Grade 3.5 SKU: CL.032-2476-01 Composed by Spera. Jazz Ensemble. Audio rec...(+)
Grade 3.5
SKU:
CL.032-2476-01
Composed by Spera. Jazz
Ensemble. Audio recording
available separately
(items CL.WFR177 &
CL.991-2008-02). Extra
full score. Composed
1992. Duration 6 minutes,
26 seconds. C.L.
Barnhouse #032-2476-01.
Published by C.L.
Barnhouse
(CL.032-2476-01).
A hot,
drivin’ shuffle by
Dominic Spera that is
sure to be a big favorite
at festivals and concerts
everywhere. An extremely
bold introduction gets
things started on the
right foot and then it
just gets better and
better! Easily opened up
for as many solos as you
wish, this exciting chart
is a real showstopper for
a solid band.
Some Juice for Bruce Ensemble Jazz [Conducteur et Parties séparées] - Intermédiaire C.L. Barnhouse
Grade 3 SKU: CL.032-2270-00 Composed by Rowe. Jazz Ensemble. Score and se...(+)
Grade 3
SKU:
CL.032-2270-00
Composed by Rowe. Jazz
Ensemble. Score and set
of parts. Composed 1990.
C.L. Barnhouse
#032-2270-00. Published
by C.L. Barnhouse
(CL.032-2270-00).
Hard
Drivin’ funk in
the Crusaders’
style. A great vehicle
for young soloists and
can be a super feature
for that one really
exceptional player in
your band! Playable with
reduced instrumentation.
Suggested solos
included.
The Main Attraction Ensemble Jazz [Conducteur] - Intermédiaire C.L. Barnhouse
Grade 3 SKU: CL.032-4858-01 Composed by Berg. Jazz Ensemble. Extra full s...(+)
Grade 3
SKU:
CL.032-4858-01
Composed by Berg. Jazz
Ensemble. Extra full
score. C.L. Barnhouse
#032-4858-01. Published
by C.L. Barnhouse
(CL.032-4858-01).
The Main
Attraction is a hard
drivin’ shuffle in
the style of Basie, Thad
and Mel, and Phil Wilson,
but with a slightly more
modern groove. This is
the perfect opener for
any concert or festival!
The tune is based on a
16-bar blues, features
lots of ensemble for the
band, and has solo spots
for any saxophone, brass
player, guitarist or
pianist. Your performance
can’t go wrong if
you’re featuring
The Main Attraction!.
A Complete Guide to Learning Jazz-Blues Guitar. Guitar Educational. Book and CD ...(+)
A Complete Guide to
Learning Jazz-Blues
Guitar. Guitar
Educational. Book and CD
Package. With notes and
tablature. Size 9x12
inches. 104 pages.
Published by Hal Leonard.
Grade 3 SKU: CL.032-3272-00 Composed by Rowe. Jazz Ensemble. Barnhouse Me...(+)
Grade 3
SKU:
CL.032-3272-00
Composed by Rowe. Jazz
Ensemble. Barnhouse
Medium Jazz Series. Audio
recording available
separately (items
CL.991-2003-01 &
CL.991-2003-02). Score
and set of parts.
Composed 2003. Duration 5
minutes, 4 seconds. C.L.
Barnhouse #032-3272-00.
Published by C.L.
Barnhouse
(CL.032-3272-00).
A hard drivin'
swing shuffle chart in
the Quincy Jones mode
that really cooks! Built
on an extended Blues
form, every section gets
a chance to shine and it
includes an open solo
section for the soloists
of your choosing (written
suggested solos are
included). Playable with
limited instrumentation
and a helpful Guitar
Performance Help Sheet is
included. Big sounding
ensemble sections make
this a great choice for
any occasion for
mid-level bands.
OUTSTANDING!
Cruisin' Orchestre d'harmonie [Conducteur et Parties séparées] - Facile FJH
By William Owens. For concert band. FJH Young Band. Full set (score and parts). ...(+)
By William Owens. For
concert band. FJH Young
Band. Full set (score and
parts). Score only also
available: B1353S. Grade
2. Score and set of
parts. Composed 2007
Grade 1 SKU: CL.015-3471-01 Composed by Shaffer. Young Concert Band. Elem...(+)
Grade 1
SKU:
CL.015-3471-01
Composed by Shaffer.
Young Concert Band.
Elementary Series. Audio
recording available
separately (items
CL.WFR336 & CL.WFR344).
Extra full score.
Composed 2005. Duration 2
minutes, 17 seconds. C.L.
Barnhouse #015-3471-01.
Published by C.L.
Barnhouse
(CL.015-3471-01).
A very easy but
solid rock tune that
features the whole drum
section. Full of fun and
vitality and a great way
to let your young
drummers shine! Horn
parts are powerful and
provide a great backing
for the percussion. Sure
to be a big hit at any
concert performance but
mostly, this one is just
a ton of fun!!!!
Composed by Bruce W.
Tippette. Concert String
Orchestra (CAS). Set of
Score and Parts. With
Standard notation.
16+4+16+10+10+10+3+12
pages. Duration 3
minutes, 50 seconds. Carl
Fischer Music #CAS113.
