(Revised Edition - Piano Solo). Composed by Johann Sebastian Bach (1685-1750). E...(+)
(Revised Edition - Piano
Solo). Composed by Johann
Sebastian Bach
(1685-1750). Edited by
Ulrich Scheideler. For
Piano Solo (Piano). Henle
Music Folios. SMP Level
10 (Advanced). Softcover.
52 pages. G. Henle
#HN592. Published by G.
Henle
(Revised Edition without Fingering - Piano Solo). Composed by Johann Sebastian B...(+)
(Revised Edition without
Fingering - Piano Solo).
Composed by Johann
Sebastian Bach
(1685-1750). Edited by
Ulrich Scheideler. For
Piano Solo. Henle Music
Folios. SMP Level 10
(Advanced). Softcover. G.
Henle #HN1592. Published
by G. Henle
Piano SKU: HU.HN589 Composed by Johann Sebastian Bach. Edited by Ullrich Scheid...(+)
Piano
SKU: HU.HN589
Composed by Johann
Sebastian Bach. Edited by
Ullrich Scheideler. Piano
and Keyboard, Repertoire,
Solos. Inventions and
Sinfonias. Baroque,
Classical. Softcover
Book. 99 pages. G. Henle
#HN589. Published by G.
Henle
(Revised Edition, Clothbound - Piano Solo). Composed by Johann Sebastian Bach (1...(+)
(Revised Edition,
Clothbound - Piano Solo).
Composed by Johann
Sebastian Bach
(1685-1750). Edited by
Ulrich Scheideler. For
Piano. Henle Music
Folios. SMP Level 9
(Advanced). Hardcover. G.
Henle #HN590. Published
by G. Henle
(Revised Edition without Fingering - Piano Solo). Composed by Johann Sebastian B...(+)
(Revised Edition without
Fingering - Piano Solo).
Composed by Johann
Sebastian Bach
(1685-1750). Edited by
Ulrich Scheideler. For
Piano Solo. Henle Music
Folios. SMP Level 9
(Advanced). Softcover. G.
Henle #HN1589. Published
by G. Henle
(Revised Edition - Piano Solo). Composed by Johann Sebastian Bach (1685-1750). E...(+)
(Revised Edition - Piano
Solo). Composed by Johann
Sebastian Bach
(1685-1750). Edited by
Ulrich Scheideler. For
Piano Solo (Piano). Henle
Music Folios. SMP Level 9
(Advanced). Softcover. G.
Henle #HN589. Published
by G. Henle
SKU: HL.49008379 German/French Language. Edited by Giselher Schube...(+)
SKU: HL.49008379
German/French
Language. Edited by
Giselher Schubert. This
edition: Hardback/Hard
Cover. Book. Edition
Schott. Eine komplexe
Einfuhrung in ein
musikhistorisch
relevantes Problemfeld
mit signifikantem Bezug
zur Gegenwart. Classical.
262 pages. Schott Music
#ED 9311. Published by
Schott Music
(HL.49008379).
ISBN
9783795704339. UPC:
073999370621.
6.75x9.5x0.706 inches.
German -
French.
The volume
concentrates on the
characteristic agreements
and differences in French
and German music and
musical development
during the 20th century
from an
historico-aesthetic point
of view. Particular
attention is given to
movements unique to one
country such as
Expressionism and Neue
Sachlichkeit on the one
hand and Musique concrete
and Musique acousmatique
on the other and the
reasons for their lack of
equivalent in the other
country.
Piano - Grade 6 SKU: BT.WMP2001 08 Grade 6. Arranged by Josephine ...(+)
Piano - Grade 6
SKU:
BT.WMP2001
08
Grade 6. Arranged by
Josephine Koh. Studies &
Exercises. Book Only. 44
pages. Wells Music
Publishers #WMP2001.
Published by Wells Music
Publishers (BT.WMP2001).
ISBN 9789810579067.
English.
Teacher
s' Choice, Piano
Examination Pieces
2007-2008 for Grades
6 to 8 are specially
compiled to provide
teachers and students
with good options for the
ABRSM Piano examinations.
Contains a
variety of
relevantalternative
choice pieces especially
selected and edited by
Josephine Koh and a team
of experienced music
teachers.
