Revised Edition. Composed by Johannes Brahms (1833-1897). Edited by Camil...(+)
Revised Edition.
Composed by Johannes
Brahms (1833-1897).
Edited by Camilla Cai.
Henle Music Folios.
Softcover. 44 pages. G.
Henle #HN560. Published
by G. Henle
(HL.51480560).
Polovtsian Dances Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire De Haske Publications
Concert Band/Harmonie and Percussion Solo - Grade 5 SKU: BT.DHP-1094652-010(+)
Concert Band/Harmonie and
Percussion Solo - Grade 5
SKU:
BT.DHP-1094652-010
For Snare Drums and
Band. Composed by
Alexander Porfiryevich
Borodin. Arranged by
Masamicz Amano. New
Sounds for Concert Band.
Classical. Set (Score &
Parts). Composed 2009. De
Haske Publications #DHP
1094652-010. Published by
De Haske Publications
(BT.DHP-1094652-010).
9x12 inches.
English-German-French-Dut
ch.
This
arrangement of the
popular Polovtsian
Dances by Russian
composer Borodin contains
seven dances from the
original manuscript, some
of which have been used
in the musical
Kismet, as well as
being performed by such
famous names as Tony
Bennett and Bing Crosby.
Includes a solo for snare
drum!
Masamicz
Amono bewerkte de
´Polovetser Dansen´
van de rus Alexander
Borodin voor
harmonieorkest. Borodin
begon in 1869 aan de
opera, Prins Igor,
volgens sommigen zijn
voornaamste werk. De
opera bevat deze
Polovetser
Dansen,die meestal
als een zelfstandig stuk
wordt uitgevoerd en in
deze vorm waarschijnlijk
zijn meest bekende
compositie is. Bij zijn
dood was de opera niet
volledig, daar hij
onvoldoende tijd had voor
componeren, gezien zijn
werkals scheikundige. De
opera werd postuum
afgemaakt door Nikolaj
Rimski-Korsakov en
Aleksandr
Glazoenov.
Masamic
z Amano nahm sich die
beliebten Polovetzer
Tänze des russischen
Komponisten Alexander
Borodin vor, die auch
schon im Musical
Kismet verwendet
und als Lied von Tony
Bennet, Bing Crosby und
den Four Aces
interpretiert wurden.
Amano schuf daraus ein
überzeugendes
Arrangement für
Blasorchester, in dem die
Snare Drum solistisch
glänzen darf.
Le
Polovtsian Dances
offrono l’esempio
più spettacolare
dell’esotismo
musicale russo, fatto di
una sensualit selvaggia e
di una rara virtuosit
orchestrale. Questo
divertimento ballato e
cantato in vari episodi,
quintessenza
dell’opera Il
Principe Igor (1879),
contiene tutto ciò che
l’Europa del XIX
secolo adora: desiderio
di posti lontani,
attrazione per un oriente
più sognato che reale.
L’arrangiamento di
Masamicz Amano propone un
delizioso assolo per
rullante.
Polovtsian Dances Orchestre d'harmonie [Conducteur] - Intermédiaire De Haske Publications
Concert Band/Harmonie and Percussion Solo - Grade 5 SKU: BT.DHP-1094652-140(+)
Concert Band/Harmonie and
Percussion Solo - Grade 5
SKU:
BT.DHP-1094652-140
For Snare Drums and
Band. Composed by
Alexander Porfiryevich
Borodin. Arranged by
Masamicz Amano. New
Sounds for Concert Band.
Classical. Score Only.
Composed 2009. 40 pages.
De Haske Publications
#DHP 1094652-140.
Published by De Haske
Publications
(BT.DHP-1094652-140).
9x12 inches.
English-German-French-Dut
ch.
This
arrangement of the
popular Polovtsian
Dances by Russian
composer Borodin contains
seven dances from the
original manuscript, some
of which have been used
in the musical
Kismet, as well as
being performed by such
famous names as Tony
Bennett and Bing Crosby.
Includes a solo for snare
drum!
