(Blessing For The Road). Composed by Shulamit Ran (1949-). For mixed quartet: clarinet, violin, cello, piano. Set of parts. 28 pages. Duration 6 minutes. Published by Theodore Presser Company

By Cecilia Mcdowall. For SSA choir, a cappella. This edition: NH35. Upper Voices. New Horizons. Sacred Choral Leaflet. Vocal score. 8 pages. Duration 2'

By Ruth Schonthal (1924-). For string quartet. Strings - Quartet, Quintet, Sextet. Chamber Music. Advanced. Score and parts. Duration 13'

SATB choir with soprano voice solo, organ - Medium

SKU: PL.9528

Composed by David Francis Urrows. Cathedral/Parish. Choral, Festival, General, Hymn. Octavo. Paraclete Press #9528. Published by Paraclete Press (PL.9528).

David Urrows' subtle use of harmonic color creates an exquisite sense of reflection for Edmund Spencer's prayer of supplication and intercession. Choir and solo voice are undergirded by a colorful organ accompaniment. All performing forces are joined to build toward a powerful harmonic and rhythmic climax. Middle and upper vocal ranges are also employed to heighten the meaning of the text. This anthem will serve well throughout the entire church year.

SSAATTBB chorus and piano - Medium-difficult / medium-difficult acc.

SKU: JK.00804

Composed by Richard W. Smith. Choral SATB, Difficulty Medium Hard, Piano Choir, Comfort, Encouragement, God's Love, Grace, Guidance, Jesus Christ - Friend, Jesus Christ - Savior, Peace, Plan of Salvation, Supplication, Trials. Christian, Inspirational. Duration 2:30. Jackman Music Corporation #00804. Published by Jackman Music Corporation (JK.00804).

Numbers 6:23-26.

Arrang ed for mixed chorus (SSAATTBB) and piano, with text from A Gaelic Blessing and Numbers 6:23-26, sung as a prayer to the Lord to bless us in all we do.
Composer: Richard W. Smith
Difficulty: Medium-difficult / medium-difficult acc.
Performance time: 2:30
Reference: Numbers 6:23-26.

Concert Band/Harmonie - Grade 5

SKU: BT.DHP-1043740-010

Composed by Jan Hadermann. Sovereign Series. Concert Piece. Set (Score & Parts). Composed 2004. De Haske Publications #DHP 1043740-010. Published by De Haske Publications (BT.DHP-1043740-010).

English-German-French- Dutch.

Guernica, a peaceful town in the Basque region of Spain, was reduced to ruins on the 26th of April 1937 by Nazi bombers. It was a totally unexpected attack that happened while the crowded open-air market was in progress. Over 1600 innocent citizens were killed.This was one of the most senseless and abhorrent war crimes in history. In this new work by Jan Hadermann the music of the Basque region can clearly be heard, with street musicians adding lustre to the open-air market with dance music. Spring is in the air when suddenly from behind the mountaintops, the death squad appears and all hell breaks loose. The work ends with an intense plea to never let anything like this happenagain. A moving and contemplative new work for concert band.

Guernica, een vredig stadje in het Spaanse Baskenland, werd op 26 april 1937 door nazi bommenwerpers volledig in puin gelegd. Die aanval vond totaal onverwacht plaats terwijl de drukbezochte openluchtmarkt volop aan de gang was. Meerdan 1600 onschuldige burgers werden gedood. Dit is een van de meest zinloze en weerzinwekkende oorlogsmisdaden uit de geschiedenis. In het stuk Guernica van Jan Haderman horen we hoe de Baskische muziek klinkt: straatmuzikantenluisteren de openluchtmarkt op met dansmuziek. Het is lente. Dan duikt plotseling vanachter de bergtoppen het doodseskader op en barst de hel los. Het werk eindigt met een intense smeekbede zoiets nooit meer te laten gebeuren. Eenontroerend nieuw werk voor harmonieorkest.