By Various. Edited by Volker Ochs. This edition: Paperbound. Choral collections....(+)
By Various. Edited by
Volker Ochs. This
edition: Paperbound.
Choral collections.
Sacred, Hymn settings,
Motets; Choral
Collections, Women's
Choir, Music for Casuals;
Occasions: Eucharist,
Communion, Peace and
Justice, First Communion,
Confirmation, Morning,
Midday, Evening, Psalms,
Baptism, Mourning, Death;
Use during church year:
Adv. Choral collection.
112 pages. Published by
Carus Verlag
By Andreas Raselius. Edited by Hermann Stern / Herbert Nitsche. This edition: pa...(+)
By Andreas Raselius.
Edited by Hermann Stern /
Herbert Nitsche. This
edition: paperbound.
Sacred, Motets; Choral
Collections, Mixed Choir;
Occasions: Peace and
Justice, Baptism; Use
during church year:
Advent, Special Days,
Epiphany, Easter and
Eastertide, Pentecost,
Trinity, Christmas.
Collection. 184 pages.
Published by Carus Verlag
Piano (KL) - easy to intermediate SKU: HL.49032876 A piece of Mozart b...(+)
Piano (KL) - easy to
intermediate
SKU:
HL.49032876
A
piece of Mozart by Cole
Porter. Composed by
G.D. Heumann. This
edition: Paperback/Soft
Cover. Sheet music.
Edition Schott. 80 pages.
Schott Music #ED 8980.
Published by Schott Music
(HL.49032876).
ISBN
9783795754464.
9.0x12.0x0.257
inches.
Dieser Band
enthalt die beliebtesten
Stucke von Mozart bis
Lehar und Cole Porter in
interessanten, leicht
spielbaren Arrangements
und bereitet sowohl dem
Spieler als auch dem
Zuhorer entspannende und
genussvolle Stunden. Er
ist eine ideale Erganzung
zur Klavierschule
Klavierspielen - mein
schonstes Hobby (ED 8246
+ ED 9399) und empfiehlt
sich auch als Erganzung
zu jeder anderen
Klavierschule. Auch fur
Wiedereinsteiger am
Klavier bestens
geeignet.
Harpsichord; Orchestra (Study Score) SKU: HL.51487383 Study Score....(+)
Harpsichord; Orchestra
(Study Score)
SKU:
HL.51487383
Study
Score. Composed by
Johann Sebastian Bach.
Edited by Maren Minuth,
Norbert Mü, and
llemann. Henle Music
Folios. Classical,
Concerto. Softcover. 55
pages. G. Henle #HN7383.
Published by G. Henle
(HL.51487383).
UPC:
196288308201.
6.75x9.5x0.198
inches.
Bach's
harpsichord concertos
have proven extremely
popular, though several
were originally written
as concertos for another
solo instrument - either
violin or a woodwind
instrument. But we know
nothing about any such
preliminary versions in
the case of the A-major
Concerto BWV 1055. Its
enchantingly songlike
middle movement
inevitably makes one
think of the oboe
d�amore, though
there is in fact no
reason to suppose that
its idiomatic, spirited
harpsichord writing was
conceived from the outset
for anything but a
keyboard instrument.
Ultimately, this music is
so fresh and irresistible
that all such speculation
is irrelevant. For this
Henle Urtext edition of
the A-major Concerto, we
consulted the autograph
score and especially the
original orchestral parts
that presumably contain
the musical text of the
concerto as Bach himself
performed it. You can't
get more authentic than
this!
About Henle
Urtext
What I can expect from
Henle Urtext
editions:
error-free, reliable
musical texts based on
meticulous musicological
research - fingerings and
bowings by famous artists
and pedagogues
preface in 3
languages with
information on the
genesis and history of
the workÂ
Critical Commentary
in 1 â 3 languages
with a description and
evaluation of the sources
and explaining all source
discrepancies and
editorial
decisionsÂ
most beautiful music
engravingÂ
page-turns, fold-out
pages, and cues where you
need themÂ
excellent print
quality and
bindingÂ
largest Urtext
catalogue
world-wideÂ
longest Urtext
experience (founded 1948
exclusively for Urtext
editions)
2 Pianos, 4 Hand Reduction Piano Duet (2-Pianos) SKU: HL.51481383 2 Pi...(+)
2 Pianos, 4 Hand
Reduction Piano Duet
(2-Pianos)
SKU:
HL.51481383
2
Pianos, 4 Hand Reduction
2 copies needed to
perform. Composed by
Johann Sebastian Bach.
