Having
been invited several
times onto the jury of
the prestigious
Certamen Tarrega
in Benicasim, I thought I
would involve a few
composers in a gift to
the father of the modern
guitar. So I asked the
composers to write a
Prelude of the kind that
Tarrega wrote and which
count among his most
significant
compositions. These
Preludes for Tarrega, all
written between August
and November 2015, are
very different from each
other. The common
feature, however, between
these and the Preludes by
Tarrega is their brevity,
an average level of
performance difficulty
and guaranteed easy
listening, even when
written in a non-tonal
language (like the
meditative and melancholy
piece by Emilio Calandin
and the one by Marco
Smaili, with its
Impressionistic feel
reminding one of
Tarrega's most famous
pupil, Miguel
Llobet). In some
Preludes (the ones by
Paolo Ugoletti, Roberto
Tagliamacco, Claudia
Montero) the reference to
Lagrima, one of
Tarrega's most famous
Preludes, is evident in
form, title and some
citations. Ugoletti and
Tagliamacco work well and
expressively on harmony
and counterpoint, while
the Argentinian Claudia
Montero links Tarrega to
a heartbreaking Buenos
Aires... In Alessandro
Spazzoli there is rather
more a connection with
Tarrega's sense of melody
and deep simplicity,
while Marco Reghezza
remembers ironically what
was brewing in European
music when Tarrega was
alive: in fact, his
Como Preludio goes
across the 24 keys - and
even a reference to
Wagner's Tristan
raises its head... I
am delighted for this
volume to come out at the
time of the fiftieth
edition of the Certamen
Tarrega. (Piero
Bonaguri).
SAB choir, SATB choir, cantor, priest, assembly, keyboard accompaniment, 2 C ins...(+)
SAB choir, SATB choir,
cantor, priest, assembly,
keyboard accompaniment, 2
C instruments, cello,
guitar - Early
intermediate
SKU:
GI.G-10528
Gospel
Acclamation / Passion
Acclamation /
Presentation of the Holy
Cross. Composed by
Tony Alonso S.J. Lent,
Palm Sunday, Good Friday.
Tu Pueblo Canta. Sacred.
Octavo. With guitar chord
names. 12 pages. GIA
Publications #10528.
Published by GIA
Publications
(GI.G-10528).
UPC:
785147052814. English,
Latin, Spanish. Text
Source:
Lectionary for Mass,
Leccionario Edición
Hispanoamericana,
The Roman Missal,
Missal
Romano
Guitar SKU: GI.G-11082G Composed by Alexis Santos-Alvarado. This edition:...(+)
Guitar
SKU:
GI.G-11082G
Composed
by Alexis
Santos-Alvarado. This
edition: Guitar edition.
Sacred. Guitar part. With
guitar chord names. GIA
Publications #11082G.
Published by GIA
Publications
(GI.G-11082G).
It's Not Unusual Orchestre d'harmonie [Conducteur] - Facile Music Sales
Concert Band/Harmonie - Grade 3 SKU: BT.1517-08-140-MS As performed by...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.1517-08-140-MS
As performed by Tom
Jones. Composed by
Gordon Mills and Les
Reed. Arranged by Stefan
Schwalgin. Ovation
Series. Pop & Rock. Score
Only. Composed 2007. 24
pages. Music Sales
#1517-08-140 MS.
Published by Music Sales
(BT.1517-08-140-MS).
9x12 inches.
English-German-French-Dut
ch.
Tom Jones has
been in show business for
a number of decades, and
heis still going strong.
The Welshman scored his
first success in 1965,
withIt’s Not
Unusual, a song that was
a worldwide hit. Stefan
Schwalgin hasarranged
this song in such a way
that the big band sound
and the soullikesinging
in the original are
reflected perfectly in
the instrumentation.
Tom Jones zit al
decennialang in het
showbizzvak en hij heeft
er nog steeds niet genoeg
van. Deze entertainer
onder de entertainers
trekt nog altijd volle
zalen. Zijn eerste succes
boekte de Welshman in
1965, met It’s
Not Unusual,een
nummer dat de hitparades
wereldwijd bestormde. In
datzelfde jaar werd
Stefan Schwalgin geboren,
daarom heeft hij deze hit
met extra veel aandacht
bewerkt. De bigbandsound
en de soulachtige zang
van het origineel zijn
perfectverwerkt in de
instrumentatie van dit
arrangement.
