Cantata
for the 13th Sunday after
Trinity. Composed by
Johann Sebastian Bach.
Edited by Frieder Rempp.
Arranged by Paul Horn.
This edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Violin 2.
Sacred vocal music,
Cantatas, Whitsun. Single
Part, Violin 2. Composed
1725. BWV 164. 8 pages.
Duration 17 minutes.
Carus Verlag #CV
31.164/12. Published by
Carus Verlag
(CA.3116412).
ISBN
9790007209032. Text
language:
German/English.
Thi
s six-movement cantata
was performed for the
first time on 26 August
1725 in Leipzig. The text
was written by Bach's
Weimar cantata poet
Salomon Franck and had
been published earlier in
1715 in his collection
Evangelisches
Andachts-Opffer. Here,
Bach bases his work
around the form of the
Weimar cantatas which
take their texts from
Franck's printed
collection (BWV 132, 152,
161-163, 165): movements
1-5 are performed by
vocal soloists, whilst
only the final chorus is
given to the chorus. The
key concepts of the text
are Barmherzigkeit
[compassion], Erbarmen
[mercy] and wahre
Christenliebe [true
Christian love]; the
chamber music arrangement
of the cantata
corresponds with this.
The two arias for tenor
and alto, and the duet
for soprano and bass do
not contain da capo
sections, but repeat the
entire text in a
condensed form. The
instruments do not
contrast as a rule, but
are treated as a string
group (movements 1, 4),
duetting (movement 3),
and as full unison
(movement 5). What is
remarkable in all three
movements is the thematic
linking of the
instrumental ritornello
parts with the vocal
parts through which Bach
achieves a kind of unity
of form. Score and part
available separately -
see item CA.3116400.
Soli SATB, SATB Choir, 2 Fl, 2 Ob, 2 Vl, Va, Bc SKU: CA.3116409 Cantat...(+)
Soli SATB, SATB Choir, 2
Fl, 2 Ob, 2 Vl, Va, Bc
SKU: CA.3116409
Cantata for the 13th
Sunday after Trinity.
Composed by Johann
Sebastian Bach. Edited by
Frieder Rempp. Arranged
by Paul Horn. 1x
31.164/21 flute 1, 1x
31.164/22 flute 2, 1x
31.164/23 oboe 1, 1x
31.164/24 oboe 2.
Stuttgart Urtext Edition:
Bach vocal. Harmony
parts. Sacred vocal
music, Cantatas, Whitsun.
Set of Orchestra Parts.
Composed 1725. BWV 164.
Duration 17 minutes.
Carus Verlag #CV
31.164/09. Published by
Carus Verlag
(CA.3116409).
ISBN
9790007209018. Language:
German/English.
Thi
s six-movement cantata
was performed for the
first time on 26 August
1725 in Leipzig. The text
was written by Bach's
Weimar cantata poet
Salomon Franck and had
been published earlier in
1715 in his collection
Evangelisches
Andachts-Opffer. Here,
Bach bases his work
around the form of the
Weimar cantatas which
take their texts from
Franck's printed
collection (BWV 132, 152,
161-163, 165): movements
1-5 are performed by
vocal soloists, whilst
only the final chorus is
given to the chorus. The
key concepts of the text
are Barmherzigkeit
[compassion], Erbarmen
[mercy] and wahre
Christenliebe [true
Christian love]; the
chamber music arrangement
of the cantata
corresponds with this.
The two arias for tenor
and alto, and the duet
for soprano and bass do
not contain da capo
sections, but repeat the
entire text in a
condensed form. The
instruments do not
contrast as a rule, but
are treated as a string
group (movements 1, 4),
duetting (movement 3),
and as full unison
(movement 5). What is
remarkable in all three
movements is the thematic
linking of the
instrumental ritornello
parts with the vocal
parts through which Bach
achieves a kind of unity
of form. Score and parts
available separately -
see item CA.3116400.
