| J.J. Johnson In Concert DVD [DVD] Jamey Aebersold Jazz
By Jamey Aebersold. Published by Jamey Aebersold Jazz. (JJD) Timeless standa...(+)
By Jamey Aebersold.
Published by Jamey
Aebersold Jazz. (JJD)
Timeless standards,
first-class sidemen, and
a legendary superstar
guarantee an
unforgettable night of
great music. This is J.J.
at his best, featuring
Jamey Aebersold on tenor
sax, Phil DeGreg on
piano, Tyrone Wheeler on
bass, and Art Gore on
drums. Almost 2 hours!
$15.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| The Phillips Collection of Traditional American Fiddle Tunes Vol 1 Violon [Partition] Mel Bay
by Stacy Phillips. For fiddle. All styles, fiddle tunes. Level: Multiple Levels....(+)
by Stacy Phillips. For
fiddle. All styles,
fiddle tunes. Level:
Multiple Levels. Book.
Solos. Size 8.75x11.75.
268 pages. Published by
Mel Bay Pub., Inc.
(1)$39.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Philip Smith: Advanced Concert Studies for Trumpet Trompette [Partition + CD] - Intermédiaire/avancé Curnow Music
19 New Studies from Grade 4 Through 6. Performed by Philip Smith. Curnow Play-Al...(+)
19 New Studies from Grade
4 Through 6. Performed by
Philip Smith. Curnow
Play-Along Book. Play
Along. Softcover with CD.
Size 9x12 inches. 40
pages. Published by
Curnow Music.
(1)$22.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Children, Go Where I Send Thee Carl Fischer
Choral Percussion, Piano, alto voice, bass Guitar, bass voice, soprano voice, te...(+)
Choral Percussion, Piano,
alto voice, bass Guitar,
bass voice, soprano
voice, tenor voice
SKU: CF.CM9743IN
Composed by Traditional
African-American
Spiritual. Arranged by
Kevin Phillip Johnson.
Set of Score and Parts.
44+32+2 pages. Duration 4
minutes, 5 seconds. Carl
Fischer Music #CM9743IN.
Published by Carl Fischer
Music (CF.CM9743IN).
ISBN 9781491162231.
UPC: 680160920990. Key: E
minor. English. Iyana
Davis. Negro Spiritual
with Rap crafter by Ayana
Davis. This Negro
Spiritual was made
popular by the Golden
Gate Quartet in the
1930s. Willie T. Johnson,
the lead singer of the
group, is the father of
Kevin P. Johnson the
arranger of this version.
The composer, like his
father, uses rhythm in
exciting new ways to
deliver Negro Spirituals
to contemporary
audiences. The text of
this spiritual has been
interpreted in many
different ways over the
years. Here's a popular
interpretation of the
text. One for the little
bitty baby born, born,
born in Bethlehem: This
refers to the infant
Jesus. Two for Paul and
Silas: This verse honors
Paul and Silas who went
on many missionary
journeys to spread the
teachings of Christ.
Three for the Hebrew
children: The three
Hebrew children could be
Shadrach, Meshach and
Abednego. Four for the
four that stood at the
door: Many people
interpret the four to be
the four writers of the
Gospel books - Matthew,
Mark, Luke and John,
though this does not
explain the part about
standing at the door.
Five for the gospel
preachers: The five are
Matthew, Mark, Luke, John
and Peter. Paul is
already mentioned above,
in line two. Six for the
six that never got fixed:
Could this mean the
sinners who never change
their ways? Seven for the
seven that went up to
heaven: The seven in
heaven could be the seven
stars in Ursa Major or
the sevenfold spirit of
God or the seven early
Christian churches or the
seven stars in the right
hand of Christ mentioned
in the Revelation. Eight
for the eight that stood
at the gate: This could
refer to the eight people
who entered Noah's ark
(Noah, his wife, their
three sons and their
wives). Nine for the nine
that dressed so fine:
This could refer to the
nine orders of Angels in
heaven. Ten for the ten
commandments: This refers
to the ten commandments
given to Moses.