Der
Brite Tom Jones fristete
ein Leben als
Staubsaugerverteter und
wenig erfolgreicher
Sänger einer Band bis
ein gewisser Gordon Mills
ihn entdeckte und gleich
mit dem zweiten
veröffentlichten Song
- It’s Not
Unsual - zu einem Nr.
1-Hit verhalf. Das Lied,
das einfach keinen still
sitzen lässt, schaffte
es 22 Jahre später
erneut in die Charts und
liegt nun in einer
Bearbeitung für
Blasorchester vor, die
den souligen Gesang und
die Big Band ähnliche
Begleitung gut in der
Instrumentierung
widerspiegelt.
Piano SKU: HL.14011763 Composed by Jose Maria Franco. Music Sales America...(+)
Piano
SKU:
HL.14011763
Composed
by Jose Maria Franco.
Music Sales America.
Classical. Book Only.
Union Musical Ediciones
#UMP15616. Published by
Union Musical Ediciones
(HL.14011763).
Violon, Guitare (duo) [Partition] Alfred Publishing
(Selections from Suzuki Violin School Volumes 1, 2 and 3 for Violin with Guitar ...(+)
(Selections from Suzuki
Violin School Volumes 1,
2 and 3 for Violin with
Guitar Accompaniment). By
Thomas Heck. For Violin.
Duet or Duo; String
Ensemble (Suzuki). Book.
40 pages. Published by
Alfred Music Publishing
SATB Vocal, Piano Accompaniment (Vocal Score) SKU: HL.50601387 Vocal S...(+)
SATB Vocal, Piano
Accompaniment (Vocal
Score)
SKU:
HL.50601387
Vocal
Score based on the
Critical Edition Set of
Two Books. Composed
by Gioachino Rossini.
Edited by Charles S.
Brauner. Vocal Ensemble.
Classical, Opera, Sacred.
Softcover. 392 pages.
Ricordi #CP139400.
Published by Ricordi
(HL.50601387).
ISBN
9788881920334. UPC:
888680884130. 8x10.5
inches. - Rossini - intro
in It. &
Eng.-.
Mosè
in Egitto (1818) is the
fourth of the nine opere
serie that Rossini
composed for Naples
between 1815 and 1822. As
his letters to his mother
show, Rossini was very
proud of this opera,
considering it an
especially fine
achievement that might
appeal more to posterity
than to the audiences of
his day. In fact, it
proved to be one of his
most frequently performed
opere serie. The present
reduction for voice and
piano, in two volumes,
derives from the critical
edition of the score,
published by Fondazione
Rossini Pesaro in
collaboration with Casa
Ricordi by Charles S.
Brauner: the edition is
based mainly on the
autograph score now
housed in the
Bibliothèque
nationale de France in
Paris. This autograph
score is complete but it
is not completely
autograph and many
sections have offered
some problems for the
reconstruction of the
text: the recitative in
Act I and the Aria
Mosè in Act II
arenot by Rossini, the
first five recitatives in
Act II are not in
Rossini's hand and may or
may not be by Rossini,
also not in Rossini's
hand is the Aria Amaltea,
although undoubtedly by
Rossini because borrowed
from his earlier opera
Ciro in Babilonia. The
Preface and the Critical
Commentary offer for the
first time some valid
tools to reconstruct the
entire history of the
opera, since the first
performance in Naples
(1818, 1819) to the
Parisian ones (1822 -
1840). In particular in
the appendices are
included the original
Aria Faraone which,
composed by Michele
Carafa for the first two
productions of the opera
in Naples in 1818 and
1819, was later replaced
by the Aria Faraone
Rossini himself composed
in 1820 and, in Appendix
II, the new ending of the
recitative following
Duetto N. 3 which Rossini
composed for one of the
Parisian performances,
after 1822.
Piano, Voix et Guitare [Partition] - Intermédiaire Hal Leonard
Composed by Charles Strouse, lyrics by Martin Charnin. For voice, piano and guit...(+)
Composed by Charles
Strouse, lyrics by Martin
Charnin. For voice, piano
and guitar chords. From
the Broadway musical
"Annie". Format:
piano/vocal/chords
songbook. With vocal
melody, piano
accompaniment, lyrics,
chord names, guitar chord
diagrams and color
photos. Broadway. 56
pages. 9x12 inches.
Published by Hal Leonard.
Guitar SKU: GI.G-10293G Composed by Peter M. Kolar. This edition: Guitar ...(+)
Guitar
SKU:
GI.G-10293G
Composed
by Peter M. Kolar. This
edition: Guitar edition.
Sacred. Guitar part. With
guitar chord names. 12
pages. GIA Publications
#10293G. Published by GIA
Publications
(GI.G-10293G).