Soli SATB, SATB Choir, 2 Fl, 2 Ob, 2 Vl, Va, Bc SKU: CA.3116419 Cantat...(+)
Soli SATB, SATB Choir, 2
Fl, 2 Ob, 2 Vl, Va, Bc
SKU: CA.3116419
Cantata for the 13th
Sunday after Trinity.
Composed by Johann
Sebastian Bach. Edited by
Frieder Rempp. Arranged
by Paul Horn. Stuttgart
Urtext Edition: Bach
vocal. Complete
orchestral parts. Sacred
vocal music, Cantatas,
Whitsun. Set of Orchestra
Parts. Composed 1725. BWV
164. Duration 17 minutes.
Carus Verlag #CV
31.164/19. Published by
Carus Verlag
(CA.3116419).
ISBN
9790007209063. Language:
German/English.
Thi
s six-movement cantata
was performed for the
first time on 26 August
1725 in Leipzig. The text
was written by Bach's
Weimar cantata poet
Salomon Franck and had
been published earlier in
1715 in his collection
Evangelisches
Andachts-Opffer. Here,
Bach bases his work
around the form of the
Weimar cantatas which
take their texts from
Franck's printed
collection (BWV 132, 152,
161-163, 165): movements
1-5 are performed by
vocal soloists, whilst
only the final chorus is
given to the chorus. The
key concepts of the text
are Barmherzigkeit
[compassion], Erbarmen
[mercy] and wahre
Christenliebe [true
Christian love]; the
chamber music arrangement
of the cantata
corresponds with this.
The two arias for tenor
and alto, and the duet
for soprano and bass do
not contain da capo
sections, but repeat the
entire text in a
condensed form. The
instruments do not
contrast as a rule, but
are treated as a string
group (movements 1, 4),
duetting (movement 3),
and as full unison
(movement 5). What is
remarkable in all three
movements is the thematic
linking of the
instrumental ritornello
parts with the vocal
parts through which Bach
achieves a kind of unity
of form. Score and parts
available separately -
see item CA.3116400.
Cantata
for the 13th Sunday after
Trinity. Composed by
Johann Sebastian Bach.
Edited by Frieder Rempp.
Arranged by Paul Horn.
This edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Violin 1.
Sacred vocal music,
Cantatas, Whitsun. Single
Part, Violin 1. Composed
1725. BWV 164. 8 pages.
Duration 17 minutes.
Carus Verlag #CV
31.164/11. Published by
Carus Verlag
(CA.3116411).
ISBN
9790007209025. Text
language:
German/English.
Thi
s six-movement cantata
was performed for the
first time on 26 August
1725 in Leipzig. The text
was written by Bach's
Weimar cantata poet
Salomon Franck and had
been published earlier in
1715 in his collection
Evangelisches
Andachts-Opffer. Here,
Bach bases his work
around the form of the
Weimar cantatas which
take their texts from
Franck's printed
collection (BWV 132, 152,
161-163, 165): movements
1-5 are performed by
vocal soloists, whilst
only the final chorus is
given to the chorus. The
key concepts of the text
are Barmherzigkeit
[compassion], Erbarmen
[mercy] and wahre
Christenliebe [true
Christian love]; the
chamber music arrangement
of the cantata
corresponds with this.
The two arias for tenor
and alto, and the duet
for soprano and bass do
not contain da capo
sections, but repeat the
entire text in a
condensed form. The
instruments do not
contrast as a rule, but
are treated as a string
group (movements 1, 4),
duetting (movement 3),
and as full unison
(movement 5). What is
remarkable in all three
movements is the thematic
linking of the
instrumental ritornello
parts with the vocal
parts through which Bach
achieves a kind of unity
of form. Score and part
available separately -
see item CA.3116400.
Composed by Behzad
Ranjbaran. Spiral.
Premiered by the
Philadelphia Orchestra,
Yannick Nezet-Seguin,
Music Director, Jeffrey
Khaner, flute; Verizon
Hall, Philadelphia.
Contemporary. Study
Score. With Standard
notation. Composed 2013.
