An All-Purpose Book for Games, Pep Rallies and Other Stuff. Arranged by Victor Lopez. For Part IV (E-Flat) (Baritone Sax). Marching Band Collection. Book. Published by Alfred Publishing.

Performed by Kenny Rogers. For voice and keyboard (right hand only). Format: easy piano/vocal/chords songbook. With vocal melody, lyrics, chord names, big note notation and black and white photos. Country pop, adult contemporary and soft rock. Series: Hal Leonard E-Z Play Today. 112 pages. 9x12 inches. Published by Hal Leonard.

By Various. E-Z Play Today (Easy big-note right-hand-only arrangements for piano, organ, and electronic keyboard). Softcover. Published by Hal Leonard.

SKU: HP.C5409C

Composed by James E. Moore Jr. Arranged by Jane Holstein. Contemporary, General Worship, God's Attributes/Character, New Life in Christ, Promise, Worship, Sacred. Performance/Accompaniment CD, Rhythm. Hope Publishing Company #C5409C. Published by Hope Publishing Company (HP.C5409C).

UPC: 763628954093. By James E. Moore Jr. Psalms 34:8.

Praise and worship song by James E. Moore Jr. One of James E. Moore's best known songs, Taste and See, has been given a new choral treatment by arranger, Jane Holstein. The powerful lyrics, paraphrasing Psalm 34, are combined with singable harmonies in a true gospel, ballad style - making it an ideal choice for any worship service of praise.

By James Leith MacBeth Bain. Arranged by Douglas E. Wagner. By James Leith MacBeth Bain / arr. Douglas E. Wagner. For Concert Band. Concert Band. Belwin Beginning Band. Level: Very Easy (grade I). Conductor Score & Parts. 164 pages. Duration 2:29. Published by Alfred Publishing

By James Leith MacBeth Bain. Arranged by Douglas E. Wagner. By James Leith MacBeth Bain / arr. Douglas E. Wagner. For Full Orchestra. Full Orchestra. Belwin Intermediate Full/String Orchestra. Level: 2.5 (grade 2.5). Conductor Score. Published by Alfred Publishing.

By James Leith MacBeth Bain. Arranged by Douglas E. Wagner. By James Leith MacBeth Bain / arr. Douglas E. Wagner. For Concert Band. Concert Band. Belwin Beginning Band. Level: 1 (Very Easy) (grade 1). Conductor Score. 8 pages. Published by Alfred Publishing.

By James M. Black, Words By Katherine E. Purvis. Arranged by Mike Lewis. Music by James M. Black, words by Katherine E. Purvis / arr. Mike Lewis. For Jazz Ensemble. Jazz Ensemble. Jazz Expressions Series. Conductor Score and Parts. 98 pages. Published by Alfred Publishing.
Level: 2 (Medium Easy) (grade 2).

Horn and Piano (Horn)

SKU: HL.14008472

Music Sales America. Exam Material. Book [Softcover]. Composed 2005. 40 pages. Chester Music #CH55428. Published by Chester Music (HL.14008472).

ISBN 9780711928800. 9.0x12.0x0.135 inches.

Horn solos written and arranged by Ifor James and Stefan De Haan. Includes parts for both F and E flat Horn.

Eb Horn - Grade 1.5

SKU: BT.CMP-0957-05-716

Composed by Douglas Court, James Curnow, James Hosay, Paul Curnow, and Stephen Bulla. Arranged by Elliot Del Borgo. Young Band. Concert Piece. Book Only. Composed 2005. 16 pages. Curnow Music #CMP 0957-05-716. Published by Curnow Music (BT.CMP-0957-05-716).

ISBN 9789043121811. English-German-French-Dut ch.

The Young Band Christmas Collection bevat een aantal van de beste kerststukken van Curnow Music Press voor jeugd orkesten- uitgegeven in boekvorm. The Young Band Christmas Collection:een waardevolle aanvulling op hetkerstrepertoire van uw orkest.