Published by Carl Fischer
Music (CF.CAS113).
ISBN 9781491151327.
UPC: 680160908820. 9 x 12
inches. Key: E
minor.
Composed by
Bruce W. Tippette,
Drifting?utilizes musical
passages to allude to the
image of something
drifting down a river in
the woods. It journeys
through twists and turns,
placid streams and
roaring rapids,
eventually making a grand
entrance into open
waters. The musical
passages in this piece
for string orchestra
conjure images of
something, perhaps a
leaf, gently drifting
down a river in the
woods. It journeys
through twists and turns,
placid streams and
roaring rapids,
eventually making a grand
entrance into open
waters. As
Drifting<
/em>
opens, soft pizzicato
strings are uttered in
the lower string voices,
while the upper voices
slowly swell into the
appearance of the main
motive in m. 9. This
theme develops and passes
through several voices
until being replaced by a
new motive in m. 36,
accompanied by driving
rhythms and frequent
modulations. A powerful
resurgence of the
original motive occurs in
m. 60. Melodic remnants
of the previous sections
are presented in a new
fashion as the piece
comes to a dramatic close
with all voices playing
in rhythmic unison in the
closing
measures.. The musical
passages in this piece
for string orchestra
conjure images of
something, perhaps a
leaf, gently drifting
down a river in the
woods. It journeys
through twists and turns,
placid streams and
roaring rapids,
eventually making a grand
entrance into open
waters. As
Drifting<
/em>
opens, soft pizzicato
strings are uttered in
the lower string voices,
while the upper voices
slowly swell into the
appearance of the main
motive in m. 9. This
theme develops and passes
through several voices
until being replaced by a
new motive in m. 36,
accompanied by driving
rhythms and frequent
modulations. A powerful
resurgence of the
original motive occurs in
m. 60. Melodic remnants
of the previous sections
are presented in a new
fashion as the piece
comes to a dramatic close
with all voices playing
in rhythmic unison in the
closing
measures.. The
musical passages in this
piece for string
orchestra conjure images
of something, perhaps a
leaf, gently drifting
down a river in the
woods. It journeys
through twists and turns,
placid streams and
roaring rapids,
eventually making a grand
entrance into open
waters. As Drifting
opens, soft pizzicato
strings are uttered in
the lower string voices,
while the upper voices
slowly swell into the
appearance of the main
motive in m. 9. This
theme develops and passes
through several voices
until being replaced by a
new motive in m. 36,
accompanied by driving
rhythms and frequent
modulations. A powerful
resurgence of the
original motive occurs in
m. 60. Melodic remnants
of the previous sections
are presented in a new
fashion as the piece
comes to a dramatic close
with all voices playing
in rhythmic unison in the
closing measures.
About Carl
Fischer Concert String
Orchestra
Series
Thi
s series of pieces (Grade
3 and higher) is designed
for advancing ensembles.
The pieces in this series
are characterized
by:
Expanded use
of rhythms, ranges and
keys but technical
demands are still
carefully
considered
More
comprehensive bowing
techniques
Viola
T.C.
included
Careful
selection of keys and
degree of difficulty for
advancing
musicians
Psalm 46 Chorale SATB SATB, Piano Lorenz Publishing Company
Composed by Mark Hayes (1953-). Choral. Sacred Anthem, Concert, Festival, Gen...(+)
Composed by Mark Hayes
(1953-). Choral. Sacred
Anthem, Concert,
Festival,
General. Lorenz
Publishing
Company #10/5724L.
Published
by Lorenz Publishing
Company
Orchestra - Grade 1.5 SKU: AP.45823S Composed by Michael Kamuf. Performan...(+)
Orchestra - Grade 1.5
SKU: AP.45823S
Composed by Michael
Kamuf. Performance Music
Ensemble; Single Titles;
String Orchestra. Belwin
Beginning String
Orchestra. Score. 12
pages. Duration 2:00.
Belwin Music #00-45823S.
Published by Belwin Music
(AP.45823S).
UPC:
038081529196.
English.
Perfect
for concerts and
festivals, Dayspring by
Michael Kamuf is an ideal
piece for reinforcing
both
dotted-quarter/eighth
note and syncopation
rhythms with your
beginning string
orchestra. In this
driving new work by
Michael Kamuf, the
lyrical melodies and
driving motifs are passed
around the entire
ensemble, supported by
rich harmonies.
(2:00).
Composed by
Traditional Christmas
Spiritual. Arranged by
Ken Berg. Sws.
Performance Score. 16
pages. Duration 3
minutes, 40 seconds. Carl
Fischer Music #CM9634.
Published by Carl Fischer
Music (CF.CM9634).
ISBN 9781491157060.
UPC: 680160915620. 6.875
x 10.5 inches. Key: G
major. English, English.
Traditional Christmas
Spiritual.
Berg's
fantastic setting of this
beloved American
Christmas spiritual for
advanced tenor-bass
choirs tells a story of
hope and meaning. The
various textures
throughout the a cappella
arrangement with solos
add much variety and
musical interest. A
holiday programming
must!. This beloved
American Christmas
Spiritual, like all
spirituals and/or folk
songs, tells a story.