126+126 pages. Duration
28 minutes. Theodore
Presser Company
#416-41515. Published by
Theodore Presser Company
(PR.416415150).
ISBN
9781598069020. UPC:
680160621743. 9 x 12
inches.
Inspired by
the alluring, human-like
sound of the Ney (a
Persian bamboo flute),
Ranjbaran aims
not only to highlight
the modern
flutist’s ability
to play agile and
brilliant passages, but
also to emulate the
delicate sound of the
Ney, particularly in
extended solo passages.
The three-movement
27-minute concerto was
commissioned by the
Philadelphia Orchestra
for its principal flutist
Jeffrey Khaner. The
piano reduction
(published separately)
was designed by the
composer to be practical
in
recital performances.
CONCERTO for Flute and
Orchestra has been
recorded for Naxos by
Érik Gratton
with the Nashville
Symphony conducted by
Giancarlo
Guerrero. The
melancholic tone of the
Ney (the Persian bamboo
flute) is known for its
alluring sound, emulating
the human voice. Â In
Persian literature, the
Ney is considered a
mystic instrument capable
of expressing deep human
emotions.In writing my
flute concerto, I aimed
not only to highlight the
modern flautist’s
ability to play agile and
brilliant passages but
also to emulate the
delicate sound of the
Ney, particularly in
extended solo flute
passages.Two prominent
characters permeate the
first movement of my
concerto. Â They are
marked in the score as
lamentoso, and con
spirito, expressing grief
and loss, and joy of
living respectively.
 The lament is mostly
expressed in several
extended cadenzas for
solo flute while the con
spirito consists of
robust and energetic fast
sections played by all
forces of the orchestra.
 Apart from these two
characters there are
moments of mystery,
comedy and the grotesque,
among others.In the
second movement, the
lyrical and poetic
character of the flute is
prominently presented in
dream-like passages
surrounded by shimmering
and tender orchestral
colors. Â The solo
flute is left out in an
agitated middle section
that references the first
movement. Â In the
third section of the
movement the solo flute
returns in meditative
fashion culminating in a
duet with the harp.The
third movement is written
as one continuous quasi
scherzo, challenging the
limits of agility and
brilliance of the flute.
 Some of the materials
from the earlier
movements are presented
again with joyous
character. Â The coda
elevates the concerto
into its brightest and
most festive character,
driving to the end with
relentless energy.
ATB vocal soli, SATB choir, orchestra SKU: CA.3113649 Cantata for the ...(+)
ATB vocal soli, SATB
choir, orchestra
SKU:
CA.3113649
Cantata
for the 8th Sunday after
Trinity. Composed by
Johann Sebastian Bach.
Edited by Christiane
Hausmann. This edition:
urtext. Stuttgart Urtext
Edition: Bach vocal.
Organ. Sacred vocal
music, Cantatas, Trinity.
Single Part, Organ.
Composed 1723. BWV 136.
12 pages. Duration 22
minutes. Carus Verlag #CV
31.136/49. Published by
Carus Verlag
(CA.3113649).
ISBN
9790007208158. Language:
German/English.
Translation: Henry
Drinker. Scripture:
Matthew
7:15-23.
The
cantata Erforsche mich
Gott und erfahre mein
Herz BWV 136 was composed
in Bach's first year as
Kantor of St. Thomas's in
Leipzig and was first
performed on the 8th
Sunday after Trinity, the
18th July 1723. The
librettist is unknown.
The title of the cantata
is taken from verse 23 of
Psalm 139: Erforsche mich
Gott und erfahre mein
Herz; prufe mich und
erfahre, wie ich's meine.
(Search me, O God, and
know my heart: try me,
and know my thoughts) The
opening chorus forms an
extended fugue, framed by
string writing bursting
with energy. The
obbligato horn
accentuates and enriches
the movement with a
special tonal color. The
alto aria in F sharp
minor (movement 3)
comprises a trio movement
with an oboe d'amore as
solo instrument in a
contrasting range - a
presto middle section
which dramatically
charges the words Denn
seines Eifers Grimm
vernichtet (For the fury
of its zeal will
destroy). In the duet
(movement 5) the text is
sung by tenor and bass
line by line, sometimes
imitating contrapuntally,
and sometimes both
singing together
dramatically in
homophonic writing. A
simple chorale setting to
the melody Auf meinen
lieben Gott concludes the
cantata. Particularly
charming here is the
violin which joins the
four vocal parts as an
independent part. Score
and part available
separately - see item
CA.3113600.
