Composed by Caryn Wiegand
Neidhold. Full score. 12
pages. Duration 2:40.
Carl Fischer Music
#FAS127F. Published by
Carl Fischer Music
(CF.FAS127F).
ISBN
9781491162941. UPC:
680160921690. Key: E
minor.
Eclipse is
an easy-to-learn
rock-style tune that will
energize your orchestra
and introduce them to
improvisation in a fun
setting! With a flexible
score including optional
Violin II, Piano, and
Drum Set, your students
can achieve a big,
impressive sound. All
sections get a chance to
shine and optional
glissandi will move your
students out of first
position, if they are
ready. The improv section
includes a notated solo
option in every part,
while the rest of the
orchestra vamps in the
background. This section
can be repeated as many
times as needed, and
students have the
opportunity to improv
their own solo. A
confidence-building
showstopper!The marked
glissandi are optional
and may be omitted, used
as a simple slight change
in pitch, or performed as
a full glissando with
shifting, depending on
student ability. In
addition, teachers may
want to add slurs between
distinct notes with a
glissando between the
two. The bow stroke for
this piece is a heavy
marcato - most successful
in the lower part of the
bow. Students are
encouraged to experiment
with improvised solos
using notes from the
opening measure.
Organ SKU: BA.BA04733-67 Two Sonatas for Organ and Orchestra. Comp...(+)
Organ
SKU:
BA.BA04733-67
Two
Sonatas for Organ and
Orchestra. Composed
by Wolfgang Amadeus
Mozart. Edited by Minos
E. Dounias. This edition:
urtext edition. Stapled.
Barenreiter Urtext. Part,
anthology. 9 pages.
Baerenreiter Verlag
#BA04733_67. Published by
Baerenreiter Verlag
(BA.BA04733-67).
ISBN
9790006539079. 32.5 x
25.5 cm
inches.
About
Barenreiter Urtext
Orchestral
Parts
Why musicians
love to play from
Bärenreiter Urtext
Orchestral
Parts
- Urtext
editions as close as
possible to the
composerâ€â„
s intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
Orchestra Violin I, Violin II, Violin III (Viola T.C.), Viola, Cello, Bass, Pian...(+)
Orchestra Violin I,
Violin II, Violin III
(Viola T.C.), Viola,
Cello, Bass, Piano -
Grade 1.5
SKU:
CF.FAS98F
Composed by
Alan Lee Silva. Carl
Fischer First Plus String
Orchestra Series. Full
score. With Standard
notation. 8 pages.
Duration 3 minutes, 3
seconds. Carl Fischer
Music #FAS98F. Published
by Carl Fischer Music
(CF.FAS98F).
ISBN
9781491143070. UPC:
680160900572.
With
lyrical, scalar melodies
in E minor, flowing and
intuitive phrases, and
main themes circulated
throughout the orchestra,
Measured Tones provides
each section of the
ensemble with exciting
musical challenges and
ample opportunities to
shine. Everything you
have come to expect from
composer Alan Lee
Silva.
Double bass SKU: BA.BA10418-85 Composed by Antonin Dvorak. Edited by Jona...(+)
Double bass
SKU:
BA.BA10418-85
Composed by Antonin
Dvorak. Edited by
Jonathan Del Mar. This
edition: urtext edition.
Stapled. Barenreiter
Urtext. Single part. Opus
88. 12 pages.
Baerenreiter Verlag
#BA10418_85. Published by
Baerenreiter Verlag
(BA.BA10418-85).
ISBN
9790006564699. 32.5 x
25.5 cm inches. Key: G
major.
Mendelssohn'
s Violin Concerto op. 64,
is a key work of the 19th
century, adhering to the
classical style of
Beethoven while pointing
the way to the romantic
ethos of Brahms. It has
long been known that
Mendelssohn performed the
work with three soloists
in succession: Ferdinand
David, who worked closely
with the composer during
its composition and
played it at the
premiere; the 'child
prodigy' Joseph Joachim;
and Hubert Leonard, a
young Belgian virtuoso
about whom little is
known.
As proof
sheets for the Violin
Concerto in E minor were
long considered lost, it
could be described as
somewhat of a sensation
when proofs for the solo
violin part resurfaced
together with a letter
from Mendelssohn to
Leonard.
The
letter informs us that
the composer invited
Leonard to his home in
Frankfurt in order to
make his acquaintance. It
was already known that
Mendelssohn had given
proof sheets to David;
now we know that he also
gave some to
Leonard.
The
recently discovered
proofs reveal how Leonard
played the concerto with
Mendelssohn on that
memorable evening in
February 1845. Besides
containing bowing marks
and fingering, they also
show how Leonard executed
shifts of position and
where he employed open
strings. Furthermore
modifications made to
dynamic markings and
additional legato bowing
are shown.