Gu ernica, eine friedliche, strategisch eher bedeutungslose Stadt im Baskenland in Spanien, ist durch einen furchtbaren Blitzangriff von Nazibombern im Jahr 1937 zum Symbol für die Sinnlosigkeit und Grausamkeit von Kriegsverbrechen und Terror geworden. Im Stück Guernica ist die fröhliche Musik der Basken herauszuhören, bevor die Hölle des Angriffs losbricht. Das Werk endet mit der eindringlichen Bitte, so etwas nie wieder geschehen zu lassen. Ein eindrucksvolles Werk mit einer nach wie vor aktuellen Botschaft.

Le 26 avril 1937, la paisible ville de Guernica dans le Pays basque espagnol est anéantie par les bombardiers de l’aviation nazie. Plus de mille six cents civils sont tués. La ville br le pendant trois jours. Guernica de Jan Hadermann se développe aux sons de la musique basque. La place du marché est pleine de monde. L’atmosphère est douce, le printemps s’éveille sur un air de danse joué par des musiciens de rue quand surgit par dessus les montagnes, l’escadron de la mort. L’enfer commence Guernica. L’œuvre se conclut dans une intense expression de supplication pour qu’une telle folie ne se reproduise plus.

Choral (SSA Choir)

SKU: HL.14023934

Composed by F. Odell. Music Sales America. Classical. Vocal Score. Composed 2006. Music Sales #PAT16120. Published by Music Sales (HL.14023934).

English.

(Our Father, Our King). Arranged by Vince Gassi. Concert Band. Concert Band; Part(s); Score. Young Symphonic. Folk; Jewish Heritage; Sacred. Grade 2. 126 pages. Published by Alfred Music

By Ernest Bloch. Arranged by Hans Kindler. Cello (Cello/Piano). Size 9 X 12. Published by Carl Fischer.

(Easy Organ Music for Church Services and Teaching: Chorale Settings). Edited by Armin Kircher; Marius Schwemmer. For organ. This edition: 1st printing 2012 edition. Stapled. Level 3. Performance score, Anthology. Language: German/English. 67 pages. Publi

(Children's Choir And Band). By Henk van Lijnschooten. For Fanfare Band. Band with (Solo) Voice / Original Works Light Music Repertoire. Solo and Band Series. Grade 2. Score and Parts

Piano Accompaniment (SATB Choir)

SKU: HL.291929

Composed by Allan Robert Petker. Pavane Choral. Octavo. 8 pages. Pavane Publishing #P1630. Published by Pavane Publishing (HL.291929).

UPC: 888680928445. 6.75x10.5 inches. Sr. Ruth Marlene Fox/Allan Robert Petker.

It is the text that deserves your attention first. ?The Benedictine Blessing? stands as a unique approach in its prayer requests. The musical setting was lauded by the lyricist, and brings a further poignant depth to the supplication. A worthy offering in concert and worship.

SATB chorus - Medium-difficult / medium-difficult acc.

SKU: JK.00672

Composed by J. E. Gould. Arranged by Robert P. Manookin. Choral SATB, Difficulty Medium Hard, Piano Choir, Guidance, Hope, Jesus Christ - Friend, Jesus Christ - Savior, Supplication. Christian, Inspirational. Jackman Music Corporation #00672. Published by Jackman Music Corporation (JK.00672).

Mark 4:39-41, Psalm 48:14.

Hymn arrangement for mixed chorus (SATB), unison voices broadening to four-part voicing, in B flat major.
Composer: J. E. Gould
Arranger: Robert P. Manookin
Lyricist: Edward Hopper
Difficulty: Medium-difficult / medium-difficult acc.
Reference: Mark 4:39-41, Psalm 48:14.

Sacred Solos for Service and Celebration. Composed by Kevin A. Memley. Pavane Secular. General Worship, Praise, Thanksgiving. Softcover. Pavane Publishing #P4034. Published by Pavane Publishing

SATB chorus and piano - Medium / medium acc.