2 recorders (SA) and guitar (piano) (SA) SKU: HL.49002595 Composed by Wol...(+)
2 recorders (SA) and
guitar (piano) (SA)
SKU: HL.49002595
Composed by Wolfgang
Amadeus Mozart. Edited by
Erwin Schaller. This
edition: Saddle
stitching. Sheet music.
Edition Schott.
Classical. Playing score.
10 pages. Schott Music
#ED 10944. Published by
Schott Music
(HL.49002595).
ISBN
9790220106446. UPC:
884088400521.
7.75x9.75x0.045
inches.
The
original music of Erwin
Schallers arrangement is
a duet for two horns from
twelve duets KV 487, also
known as Kegelduette.
Concert band - Grade 3 SKU: CL.012-4468-75 Sir John Franklin and the S...(+)
Concert band - Grade 3
SKU:
CL.012-4468-75
Sir
John Franklin and the
Search for the Northwest
Passage. Composed by
López. Concert Band.
Concert Band Series.
Audio recording available
separately (item
CL.WFR389). Oversized,
spiral-bound score.
Composed 2016. Duration 3
minutes, 50 seconds. Opus
III Wind Orchestra
Publications
#012-4468-75. Published
by Opus III Wind
Orchestra Publications
(CL.012-4468-75).
This Victor
Lopez work evokes images
of excitement, bravery
and sorrow as Erebus and
Terror: The Lost Ships
retells the story of the
Sir John Franklin
expedition in search of
the Northwest Passage.
Beginning with
anticipation as the
explorers depart their
homeland, the rousing
melodic theme is written
for clarinet, horn and
alto saxophone. The
excitement of the journey
turns melancholic for a
few moments, as the
gravity of their journey
sinks in, but their
courage is again renewed
as the trumpets tell the
story. A haunting flute
and oboe duet foreshadows
the inevitable crash
portrayed with strong
chromatic dissonances,
into the ice and the loss
of both ships and their
crews. The journey has
ended for these men, but
their story lives on and
Sir John Franklin is
remembered as a hero due
to his valuable
contributions to the
development of Canada's
north. Highly
recommended!
Concert band - Grade 3 SKU: CL.012-4468-01 Sir John Franklin and the S...(+)
Concert band - Grade 3
SKU:
CL.012-4468-01
Sir
John Franklin and the
Search for the Northwest
Passage. Composed by
López. Concert Band.
Concert Band Series.
Audio recording available
separately (item
CL.WFR389). Extra full
score. Composed 2016.
Duration 3 minutes, 50
seconds. Opus III Wind
Orchestra Publications
#012-4468-01. Published
by Opus III Wind
Orchestra Publications
(CL.012-4468-01).
This Victor
López work evokes
images of excitement,
bravery and sorrow as
Erebus and Terror: The
Lost Ships retells the
story of the Sir John
Franklin expedition in
search of the Northwest
Passage. Beginning with
anticipation as the
explorers depart their
homeland, the rousing
melodic theme is written
for clarinet, horn and
alto saxophone. The
excitement of the journey
turns melancholic for a
few moments, as the
gravity of their journey
sinks in, but their
courage is again renewed
as the trumpets tell the
story. A haunting flute
and oboe duet foreshadows
the inevitable crash
portrayed with strong
chromatic dissonances,
into the ice and the loss
of both ships and their
crews. The journey has
ended for these men, but
their story lives on and
Sir John Franklin is
remembered as a hero due
to his valuable
contributions to the
development of
Canada’s north.
Highly recommended!
