern) * Colour My
World (Chicago) *
Evergreen (Love Theme
from A Star Is Born)
(Barbra Streisand feat.
Kris Kristofferson) *
Falling Slowly (from
Once) (Glen Hansard and
Marketa Irglova) *
Feelings (Dime?) (Morris
Albert) * For Your Eyes
Only (from For Your Eyes
Only) (Sheena Easton) *
Glory of Love (Theme from
The Karate Kid Part II)
(Peter Cetera) * The
Greatest Love of All
(Whitney Houston) * Hold
Me, Thrill Me, Kiss Me
(Mel Carter) * How Do I
Live (LeAnn Rimes) * How
Do You Keep the Music
Playing? (from Best
Friends) (Patti Austin
and James Ingram) *
(Everything I Do) I Do It
for You (Bryan Adams) * I
Swear (John Michael
Montgomery) * Theme from
Ice Castles (Through the
Eyes of Love) (Melissa
Manchester) * If You
Leave Me Now (Chicago) *
I'll Stand by You (The
Pretenders) * I'm Not In
Love (10cc) * It Might Be
You (Theme from Tootsie)
(Stephen Bishop) * Just
the Way You Are (Amazing)
(Bruno Mars) * Just You
'n' Me (Chicago) * Laura
(Standard) * Look What
You've Done to Me (Boz
Scaggs) * Love Is a Many
Splendored Thing
(Standard) * A Love Song
(Anne Murray).
Concert Band/Harmonie and Piano SKU: BT.BMP8091417 Composed by Leroy Ande...(+)
Concert Band/Harmonie and
Piano
SKU:
BT.BMP8091417
Composed by Leroy
Anderson. Arranged by
Jörg Murschinski. Set
(Score & Parts). Composed
2008. Beriato Music
#BMP8091417. Published by
Beriato Music
(BT.BMP8091417).
A lot is known
about the American
composer Leroy Anderson.
This son of Swedish
immigrants played the
piano, organ, accordion,
trombone, tuba and double
bass. He spoke several
languages fluently and
graduated from Harvard
with first-class
honours.While on military
service, the army also
commissioned him to write
a manual on Icelandic
grammar.He already
started writing musical
arrangements as a
student, and from his
30th year arranged and
composed for the Boston
Pops Orchestra. Such
melodiesas Serenata, The
Typewriter, Sleigh Ride
and Bugler�s
Holiday made him world
famous. His best-known
work, Blue Tango, reached
number one in the US
charts in 1952, and it
sold more than a million
copies. In 1975, a year
after hisdeath, he was
given a star at the Walk
of Fame in Hollywood.Most
of his works last no
longer than three
minutes, about the
maximum length of a
single at that time. One
work that lasts longer is
his 1953 Piano Concerto
in C for piano and
orchestra.The first
performance was in
Chicago, conducted by the
composer and with Eugene
List at the piano.
However, after three
performances he was no
longer happy with the
work and withdrew it. He
always intended to revise
it, but never got round
to it. Itwas only in 1989
that the Anderson family
decided to republish the
work.This three-part
composition is on the one
hand characterised by a
careless elegance, but on
the other one can hear
the influence of
Rachmaninoff, Copland,
Gershwin, and
evenBeethoven and Mozart,
as well as the Viennese
classics.Anderson used
the sonata form for the
first movement. It ends
with a cadenza that
carries us on into the
second part (in e minor).
The third part is a
typically cheerful
American folk dance in2/4
time, a so-called Hoe
Down, with a lilting,
lyrical passage as its
middle section. At the
end comes a solo passage
followed by a rapid
close.In this piano
concerto, Anderson
combines a rigidly
classical form of
composition with simple
andappealing themes and
elements from light
music. So this work is a
perfect synthesis of
light music and what is
called serious music, in
the same way as
Gershwin�s
Rhapsody in Blue. A work
that can be played
equally well in a
concerthall, at an
open-air concert or even
a pop
concert.
50 Classics. Composed by various artists and composers. This edition: Eas...(+)
50 Classics.
Composed by various
artists and composers.