It is
safe to assume that all
of this was done with
Mendelssohn's approval.
That the young violinist
made a positive
impression on the
composer is confirmed in
the latter's
correspondence following
their joint performance.
Mendelssohn is full of
praise for Leonard's
playing and offers to
lend his support in
finding employment in
Germany.
This
revised edition of the
Mendelssohn Violin
Concerto (only the
orchestral parts remain
unchanged) includes a
separate booklet on
performance practice.
The editor, Clive
Brown, is an acknowledged
expert on Romantic
performance
practice.
About
Barenreiter Urtext
Orchestral
Parts
Why musicians
love to play from
Bärenreiter Urtext
Orchestral
Parts
- Urtext
editions as close as
possible to the
composerâ€â„
s intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
Composed by Caryn Wiegand
Neidhold. Set of Score
and Parts. Duration 2:40.
Carl Fischer Music
#FAS127. Published by
Carl Fischer Music
(CF.FAS127).
ISBN
9781491162606. UPC:
680160921355. Key: E
minor.
Eclipse is
an easy-to-learn
rock-style tune that will
energize your orchestra
and introduce them to
improvisation in a fun
setting! With a flexible
score including optional
Violin II, Piano, and
Drum Set, your students
can achieve a big,
impressive sound. All
sections get a chance to
shine and optional
glissandi will move your
students out of first
position, if they are
ready. The improv section
includes a notated solo
option in every part,
while the rest of the
orchestra vamps in the
background. This section
can be repeated as many
times as needed, and
students have the
opportunity to improv
their own solo. A
confidence-building
showstopper!The marked
glissandi are optional
and may be omitted, used
as a simple slight change
in pitch, or performed as
a full glissando with
shifting, depending on
student ability. In
addition, teachers may
want to add slurs between
distinct notes with a
glissando between the
two. The bow stroke for
this piece is a heavy
marcato - most successful
in the lower part of the
bow. Students are
encouraged to experiment
with improvised solos
using notes from the
opening measure.
Featuring: Ding, Dong,
Merrily on High / Good
King Wenceslas / Jingle
Bells / We Wish You a
Merry Christmas.
Arranged by Gary E.
Parks. Concert Band;
Performance Music
Ensemble; Single Titles.
Alfred Concert Band.
Form: Medley. Christmas;
Winter. Score. 24 pages.
Alfred Music #00-41959S.
Published by Alfred Music
(AP.41959S).
UPC:
038081482149.
English.
This
charming holiday
arrangement includes
Ding, Dong, Merrily on
High, Good King
Wenceslas, Jingle Bells,
and We Wish You a Merry
Christmas. Allow your
audience to feast on
these holiday favorites,
but tell them to watch
out for melodic
surprises! Every section
has the opportunity to
shine---including
percussion.
For Choir. This edition: Paperback. General Music and Classroom Publications. We...(+)
For Choir. This edition:
Paperback. General Music
and Classroom
Publications. Wee Sing.
63 inspirational songs
and poems. Sacred,
Children's. Book and CD.
64 pages. Duration Over
one hour. Published by
Alfred Publishing.
SAB chorus and piano - Easy SKU: JK.00457 Composed by Christine H. Davis....(+)
SAB chorus and piano -
Easy
SKU: JK.00457
Composed by Christine H.
Davis. Choral SAB, Piano
Choir, Jesus Christ -
Savior, Missionary Work,
Youth. Christian,
Inspirational. Jackman
Music Corporation #00457.
Published by Jackman
Music Corporation
(JK.00457).
Doctrine
and Covenants
115:5.
Youth anthem
for mixed chorus (SAB)
and piano, based on the
scripture, Arise and
shine forth, that thy
light may be a standard
for the nations (Doctrine
and Covenants 115:5).
Soprano high note:
E. Composer: Christine
H. Davis Lyricist:
Britton Davis
Difficulty: Easy
Performance Time:
3:12 Reference:
Doctrine and Covenants
115:5.
SATB & Organ SKU: SU.80200210 For SATB & Organ. Composed by Daniel...(+)
SATB & Organ
SKU:
SU.80200210
For
SATB & Organ.
Composed by Daniel E.
Gawthrop. Vocal/Choral,
Sacred Choral.
Accompanied by organ.
Choral Octavo. Subito
Music Corporation
#80200210. Published by
Subito Music Corporation
(SU.80200210).
Both choir and
organist shine in this
festival anthem 16 page
octavo Duration: 4'45
Text: adapted from Psalms
by Jane Griner Published
by: Dunstan House Minimum
order quantity: 8 copies.
Perusal copies are
available by contacting
office@DunstanHouse.com (include the
organization name with
your request). To order
quantities fewer than
8.