Masamicz
Amono bewerkte de
´Polovetser Dansen´
van de rus Alexander
Borodin voor
harmonieorkest. Borodin
begon in 1869 aan de
opera, Prins Igor,
volgens sommigen zijn
voornaamste werk. De
opera bevat deze
Polovetser
Dansen,die meestal
als een zelfstandig stuk
wordt uitgevoerd en in
deze vorm waarschijnlijk
zijn meest bekende
compositie is. Bij zijn
dood was de opera niet
volledig, daar hij
onvoldoende tijd had voor
componeren, gezien zijn
werkals scheikundige. De
opera werd postuum
afgemaakt door Nikolaj
Rimski-Korsakov en
Aleksandr
Glazoenov.
Masamic
z Amano nahm sich die
beliebten Polovetzer
Tänze des russischen
Komponisten Alexander
Borodin vor, die auch
schon im Musical
Kismet verwendet
und als Lied von Tony
Bennet, Bing Crosby und
den Four Aces
interpretiert wurden.
Amano schuf daraus ein
überzeugendes
Arrangement für
Blasorchester, in dem die
Snare Drum solistisch
glänzen darf.
Le
Polovtsian Dances
offrono l’esempio
più spettacolare
dell’esotismo
musicale russo, fatto di
una sensualit selvaggia e
di una rara virtuosit
orchestrale. Questo
divertimento ballato e
cantato in vari episodi,
quintessenza
dell’opera Il
Principe Igor (1879),
contiene tutto ciò che
l’Europa del XIX
secolo adora: desiderio
di posti lontani,
attrazione per un oriente
più sognato che reale.
L’arrangiamento di
Masamicz Amano propone un
delizioso assolo per
rullante.
Music for Solo Piano and Piano, Four Hands. By Ricky Ian Gordon. Solo piano. For...(+)
Music for Solo Piano and
Piano, Four Hands. By
Ricky Ian Gordon. Solo
piano. For Piano.
Classical. Performance
score. 80 pages.
Published by Carl
Fischer.
Guitar SKU: HL.49010834 Volume 1. Composed by Anton Stingl. This e...(+)
Guitar
SKU:
HL.49010834
Volume
1. Composed by Anton
Stingl. This edition:
Saddle stitching. Sheet
music. Gitarren-Archiv
(Guitar Archive).
Classical. 23 pages.
Schott Music #GA 420.
Published by Schott Music
(HL.49010834).
ISBN
9790001096706. UPC:
073999637540.
9.0x12.0x0.082
inches.
Contents:
Light Suites in C
(Variations) * Three
Folksong dances * Three
light Pieces in C Major *
Four little Studies *
Light Sonatina in G *
Abends will ich schlafen
gehn (Variations) *
Prelude and March in E
minor.
(Orchestra). By Malcom Arnold. For Orchestra (Study Score). Music Sales America....(+)
(Orchestra). By Malcom
Arnold. For Orchestra
(Study Score). Music
Sales America. 67 pages.
Novello and Co Ltd.
#NOV162206. Published by
Novello and Co Ltd.
Organ SKU: SU.80101335 For Organ. Composed by Franklin Ashdown. Ke...(+)
Organ
SKU:
SU.80101335
For
Organ. Composed by
Franklin Ashdown.
Keyboard, Organ. Score.
Zimbel Press #80101335.
Published by Zimbel Press
(SU.80101335).
Organ Duration:
12'30 Composed: 2013
Published by: Zimbel
Press Ancient Dances is a
delightful set of four
organ pieces inspired by
Renaissance and baroque
music. The four movements
are Rigadoon, Sarabande,
Pavane, and Gigue.
Ensemble SKU: HL.14003796 Composed by Hans Abrahamsen and Johann Sebastia...(+)
Ensemble
SKU:
HL.14003796
Composed
by Hans Abrahamsen and
Johann Sebastian Bach.
Music Sales America.
Score Only. Edition
Wilhelm Hansen #KP01266.
Published by Edition
Wilhelm Hansen
(HL.14003796).
Danish.
A
Chorale arranged for 15
Instruments. Full Score
for
ensemble.
Bach
's Befichl du deine Wege
is a chorale setting (BWV
272), which Hans
Abrahamsen has arranged
for fifteen instruments.