Edited by Maren Minuth,
Norbert Mü, and
llemann. Henle Music
Folios. Classical.
Softcover. 35 pages. G.
Henle #HN1383. Published
by G. Henle
(HL.51481383).
UPC:
196288308102.
9.25x12.25x0.123
inches.
Bach's
harpsichord concertos
have proven extremely
popular, though several
were originally written
as concertos for another
solo instrument â
either violin or a
woodwind instrument. But
we know nothing about any
such preliminary versions
in the case of the
A-major Concerto BWV
1055. Its enchantingly
songlike middle movement
inevitably makes one
think of the oboe
d�amore, though
there is in fact no
reason to suppose that
its idiomatic, spirited
harpsichord writing was
conceived from the outset
for anything but a
keyboard instrument.
Ultimately, this music is
so fresh and irresistible
that all such speculation
is irrelevant. For this
Henle Urtext edition of
the A-major Concerto, we
consulted the autograph
score and especially the
original orchestral parts
that presumably contain
the musical text of the
concerto as Bach himself
performed it. You
can�t get more
authentic than this! The
piano reduction contains
the solo part with
carefully chosen
fingerings by Michael
Schneidt, plus a piano
accompaniment that
Johannes Umbreit has
arranged so as to be
practical and easily
playable.
About Henle
Urtext
What I can expect from
Henle Urtext
editions:
error-free, reliable
musical texts based on
meticulous musicological
research - fingerings and
bowings by famous artists
and pedagogues
preface in 3
languages with
information on the
genesis and history of
the workÂ
Critical Commentary
in 1 â 3 languages
with a description and
evaluation of the sources
and explaining all source
discrepancies and
editorial
decisionsÂ
most beautiful music
engravingÂ
page-turns, fold-out
pages, and cues where you
need themÂ
excellent print
quality and
bindingÂ
largest Urtext
catalogue
world-wideÂ
longest Urtext
experience (founded 1948
exclusively for Urtext
editions)
Unlocking the Value of Music Education in the Age of Innovation. Composed...(+)
Unlocking the Value of
Music Education in the
Age of Innovation.
Composed by Elizabeth
Sokolowski. Music
Education. Book. 168
pages. GIA Publications
#8357. Published by GIA
Publications (GI.G-8357).
Organ SKU: BA.BA11243 Composed by Gunther Martin Göttsche and Martin W...(+)
Organ
SKU:
BA.BA11243
Composed
by Gunther Martin
Göttsche and Martin
Weyer. Paperback. Small
chorale preludes and
accompaniments to the
German Protestant Hymn
Book. EG 1-535.
Performance score,
anthology. EG 1-535. 612
pages. Baerenreiter
Verlag #BA11243_00.
Published by Baerenreiter
Verlag (BA.BA11243).
ISBN 9790006564439. 24
x 30.5 cm inches. Text
language: German.
Preface: Göttsche,
Gunther Martin / Weyer,
Martin.
I Lift
Up My Soul to You.
Composed by Donna Pena.
Advent 1 C, Lent 1 B,
Ordinary Time 3 B,
Ordinary Time 26 A.
Celebration Series.
Sacred. Octavo. With
guitar chord names. 8
pages. GIA Publications
#3353. Published by GIA
Publications (GI.G-3353).
English, Spanish. Text
Source: adapt. Porter,
Thomas. Text by Donna
Peña. Scripture: Psalm
25.
Composed by Adam Gorb.
Arranged by Michael
Brand. Band Music. Score
only. Duration 4:20.
Published by G & M Brand
Music Publishers
(CN.S11242).
Scenes from an
English Landscape is a
brief nostalgic tone poem
taking its inspiration
from visions of rural
England as depicted in
the paintings of John
Constable, the novels of
Thomas Hard, and the
music of Gustav Holst and
Ralph Vaughan Williams. A
chorale-like theme is
stated in the brass and
then taken up at three
times the tempo in the
woodwinds. At the end of
the work, both versions
of the theme are stated
together to bring the
piece to a triumphant
climax.