Performance notes: Swing
the 8th notes Djembe
drums should be played
freely with flexible
precision The rap can be
optional The ending solo
can be sung down an
octave and can be changed
to match the ability of
the soloist. Do not clap
louder than you sing If
doing choral movement on
the piece, pay attention
to detail synchronizing
movements as much as
possible. While the rap
is words in rhythm, if
adding one is not
possible for your
performance, consider a
spoken word of your own
choosing Have
fun!. This Negro
Spiritual was made
popular by the Golden
Gate Quartet in the
1930s. Willie T. Johnson,
the lead singer of the
group, is the father of
Kevin P. Johnson the
arranger of this
version. The
composer, like his
father, uses rhythm in
exciting new ways to
deliver Negro Spirituals
to contemporary
audiences.The text of
this spiritual has been
interpreted in many
different ways over the
 years. Here's a
popular interpretation of
the text. One for the
little bitty baby born,
born, born in
Bethlehem: This refers
to the infant Jesus. Two
for Paul and
Silas: This verse
honors Paul and Silas who
went on many missionary
journeys to spread the
teachings of Christ.ÂÂ
Three for the Hebrew
children: The three
Hebrew children could be
Shadrach, Meshach and
Abednego. Four for
the four that stood at
the door: Many people
interpret the four
to be the four writers
of the Gospel books
– Matthew, Mark,
Luke and John, though
this does not explain the
part about standing at
the door. Five for the
gospel preachers: The
five are Matthew, Mark,
Luke, John and Peter.
Paul is already mentioned
above, in line two. Six
for the six that never
got fixed: Could this
mean the sinners who
never change their
ways? Seven for the
seven that went up to
heaven: The seven in
heaven could be
the seven stars in
Ursa
Major or the sev
enfold
spirit of God or
 the seven early
 Christian churches
 or the sevenÂÂ
stars in the
right hand of Ch
rist mentioned inÂ
 the Revelation.
Eight for the eight that
stood at the gate: This
could refer to the eight
people who entered
Noah’s ark (Noah,
his wife, their three
sons and their wives).
Nine for the nine that
dressed so fine: This
could refer to the nine
orders of Angels in
heaven. Ten for the
ten commandments: This
refers to the ten
commandments given to
Moses.Performance notes:
Swing the 8th notes
Djembe drums should be
played freely with
flexible precision The
rap can be optional The
ending solo can be sung
down an octave and can be
changed to match the
ability of the soloist.
Do not clap louder than
you sing If doing choral
movement on the piece,
pay attention to detail
synchronizing movements
as much as possible.
While the rap is words in
rhythm, if adding one is
not possible for your
performance, consider a
spoken word of your own
choosing Have fun! $50.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Children, Go Where I Send Thee Carl Fischer
Choral SATB Choir, Bass Guitar, Percussion, Piano SKU: CF.CM9743 Composed...(+)
Choral SATB Choir, Bass
Guitar, Percussion, Piano
SKU: CF.CM9743
Composed by Traditional
African-American
Spiritual. Arranged by
Kevin Phillip Johnson. 20
pages. Duration 4
minutes, 5 seconds. Carl
Fischer Music #CM9743.
Published by Carl Fischer
Music (CF.CM9743).
ISBN 9781491161562.
UPC: 680160920211. Key: E
minor. English. Iyana
Davis. Negro Spiritual
with Rap crafter by Ayana
Davis. This Negro
Spiritual was made
popular by the Golden
Gate Quartet in the
1930s. Willie T. Johnson,
the lead singer of the
group, is the father of
Kevin P. Johnson the
arranger of this version.
The composer, like his
father, uses rhythm in
exciting new ways to
deliver Negro Spirituals
to contemporary
audiences. The text of
this spiritual has been
interpreted in many
different ways over the
years. Here's a popular
interpretation of the
text. One for the little
bitty baby born, born,
born in Bethlehem: This
refers to the infant
Jesus. Two for Paul and
Silas: This verse honors
Paul and Silas who went
on many missionary
journeys to spread the
teachings of Christ.
Three for the Hebrew
children: The three
Hebrew children could be
Shadrach, Meshach and
Abednego. Four for the
four that stood at the
door: Many people
interpret the four to be
the four writers of the
Gospel books - Matthew,
Mark, Luke and John,
though this does not
explain the part about
standing at the door.