This is a story of hope
and meaning. The
introductory solo call
and response (mm. 1-7) is
hymnic in nature, just to
get us started. (Think of
it as an effective head
fake!) The entrance at m.
8 from the upper three
voices (we'll call them
the trio part henceforth)
is pivotal. They set the
stage for the
conversation between the
singers and the soloist
for the rest of the song.
From this point, the song
is basically a Jazz Trio
in vocal form. The bass
singers take on the role
of the cool dude in the
back wearing dark glasses
and a beret playing the
string bass. They provide
the driving force for the
forward movement of the
entire song. The trio
part, basically tenors 1
& 2 and baritones,
take on the role of the
keyboard providing
chordal structure and
syncopation. Their job is
to fill the listener's
ear with sound and
rhythm. The soloist tells
the story using the known
melody and text with
appropriate improv
opportunities to keep the
listeners focused on the
message of the song.
There is enough
repetition to make for
easy learning, but this
also means that the
chords need to snap into
position cleanly every
time. The Verses are
easily identified (there
are three) and presented
with some small
variations in Verse 3
(see mm. 56-58...this
only happens once). The
Refrain (mm. 30-37) is
the part of the song
where the singers switch
from the Jazz Trio role
and actually become a
Men's Choral Ensemble.
This Refrain is repeated
after Verse 3 at mm.
66-71. Between verses 2
& 3, there is not a
refrain. Instead, there
is a bridge repeated from
the introductory
material, but used this
time to move us into a
new key signature. This
can be a very exciting
moment for the singers as
well as the listeners!
Measures 72-75 is known
in the business as a
vamp. It can be repeated
once and then move on, OR
it can be repeated
multiple times, depending
on the comfort level of
the soloist and the
response of the audience.
It is important that
there be a clear signal
from the conductor as to
how to end the vamp and
move effectively to the
actual coda of the song.
The ending should be sung
with tight control that
only looks like reckless
abandon! Faces bright;
words clean; melody
clear; rhythms precise!
Enjoy. This beloved
American Christmas
Spiritual, like all
spirituals and/or folk
songs, tells a story.
This is a story of hope
and meaning. The
introductory solo call
and response (mm. 1-7) is
hymnic in nature, just to
get us started. (Think of
it as an effective head
fake!)The entrance at m.
8 from the upper three
voices (we’ll call
them the “trio
part†henceforth)
is pivotal. They set the
stage for the
conversation between the
singers and the soloist
for the rest of the song.
From this point, the song
is basically a Jazz Trio
in vocal form. The bass
singers take on the role
of the cool dude in the
back wearing dark glasses
and a beret playing the
string bass. They provide
the driving force for the
forward movement of the
entire song.The
“trio partâ€,
basically tenors 1 & 2
and baritones, take on
the role of the keyboard
providing chordal
structure and
syncopation. Their job is
to fill the
listener’s ear
with sound and rhythm.The
soloist tells the story
using the known melody
and text with appropriate
improv opportunities to
keep the listeners
focused on the message of
the song.There is enough
repetition to make for
easy learning, but this
also means that the
chords need to
“snap into
position†cleanly
every time. The Verses
are easily identified
(there are three) and
presented with some small
variations in Verse 3
(see mm. 56-58…this
only happens once).The
Refrain (mm. 30-37) is
the part of the song
where the singers switch
from the “Jazz
Trio†role and
actually become a
“Men’s
Choral Ensembleâ€.
This Refrain is repeated
after Verse 3 at mm.
66-71. Between verses 2 &
3, there is not a
refrain. Instead, there
is a bridge repeated from
the introductory
material, but used this
time to move us into a
new key signature. This
can be a very exciting
moment for the singers as
well as the
listeners!Measures 72-75
is known in the business
as a “vampâ€.
It can be repeated once
and then move on, OR it
can be repeated multiple
times, depending on the
comfort level of the
soloist and the response
of the audience.It is
important that there be a
clear signal from the
conductor as to how to
end the
“vamp†and
move effectively to the
actual coda of the song.
The ending should be sung
with tight control that
only looks like reckless
abandon!Faces bright;
words clean; melody
clear; rhythms precise!
Enjoy.
Jazz Ensemble standard jazz ensemble - Grade 3 SKU: KN.61165 Composed by ...(+)
Jazz Ensemble standard
jazz ensemble - Grade 3
SKU: KN.61165
Composed by Jeff Jarvis.
Jazz Journey. 12/8 Funk.
Score and parts. Kendor
Music Inc #61165.
Published by Kendor Music
Inc (KN.61165).
UPC:
822795611655.
This
chart conjures up mental
images of driving on a
curvy mountain road
overlooking a picturesque
desert valley. This
exciting chart for
advancing groups has a
driving 12/8 funk feel
that is sure to engage
your band and audiences
with its relentless
intensity - but without
excessive brass range
demands (trumpet: D6 and
trombone: G4). The
harmonies are sturdy and
the melodies are
memorable. All
instrumental sections
have interesting,
well-articulated parts
and solo space is provide
for guitar and piano. A
guitar chord chard by Jim
Greeson is included in
each set. Duration
5:55.