Piano - easy SKU: BT.BOE8009 20 Film-Hits für Klavieranfänger/in...(+)
Piano - easy
SKU:
BT.BOE8009
20
Film-Hits für
Klavieranfänger/innen<
/i>. Arranged by Hans
Gunter Heumann. Start Up
Piano.
TV-Film-Musical-Show.
Book Only. Composed 2021.
64 pages. Bosworth & Co.
#BOE8009. Published by
Bosworth & Co.
(BT.BOE8009).
ISBN
9783954562800.
German.
20
Film-Hits für
Klavieranfänger/innen<
/h3>
Dieser Spielband
aus der Serie Start Up
Piano mit 20 Film-Hits,
die jeder gerne spielen
möchte, richtet sich
an
Klavieranfänger/innen
im 1. und 2.
Unterrichtsjahr, ebenso
an Autodidakten/innen.
Akkorde wurden hier
strikt gemieden, schwer
zu spielende Rhythmen
vereinfacht, aber dennoch
dem Original
nachempfunden. Die
Spielstücke stehen in
einfachen Tonarten bis zu
einem Vorzeichen. Alles
ist pädagogisch
aufbereitet und mit
Tempoangaben,
Fingersätzen, Dynamik,
Akkordsymbolen sowie dem
Text versehen. Start Up
Piano ist ein einfaches,
unkompliziertes
Spielvergnügen für
Unterricht und Freizeit.
Der ideale Begleiter mit
einem breitgefächerten
Repertoire für die
Anfangszeit am
Klavier.
Flute and piano - Level 3 SKU: LM.27958 Composed by Jean Marc Allerme and...(+)
Flute and piano - Level 3
SKU: LM.27958
Composed by Jean Marc
Allerme and Vincent
Charrier. Pop, jazz.
Score and CD. Editions
Henry Lemoine #27958.
Published by Editions
Henry Lemoine (LM.27958).
ISBN
9790230979580.
Josh
ua Fit the Battle of
Jericho (trad.) -
TCHAIKOVSKI P.I. :
Fantasia, Valse des
Fleurs extr. de
Casse-noisette - CARMEN
E. : All by Myself -
BETTI H. / HORNEZ A. :
C'est si bon -
MENDELSSOHN F. : Les
Visiteurs, Concerto pour
violon - Nobody Knows The
Trouble l've Seen (Trad.)
- MANCINI H. : The Pink
Panther - SCHIFFRIN L. :
Mission impossible -
WILLIAMS J. : Les
Aventuriers de l'Arche
perdue, Raider's March -
ALBINONI T. : Quatre
mariages et un
enterrement, Adagio.
Violin and Piano SKU: BT.EMBZ4620 No. 4 L'inverno RV 297 (F.I. No. 25,...(+)
Violin and Piano
SKU:
BT.EMBZ4620
No. 4
L'inverno RV 297 (F.I.
No. 25, P.V. 442).
Composed by Antonio
Vivaldi, Imre Sulyok, and
Vilmos Tatrai. Book Only.
Composed 1967. 26 pages.
Editio Musica Budapest
#EMBZ4620. Published by
Editio Musica Budapest
(BT.EMBZ4620).
Violin and Piano SKU: BT.EMBZ4618 No. 2. L'estate RV 315 (F.I. No. 23,...(+)
Violin and Piano
SKU:
BT.EMBZ4618
No. 2.
L'estate RV 315 (F.I. No.
23, P.V. 336).
Composed by Antonio
Vivaldi, Imre Sulyok, and
Vilmos Tatrai. Book Only.
Composed 1967. 34 pages.
Editio Musica Budapest
#EMBZ4618. Published by
Editio Musica Budapest
(BT.EMBZ4618).
Organ (Organ) SKU: HL.49032188 Composed by Anfaenge. Edited by Sandor Mar...(+)
Organ (Organ)
SKU:
HL.49032188
Composed
by Anfaenge. Edited by
Sandor Margittay. This
edition: Paperback/Soft
Cover. Sheet music.
Edition Schott. 72 pages.
Schott Music #ED 6756.
Published by Schott Music
(HL.49032188).
A Heritage of Song - High Voice The Vocal Library. Arranged by Carol Kimball. (...(+)
A Heritage of Song - High
Voice The Vocal Library.
Arranged by Carol
Kimball. (High Voice).
Vocal Collection.
Softcover. Size 9x12
inches. 216 pages.
Published by Hal Leonard.
Edited by David Dutkanicz. For solo piano. Book; Masterworks; Piano Collection. ...(+)
Edited by David
Dutkanicz. For solo
piano. Book; Masterworks;
Piano Collection. Dover
Edition. Classical.
Collection. 125 pages.