Five for the gospel
preachers: The five are
Matthew, Mark, Luke, John
and Peter. Paul is
already mentioned above,
in line two. Six for the
six that never got fixed:
Could this mean the
sinners who never change
their ways? Seven for the
seven that went up to
heaven: The seven in
heaven could be the seven
stars in Ursa Major or
the sevenfold spirit of
God or the seven early
Christian churches or the
seven stars in the right
hand of Christ mentioned
in the Revelation. Eight
for the eight that stood
at the gate: This could
refer to the eight people
who entered Noah's ark
(Noah, his wife, their
three sons and their
wives). Nine for the nine
that dressed so fine:
This could refer to the
nine orders of Angels in
heaven. Ten for the ten
commandments: This refers
to the ten commandments
given to Moses.
Performance notes: Swing
the 8th notes Djembe
drums should be played
freely with flexible
precision The rap can be
optional The ending solo
can be sung down an
octave and can be changed
to match the ability of
the soloist. Do not clap
louder than you sing If
doing choral movement on
the piece, pay attention
to detail synchronizing
movements as much as
possible. While the rap
is words in rhythm, if
adding one is not
possible for your
performance, consider a
spoken word of your own
choosing Have
fun!. This Negro
Spiritual was made
popular by the Golden
Gate Quartet in the
1930s. Willie T. Johnson,
the lead singer of the
group, is the father of
Kevin P. Johnson the
arranger of this
version. The
composer, like his
father, uses rhythm in
exciting new ways to
deliver Negro Spirituals
to contemporary
audiences.The text of
this spiritual has been
interpreted in many
different ways over the
 years. Here's a
popular interpretation of
the text. One for the
little bitty baby born,
born, born in
Bethlehem: This refers
to the infant Jesus. Two
for Paul and
Silas: This verse
honors Paul and Silas who
went on many missionary
journeys to spread the
teachings of Christ.ÂÂ
Three for the Hebrew
children: The three
Hebrew children could be
Shadrach, Meshach and
Abednego. Four for
the four that stood at
the door: Many people
interpret the four
to be the four writers
of the Gospel books
– Matthew, Mark,
Luke and John, though
this does not explain the
part about standing at
the door. Five for the
gospel preachers: The
five are Matthew, Mark,
Luke, John and Peter.
Paul is already mentioned
above, in line two. Six
for the six that never
got fixed: Could this
mean the sinners who
never change their
ways? Seven for the
seven that went up to
heaven: The seven in
heaven could be
the seven stars in
Ursa
Major or the sev
enfold
spirit of God or
 the seven early
 Christian churches
 or the sevenÂÂ
stars in the
right hand of Ch
rist mentioned inÂ
 the Revelation.
Eight for the eight that
stood at the gate: This
could refer to the eight
people who entered
Noah’s ark (Noah,
his wife, their three
sons and their wives).
Nine for the nine that
dressed so fine: This
could refer to the nine
orders of Angels in
heaven. Ten for the
ten commandments: This
refers to the ten
commandments given to
Moses.Performance notes:
Swing the 8th notes
Djembe drums should be
played freely with
flexible precision The
rap can be optional The
ending solo can be sung
down an octave and can be
changed to match the
ability of the soloist.
Do not clap louder than
you sing If doing choral
movement on the piece,
pay attention to detail
synchronizing movements
as much as possible.
While the rap is words in
rhythm, if adding one is
not possible for your
performance, consider a
spoken word of your own
choosing Have fun! $3.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Children, Go Where I Send Thee Carl Fischer
Choral Bass Guitar, Percussion, Piano, alto voice, soprano 1, soprano 2 SKU: ...(+)
Choral Bass Guitar,
Percussion, Piano, alto
voice, soprano 1, soprano
2 SKU: CF.CM9742
Composed by Traditional
African American
Spiritual. Arranged by
Kevin Phillip Johnson. 16
pages. Duration 4
minutes, 5 seconds. Carl
Fischer Music #CM9742.
Published by Carl Fischer
Music (CF.CM9742).
ISBN 9781491161555.
