Play Handel (Clarinet) Clarinette [Partition + CD] - Intermédiaire De Haske Publications
Clarinet. By George Frideric Handel. (Clarinet). De Haske Play-Along Book. Book ...(+)
Clarinet. By George
Frideric Handel.
(Clarinet). De Haske
Play-Along Book. Book and
CD Package. Size 9x12
inches. 24 pages.
Published by De Haske
Publications.
Play Handel (Trumpet) Trompette [Partition + CD] - Intermédiaire De Haske Publications
Trumpet. By George Frideric Handel. (Trumpet). De Haske Play-Along Book. Book & ...(+)
Trumpet. By George
Frideric Handel.
(Trumpet). De Haske
Play-Along Book. Book &
CD Package. Size 9x12
inches. 24 pages.
Published by De Haske
Publications.
HWV 434 - 442 - with a Critical Report in English. By George Frideric Handel. Ed...(+)
HWV 434 - 442 - with a
Critical Report in
English. By George
Frideric Handel. Edited
by Ellwood Derr. Piano
(Harpsichord), 2-hands.
Pages: V and 144. Urtext
edition-paper bound.
Published by G. Henle.
Teleman * Handel * Vivaldi Music Minus One Oboe. Composed by Various. Music Minu...(+)
Teleman * Handel *
Vivaldi Music Minus One
Oboe. Composed by
Various. Music Minus One.
Classical. Softcover
Audio Online. 16 pages.
Music Minus One #MMO3401.
Published by Music Minus
One
Play Handel (Flute) Flûte traversière [Partition + CD] - Intermédiaire De Haske Publications
Flute. By George Frideric Handel. (Flute). De Haske Play-Along Book. Book and CD...(+)
Flute. By George Frideric
Handel. (Flute). De Haske
Play-Along Book. Book and
CD Package. Size 9x12
inches. 24 pages.
Published by De Haske
Publications.
Play Handel (Oboe) Hautbois [Partition + CD] - Intermédiaire De Haske Publications
Oboe. By George Frideric Handel. (Oboe). De Haske Play-Along Book. Book and CD P...(+)
Oboe. By George Frideric
Handel. (Oboe). De Haske
Play-Along Book. Book and
CD Package. Size 9x12
inches. 34 pages.
Published by De Haske
Publications.
Soloists, Mixed choir, Orchestra SKU: BA.BA10726-01 Oratorio in three ...(+)
Soloists, Mixed choir,
Orchestra
SKU:
BA.BA10726-01
Oratorio in three
parts. Composed by
George Frideric Handel.
Edited by Michael
Pacholke. This edition:
Complete edition. Linen.
Complete edition, Score.
HWV 46. Baerenreiter
Verlag #BA10726-01.
Published by Baerenreiter
Verlag (BA.BA10726-01).
ISBN 9790006575596. 33
x 26 cm inches. Text
Language: Italian.
Preface: Pacholke,
Michael.
In the
brief half-year period
from August 14, 1736, to
January 27, 1737, Georg
Friedrich Handel achieved
an unprecedented level of
productivity in his opera
compositions, creating
three operas.
Additionally, in March
1737, he also composed a
largely new oratorio
titled â??Il trionfo del
Tempo e della
Verità â? (â??The
Triumph of Time and
Truthâ?) HWV 46b. The
libretto of this oratorio
closely corresponds to
that of the oratorio
â??La Bellezza ravveduta
nel trionfo del Tempo e
del Disingannoâ?
(â??Beauty Reconciled in
the Triumph of Time and
Enlightenmentâ?) HWV
46a written in 1707. With
â??La Bellezza
ravvedutaâ?, Handel
composed an allegorical
and particularly dramatic
oratorio right at the
beginning of his oratorio
compositions. In this
work, there is no chorus
inclined towards
reflection. Not only do
the four allegorical
figures, Bellezza
(Beauty), Piacere
(Pleasure), Tempo (Time),
and Disinganno
(Enlightenment), listen
to each other and react
to the ideas presented by
the others, but this
prevailing dramatic
principle of dispute is
also found in the
recitatives.