In Hans Albrahamsen's
adaptation Bachs chorale
gradually ernerges from
two melodic fragments,
both borrowed from the
Danish composer Poul
Ruders' Four Dances in
One Movernent'. In fact
both fragments are taken
from the last three bars
of Ruders' composition.
One of Ruders' small
melodies is descending,
the other is ascending.
The metamorphosis from
Ruders to Bach can be
accomplished because both
of Ruders' melodic
fragments are in fact
'hidden' among the parts
of this Bach
choraleinasmuch as the
composer has transposed
it into B minor. In the
first verse we hear only
the descending Ruders
melody. In the secend
verse Ruders' second,
ascending and
chrornatically coloured
melody is added. In the
subsequent verses more
and more melodies are
added. Thus the piece
begins with Poul Ruders'
melodic fragment in the
foreground. In the course
of the next verse Ruders'
material gradually
recedes into the
background, and permits
Bachs face to ernerge
with increasing clarty in
the foreground. The piece
is dedicated to Poul
Ruders. &nb
sp; &nbs
p;  
; - Thomas
Michelsen
Arrangement <
br>
1
Flute
1
Oboe
1 Clarinet
In Bb
1
Bassoon
1 Horn in
F
1 Trumpet in
Bb
1 Trombone
(Tenor)
1
Vibraphone (Motor
Off)
1
Harp
1
Piano
1 Violin
I
1 Violin
II
1
Viola
1
Cello
1 Double
Bass
A Chorale
arranged for 15
Instruments. Full Score
for
ensemble.
Bach
's Befichl du deine Wege
is a chorale setting (BWV
272), which Hans
Abrahamsen has arranged
for fifteen instruments.
In Hans Albrahamsen's
adaptation Bachs chorale
gradually ernerges from
two melodic fragments,
both borrowed from the
Danish composer Poul
Ruders' Four Dances in
One Movernent'. In fact
both fragments are taken
from the last three bars
of Ruders' composition.
One of Ruders' small
melodies is descending,
the other is ascending.
The metamorphosis from
Ruders to Bach can be
accomplished because both
of Ruders' melodic
fragments are in fact
'hidden' among the parts
of this Bach
choraleinasmuch as the
composer has transposed
it into B minor. In the
first verse we hear only
the descending Ruders
melody. In the secend
verse Ruders' second,
ascending and
chrornatically coloured
melody is added. In the
subsequent verses more
and more melodies are
added. Thus the piece
begins with Poul Ruders'
melodic fragment in the
foreground. In the course
of the next verse Ruders'
material gradually
recedes into the
background, and permits
Bachs face to ernerge
with increasing clarty in
the foreground. The piece
is dedicated to Poul
Ruders. &nb
sp; &nbs
p;  
; - Thomas
Michelsen
String Quartet SKU: ST.Y248 Composed by Morgan Hayes. String music. Score...(+)
String Quartet
SKU:
ST.Y248
Composed by
Morgan Hayes. String
music. Score and parts. 6
minutes. Score and parts.
Stainer & Bell Ltd.
#Y248. Published by
Stainer & Bell Ltd.
(ST.Y248).
ISBN
9790220222351.
Comm
issioned by Bromsgrove
Concerts with financial
assistance from Arts
Council England 1st
perf: Smith Quartet,
Artrix, Bromsgrove, 27
February 2009
Favoured by English
composers from Purcell to
Vaughan Williams and
Britten, the ground-bass
form receives a
contemporary makeover in
Morgan Hayes's Dances
on a Ground.
Artfully four-square, a
cello ostinato stays
stubbornly true to its
original thoughts.
Meanwhile, above it a
capricious ensemble of
two violins and viola
swaggers its way through
flights of melody and
jumpy pizzicati to an
ecstatic conclusion.
Commissioned by
Bromsgrove Concerts with
funding provided by Arts
Council England,
Dances on a
Ground was first
performed by the
innovative Smith Quartet
at the Artrix,
Bromsgrove, on 27
February 2009.
Euphonium & piano - advanced SKU: CY.CC2588 Composed by Ernest Chausson. ...(+)
Euphonium & piano -
advanced
SKU:
CY.CC2588
Composed by
Ernest Chausson. Arranged
by Ralph Sauer. French
Romantic. Solo part and
piano accompaniment.