UPC: 680160920204. Key: E
minor. English. Iyana
Davis. This Negro
Spiritual was made
popular by the Golden
Gate Quartet in the
1930s. Willie T. Johnson,
the lead singer of the
group, is the father of
Kevin P. Johnson the
arranger of this version.
The composer, like his
father, uses rhythm in
exciting new ways to
deliver Negro Spirituals
to contemporary
audiences. The text of
this spiritual has been
interpreted in many
different ways over the
years. Here's a popular
interpretation of the
text. One for the little
bitty baby born, born,
born in Bethlehem: This
refers to the infant
Jesus. Two for Paul and
Silas: This verse honors
Paul and Silas who went
on many missionary
journeys to spread the
teachings of Christ.
Three for the Hebrew
children: The three
Hebrew children could be
Shadrach, Meshach and
Abednego. Four for the
four that stood at the
door: Many people
interpret the four to be
the four writers of the
Gospel books - Matthew,
Mark, Luke and John,
though this does not
explain the part about
standing at the door.
Five for the gospel
preachers: The five are
Matthew, Mark, Luke, John
and Peter. Paul is
already mentioned above,
in line two. Six for the
six that never got fixed:
Could this mean the
sinners who never change
their ways? Seven for the
seven that went up to
heaven: The seven in
heaven could be the seven
stars in Ursa Major or
the sevenfold spirit of
God or the seven early
Christian churches or the
seven stars in the right
hand of Christ mentioned
in the Revelation. Eight
for the eight that stood
at the gate: This could
refer to the eight people
who entered Noah's ark
(Noah, his wife, their
three sons and their
wives). Nine for the nine
that dressed so fine:
This could refer to the
nine orders of Angels in
heaven. Ten for the ten
commandments: This refers
to the ten commandments
given to Moses.
Performance notes: Swing
the 8th notes Djembe
drums should be played
freely with flexible
precision The rap can be
optional The ending solo
can be sung down an
octave and can be changed
to match the ability of
the soloist. Do not clap
louder than you sing If
doing choral movement on
the piece, pay attention
to detail synchronizing
movements as much as
possible. While the rap
is words in rhythm, if
adding one is not
possible for your
performance, consider a
spoken word of your own
choosing Have
fun!. This Negro
Spiritual was made
popular by the Golden
Gate Quartet in the
1930s. Willie T. Johnson,
the lead singer of the
group, is the father of
Kevin P. Johnson the
arranger of this
version. The
composer, like his
father, uses rhythm in
exciting new ways to
deliver Negro Spirituals
to contemporary
audiences.The text of
this spiritual has been
interpreted in many
different ways over the
 years. Here's a
popular interpretation of
the text. One for the
little bitty baby born,
born, born in
Bethlehem: This refers
to the infant Jesus. Two
for Paul and
Silas: This verse
honors Paul and Silas who
went on many missionary
journeys to spread the
teachings of Christ.ÂÂ
Three for the Hebrew
children: The three
Hebrew children could be
Shadrach, Meshach and
Abednego. Four for
the four that stood at
the door: Many people
interpret the four
to be the four writers
of the Gospel books
– Matthew, Mark,
Luke and John, though
this does not explain the
part about standing at
the door. Five for the
gospel preachers: The
five are Matthew, Mark,
Luke, John and Peter.
Paul is already mentioned
above, in line two. Six
for the six that never
got fixed: Could this
mean the sinners who
never change their
ways? Seven for the
seven that went up to
heaven: The seven in
heaven could be
the seven stars in
Ursa
Major or the sev
enfold
spirit of God or
 the seven early
 Christian churches
 or the sevenÂÂ
stars in the
right hand of Ch
rist mentioned inÂ
 the Revelation.
Eight for the eight that
stood at the gate: This
could refer to the eight
people who entered
Noah’s ark (Noah,
his wife, their three
sons and their wives).
Nine for the nine that
dressed so fine: This
could refer to the nine
orders of Angels in
heaven. Ten for the
ten commandments: This
refers to the ten
commandments given to
Moses.Performance notes:
Swing the 8th notes
Djembe drums should be
played freely with
flexible precision The
rap can be optional The
ending solo can be sung
down an octave and can be
changed to match the
ability of the soloist.