UPC:
785147029373. Text
Source: Leccionario
Edición
Hispanoamericana and
Lectionary for
Mass
The Golden Age Fanfare [Conducteur] - Facile De Haske Publications
Fanfare Band - Grade 3 SKU: BT.DHP-1064079-120 Composed by Kees Schoonenb...(+)
Fanfare Band - Grade 3
SKU:
BT.DHP-1064079-120
Composed by Kees
Schoonenbeek. Inspiration
Series. Concert Piece.
Score Only. Composed
2006. 56 pages. De Haske
Publications #DHP
1064079-120. Published by
De Haske Publications
(BT.DHP-1064079-120).
9x12 inches.
English-German-French-Dut
ch.
The Golden
Age is a programmatic
composition in four
movements. I
Overture For the
Netherlands, the
seventeenth century was a
period of great
flourishing in the fields
of economy, culture and
politics; thus it is
called the Golden Age.
Overseas trade boomed,
and the Dutch East India
Company (known as the VOC
by the Dutch) was founded
and expanded to become a
powerful -and, at the
time - modern enterprise.
II ¡Adiós
españoles!(Farewel
l, Spaniards!) In 1567,
the Spanish army invaded,
led by the Duke of Alva.
There was a fierce
resistance against the
Spanish tyranny; toward
the end of the sixteenth
century, the Dutch
proclaimed theRepublic.
However, the Spanish
continued the war. Only
with the Treaty of
Münster in 1648 did
the Dutch get their much
sought-after
independence. This was
also the end of the
Eighty Years’ War.
III Rembrandt’s
Night WatchThe field
of culture, particularly
literature, painting,
sculpture, architecture,
the art of printing, and
cartography developed
fast. It was in the
Golden Age that the
celebrated painter
Rembrandt van Rijn
created his famous Night
Watch. IV The
Admiral Overseas
trade entailed the
colonization of large
areas in Asia, from where
precious products that
yielded lots of money
were brought in.
Surrounding countries
were also involved in
such practices.
Colonizers poached on
each other’s
territories in the
literal and figurative
sense - in this context
the Anglo-Dutch Sea Wars
are legendary. The fourth
movement starts with the
English patriotic song
Rule Britannia, after
which the Dutch Admiral
Michiel de Ruyter makes
the English change their
tune; one can even hear
the roaring of cannons.
When the smoke of battle
has cleared, a small
fragment of a Dutch song
about Michiel de Ruyter
appears, followed by a
fitting closing.
The Golden
Age is een
programmatische
compositie in vier delen.
Overtureverklankt
de Gouden Eeuw, voor
Nederland een periode van
grote bloei. Dan volgt
¡Adiós
españoles! over
het einde van de
Tachtigjarige
Oorlog.Rembrandtâ€â
„¢s Night Watch
beschrijft de
ontwikkeling op cultureel
gebied: in de Gouden Eeuw
schilderde Rembrandt van
Rijn zijn beroemde
Nachtwacht. Deel
vier, The Admiral,
begint met Rule
Britannia,waarna de
Nederlandse admiraal
Michiel de Ruyter de
Engelsen een toontje
lager laat zingen, er is
zelfs kanongebulder te
horen. Dan klinkt een
fragment van het
Nederlandse liedje dat
aan Michiel de Ruyter is
gewijd, waarna een
passendslot
volgt.
The
Golden Age ist eine
programmatische
Komposition in vier
Sätzen über das so
genannte “Goldene
Zeitalter“ in der
Geschichte der
Niederlande. In dieser
Periode erlebte das Land
eine Blütezeit des
(Ãœbersee-)Handels, der
Kultur und Politik, es
befreite sich von der
spanischen Herrschaft,
brachte Kunstwerke wie
Rembrandt’s
Nachtwache hervor
und entwickelte sich zu
einer Kolonialmacht. Die
Aufmerksamkeit der
Zuhörer ist bei Kees
Schoonenbeeks spannender
musikalischer
Geschichtsstunde
garantiert!
Dopo
una guerra che durò 80
anni, la Spagna riconobbe
l’indipendenza
delle Province-Unite
olandesi che divennero
potenze marittime ed
economiche del XVII
secolo. Questo periodo
è conosciuto con il
nome di Secolo
d’Oro (The Golden
Age) e corrisponde ad una
fase di sviluppo
eccezionale dei Paesi
Bassi sia sul piano
coloniale e militare, sia
sul piano culturale,
intellettuale e
artistico.