Published by Cherry
Classics (CY.CC2588).
The Quelques
Dances (Some Dances) Opus
26, arranged by Ralph
Sauer for Euphonium and
Piano were originally
composed for Piano during
the summer of 1896. The
four movements
are: Dedicace Sar
abande Pavane For
lane
Opus 26 is
dedicated to Madame
Robert de Bonnieres. Many
of Chausson's trademarks
are present in this work:
lyricism, sensuousness,
stateliness and beautiful
part-writing combined
with constant harmonic
progression. This
work of 15 minutes in
length is appropriate for
advanced
performers.
The
mp3 sound clip features
Ralph Sauer (Trombone)
and Miriam Hickman
(Piano).
Violin 1 part
(picc.2.2.2.2. - 4.2.3.0.
- timp.perc - str)
SKU: BR.OB-5273-15
Urtext. Composed
by Antonin Dvorak. Edited
by Klaus Doge. Stapled.
Orchester-Bibliothek
(Orchestral Library).
Dances/marches; Romantic.
Part. 20 pages. Duration
35'. Breitkopf and
Haertel #OB 5273-15.
Published by Breitkopf
and Haertel
(BR.OB-5273-15).
ISBN
9790004332498. 10 x 12.5
inches.
In his
Slavonic Dances Op. 46,
Dvorak did not draw on
pre-existent music, but
created something
original and new,
projecting his own
compositional will into
the creative process.
What we hear are Dvoraks
melodies,and that it is
due to his creative will
that he cast them as in
Dance 3, for example in
the form of a melodic
four-tone model which is
common to many folk songs
and childrens songs.
Finally, it is his
rhythmic invention and
shaping of the musical
character of each dance
that breathe life into
the elements of Slavonic
dance music.
Urtext. Composed
by Antonin Dvorak. Edited
by Klaus Doge. Folder.
Orchester-Bibliothek
(Orchestral Library).
Picc.2.2.2.2. - 4.2.3.0.
- timp.perc - str.
Dances/marches; Romantic.
Set of parts. 344 pages.
Duration 35'. Breitkopf
and Haertel #OB 5273-30.
Published by Breitkopf
and Haertel
(BR.OB-5273-30).
ISBN
9790004332542. 10 x 12.5
inches.
In his
Slavonic Dances Op. 46,
Dvorak did not draw on
pre-existent music, but
created something
original and new,
projecting his own
compositional will into
the creative process.
What we hear are Dvoraks
melodies,and that it is
due to his creative will
that he cast them as in
Dance 3, for example in
the form of a melodic
four-tone model which is
common to many folk songs
and childrens songs.
Finally, it is his
rhythmic invention and
shaping of the musical
character of each dance
that breathe life into
the elements of Slavonic
dance music.
Piano SKU: BO.B.3661 Composed by Joan Comellas. Published by Editorial de...(+)
Piano
SKU:
BO.B.3661
Composed by
Joan Comellas. Published
by Editorial de Musica
Boileau (BO.B.3661).
The Sonatas de
Paris are divided into
two books. Comellas began
the series in early 1952
and they were finished in
1955. As with most of his
works, he composed
without having a plan to
premier them or a
commission. So upon
having them completed, he
filed them away. On many
occasions, his close
friend Jordi Giro would
read thrue the pieces or
Anna Ricci would sing his
songs, but very little of
his music was performed
during his life
time.
The two
books entitled Sonatas de
Paris are really to books
with totally different
character. The first book
is made up of short piano
pieces in a neo baroque
style. More than
following strict forms of
the baroque suite, the
pieces are more a evoking
of the baroque style.
Book one loosely follows
the idea of a suite or
ordre, where as book two
is much freer in
structure being made up
of various pieces, a few
in memory of his favored
composers (Albeniz,
Debussy, and Granados)
ending with a group of
four dances, Las indias
danzantes [Dances of the
Indian girls], that refer
to an Indian dance. This
group of dances is not
really playable by one
pianist and seems to be
really meant to be
performed piano 4 hands,
but since there is no
note about this in the
score it is hard to say.