Published by Dover
Publications
Sona
ta No. 6 Kharkiv for
guitar solo was composed
in 2021, in the end of
the COVID-19 lockdown. At
that time my family and I
were staying in our home
city of Kharkiv (also
known as Kharkov),
Ukraine for almost two
years. We considered that
pandemic period as a
disaster, but later have
realized that it actually
was a rather happy time,
because a war came to our
homeland just a few
months later. Since 2022
a considerable fraction
of the 1.5 millions of
Kharkiv citizens have
left their homes, those
who stayed have been
living under ceaseless
missile attacks, and many
have been killed. I would
like to dedicate this
Sonata to the frontier
city of Kharkiv and, most
of all, to its citizens
suffering from the
war. Yet, the music of
the Sonata does not have
any specific program.
Here I will give a brief
overview of its main
composition elements to
facilitate future
interpretations. The
first and fourth
movements of this Sonata
are based on the
interplay between the
twelve-tone principle and
the G-major tonal center,
natural for the guitar.
Namely, the first
movement is based on the
interaction of the
G-major triad Gâ??Bâ??D
of the open guitar
strings 2â??3â??4,
ascending motif 1
involving the notes
Eâ??F#â??Aâ??C#
(originally on the first
string), and descending
motif 2 using the notes
E-â??Câ??Bbâ??A-
(originally, on the bass
string 6). These elements
supplement each other to
almost make up twelve
tones (apart from the
missing F), and the
motifs alternate with
ostinato fragments where
each note in the G major
triad is step-by-step
moved by a semitone up or
down. The second
movement is a Scherzo
involving numerous
semitones in accented
chords and fast passages,
as well as chromatic
melodic motion in the
bass voice. It is almost
atonal in some fragments,
but has an overall tonal
center of A-minor. The
third movement is a
meditative Adagio based
on a theme composed
within hexatonic scale
Dâ??Eâ??Fâ??G#â??Aâ?
?B and ostinato chords
involving open bass
strings Eâ??Aâ??D and
semitone
Bâ??C. Finally, the
fourth movement is based
on the complete
twelve-tone theme
consisting of two phrases
including motifs 1 and 2
from the first movement:
Gâ??Fâ??Bbâ??Abâ??Câ
??Ebâ??D and
Eâ??Bâ??C#â??Aâ??F#.
This theme is presented
in its prime and
retrograde forms. There
are dialogues between the
first string, basses and
open middle strings,
similar to the first
movement. In the
culmination, the
twelve-tone theme is
performed using the
parallel motion of the
standard guitar G-major
chord with open middle
strings across twelve
positions. The Sonata
was premiered and
recorded (CD Naxos No.
8.574630) by the
prominent Ukrainian
guitarist Marko Topchii
who has also lived and
studied in Kharkiv. I am
extremely grateful to him
for the brilliant
performance of this
piece. I am greatly
indebted to Productions
dâ??Oz for keeping my
original notations in
places where these do not
conform to the
publisherâ??s style.
(Over 850 Classical Themes and Melodies in the Original Keys) For C instrument. ...(+)
(Over 850 Classical
Themes and Melodies in
the Original Keys) For C
instrument. Format:
fakebook (spiral bound).
With vocal melody
(excerpts) and chord
names. Lassical. Series:
Hal Leonard Fake Books.
646 pages. 9x12 inches.
Published by Hal Leonard.
Evolution Ensemble de cuivres [Conducteur et Parties séparées] - Intermédiaire Anglo Music
Brass Band - Grade 4 SKU: BT.AMP-338-030 Five States of Change. Co...(+)
Brass Band - Grade 4
SKU:
BT.AMP-338-030
Five States of
Change. Composed by
Philip Sparke. Anglo
Music Midway Series.
Concert Piece. Set (Score
& Parts). Composed 2011.
Anglo Music Press #AMP
338-030. Published by
Anglo Music Press
(BT.AMP-338-030).
9x12
inches.
English-German-French-Dut
ch.
Evolution was commissioned by
Kunstfactor for the 4th
section of the Dutch
National Brass Band
Championships (NBK) 2011.
It is dedicated to Jappie
Dijkstra and the Music
Information Centre (MUI),
Arnhem, Holland, in
acknowledgement of their
outstanding work in
developing brass band
repertoire. The composer
writes:-The idea for the
piece came when I was
reading an article about
a branch of Chinese
philosophy which is
abbreviated as Wu Xing,
which has no exact
translation but can mean,
for example, five
elements, five phases or
five states of change. It
is central to all
elements of Chinese
thought, including
science, philosophy,
medicine and astrology,
and in simpleterms tries
to create various cyclic
relationships between
five elements in all
walks of life. An example
is: Earth - Metal - Water
- Wood - Fire - (Earth)
etc. where (in one cycle)
earth bears metal, metal
changes to liquid (water)
when heated, water helps
trees grow, wood burns to
create fire, fire
produces ash (earth) and
the cycle continues.I was
particularly interested
in the cycle of emotions:
Meditation - Sorrow -
Fear - Anger - Joy -
(Meditation) etc. and
thought this cyclic
principle would provide
an effective emotional
journey for a piece of
music. So
Evolution has five
equal sections which
loosely characterise this
emotional cycle. I have
tried to make the music
grow organically, with
minimal repetition, and
each movement evolves
from the musical elements
at the end of the
previous one, with the
opening material
appearing, transformed,
at the end of the piece
to complete the cycle.