Do not clap louder than
you sing If doing choral
movement on the piece,
pay attention to detail
synchronizing movements
as much as possible.
While the rap is words in
rhythm, if adding one is
not possible for your
performance, consider a
spoken word of your own
choosing Have fun! $2.75 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Lift Every Voice and Sing Orchestre [Conducteur et Parties séparées] - Facile Alfred Publishing
Often Referred to as the African-American National Anthem . Composed by ...(+)
Often Referred to as
the African-American
National Anthem .
Composed by J. Rosamond
Johnson, words by James
Weldon Johnson. Arranged
by Bob Phillips. This
edition: with Chorus.
Part(s); Score; String
Orchestra. Sound
Innovations for String
Orchestra. Folk;
Multicultural. 80 pages.
Published by Alfred Music
(AP.44827).
$46.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Joyful Praise Solos Piano seul - Intermédiaire Alfred Publishing
11 Piano Arrangements of Contemporary Christian Favorites. Arranged by Bernad...(+)
11 Piano Arrangements of
Contemporary Christian
Favorites. Arranged by
Bernadine Johnson. Book;
Piano Collection; Piano
Supplemental; Worship
Resources. Sacred
Performer
Collections. Contemporary
Christian; Sacred. 48
pages.
Published by Alfred Music
$12.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Ili Ili Tulog Anay (SSA with opt. Violin) Chorale 3 parties SSA [Octavo] Choristers Guild
Arranged by Victor C Johnson. For SSA choir with optional violin. Sing!. Octavo....(+)
Arranged by Victor C
Johnson. For SSA choir
with optional violin.
Sing!. Octavo. Published
by Chorister's Guild
$1.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Children, Go Where I Send Thee Carl Fischer
Choral Bass Guitar, Djembe 1, Djembe 2, Djembe 3, Percussion, Piano, Shaker, alt...(+)
Choral Bass Guitar,
Djembe 1, Djembe 2,
Djembe 3, Percussion,
Piano, Shaker, alto
voice, soprano 1, soprano
2 SKU: CF.CM9742IN
Composed by Traditional
African American
Spiritual. Arranged by
Kevin Phillip Johnson.
Set of Score and Parts.
44+32+2 pages. Duration 4
minutes, 5 seconds. Carl
Fischer Music #CM9742IN.
Published by Carl Fischer
Music (CF.CM9742IN).
ISBN 9781491162224.
UPC: 680160920983. Key: E
minor. English. Iyana
Davis. $50.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| A Choice to Change the World Carl Fischer
Choral Solo Voices, SSA chorus, piano SKU: CF.CM9744 Composed by Kevin Ph...(+)
Choral Solo Voices, SSA
chorus, piano SKU:
CF.CM9744 Composed by
Kevin Phillip Johnson. 16
pages. Duration 4
minutes, 57 seconds. Carl
Fischer Music #CM9744.
Published by Carl Fischer
Music (CF.CM9744).
ISBN 9781491162019.
UPC: 680160920693. Key: D
major. English. Sarah
Benibo.
Original. $2.75 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Favorite American Polkas and Jigs for Fiddle Violon [Partition] - Facile Mel Bay
By Stacy Phillips. For Fiddle. Solos. Fiddle Tunes. Level: Beginning-Intermediat...(+)
By Stacy Phillips. For
Fiddle. Solos. Fiddle
Tunes. Level:
Beginning-Intermediate.
Book. 64 pages. Published
by Mel Bay Publications,
Inc.
$19.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Mark O'Connor - The Championship Years Violon [Partition] - Intermédiaire/avancé Mel Bay
by Mark O'Connor; transcribed and edited by Stacy Phillips. For fiddle. Bluegras...(+)
by Mark O'Connor;
transcribed and edited by
Stacy Phillips. For
fiddle. Bluegrass and
country, fiddle tunes.
Level:
Intermediate-Advanced.
Book. Solos. Size
8.75x11.75. 200 pages.
Published by Mel Bay
Pub., Inc.