This edition: Easy Hits
Piano. Book; P/V/C Mixed
Folio;
Piano/Vocal/Chords.
Alfred's Easy. Love; Pop;
Standard. 168 pages.
Published by Alfred Music
(AP.45244).
Ukulele SKU: AP.45152 50 Hits of the '60s, '70s & '80s. Composed b...(+)
Ukulele
SKU:
AP.45152
50 Hits
of the '60s, '70s &
'80s. Composed by
Various Artists and
composers. This edition:
Easy Hits Ukulele.
Series; Ukulele Mixed
Folio. Alfred's Easy.
Rock. Book. 120 pages.
Alfred Music #00-45152.
Published by Alfred Music
(AP.45152).
ISBN
9781470632847. UPC:
038081516318.
English.
For
beginning musicians,
Alfred's Easy series is
the fast track to
developing a repertoire
of well-known and
fun-to-play songs, while
more experienced players
will find an excellent
resource of favorite
songs. The Easy Hits
Ukulele format provides
melody, chords, and
lyrics for easy strum and
sing performance---plus
suggested strum patterns
and TAB for any integral
hook parts. This Classic
Rock edition features
songs spanning three
decades from such artists
as Chicago, The Rolling
Stones, Fleetwood Mac,
The Doors, Bruce
Springsteen, Crosby,
Stills, Nash and Young,
and many more! Titles: 25
or 6 to 4 (Chicago) *
Baby It's You (Smith) *
Behind Blue Eyes (The
Who) * Born to Run (Bruce
Springsteen) * Can't You
See (The Marshall Tucker
Band) * The Chain
(Fleetwood Mac) * The
Circle Game (Joni
Mitchell) * Colour My
World (Chicago) * Dancing
in the Dark (Bruce
Springsteen) * Do You
Feel Like We Do (Peter
Frampton) * Do You Want
to Know a Secret (The
Beatles) * Don't Stop
Believin' (Journey) *
Feelin' Stronger Every
Day (Chicago) * Go Your
Own Way (Fleetwood Mac) *
Good Times Bad Times (Led
Zeppelin) * Hit Me with
Your Best Shot (Pat
Benatar) * Hold the Line
(Toto) * Hold Your Head
Up (Argent) * I Hear You
Knocking (Dave Edmunds) *
I Saw Her Standing There
(The Beatles) * Let's
Spend the Night Together
(The Rolling Stones) *
The Letter (The Box Tops)
* Lido Shuffle (Boz
Scaggs) * Life in the
Fast Lane (The Eagles) *
Light My Fire (The Doors)
* Lola (The Kinks) *
Marrakesh Express
(Crosby, Stills and Nash)
* Only Women Bleed (Alice
Cooper) * Open Arms
(Journey) * Our House
(Crosby, Stills, Nash and
Young) * Paint It, Black
(The Rolling Stones) *
Pinball Wizard (The Who)
* Riders on the Storm
(The Doors) * Rock and
Roll (Led Zeppelin) * (I
Can't Get No)
Satisfaction (The Rolling
Stones) * Separate Ways
(Worlds Apart) (Journey)
* She Loves You (The
Beatles) * She's Not
There (The Zombies) *
Space Oddity (David
Bowie) * Spirit in the
Sky (Norman Greenbaum) *
Stairway to Hea.
50 Hits of the '60s, '70s and '80s. Composed by various artists and composer...(+)
50 Hits of the '60s, '70s
and
'80s. Composed by various
artists and composers.
This
edition: Easy Hits Piano.
Book; P/V/C Mixed Folio;
Piano/Vocal/Chords.
Alfred's
Easy. Rock. 192 pages.
Published by Alfred Music
Over 50 Pop Music Favorites (Piano/Vocal/Guitar). Composed by various artist...(+)
Over 50 Pop Music
Favorites
(Piano/Vocal/Guitar).
Composed by various
artists
and composers. This
edition:
Piano/Vocal/Guitar. Book;
P/V/C Mixed Folio;
Piano/Vocal/Chords.