Evolution
is geschreven in opdracht
van Kunstfactor voor de
4e divisie van de NBK
(Nederlandse Brassband
Kampioenschappen) 2011.
Het werk is opgedragen
aan Jappie Dijkstra en
het MUI (Muziekuitleen-
en Informatiecentrum) te
Arnhem, als waardering
voor hun inspanningen met
betrekking tot de
ontwikkeling van het
brassbandrepertoire.De
componist schrijft:Het
idee voor
Evolution kwam in mij
op toen ik een artikel
las over een tak binnen
de Chinese filosofie
waarvan de naam wordt
afgekort tot Wu Xing -
waar geen exacte
vertaling voor is, maar
wat zoveel betekent als
vijf elementen, vijf
fasen of vijf stadia van
verandering. Het gaat om
een wezenlijk onderdeel
van allecomponenten
binnen het Chinese
gedachtegoed, inclusief
de wetenschap, filosofie,
geneeskunst en
astrologie. Simpel gezegd
draait het om het
creëren van diverse
cyclische verbanden
tussen vijf elementen die
in ieders leven een rol
spelen. Een voorbeeld:
Aarde - Metaal - Water -
Hout - Vuur - (Aarde)
enz. In deze cyclus bevat
aarde metaal; metaal
verandert in vloeistof
(water) door verhitting;
water helpt bomen te
groeien; hout dat brandt
creëert vuur; en vuur
produceert as (aarde). Zo
blijft de cyclus
voortgaan. Zelf was ik
vooral ge nteresseerd in
de cyclus van emoties:
Meditatie - Verdriet -
Angst - Boosheid -
Vreugde - (Meditatie)
enz. De gedachte aan dit
cyclische principe
leverde een reis door een
muzikale wereld van
emoties op.
Evolution bestaat
uit vijf delen die
betrekking hebben op de
emotionele cyclus. Ik heb
geprobeerd de muziek op
natuurlijke wijze te
laten ontstaan, met zo
weinig mogelijk
herhalingen. Elk deel
vloeit voort uit de
muzikale elementen uit
het slot van het
voorgaande deel. Het
openingsmateriaal komt,
in getransformeerde
gedaante, terug aan het
einde van het werk,
waarmee de cyclus wordt
afgerond.
Evolution
wurde von Kunstfactor
für die vierte
Abteilung der
Holländischen
Nationalen
Brass-Band-Meisterschaft
(NBK) 2011 in Auftrag
gegeben. Die Widmung gilt
Jappie Dijkstra und dem
Musik-Informationszentrum
(MUI) in Arnhem
(Holland), in Anerkennung
ihrer
außerordentlichen
Bemühungen um die
Entwicklung des
Brass-Band-Repertoires.De
r Komponist über sein
Werk:Die Idee zu diesem
Stück kam mir beim
Lesen eines Artikels
über eine Richtung der
chinesischen Philosophie,
die abgekürzt Wu Xing
heißt, was nicht
wörtlich übersetzt
werden kann, aber so viel
wie fünf Elemente,
fünf Phasen oder
fünf Stadien der
Verwandlung bedeutet.
Dieses Prinzip nimmt eine
zentrale Positionim
gesamten chinesischen
Gedankengut ein, sei es
in der Wissenschaft,
Medizin oder Astrologie.
Einfach ausgedrückt,
werden damit in allen
Lebensbereichen
verschiedene zyklische
Beziehungen zwischen
fünf Elementen
hergestellt.Zum Beispiel:
Erde - Metall - Wasser -
Holz - Feuer - (Erde) -
usw. In diesem Zyklus
enthält die Erde
Metall, das sich bei
Erhitzung verflüssigt
(Wasser); Wasser lässt
Bäume wachsen, deren
Holz verbrennt (Feuer)
und zu Asche wird (Erde),
womit der Kreislauf von
neuem beginnt.Mich
interessierte besonders
der Kreislauf von
Gefühlen: Meditation -
Trauer - Angst -
Ärger - Freude -
(Meditation) usw. Ich
dachte mir, dass dieser
Kreislauf eine
wirkungsvolle emotionale
Reise“ durch ein
Musikstück darstellen
könnte. Folglich
besteht Evolution
aus fünf gleichen
Abschnitten, die diesen
Kreislauf der Gefühle
grob nachzeichnen. Ich
habe versucht, die Musik
organisch wachsen zu
lassen mit möglichst
wenig Wiederholungen.