$29.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Wade in the Water Carl Fischer
Choral Solo Voices, SSA chorus, piano SKU: CF.CM9749 Composed by Traditio...(+)
Choral Solo Voices, SSA
chorus, piano SKU:
CF.CM9749 Composed by
Traditional
African-American
Spiritual. Arranged by
Kevin Phillip Johnson.
Duration 3 minutes, 25
seconds. Carl Fischer
Music #CM9749. Published
by Carl Fischer Music
(CF.CM9749). ISBN
9781491162378. UPC:
680160921126. Key: E
minor. English.
Spiritual. $2.50 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Favorite American Hornpipes for Fiddle Violon [Partition] - Facile Mel Bay
By Stacy Phillips. For Fiddle. Solos. Fiddle Tunes. Level: Beginning-Intermediat...(+)
By Stacy Phillips. For
Fiddle. Solos. Fiddle
Tunes. Level:
Beginning-Intermediate.
Book. Size 8.75x11.75. 64
pages. Published by Mel
Bay Publications, Inc.
$19.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Living Hope Chorale SATB PraiseSong
By Phil Wickham. By Brian Johnson and Phil Wickham. Arranged by Joseph M. Mart...(+)
By Phil Wickham. By Brian
Johnson and Phil Wickham.
Arranged by Joseph M.
Martin.
PraiseSong Choral.
Easter,
General Worship, Sacred.
Octavo. 16 pages.
Published
by PraiseSong
$2.25 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Everything You Wanted to Know About Clawhammer Banjo Banjo [Partition + CD] - Intermédiaire/avancé Mel Bay
A Complete Tutor for the Intermediate and Advanced Player. For Banjo (5-String)....(+)
A Complete Tutor for the
Intermediate and Advanced
Player. For Banjo
(5-String). method.
Clawhammer/Frailing.
Level:
Intermediate-Advanced.
Book/CD Set. Size
8.75x11.75. 200 pages.
Published by Mel Bay
Publications, Inc.
$29.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Ryan's Mammoth Collection of Fiddle Tunes Violon [Partition] Mel Bay
Edited by Patrick Sky. For fiddle. All styles. Level: Multiple Levels. Book. Son...(+)
Edited by Patrick Sky.
For fiddle. All styles.
Level: Multiple Levels.
Book. Songbook. Size
8.75x11.75. 176 pages.
Published by Mel Bay
Pub., Inc.
$29.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| The Renaissance Guitar Guitare Guitare classique [Partition + Accès audio] Music Sales
Composed by Various. Edited by Frederick M. Noad. Music Sales America. Classical...(+)
Composed by Various.
Edited by Frederick M.
Noad. Music Sales
America. Classical,
Renaissance. Softcover
Audio Online. 120 pages.
Music Sales #AM968066.
Published by Music Sales
(3)$34.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Lift Every Voice and Sing Orchestre - Facile Alfred Publishing
Orchestra - Grade 2.5 SKU: AP.44827S Often Referred to as the African-...(+)
Orchestra - Grade 2.5
SKU: AP.44827S
Often Referred to as
the African-American
National Anthem.
Composed by J. Rosamond
Johnson. Arranged by Bob
Phillips. This edition:
with Chorus. Performance
Music Ensemble; Single
Titles; String Orchestra.
Sound Innovations for
String Orchestra. Folk;
Multicultural. Score. 8
pages. Duration 2:40.
Alfred Music #00-44827S.
Published by Alfred Music
(AP.44827S). UPC:
038081518176. English.
James Weldon
Johnson. The poem
and original hymn-like
music of Lift Every Voice
and Sing, by James and J.
Rosamond Johnson,
reverberate through the
decades of the civil
rights movement.
Originally performed for
Booker T. Washington in
1900, it is sometimes
called the
African-American National
Anthem. This setting, by
Bob Phillips, teaches 6/8
and uses chromatic
alterations in first
position. A vocal lead
sheet is included in the
reproducible educational
packets. The
cross-curricular
programming possibilities
are vast. (2:40). $8.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
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| The Recording Guitarist Livre - Pas de partitions [Partition + DVD] Hal Leonard
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By Various. For Choir. Evangelical Lutheran Worship. Published by Augsburg Fortr...(+)
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