THE YOUNG BAND CHRISTMAS COLLECTION ist eine Sammlung von einigen der besten Blasorchester-Weihnachtst itel für junge Spieler im Buchformat. In dieser Ausgabe finden Sie ausgewählte Titel von James Curnow, Douglas Court, Paul Curnow, Stephen Bulla, Elliot del Borgo und James Hosay. All diese Titel haben sich als absolute Gewinner erwiesen - sowohl vom pädagogischen Standpunkt betrachtet, da sie die Aufmerksamkeit der Schüler halten - als auch hinsichtlich der begeisterten Reaktionen des Publikums auf die so gut eingefangene Weihnachtsstimmung. Curnow Music Press steht für Qualität auf dem Gebiet der Jugendorchesterliteratur und diese Qualität zeigt sich auch in dieserAusgabe. Das Buchformat erspart Ihnen wertvolle Zeit des Notensortierens und verschafft den Schülern einen leichteren �berblick. Der Wert dieser Sammlung tritt auch beim Preisvergleich mit einzelnen Blasorchesterausgaben deutlich zu Tage.Die Partitur und Stimmenhefte sind separat erhältlich. Bitte bestellen Sie gemä� Ihrer Besetzung.

SATB choir, assembly, keyboard accompaniment, C instrument - Beginning

SKU: GI.G-5736

Composed by James E. Moore Jr. Celebration Series. Sacred. Octavo. With guitar chord names. 8 pages. GIA Publications #5736. Published by GIA Publications (GI.G-5736).

UPC: 785147573609. English. Text by James E. Moore.

Clarinet and piano - Level 3

SKU: LM.27955

Composed by Jean Marc Allerme and Vincent Charrier. Pop, jazz. Score and CD. Editions Henry Lemoine #27955. Published by Editions Henry Lemoine (LM.27955).

ISBN 9790230979559.

HAND Y W.C. : St Louis Blues - LENNON J. : Imagine - GRIEG E. : La Chanson de Solveig - CHURCHILL F. : Blanche Neige, Un jour mon prince viendra - BORODINE A. : Danse polovtsienne - NORMAN M. : The James Bond Theme - SCHUMANN R. : L'Accompagnatrice, Scenes d'enfants - CANTOR E. / MENCHER M. / TOBIAS C. : Merrily we roll along - JENNINGS W. / HORNER J. : Titanic, My Heart Will Go On - VERDI G. : Jean de Florette, Ouverture de La Force du destin.

SATB a cappella

SKU: GI.G-008668

Composed by James E Clemens. Arranged by James E Clemens. Christmas, Epiphany. Tune Name: Incorporates Llanfair, 77 77 With Alleluias. Sacred. Octavo. 8 pages. GIA Publications #008668. Published by GIA Publications (GI.G-008668).

UPC: 641151086682.

From the music collection and CD titled O Come Rejoicing: Music for Advent and Christmas.

SATB a cappella

SKU: GI.G-008752

Composed by James E Clemens. Arranged by James E Clemens. Advent, Christmastide, Advent 4 A, Advent 3 A, Advent 3 B, Advent 1 C, Advent 2 A, Advent 2 B, Advent 2 C, Advent 1 B. Tune Name: Besançon Carol. Sacred. Octavo. 8 pages. GIA Publications #008752. Published by GIA Publications (GI.G-008752).

UPC: 641151087528. Text by Eleanor Farjeon.

SATB choir, assembly, keyboard accompaniment - Beginning

SKU: GI.G-3834

Composed by James E. Moore Jr. Advent 1 A, Christ the King C. Celebration Series. Sacred. Octavo. With guitar chord names. 8 pages. GIA Publications #3834. Published by GIA Publications (GI.G-3834).

UPC: 785147383406. Text Source: Psalm 122. Text by James E. Moore. Scripture: Psalm 122.

By James McLeod, Norman Staska. For E-Flat Baritone Saxophone (E-Flat Alto Clarinet). Band Supplement. Book. 36 pages. Published by Alfred Publishing.