SKU: JK.00957

Composed by Gaylene Anderson. Choral SATB, Difficulty Medium, Piano Choir, Charity, Guidance, Hope, Jesus Christ - Example, Jesus Christ - Friend, Jesus Christ - Savior, Love, Supplication. Christian, Inspirational. Duration 4:00. Jackman Music Corporation #00957. Published by Jackman Music Corporation (JK.00957).

Mark 4:39-41, Psalm 48:14.

Beautifu l piece of the Savior's life, singing words of encouragement for men to become like Christ--arranged for mixed chorus (SATB) and piano accompaniment:
If I reach out and calm a troubled heart or let another heal the rift in me, if in distress, I take another's part as Jesus took ours in Gethsemene, then I embrace the Savior's loving art, and honor Him throughout eternity.
Composer: Gaylene Anderson
Lyricist: Susan Noyes Anderson
Difficulty: Medium / medium acc.
Performance time: 4:00
Reference: Mark 4:39-41, Psalm 48:14.

SATB and Organ. By Amy Marcy Beach, A.M. Beach. Arranged by Brunelle, Philip Brunelle. (SATB). BH Brunelle Cathedrel Series. Size 7x10.5 inches. 4 pages. Published by Boosey & Hawkes.

Composed by Chris De Silva. Lent. Celebration Series. Sacred. Octavo. With guitar chord names. 12 pages. Published by GIA Publications (GI.G-8714).

Concert Band/Harmonie - Grade 3

SKU: BT.DHP-1053750-010

Composed by Jan Van der Roost. Inspiration Series. Concert Piece. Set (Score & Parts). Composed 2005. 48 pages. De Haske Publications #DHP 1053750-010. Published by De Haske Publications (BT.DHP-1053750-010).

English-German-French- Dutch.

This piece is dedicated to all the citizens who live, have lived, and will live in the US town of Algona, who commissioned the work to celebrate it’s 150th anniversary. With dark-tinted tones (low drums, heavy brass), this overture begins with a primitive sacred feel, it seems as if centuries-old Indian singing is heard once more. Gradually the sound becomes clearer and brighter as the same theme travels throughout the band in various guises and variants. Imposing tutti passages then give the band the chance to lavishly shine. This bright and catchy overture radiates spontaneous energy and as it features every section of the band all the players as well as the listenersare continually surprised and captivated.

Met donkere tonen begint deze ouverture sacraal en bezwerend: het lijkt of eeuwenoude indianengezangen weer tot klinken komen. Geleidelijk wordt het klankbeeld helderder: hetzelfde thema maakt in diverse varianten als het ware eenronde door het orkest. Met een paar imposante tuttipassages kan het orkest goed uitpakken. Nadien komt een energiek allegro met een krachtige thematiek naar voren, gevolgd door een lyrisch gegeven. Deze ingrediënten wisselen elkaaraf op weg naar een opwindende finale. Het klankidioom is zeer toegankelijk en alle geledingen van het orkest komen aan bod!

Anlässlich der 150-Jahrfeier der Stadt Algona im US-Staat Iowa komponiert, strahlt diese klare, eingängige Ouvertüre spontane Energie aus. Zwar beginnt das Werk sakral und flehend mit dunkel gefärbten Tönen, doch allmählich wird der Klang klarer und heller, während das Thema in verschiedenen Gewändern und Varianten durch das Blasorchester wandert. Dem folgenden energischen Allegro folgt ein lyrisches Thema, und beide Elemente verschmelzen schließlich in einem aufregenden Finale. Alle Register des Blasorchesters werden hier beleuchtet, sodass sowohl Spieler als auch Zuhörer fortwährend überrascht und bezaubert werden.

Algona Overture s’ouvre dans un univers sonore aux couleurs sombres. La musique revêt une dimension sacrée, un esprit de supplication. Un chant indien vieux de plusieurs siècles résonne comme un chant oublié. D’imposants passages tutti dévoilent les somptueuses facettes de l’Orchestre d’Harmonie. L’idiome sonore est simple et accessible. Algona Overture est une composition lumineuse et fascinante qui respire l’enthousiasme et la spontanéité. Dans la mesure où l’écriture orchestrale privilégie tous les pupitres, la musique réussit surprendre et captiver sans cesse le public et les interprètes.