Erebus and Terror: The Lost Ships Orchestre d'harmonie [Conducteur et Parties séparées] - Facile Opus III Wind Orchestra Publications
Concert band - Grade 3 SKU: CL.012-4468-00 Sir John Franklin and the S...(+)
Concert band - Grade 3
SKU:
CL.012-4468-00
Sir
John Franklin and the
Search for the Northwest
Passage. Composed by
López. Concert Band.
Concert Band Series.
Audio recording available
separately (item
CL.WFR389). Score and set
of parts. Composed 2016.
Duration 3 minutes, 50
seconds. Opus III Wind
Orchestra Publications
#012-4468-00. Published
by Opus III Wind
Orchestra Publications
(CL.012-4468-00).
This Victor
López work evokes
images of excitement,
bravery and sorrow as
Erebus and Terror: The
Lost Ships retells the
story of the Sir John
Franklin expedition in
search of the Northwest
Passage. Beginning with
anticipation as the
explorers depart their
homeland, the rousing
melodic theme is written
for clarinet, horn and
alto saxophone. The
excitement of the journey
turns melancholic for a
few moments, as the
gravity of their journey
sinks in, but their
courage is again renewed
as the trumpets tell the
story. A haunting flute
and oboe duet foreshadows
the inevitable crash
portrayed with strong
chromatic dissonances,
into the ice and the loss
of both ships and their
crews. The journey has
ended for these men, but
their story lives on and
Sir John Franklin is
remembered as a hero due
to his valuable
contributions to the
development of
Canada’s north.
Highly recommended!
Composed by Ray Jones
Andrea Jones. Arranged by
Brian Duncan. Anthems.
Inspirational, Christmas
and Sacred. Orchestration
on CD-ROM. Published by
Lillenas Publishing
Company
(LP.765762204300).
UPC:
765762204300.
Soul-
stirring and evocative,
this new ballad from the
worship ministry of
Community Bible Church in
San Antonio, TX is a
tender reflection on the
birth of Christ and what
it means to us, the
miracle that He Came.
This soprano and tenor
duet with choir and
accompanying video will
make for a poignant
moment in any Christmas
celebration.
Blues per i Fiati Saxophone Alto [Partition + CD] - Facile De Haske Publications
Alto Saxophone, Bariton Saxophone or Eb Horn - early intermediate SKU: BT.DHP...(+)
Alto Saxophone, Bariton
Saxophone or Eb Horn -
early intermediate
SKU:
BT.DHP-0981136-400
Composed by Jaap
Kastelein. Jazz. Book
with CD. Composed 1998.
20 pages. De Haske
Publications #DHP
0981136-400. Published by
De Haske Publications
(BT.DHP-0981136-400).
ISBN 9789043101349.
Italian.
Brani
scritti nel tipico schema
a dodici battute del
blues. Nel libro, trovate
anche la seconda voce per
suonare in duetti. In
più una guida vi dir
quali note usare per le
improvvisazioni. Ogni
traccia del CD incluso
nella pubblicazione, vi
permetter di suonare sia
da soli che assieme ad un
vostro amico,
accompagnati da una vera
live band.
Composed
by Georg Philipp
Telemann. Edited by Klaus
Hofmann. This edition:
urtext. Stuttgart Urtext
Edition: Telemann-Archiv.
Viola. Sacred vocal
music, Cantatas,
Christmas. Single Part,
Viola. TVWV 1:1452. 8
pages. Duration 22
minutes. Carus Verlag #CV
39.115/13. Published by
Carus Verlag
(CA.3911513).
ISBN
9790007215620. Language:
German.
Uns ist ein
Kind geboren is one of
Telemann's most beautiful
Christmas cantatas, which
features an opening duet
for two sopranos based on
Polish-Moravian folklore,
as well as two
substantial choral
movements. The two horns
allotted to the second
choral movement to the
text Ehre sei Gott in der
Hohe can be replaced by
two flutes. This is
supported by a source
from the Telemann
tradition in Frankfurt,
in which these parts are
present. Score and part
available separately -
see item CA.3911500.