Jeder Satz entwickelt
sich aus den Elementen
vom Ende des
vorhergehenden Satzes und
das Material der
Eröffnung vollendet am
Schluss des Werkes den
Kreis.
From Bach to Brahms Flûte traversière et Piano [Partition + CD] - Facile Mitropa Music
Flute and Piano - early intermediate SKU: BT.1947-13-400-M Selected pi...(+)
Flute and Piano - early
intermediate
SKU:
BT.1947-13-400-M
Selected pieces from
two centuries for Flute
and Piano. Composed
by Various. Arranged by
Franco Cesarini. Book
with CD. Composed 2013.
44 pages. Mitropa Music
#1947-13-400 M. Published
by Mitropa Music
(BT.1947-13-400-M).
ISBN 9789043137348.
9x12 inches.
International.
FROM
BACH TO BRAHMS leads
through 200 years of
music history. The
arrangements of these 16
small, easily accesible
pieces, that were
originally written for
various instruments, are
a wonderful addition to
the repertoire of every
flautist. They can
beperformed together with
a pianist, playing from
the accompaniments
printed in the book, or
with the enclosed CD
which contains
demonstrations as well as
the piano accompaniments
of each piece.
Contents: March (J. S.
Bach) • Musette (J.
S. Bach) • Air (G.
F. Händel) •
Impertinence (G. F.
Händel) • Les
Fifres (J. F. Dandrieu)
• Tambourin (J. P.
Rameau) • Allegro
(W. F. Bach) • The
Ox Minuet (J. Haydn)
• Serenade (J.
Haydn) • Minuet
(Mozart)• Bagatelle
(Beethoven) •
Walzer (C. M. von Weber)
• Serenade
(Ständchen) (F.
Schubert) • Song
without Words (F.
Mendelssohn) •
Evening Song (R. Schumann
• Walzer (J.
Brahms).
Deze
veertien eenvoudige
bewerkingen van beroemde
klassieke stukken zijn
een prachtige uitbreiding
van het repertoire voor
fluit en piano. Op de
bijgeleverde cd staan
zowel demo´s als
begeleiding-tracks.
Inhoud: March (J. S.
Bach) • Musette (J.
S. Bach) • Air (G.
F. Händel) •
Impertinence (G. F.
Händel) • Les
Fifres (J. F. Dandrieu)
• Tambourin (J. P.
Rameau) • Allegro
(W. F. Bach) • The
Ox Minuet (J. Haydn)
•Serenade (J.
Haydn) • Minuet
(Mozart) •Bagatelle
(Beethoven) •
Walzer (C. M. von Weber)
• Serenade (F.
Schubert) • Song
without Words (F.
Mendelssohn) •
Evening Song (R.
Schumann) • Walzer
(J. Brahms).
FROM
BACH TO BRAHMS
präsentiert 16
Stücke von einigen der
bekanntesten Komponisten
aus 200 Jahren
Musikgeschichte.
Inhalt
: March (J. S. Bach)
• Musette (J. S.
Bach) • Air (G. F.
Händel) •
Impertinence (G. F.
Händel) • Les
Fifres (J. F. Dandrieu)
• Tambourin (J. P.
Rameau) • Allegro
(W. F. Bach) • The
Ox Minuet
(Ochsen-Menuett) (J.
Haydn) • Serenade
(J. Haydn) •Minuet
(Mozart) •
Bagatelle (Beethoven)
• Walzer (C. M. von
Weber) • Serenade
(Ständchen) (F.
Schubert) • Song
without Words (Lied ohne
Worte) (F. Mendelssohn)
• Evening Song
(Abendlied) (R. Schumann
• Walzer (J.
Brahms).
Compo
sizioni note e meno note
di oltre 200 anni di
storia musicale. Il
barocco è presente con
i compositori francesci
Rameau e Dandrieu.
Mozart, Beethoven e Haydn
sono anch´essi
rappresentati, così
come gli esponenti del
periodo romantico quali
vonWeber e Schubert.
Indice: March (J. S.
Bach) • Musette (J.
S. Bach) • Air (G.
F. Händel) •
Impertinence (G. F.
Händel) • Les
Fifres (J. F. Dandrieu)
• Tambourin (J. P.
Rameau) • Allegro
(W. F. Bach) • The
Ox Minuet (J. Haydn)
•Serenade (J.
Haydn) • Minuet
(Mozart) •Bagatelle
(Beethoven) •
Walzer (C. M. von Weber)
• Serenade (F.
Schubert) • Song
without Words (F.
Mendelssohn) •
Evening Song (R.
Schumann) • Walzer
(J. Brahms).