Fakebook for Eb instrument. With vocal melody, lyrics and chord names. Series: Hal Leonard Fake Books. 864 pages. Published by Hal Leonard.

(C Edition) For voice and C instrument. Format: fakebook. With vocal melody, lyrics and chord names. Series: Hal Leonard Fake Books. 856 pages. 9x12 inches. Published by Hal Leonard.

By Phyllis Wolfe White. For 3-part mixed choir. General, Novelty. Octavo. Published by Heritage Music Press. (15/1529H)

(A Rise and Shine Musical). Composed by Jill Gallina and Michael Gallina. For Choral (CLASSRM KIT). Musicals. Published by Shawnee Press

(A Rise and Shine Musical). Composed by Jill Gallina and Michael Gallina. For Choral. Musicals. Softcover with CD-ROM. Published by Shawnee Press

SKU: LO.99-1350H

Choral. Accompaniment CD. Heritage Music Press #99/1350H. Published by Heritage Music Press (LO.99-1350H).

UPC: 000308079517.

Piano

SKU: HL.49044184

Klavierauszuge zu zwei und vier Handen. Composed by Robert Schumann. Edited by Armin Koch. This edition: Full-cloth binding. Sheet music. Edition Schott. Hardcover. 272 pages. Schott Music #RSA1048. Published by Schott Music (HL.49044184).

ISBN 9783795794668. 10.0x13.5x1.09 inches.

The New Robert Schumann Edition (RSA) is intended as a historico-critical edition of the collected works. They will be carefully studied and prepared according to present-day musicological and editorial techniques and presented in their entirety. Drafts, sketches and fragments, in short, everything that has come down to us as being authentically by Schumann and which, in most cases, has been deliberately preserved by him, will be brought together, evaluated as to its importance and documented in some form or other in the edition of the complete works.It is the aim of the edition to reproduce authentic texts which - having corrected scribal, copying and printing errors and eradicated later additions and other textual corruptions - will approach as closely as is possible the intention of the originals.The critical edition will form the basis of accurate performance material for Robert Schumann's work.

By Various Artists. Composed by Cole Porter. 2 discs. Broadway. Karaoke CDG. With lyric booklet. Published by Stage Stars Records.

SSA Choir and Piano - intermediate

SKU: HL.14015025

Composed by John Hind. Music Sales America. Classical. Choral Score. Music Sales #NOV510617. Published by Music Sales (HL.14015025).

Lyrics by William Shakespeare.

Settin gs of two Shakespeare texts by John Hind, for the upper voices (SSA) with a full Piano accompaniment. The first, Come Away, Death is a sombre moment from Twelfth Night, with the second, Will You Buy Any Tape? taken from A Winter's Tale. The simple tonalities of the first song, coupled with the joyful dance-like rhythms of the second, suggest a courtly early-Renaissance sound characteristic of Shakespeare's time.

By Sally K. Albrecht. Octavo for SSA choir and piano accompaniment. Lyrics from William Shakespeares Much Ado About Nothing. F Major. Series: Choral Octavo. 12 pages. Published by Alfred Publishing.

Band concert band - Grade 0.5

SKU: CF.PPS53F

Composed by Sean O'Loughlin. Primer Band (PPS). Full score. With Standard notation. 16 pages. Carl Fischer Music #PPS53F. Published by Carl Fischer Music (CF.PPS53F).

ISBN 9781491152652. UPC: 680160910151.

Illyr ia is a region in southern Europe, and the name has been used in books and music throughout history, including Shakespearean plays. Composer Sean O'Loughlin takes beginning students on a musical journey, starting with broad melodic statements by the brass, bold full ensemble statements, a contrasting lyrical section, and concluding with a relentless finish. Journey to Illyria is a sophisticated musical presentation that is still playable by the youngest of students.
The title Journey to Illyria comes out of a recent internet search that came up with a similarly titled book by an author named Sean O'Loughlin (no relation). I'm always fascinated by how connected and small this world can seem. After some further research, I found that Illyria is also a name that appears in some fantasy fiction books and even on the TV show Angel. All of this gets wrapped into the music for this piece.It begins with a broad melodic statement by the brass. It develops further at m. 9 and then transitions to a full statement at m. 25 with plenty of imitation between upper and lower voices. A contrasting slower section follows at m. 39, which should bring out the haunting, rich sound of the ensemble. The fast section returns at m. 46 with progressively building imitation to bring back the opening gesture at m. 58. The music then is relentless to the rousing end.

Band concert band - Grade 0.5

SKU: CF.PPS53

Composed by Sean O'Loughlin. Primer Band (PPS). Set of Score and Parts. With Standard notation. 8+2+8+2+5+2+2+8+2+3+2+6+3 +1+1+2+5+16+2 pages. Duration 2 minutes, 50 seconds. Carl Fischer Music #PPS53. Published by Carl Fischer Music (CF.PPS53).

ISBN 9781491151976. UPC: 680160909476.

Illyr ia is a region in southern Europe, and the name has been used in books and music throughout history, including Shakespearean plays. Composer Sean O'Loughlin takes beginning students on a musical journey, starting with broad melodic statements by the brass, bold full ensemble statements, a contrasting lyrical section, and concluding with a relentless finish. Journey to Illyria is a sophisticated musical presentation that is still playable by the youngest of students.
The title Journey to Illyria comes out of a recent internet search that came up with a similarly titled book by an author named Sean O'Loughlin (no relation). I'm always fascinated by how connected and small this world can seem. After some further research, I found that Illyria is also a name that appears in some fantasy fiction books and even on the TV show Angel. All of this gets wrapped into the music for this piece.It begins with a broad melodic statement by the brass. It develops further at m. 9 and then transitions to a full statement at m. 25 with plenty of imitation between upper and lower voices. A contrasting slower section follows at m. 39, which should bring out the haunting, rich sound of the ensemble. The fast section returns at m. 46 with progressively building imitation to bring back the opening gesture at m. 58. The music then is relentless to the rousing end.