Qu esto brano è dedicato a tutti i cittadini che vivono, che hanno vissuto, e che vivranno nella cittadina americana di Algona, che ha commissionato questo brano per festeggiare il suo 150. anniversario. Algona Overture inizia in un universo sonoro dai colori scuri. La musica rivela una dimensione sacra, uno spirito di supplica. Un canto indiano datato di alcuni secoli risuona come un canto dimenticato. Imponenti passaggi affidati al tutti svelano le sontuose sfacettature dell’orchestra di fiati. Algona Overture è una composizione coinvolgente che trasmette entusiasmo e spontaneit . In un brano dove la scrittura orchestrale privilegia tutte le sezioni dell’organico, la musicariesce a sorprendere e accattivarsi il pubblico e gli interpreti.

SATB choir, keyboard accompaniment - Beginning

SKU: GI.G-5515

Composed by Daniel C. Meyer. Choral. Choral. Sacred. Octavo. 8 pages. GIA Publications #5515. Published by GIA Publications (GI.G-5515).

Text Source: Psalm 119:89–96. Text by Daniel C. Meyer. Scripture: Psalm 119:89–96.

H ighlighting themes of supplication to the Lord and the steadfast righteousness of God's laws, an excerpt of the epic Psalm 119 comes to life in this setting. The homophonic, four-part choral parts are supported by the keyboard part, which consists of a single, flowing line of eighths amidst block chords. .

SA chorus and piano - Medium / medium-difficult acc.

SKU: JK.00251

Composed by Simeon B. March. Arranged by Donald H. Ripplinger. Choral SA, Difficulty Medium, Difficulty Medium Hard, Piano Choir, Comfort, Faith, Funeral, Guidance, Jesus Christ - Friend, Jesus Christ - Savior, Supplication, Trials. Christian, Inspirational. Jackman Music Corporation #00251. Published by Jackman Music Corporation (JK.00251).

Isaiah 25:4, Psalm 62:1-2, 7-8.

Anthem for treble chorus (SA) and piano, with the soothing melody found in the former hymn book copyrighted 1948. Altos sing a fun, moving harmony.
Composer: Simeon B. March
Arranger: Donald H. Ripplinger
Lyricist: Charles Wesley
Difficulty: Medium / medium-difficult acc.
Reference: Isaiah 25:4, Psalm 62:1-2, 7-8.

String quartet

SKU: HH.HH477-FSP

Composed by Jeremy Arden. String Quartet. Full score and parts. Edition HH Music Publishers #HH477-FSP. Published by Edition HH Music Publishers (HH.HH477-FSP).

ISBN 9790708146889.

The term ‘freygish’ is typically found in klezmer music but derives from a much older cantorial mode, also known under several other titles including the Ahava Rabbah mode, the Mode of Supplication, and Altered Phrygian mode. It is used for the setting of ‘Ahava Rabbah’, or ‘abounding love’, the Ashkenazi prayer and blessing sung during the synagogue morning services. When performed, either in synagogue or in a klezmer setting, the mode can be developed into a variety of short phrases and melodic forms. Jeremy Arden has taken this beautiful irregular scale and filtered its melodic forms through my own musical sensibilities to create a dialogue between Jewish musical traditions and the western musical canon, expressed here through the rigorous crucible of the string quartet.

Concert Band - Grade 5

SKU: BT.DHP-1043740-040

Composed by Jan Hadermann. Sovereign Series. Concert Piece. Set (Score & Parts). Composed 2004. De Haske Publications #DHP 1043740-040. Published by De Haske Publications (BT.DHP-1043740-040).

English-German-French- Dutch.