Cityscapes Ensemble de cuivres [Conducteur et Parties séparées] - Facile De Haske Publications
Brass Band - Grade 2.5 SKU: BT.DHP-1094658-030 Composed by Jan de Haan. C...(+)
Brass Band - Grade 2.5
SKU:
BT.DHP-1094658-030
Composed by Jan de Haan.
Concert and Contest
Collection CBHA. Concert
Piece. Set (Score &
Parts). Composed 2009. De
Haske Publications #DHP
1094658-030. Published by
De Haske Publications
(BT.DHP-1094658-030).
9x12 inches.
English-German-French-Dut
ch.
For
Cityscapes, the
composer used the
metropolis of New York,
the largest city of the
United States, as a
source of inspiration.
The first movement
mirrors the skyline of
the ‘Big
Apple’. In
movement two, Central
Park is introduced and in
the closing movement of
this triptych, the
ever-sparkling Manhattan,
known for its many
skyscrapers, and its
financial centre Wall
Street, is the focal
point. Not only are the
busy city traffic and the
chaotic hustle and bustle
expressed in the music,
but also the impressive
buildings, including the
famous Empire State
Building. Let the magic
of New York shine with
this dramatic new item
for brass
band.
Voor
Cityscapes heeft
de componist zich laten
inspireren door de
metropool New York, de
grootste stad in de
Verenigde Staten. Het
eerste deel verklankt de
skyline van de ‘Big
Apple’. De grootse
aanblik van onder andere
Manhattan,Brooklyn Bridge
en het Vrijheidsbeeld
staat model voor het
pakkende hoofdthema. In
deel twee wordt de
stemming van het Central
Park voorgesteld. Dit
immense park in New York
is een plek voor
ontspanning en vermaak.
In het slotdeelvan dit
drieluik staat het altijd
bruisende Manhattan,
bekend om de vele
wolkenkrabbers en het
financiële centrum,
Wall Street, centraal.
Een absolute
aanrader!
Jan de
Haans Quelle der
Inspiration für
Cityscapes war die
Metropole New York, die
größte Stadt der
Vereinigten Staaten. In
drei Sätzen gelang es
ihm, einige
charakteristische
Merkmale des Big
Apples“
einzufangen: der
großartige Anblick der
Skyline von Manhattan,
Brooklyn Bridge und der
Freiheitsstatue, die
Stimmung des berühmten
Central Park und das
pulsierende Leben in
dieser glitzernden,
eindrucksvollen
Metropole. Absolut
hörenswert!
Cityscapes Fanfare [Conducteur] - Facile De Haske Publications
Fanfare Band - Grade 2.5 SKU: BT.DHP-1094658-120 Composed by Jan de Haan....(+)
Fanfare Band - Grade 2.5
SKU:
BT.DHP-1094658-120
Composed by Jan de Haan.
Concert and Contest
Collection CBHA. Concert
Piece. Score Only.
Composed 2009. 36 pages.
De Haske Publications
#DHP 1094658-120.
Published by De Haske
Publications
(BT.DHP-1094658-120).
9x12 inches.
English-German-French-Dut
ch.
For
Cityscapes, the
composer used the
metropolis of New York,
the largest city of the
United States, as a
source of inspiration.
The first movement
mirrors the skyline of
the ‘Big
Apple’. In
movement two, Central
Park is introduced and in
the closing movement of
this triptych, the
ever-sparkling Manhattan,
known for its many
skyscrapers, and its
financial centre Wall
Street, is the focal
point. Not only are the
busy city traffic and the
chaotic hustle and bustle
expressed in the music,
but also the impressive
buildings, including the
famous Empire State
Building. Let the magic
of New York shine with
this dramatic new
item.
Voor
Cityscapes heeft
de componist zich laten
inspireren door de
metropool New York, de
grootste stad in de
Verenigde Staten. Het
eerste deel verklankt de
skyline van de ‘Big
Apple’. De grootse
aanblik van onder andere
Manhattan,Brooklyn Bridge
en het Vrijheidsbeeld
staat model voor het
pakkende hoofdthema. In
deel twee wordt de
stemming van het Central
Park voorgesteld. Dit
immense park in New York
is een plek voor
ontspanning en vermaak.
In het slotdeelvan dit
drieluik staat het altijd
bruisende Manhattan,
bekend om de vele
wolkenkrabbers en het
financiële centrum,
Wall Street, centraal.
Een absolute
aanrader!
Jan de
Haans Quelle der
Inspiration für
Cityscapes war die
Metropole New York, die
größte Stadt der
Vereinigten Staaten. In
drei Sätzen gelang es
ihm, einige
charakteristische
Merkmale des Big
Apples“
einzufangen: der
großartige Anblick der
Skyline von Manhattan,
Brooklyn Bridge und der
Freiheitsstatue, die
Stimmung des berühmten
Central Park und das
pulsierende Leben in
dieser glitzernden,
eindrucksvollen
Metropole. Absolut
hörenswert!