Arranged by James E. Green & Valerie Crescenz. Text: James E. Green & Valerie Crescenz. For SATB Choir. (Accompaniment: Piano). Secular. Level: Medium Easy Jr. High/High School or Easy Adult. 8 pages. Duration 3 min, 30 sec. Published by Hinshaw Music Inc.

Band Bass Clarinet, Bassoon, Bells, Chimes, Clarinet 1, Clarinet 2, Clarinet 3, Euphonium, Euphonium T.C., Flute 1, Flute 2, Horn 1, Horn 2, Mallet Percussion 1, Mallet Percussion 2, Mallet Percussion 3, Marimba, Oboe, Percussion 1, Percussion 2 and more. - Grade 3

SKU: CF.CPS251

Composed by Patrick Glenn Harper. Set of Score and Parts. 28+8+8+4+8+8+8+4+4+4+4+4+ 4+8+8+8+4+4+6+6+6+4+8+1+4 +2+2+12+2+8 pages. Duration 4 minutes, 27 seconds. Carl Fischer Music #CPS251. Published by Carl Fischer Music (CF.CPS251).

ISBN 9781491159873. UPC: 680160918461.

About the Music Semper Gratus is Latin for always grateful. The piece was written in honor of James E. Champion, who taught band for thirty-eight years, twenty-five of which were spent in Florence, Alabama, where he was my elementary school and high school band director. His bands consistently achieved superior ratings throughout his career. He holds multi-decade-spanning memberships in professional music education organizations, continues to serve in helping with Alabama Bandmasters Association events, and conducts and performs in various community bands and ensembles. As my band director at Bradshaw High School, Mr. Champion encouraged me to perform one of my first compositions, a clarinet quartet, at solo/ensemble festival. He taught his students the fundamentals of music, the technical aspects of performance, and exposed them to the great standards of band literature. But in doing so, he also modeled leadership, work-ethic, good character, and fostered the love of the activity of band that led me to choose music education as a career. And for that, I will always be grateful. Performance Notes Measures 1-12: The beginning of the piece should be performed in a majestic, fanfare-like style. The woodwind cues should only be used if absolutely needed during this section. Measures 41-58: The concert toms should establish a presence, but not overpower the winds. The triangle and woodblock parts should be heard distinctly over the concert toms. A higher pitched woodblock should be used for this section. (A set of claves could be used in place of the woodblock if desired.) Measures 59-94: The entirety of the middle section should be played in a rubato style to maximize musical expression, exaggerating dynamics and ritardando sections. The quarter-note triplets in the middle and low winds should be emphasized at m. 70. The molto ritardando that begins at m. 70 should be allowed to build as long as possible in m. 71 before reaching the musical apex of the middle section at m. 72. At mm. 92-94, depending on the size of the ensemble, you may want to limit the number of players (or put one per part) to achieve the most delicate sound possible. Measures 95-End: In mm. 99-107, be sure that the eighth-note running mallet parts are heard as a background texture, but do not overpower the winds. In mm. 114-115, the accents on beats 2 and 4 in the lower winds should be exaggerated to contrast the feel of the previous four measures. In m. 118, all winds should cut off and breathe on beat two for maximum impact on the next three measures.
About the MusicSemper Gratus is Latin for “always grateful.” The piece was written in honor of James E. Champion, who taught band for thirty-eight years, twenty-five of which were spent in Florence, Alabama, where he was my elementary school and high school band director. His bands consistently achieved superior ratings throughout his career. He holds multi-decade-spanning memberships in professional music education organizations, continues to serve in helping with Alabama Bandmasters Association events, and conducts and performs in various community bands and ensembles. As my band director at Bradshaw High School, Mr. Champion encouraged me to perform one of my first compositions, a clarinet quartet, at solo/ensemble festival. He taught his students the fundamentals of music, the technical aspects of performance, and exposed them to the great standards of band literature.  But in doing so, he also modeled leadership, work-ethic, good character, and fostered the love of the activity of band that led me to choose music education as a career.  And for that, I will always be grateful.Performance NotesMeasures 1-12:   The beginning of the piece should be performed in a majestic, fanfare-like style.  The woodwind cues should only be used if absolutely needed during this section.Measures 41-58:   The concert toms should establish a presence, but not overpower the winds.   The triangle and woodblock parts should be heard distinctly over the concert toms.  A higher pitched woodblock should be used for this section.  (A set of claves could be used in place of the woodblock if desired.) Measures 59-94:   The entirety of the middle section should be played in a rubato style to maximize musical expression, exaggerating dynamics and ritardando sections.   The quarter-note triplets in the middle and low winds should be emphasized at m. 70.   The molto ritardando that begins at m. 70 should be allowed to build as long as possible in m. 71 before reaching the musical apex of the middle section at m. 72. At mm. 92–94, depending on the size of the ensemble, you may want to limit the number of players (or put one per part) to achieve the most delicate sound possible.Measures 95-End:   In mm. 99–107, be sure that the eighth-note running mallet parts are heard as a background texture, but do not overpower the winds. In mm. 114–115, the accents on beats 2 and 4 in the lower winds should be exaggerated to contrast the feel of the previous four measures.  In m. 118, all winds should cut off and breathe on beat two for maximum impact on the next three measures.