Greatest
Hits. Pop; Rock. 280
pages.
Published by Alfred Music
A Midwest Fanfare Ensemble de cuivres [Conducteur] - Intermédiaire Anglo Music
Brass Band - Grade 5 SKU: BT.AMP-473-130 Composed by Philip Sparke. Cerem...(+)
Brass Band - Grade 5
SKU:
BT.AMP-473-130
Composed by Philip
Sparke. Ceremonial
Series. Opening Pieces.
Score Only. Composed
2019. 12 pages. Anglo
Music Press #AMP 473-130.
Published by Anglo Music
Press (BT.AMP-473-130).
English-German-French-
Dutch.
A Midwest
Fanfare was
commissioned by the Brass
Band of Battle Creek and
premiered by them during
their appearance at the
Midwest Clinic in Chicago
on 20th December 2017
where this fanfare was
the opening piece of the
entire event. This piece
is designed to be played
with the cornets split
into two teams either
side of the band. It
opens with the two groups
answering each other
antiphonally over a
repeated figure in the
lower band. A calmer
central section
introduces a euphonium
solo which is then taken
up by the whole ensemble.
This leads back to a
repeat of the opening
fanfares over a rhythmic
accompaniment and a short
coda which brings the
work to a
close.
A
Midwest Fanfare werd
geschreven in opdracht
van de Brass Band of
Battle Creek en op 20
december 2017 door dit
ensemble in première
gebracht als openingswerk
op de Midwest Clinic in
Chicago. Het werk is zo
gecomponeerd dat de
kornetten in twee teams
worden verdeeld, die aan
weerszijden van de band
komen te staan. Deze twee
groepen antwoorden elkaar
op antifonale wijze boven
een herhaald motief in de
lagere registers. Een
rustiger centraal
gedeelte introduceert een
eufoniumsolo, die
aansluitend wordt
overgenomen door de
complete band. Deze
passage mondt uit in een
herhaling van de
openingsfanfares boven
een ritmische
begeleiding, waarna het
werk met een korte coda
fraaiwordt afgesloten.
A Midwest
Fanfare wurde von der
Brass Band of Battle
Creek in Auftrag gegeben
und bei ihrem Auftritt
anlässlich der Midwest
Clinic in Chicago am 20.
Dezember 2017
uraufgeführt, wo diese
Fanfare den Auftakt
für die gesamte
Veranstaltung bildete.
Das Stück ist so
konzipiert, dass die
Kornette in zwei Gruppen
aufgeteilt sind und auf
beiden Seiten der Brass
Band platziert werden. Es
beginnt mit einem
Wechselgesang der beiden
Gruppen, der über
einer sich wiederholenden
Melodie in den tieferen
Stimmen der Brass Band
erklingt. Im ruhigeren
Mittelteil wird ein
Euphonium-Solo
vorgestellt, das dann vom
gesamten Ensemble
aufgenommen wird.
Schließlich kehren die
Eröffnungsfanfarenü
ber einer rhythmischen
Begleitung zurück und
eine kurze Coda bringt
das Werk zum Abschluss.
Make Me Smile Fanfare [Conducteur] - Facile Alfred Publishing
Marching Band - Grade 2 SKU: AP.40210S The Music of Chicago, Part 1(+)
Marching Band - Grade 2
SKU: AP.40210S
The Music of Chicago,
Part 1. By Chicago
and James Pankow. By
James Pankow. Arranged by
Michael Story and Mike
Story. Marching Band;
Performance Music
Ensemble; Single Titles.
Big and Easy. Rock.
Score. 12 pages. Duration
2:25. Alfred Music
#00-40210S. Published by
Alfred Music (AP.40210S).
UPC: 038081452463.
English.
We are
extremely proud to
present a three-piece
halftime show based on
the unforgettable music
from the jazz-rock group
Chicago. Here is a
driving arrangement of
Make Me Smile, one of the
band's biggest hits. In
addition to being the
opener to our show, this
chart would be great as a
stands or pep band tune
by taking the optional
cut for a shorter
version. Stellar!
(2:25).