This is a
brief nostalgic tone poem
taking its inspiration
from visions of rural
England as depicted in
the paintings of John
Constable, the novels of
Thomas Hard, and the
music of Gustav Holst and
Ralph Vaughan Williams. I
imagined a community of
villagers coming out of
church and filling a
village square with their
vibrant presence. A
chorale-like theme is
stated in the brass and
then taken up at three
times the tempo in the
woodwinds. At the end o
the work, both versions
of the theme are stated
together to bring the
piece to a triumphant
climax. Adam Gorb was
born in Cardiff and
started composing at the
age of ten. His first
work broadcast on
national radio was
written when he was
fifteen. He studied at
Cambridge University
(1977-1980) and the Royal
Academy of Music
(1991-1993) where he
graduated with the
highest honours including
the Principal's Prize. He
has been on the staff at
the London College of
Music and Media, the
junior Academy of the
Royal Academy of Music
and, since 2000 he has
been the Head of School
of Composition at the
Royal Northern College of
Music in Manchester .
International recognition
came in 1994 with the US
Walter Beeler Prize for
his work Metropolis .
With it began what has
developed into probably
the most important wind
ensemble catalogue by a
contemporary composer,
ranging from extremely
challenging to the most
accessible, at all
technical levels, seized
on by players
internationally, widely
recorded and now
absolutely central to the
world's wind repertoire.
Equally important though
are his works for dance,
and concert pieces like
the chamber orchestral
Weimar , the Violin
Sonata , a Clarinet
Concerto for the Royal
Liverpool Philharmonic
Orchestra and Diaspora
for strings (for the
Goldberg Ensemble).
Deceptively mainstream at
first glance, they
display the same
inventive brilliance,
pulsating sound world,
striking use of rhythm
and an undogmatic absence
of stylistic hang-ups to
embrace jazz and
serialism in works where
power, poetry, irony and
pathos, often underlaid
by a theatrical and
deeply subversive
element, coalesce in an
integrated, highly
individual musical voice.
Gorb is also not afraid
to draw on the vivid
musical heritage of his
Jewish roots, sometimes
directly, often in a more
subsumed or radically
creative way. The crucial
and consistent feature of
Gorb's work though is
that it communicates
strongly without
patronizing players or
audiences. He firmly
believes that if
contemporary music - any
music - does not impact
on listeners then its
message is irrelevant; it
is lost.
Concert band (Flute 1,
Flute 2/Piccolo, Oboe, Bb
Clarinet 1, Bb Clarinet
2, Bb Clarinet 3, Bb Bass
Clarinet, Bassoon, Alto
Saxophone 1/2, Tenor
Saxophone, Baritone
Saxophone, Bb Trumpet 1,
Bb Trumpet 2, Bb Trumpet
3, Horn in F 1/2, Horn in
F 3/4, Trombone 1/2,
Trombone) - grade 3
SKU: CN.S11293
Composed by Peter
Meechan. Score only.
Duration 4:15. Published
by G & M Brand Music
Publishers (CN.S11293).
Inspired by the
release of Nelson Mandela
in the early 1990s, Hymn
for Africa pays tribute
to the sense of dignity
and peace that he brought
not only to South Africa,
but around the entire
globe. As the beautifully
lush chorale unfolds,
quietly undulating drums
murmur in the distance
and gradually build into
a rousing
climax.
Hymn for
Africa was written as
part of a project known
as Brass Band Aid. When I
was asked to compose a
piece with relevance to
Africa for the project, I
began to think of all the
things that I associate
with Africa. I have vivid
memories from my
childhood of the
hard-hitting news reports
from the famines of the
early/mid 1980's (and the
concerts that followed).
I also associate Africa
with amazing animal life
- the many species from
snakes to birds to lions,
with their many colours.
But more than these
associations, there is
one memory that stands
out amongst all others.
The release of Nelson
Mandela in the early
1990's had a profound
effect not only in South
Africa, but all over the
continent of Africa, as
well as the World as a
whole. The fact that one
man can achieve this with
peace and great dignity
will always be an
inspiration, not only to
me, but many, many
millions of humans around
the globe. Hymn for
Africa is inspired by
this sense of dignity and
peace. A simple eight bar
melody is the basis of
the composition. A drone
is then added, before a
chorale, and finally a
rousing climax when the
percussion and full band
enter. The piece
dedicated to Bob and
Briony Thompson in
admiration.