A few of these pieces
were performed by Rosa
Sabater in Paris in
1980.
The
present edition is based
on manuscripts that are
in the Joan Comellas
deposit in the National
Catalonian Library in
Barcelona.
Flute, piano (solo: fl - 0.0.0.2.dble bsn - 3.3.0.0. - timp.perc(3) - hp - str) ...(+)
Flute, piano (solo: fl -
0.0.0.2.dble bsn -
3.3.0.0. - timp.perc(3) -
hp - str)
SKU:
BR.EB-8912
Dances
with the Winds.
Composed by Einojuhani
Rautavaara. Solo
instruments; stapled.
Edition Breitkopf.
World premiere:
Stockholm, May 4,
1974
Solo concerto;
Music post-1945. Piano
reduction. 40 pages.
Duration 21'. Breitkopf
and Haertel #EB 8912.
Published by Breitkopf
and Haertel (BR.EB-8912).
ISBN 9790004185780. 9
x 12 inches.
The
flute concerto 'Dances
with the Winds' was
composed in 1974 for the
Swedish flautist Gunilla
von Bohr, a specialist in
all members of the flute
family. The ordinary
flute thus alternates
with a bass flute at the
beginning and end of the
four-movement concerto,
the second movement is
assigned to the shrill
piccolo and the third to
the sensuous alto flute.
The last movement is a
summary of all the
musical events in the
concerto. At the end the
bass flute soars to the
top of its register, the
note D acting as the
pivot to many of the
symmetries in the work,
against a resigned B flat
minor chord on the
orchestra. (Einojuhani
Rautavaara) CD: Patrick
Gallois (flute), Helsinki
Philharmonic Orchestra,
cond. Leif Segerstam ODE
921-2
World
premiere: Stockholm, May
4, 1974 Additional to the
original scoring for
flute, piccolo, alto
flute, and bass flute,
the flute part in the
piano reduction contains
ossias for alto flute
instead of the bass
flute.
Composed
by Gene Pritsker.
Woodwinds - Clarinet.
Score & Parts. Duration
6'30. Periferia
Publishing #CQ3412PM.
Published by Periferia
Publishing (AY.CQ3412PM).
ISBN
9790543573710.
Drum
mer Dances is based
primarily on rhythms from
two famous drum solos.
The first 30 bars take
the rhythms from Max
Roach's solo in 'Delilah
Dances', as recorded on
the Clifford Brown and
Max Roach album. The
music develops further
using the four bar drum
breaks from the same
composition. Elvin Jones'
drum solo 'Monks Dream'
is the other rhythmical
source material in this
piece. I use 32 bars of
this solo in a more
linear development. Two
distinct melodies are
heard throughout this
piece, they appear in
different variations
within the various
rhythms the two drum
solos provide.
Viola part (picc.2.2.2.2.
- 4.2.3.0. - timp.perc -
str)
SKU:
BR.OB-5273-19
Urtext. Composed
by Antonin Dvorak. Edited
by Klaus Doge. Stapled.
Orchester-Bibliothek
(Orchestral Library).
Picc.2.2.2.2. - 4.2.3.0.
- timp.perc - str.
Dances/marches; Romantic.
Part. 24 pages. Duration
35'. Breitkopf and
Haertel #OB 5273-19.
Published by Breitkopf
and Haertel
(BR.OB-5273-19).
ISBN
9790004332511. 10 x 12.5
inches.
In his
Slavonic Dances Op. 46,
Dvorak did not draw on
pre-existent music, but
created something
original and new,
projecting his own
compositional will into
the creative process.
What we hear are Dvoraks
melodies,and that it is
due to his creative will
that he cast them as in
Dance 3, for example in
the form of a melodic
four-tone model which is
common to many folk songs
and childrens songs.
Finally, it is his
rhythmic invention and
shaping of the musical
character of each dance
that breathe life into
the elements of Slavonic
dance music.
Violoncello part
(picc.2.2.2.2. - 4.2.3.0.
- timp.perc - str)
SKU: BR.OB-5273-23
Urtext. Composed
by Antonin Dvorak. Edited
by Klaus Doge. Stapled.