SATB choir, cantor, voice solo, Adults with children, assembly, keyboard accompaniment - Beginning

SKU: GI.G-5735

Composed by James E. Moore Jr. Children. Celebration Series. Sacred. Octavo. With guitar chord names. 8 pages. GIA Publications #5735. Published by GIA Publications (GI.G-5735).

English. Text by James E. Moore.

For cantor, soloist or children.

SATB choir, congregation, organ, brass quartet, timpani - Early Intermediate

SKU: MN.60-6200

Composed by Michael D. Costello. Year A Easter5; Catholic Year C Ordinary21. Trinity, Pentecost, 21st Century. Choral score. MorningStar Music Publishers #60-6200. Published by MorningStar Music Publishers (MN.60-6200).

UPC: 688670662003. English. Text: James E. Seddon. 1 Peter 2:9-12.

An original hymn tune ASSUMPTION is used as the basis for this stirring concertato. The text by James E. Seddon is based on 1 Peter 2:9-12. The theme of the text is to challenge the Church to remember and embrace its mission. Optional parts for brass quartet and timpani are available. Useful for church celebrations, ordinations, and installations.

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Instrum ental parts include: Trumpets I and II in B-flat, Trumpets I and II in C, Trombones I and II, opt. Horn in F (sub. for Trombone I), Timpani.

Method, Procedures, Planning, and Core Vocal Exercises. Composed by James Jordan. Evoking Sound Series. Music Education. Book. 326 pages. GIA Publications #6397. Published by GIA Publications

Piano

SKU: BT.MI0415

Composed by Federico Dattino. Book and DVD. Composed 2019. Play Music Italy #MI0415. Published by Play Music Italy (BT.MI0415).

Italian.

Con non meno di 25 brani per pianoforte negli stili boogie-woogie e ragtime, questo metodo vi divertir per un bel po’ di tempo! Ma non solo… L’idea di questa raccolta è in effetti quella di imparare suonando, progredire divertendosi. Questi brani vi permetteranno quindi di scoprire e far pratica con tutte le tecniche, i gimmicks ed altre figure stilistiche proprie del boogie come del ragtime. Inoltre, per aiutarvi ad affrontarli più facilmente, abbiamo indicato per ognuno le diteggiature da utilizzare. Sappiate inoltre che questi 25 brani s’ispirano ai più grandi artisti di entrambi gli stili: Scott Joplin, Joseph Lamb, James Scott, Pine Top Smith, Meade Lux Lewis,Albert Ammons e tanti altri. Sul disco dati allegato al metodo, troverete diversi file audio e video. I video (mp4) presentano tramite l’immagine i 25 brani così come devono essere suonati, a velocit normale, poi ridotta. Le registrazioni audio (mp3) invece propongono le basi musicali corrispondenti, anch’esse a due velocit diverse. Potrete in questo modo suonare i brani proposti sulle basi musicali oppure approfittarne per sviluppare liberamente le vostre proprie idee di accompagnamento in questi stili.