In
1737, when reworking the
oratorio material as
â??Il trionfo del Tempo
e della Verità â?,
Handel approached the
task pragmatically. He
needed a new non-dramatic
work to fulfill the
eveningâ??s program for
his audience at the
Covent Garden Theatre
during the fasting season
when theatrical
performances were
prohibited. Although he
had excellent Italian
vocal soloists, notorious
for their pronunciation
in Handelâ??s English
oratorios and who
naturally preferred
singing in Italian,
Handel found a solution.
It was evident to Handel
that, in response to the
ban on performances of
his Italian operas during
the fasting season of
1737, he should promptly
create a new oratorio in
the Italian language but
following the three-part
â??Englishâ? oratorio
form that he had
developed in
â??Estherâ? HWV 50b
in 1732. Unlike in Rome
in 1707, he had access to
a chorus in London in
1737, and the English
oratorio, with its
substantial choral
sections, a preference
for concert-like rather
than dramatic
composition, and frequent
inclusion of organ
concertos loosely related
to the narrative, was
already
established.
The
new volume of the HHA
includes the original
version of the 1737
premiere as well as all
the surviving early and
later versions (the
latter being exceptional
highlights) of individual
musical pieces from
â??Il trionfo del Tempo
e della
Verità â?.
Opera in tre atti. By George Frideric Handel. Edited by Burrows, Donald. For 2 S...(+)
Opera in tre atti. By
George Frideric Handel.
Edited by Burrows,
Donald. For 2 Soprano
solo, 1 Mezzo-Soprano
solo, 1 Alto solo, 2
Tenor solo, 1 Bass solo,
SATB Chorus, Flute I, II,
Recorder I, II, Oboe I,
II, Bassoon I, II, Horn
I, II, Trumpet I, II,
Violin I-III, Viola,
Bassi (Cello, Contrabass,
Lute, Harpsichord).
(SATB). This edition:
Complete Edition; Urtext
Edition. Hallische
Handel-Ausgabe, Serie II
Band 32. Piano
Reduction/Vocal Score.
235 pages. Published by
Baerenreiter Verlag
(German import).
Opera
in three acts.
Composed by George
Frideric Handel. Edited
by Rainer Heyink. This
edition: complete
edition, urtext edition.
Linen. Halle Handel
Edition (HHA) Serie II
Band 2. Complete edition,
Score. HWV 5.
Baerenreiter Verlag
#BA04083_00. Published by
Baerenreiter Verlag
(BA.BA04083).
ISBN
9790006497768. 33 x 25.5
cm
inches.
“Rodr
igo†was premiered
in autumn 1707 in
Florence and is therefore
one of Handel’s
early stage works. The
composer, only 22 years
old, wrote a
densely-woven musical
scenario for his first
opera composed in Italy
.
It masterfully
portrays the dramatic
states of mind of the
protagonists surrounding
the Iberian tyrant
Rodrigo and the plot full
of deception, betrayal ,
adultery, war as well as
the transformation
wrought by
Rodrigo’s
abdication. The work was
not, as was long thought,
a commission from the
Prince of Medici. Despite
this, “
Rodrigo†seems to
have been so popular that
Handel extended his stay
in Italy and was able to
compose several operas
during the following
period. In “
Rodrigo†, the
mastery which made
Handel’s
succeeding opera “
Agrippina†such a
success, is already
clearly evident .
“ Agrippinaâ€
consequently made
Handel’s name
famous throughout Europe
and soon led to his first
journey to London .
The new vocal score
is based on Volume II/2
of the “Halle
Handel Edition†(BA
4083). The appendix
contains the surviving
variants in the versions
of the first performances
from Handel’s
lifetime.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Saul Soli, choeur mixte et accompagnement [Vocal Score] Carus Verlag
Oratorio. Composed by George Frideric Handel (1685-1759). Edited by Felix...(+)
Oratorio. Composed
by George Frideric Handel
(1685-1759). Edited by
Felix Loy. This edition:
urtext. Stuttgart Urtext
Edition: Handel.
Oratorios. Vocal score.
Composed 1739. HWV 53.
216 pages. Published by
Carus Verlag
(CA.5505303).