Orchester-Bibliothek
(Orchestral Library).
Picc.2.2.2.2. - 4.2.3.0.
- timp.perc - str.
Dances/marches; Romantic.
Part. 26 pages. Duration
35'. Breitkopf and
Haertel #OB 5273-23.
Published by Breitkopf
and Haertel
(BR.OB-5273-23).
ISBN
9790004332528. 10 x 12.5
inches.
In his
Slavonic Dances Op. 46,
Dvorak did not draw on
pre-existent music, but
created something
original and new,
projecting his own
compositional will into
the creative process.
What we hear are Dvoraks
melodies,and that it is
due to his creative will
that he cast them as in
Dance 3, for example in
the form of a melodic
four-tone model which is
common to many folk songs
and childrens songs.
Finally, it is his
rhythmic invention and
shaping of the musical
character of each dance
that breathe life into
the elements of Slavonic
dance music.
Double bass part
(picc.2.2.2.2. - 4.2.3.0.
- timp.perc - str)
SKU: BR.OB-5273-27
Urtext. Composed
by Antonin Dvorak. Edited
by Klaus Doge. Stapled.
Orchester-Bibliothek
(Orchestral Library).
Picc.2.2.2.2. - 4.2.3.0.
- timp.perc - str.
Dances/marches; Romantic.
Part. 20 pages. Duration
35'. Breitkopf and
Haertel #OB 5273-27.
Published by Breitkopf
and Haertel
(BR.OB-5273-27).
ISBN
9790004332535. 10 x 12.5
inches.
In his
Slavonic Dances Op. 46,
Dvorak did not draw on
pre-existent music, but
created something
original and new,
projecting his own
compositional will into
the creative process.
What we hear are Dvoraks
melodies,and that it is
due to his creative will
that he cast them as in
Dance 3, for example in
the form of a melodic
four-tone model which is
common to many folk songs
and childrens songs.
Finally, it is his
rhythmic invention and
shaping of the musical
character of each dance
that breathe life into
the elements of Slavonic
dance music.
Trombone and piano - advanced SKU: CY.CC2587 Composed by Ernest Chausson....(+)
Trombone and piano -
advanced
SKU:
CY.CC2587
Composed by
Ernest Chausson. Arranged
by Ralph Sauer. French
Romantic. Solo part and
piano accompaniment.
Published by Cherry
Classics (CY.CC2587).
The Quelques
Dances (Some Dances) Opus
26, arranged by Ralph
Sauer for Trombone and
Piano were originally
composed for Piano during
the summer of 1896. The
four movements
are:
Dedicace Sarabande Pavane Forlane
Opus
26 is dedicated to Madame
Robert de Bonnieres. Many
of Chausson's trademarks
are present in this work:
lyricism, sensuousness,
stateliness and beautiful
part-writing combined
with constant harmonic
progression.
Thi
s work of 15 minutes in
length is appropriate for
advanced
performers.
The mp3
sound clip features Ralph
Sauer (Trombone) and
Miriam Hickman
(Piano).
2nd violin part
(picc.2.2.2.2. - 4.2.3.0.
- timp.perc - str)
SKU: BR.OB-5273-16
Urtext. Composed
by Antonin Dvorak. Edited
by Klaus Doge. Stapled.
Orchester-Bibliothek
(Orchestral Library).
Picc.2.2.2.2. - 4.2.3.0.
- timp.perc - str.
Dances/marches; Romantic.
Part. 20 pages. Duration
35'. Breitkopf and
Haertel #OB 5273-16.
Published by Breitkopf
and Haertel
(BR.OB-5273-16).
ISBN
9790004332504. 10 x 12.5
inches.
In his
Slavonic Dances Op. 46,
Dvorak did not draw on
pre-existent music, but
created something
original and new,
projecting his own
compositional will into
the creative process.
What we hear are Dvoraks
melodies,and that it is
due to his creative will
that he cast them as in
Dance 3, for example in
the form of a melodic
four-tone model which is
common to many folk songs
and childrens songs.