Guernica, een vredig stadje in het Spaanse Baskenland, werd op 26 april 1937 door nazi bommenwerpers volledig in puin gelegd. Die aanval vond totaal onverwacht plaats terwijl de drukbezochte openluchtmarkt volop aan de gang was. Meerdan 1600 onschuldige burgers werden gedood. Dit is een van de meest zinloze en weerzinwekkende oorlogsmisdaden uit de geschiedenis. In het stuk Guernica van Jan Haderman horen we hoe de Baskische muziek klinkt: straatmuzikantenluisteren de openluchtmarkt op met dansmuziek. Het is lente. Dan duikt plotseling vanachter de bergtoppen het doodseskader op en barst de hel los. Het werk eindigt met een intense smeekbede zoiets nooit meer te laten gebeuren. Eenontroerend nieuw werk voor harmonieorkest.

Gu ernica, eine friedliche, strategisch eher bedeutungslose Stadt im Baskenland in Spanien, ist durch einen furchtbaren Blitzangriff von Nazibombern im Jahr 1937 zum Symbol für die Sinnlosigkeit und Grausamkeit von Kriegsverbrechen und Terror geworden. Im Stück Guernica ist die fröhliche Musik der Basken herauszuhören, bevor die Hölle des Angriffs losbricht. Das Werk endet mit der eindringlichen Bitte, so etwas nie wieder geschehen zu lassen. Ein eindrucksvolles Werk mit einer nach wie vor aktuellen Botschaft.

Le 26 avril 1937, la paisible ville de Guernica dans le Pays basque espagnol est anéantie par les bombardiers de l’aviation nazie. Plus de mille six cents civils sont tués. La ville br le pendant trois jours. Guernica de Jan Hadermann se développe aux sons de la musique basque. La place du marché est pleine de monde. L’atmosphère est douce, le printemps s’éveille sur un air de danse joué par des musiciens de rue quand surgit par dessus les montagnes, l’escadron de la mort. L’enfer commence Guernica. L’œuvre se conclut dans une intense expression de supplication pour qu’une telle folie ne se reproduise plus.

SATB chorus - Medium-difficult / medium-difficult acc.

SKU: JK.00510

Composed by Simeon B. Marsh. Arranged by Robert P. Manookin. Choral SATB, Difficulty Medium Hard, Piano Choir, Comfort, Faith, Funeral, Guidance, Jesus Christ - Friend, Supplication, Trials. Christian, Inspirational. Jackman Music Corporation #00510. Published by Jackman Music Corporation (JK.00510).

Isaiah 25:4, Psalm 62:1-2, 7-8.

Arrangemen t for mixed chorus (SATB), found in the older hymnal (copyright 1948), beginning with the women singing in unison followed by the men with a duet, then on to four-part voicing. Includes an original third verse not included in the traditional arrangement.
Composer: Simeon B. Marsh
Arranger: Robert P. Manookin
Lyricist: Charles Wesley
Difficulty: Medium-difficult / medium-difficult acc.
Reference: Isaiah 25:4, Psalm 62:1-2, 7-8.

By Hal H. Hopson. For SATB choir and organ (soloist). Choral Music. Published by MorningStar Music Publishers.

(SATB). By Robert Starer (1924-2001). SATB. LKM Music. 11 pages. Hal Leonard #S944001. Published by Hal Leonard

Concert Band - Grade 2

SKU: AP.39632S

Our Father, Our King. Arranged by Vince Gassi. Concert Band; Performance Music Ensemble; Single Titles. Young Symphonic. Folk; Jewish Heritage; Sacred. Score. 12 pages. Duration 2:25. Alfred Music #00-39632S. Published by Alfred Music (AP.39632S).

UPC: 038081454948. English.

Avinu Malkeinu (Our Father, Our King) is an ancient Jewish prayer chanted during Rosh Hashanah and Yom Kippur. The reverent and plaintive character of this centuries-old supplication for God's mercy and grace is brought forth poignantly in this beautifully scored arrangement for band. (2:25).