Finally, it is his
rhythmic invention and
shaping of the musical
character of each dance
that breathe life into
the elements of Slavonic
dance music.
Piano SKU: BO.B.3662 Composed by Joan Comellas. Published by Editorial de...(+)
Piano
SKU:
BO.B.3662
Composed by
Joan Comellas. Published
by Editorial de Musica
Boileau (BO.B.3662).
The Sonatas de
Paris are divided into
two books. Comellas began
the series in early 1952
and they were finished in
1955. As with most of his
works, he composed
without having a plan to
premier them or a
commission. So upon
having them completed, he
filed them away. On many
occasions, his close
friend Jordi Giro would
read thrue the pieces or
Anna Ricci would sing his
songs, but very little of
his music was performed
during his life
time.
The two
books entitled Sonatas de
Paris are really to books
with totally different
character. The first book
is made up of short piano
pieces in a neo baroque
style. More than
following strict forms of
the baroque suite, the
pieces are more a evoking
of the baroque style.
Book one loosely follows
the idea of a suite or
ordre, where as book two
is much freer in
structure being made up
of various pieces, a few
in memory of his favored
composers (Albeniz,
Debussy, and Granados)
ending with a group of
four dances, Las indias
danzantes [Dances of the
Indian girls], that refer
to an Indian dance. This
group of dances is not
really playable by one
pianist and seems to be
really meant to be
performed piano 4 hands,
but since there is no
note about this in the
score it is hard to say.
A few of these pieces
were performed by Rosa
Sabater in Paris in
1980.
The
present edition is based
on manuscripts that are
in the Joan Comellas
deposit in the National
Catalonian Library in
Barcelona.
Piano 4 Hands SKU: BR.EB-6775 Piano Lessons by Wolfgang Amadeus Mozart...(+)
Piano 4 Hands
SKU:
BR.EB-6775
Piano
Lessons by Wolfgang
Amadeus Mozart.
Composed by Wolfgang
Amadeus Mozart. Edited by
H. Walter. Arranged by
Heinz Walter. Solo
instruments; Softcover.
Edition Breitkopf.
Dances/marches;
Classical. Score. 20
pages. Breitkopf and
Haertel #EB 6775.
Published by Breitkopf
and Haertel (BR.EB-6775).
ISBN 9790004169742. 9
x 12 inches.
This
series of easy piano
music for teaching
purposes presents pupils
in the lower and lower
middle grades with a
carefully chosen
selection of well-known
and lesserknown
compositions by important
masters. The volumes are
deliberately kept small
in extent, since it is
more stimulating for
children to change the
teaching material
frequently. In his last
years, Mozart composed a
large number of German
Dances for orchestra.
This music for daily use
of the time - intended
functionally, for dancing
and entertainment - is
distinguished by
enchanting ideas and
simple textures. The
editor has tried to cany
over the instrumental
subtleties into the
piano-duet writing. These
dances are particularly
suitable for introducing
some relaxation into the
learning of the piano,
for the interpretative
and technical workingout
demanded by Mozart's
original piano-duet works
is not required to the
same degree here. The
marks of expression have
been taken over from the
original score and in
part supplemented. Notes
not marked otherwise are
to be played non legato.
The technical difficulty
of these pieces
corresponds roughly to
the third and fourth year
of study. Heinz Walter,
Salzburg, Spring
1977.
Four Sevillanas Guitare [Conducteur et Parties séparées] - Facile Schott
Guitar - easy SKU: HL.49010945 For Four Guitars. Composed by Manol...(+)
Guitar - easy
SKU:
HL.49010945
For
Four Guitars.
Composed by Manolo
Murciano. This edition:
Saddle stitching. Sheet
music. Gitarren-Archiv
(Guitar Archive).
Classical. Score and
Parts. 26 pages. Schott
Music #GA 533. Published
by Schott Music
(HL.49010945).
ISBN
9790540010027. UPC:
884088098476.
9.0x12.0x0.109
inches.
These four
easy folkloristic pieces
are suitable for tuition
and group practice. The
Spanish composer M.
Murciano (born 1962) used
elements of traditional
Spanish forms: the dances
from the area around
Seville are strongly
infuenced by the
Flamenco.