Guitar

SKU: UT.CH-153

Composed by Alfredo Franco. Saddle stitching. Classical. Ut Orpheus #CH 153. Published by Ut Orpheus (UT.CH-153).

ISBN 9790215320062. 9 x 12 inches.

La chanson de la jolie fille; La chanson de l’adieu; La chanson du complainte; La chanson de la dame blanche; La chanson des trois filles; La chanson du prince; La chanson menteuse; La chanson du secours; La chanson de l’anel; La chanson oubliée; La chanson de la jeune age; La dernière chanson

by William Bay. For all guitars. All styles, class. Level: Intermediate. Book. Method. Size 8.75x11.75. 200 pages. Published by Mel Bay Pub., Inc.

Songbook for voice, piano and guitar chords. 352 pages. Published by Hal Leonard.

By David Friedman. Piano/Vocal/Chords Composer Collection (Arrangements for piano and voice with guitar chords). Size 8.5x11 inches. 526 pages. Published by Midder Music.

(Piano/Vocal/Guitar). For Guitar; Keyboard; Piano; Voice. This edition: Piano/Vocal/Guitar. Artist/Personality; Book; Personality Book; Piano/Vocal/Chords. Rock. 144 pages. Published by Alfred Music Publishing

For Guitar. This edition: Authentic Guitar TAB. Guitar Personality. Book. 116 pages. Published by Alfred Music Publishing

For Piano/Vocal/Guitar. This edition: Piano/Vocal/Guitar. Personality Book. Book. 92 pages. Published by Alfred Music Publishing

Performed by Megadeth. For guitar and voice. Format: guitar tablature songbook. With guitar tablature, standard notation, vocal melody, lyrics, chord names, guitar chord diagrams and guitar notation legend. Metal. Series: Hal Leonard Guitar Recorded Versions. 148 pages. 9x12 inches. Published by Hal Leonard.

Performed by Megadeth. For guitar and voice. Format: guitar tablature songbook. With guitar tablature, standard notation, vocal melody, lyrics, chord names and guitar notation legend. Metal. Series: Hal Leonard Guitar Recorded Versions. 124 pages. 9x12 inches. Published by Hal Leonard.

A Step-by-Step Breakdown of the Band's Guitar Styles and Techniques. By Megadeth. Signature Licks Guitar. Rock Instruction, Metal, Rock. Softcover Audio Online. With guitar tablature. 80 pages. Published by Hal Leonard

By Antonin Dvorak. Arranged by Robert Sieving. By Antonin Dvorak / arr. Robert Sieving. For String Orchestra. String Orchestra. Highland String Orchestra. Level: 3.5 (grade 3.5). Conductor Score and Parts. 94 pages. Published by Alfred Publishing.

By Megadeth. Guitar Recorded Version. Rock, Heavy Metal. Softcover. With guitar tablature. 184 pages. Published by Hal Leonard

(Guitar Play-Along DVD Volume 8). By Various. Guitar Play-Along DVD. DVD. Published by Hal Leonard

By Steve Swallow. For bass guitar. Pop / Jazz. Score. 64 pages. Published by Editions Henry Lemoine

(Bass Play-Along Volume 44). By Megadeth. For Bass. Bass Play-Along. Softcover with CD. Guitar tablature. 64 pages. Published by Hal Leonard

By Megadeth. For Bass. Bass Recorded Versions Persona. Softcover. Guitar tablature. 144 pages. Published by Hal Leonard

(From Symphony No. 101 in D Major ( The Clock )). Composed by Franz Joseph Haydn (1732-1809). Arranged by Robert Sieving. Orchestra. Masterworks; Part(s); Score; SmartMusic; String Orchestra. Highland String Orchestra. Form: Transcription. Classical; Masterwork Arrangement. Grade 4. 124 pages. Published by Highland/Etling

Arranged by David Conte. For SATB choir, guitar, 2 violins and double bass (or piano). Secular, Concerts, 21st Century. Piano/choral score for satb version. Text Language: Spanish. Published by E.C. Schirmer Publishing

Arranged by Carrie Lane Gruselle. Orchestra. SmartMusic; String Orchestra. String Orchestra. Classical. Grade 3. Conductor Score and Parts. 124 pages. Published by Alfred Music Score and Parts Classical

Descant recorder with differentn instrumentsn (S, A, T, B-recorders, piano, guitar, percussion and bass ad libitum) (S) - easy

SKU: HL.49007513

Composed by Gerhard Engel, Gudrun Heyens, Hans-Martin Linde, and Konrad Huenteler. This edition: Saddle stitching. Sheet music. Edition Schott. Classical. Performance Book. 55 pages. Schott Music #ED 7773. Published by Schott Music (HL.49007513).

ISBN 9783795750695. 9.0x12.0x0.171 inches. Christa Estenfeld-Kropp.

Di e beiden Spielbucher sind vom Tonumfang und Rhythmus jeweils auf die Schulen abgestimmt. Sie bieten erganzendes Spielmaterial (Duos, Trios, Quartette) in unterschiedlichen Blockflotenbesetzungen, Musikstucke mit Klavierbegleitungen (Extrastimme eingelegt), Akkordbezifferungen fur Gitarrenbegleitung, teilweise auch rhythmische Begleitfiguren fur Schlagwerkad lib. Umrisszeichnungen lockern den Notentext auf und konnen von den Kindern bunt ausgemalt werden.

Chamber Music Cello, Piano

SKU: CF.BF141

Composed by Ernest Bloch. Edited by Julian Schwarz. 12+8 pages. Carl Fischer Music #BF141. Published by Carl Fischer Music (CF.BF141).

ISBN 9781491159989. UPC: 680160918584.

The three pieces From Jewish Life were composed by Swiss-American composer Ernest Bloch in 1924, the same year he took U.S. citizenship. Though clearly inspired and influenced by Jewish experience, they are purely concert pieces, and do not provide any specific liturgical significance.

The first movement, Prayer, is a deeply heartfelt plea to the almighty. As Neil W Levin writes, The initial four-note motive in the minor mode, together with its elaboration in the ensuing phrases, sounds as if it might have served as the skeletal model for Max Janowski's (1912-1991) now well-known setting of the High Holyday prayer Avinu Malkenu. This prayer has special meaning in my own spiritual life, as I have been singing it since my childhood. Both Prayer and Janowski's Avinu Malkenu are cantorial in nature, to be sung with heartfelt pathos.

The second movement, Supplication (the act of begging humbly), has more angst, almost a sense of urgency as a result of the rhythmic motor in the piano. The third movement, Jewish Song, evokes a quintessentially Eastern-European melancholy. Its falling motives with bent intonation might represent the pain of the Jewish experience.

The works were dedicated to Dutch-American cellist Hans Kindler, a highly influential musician of his time, and founder of the National Symphony Orchestra in Washington, D.C. Mr. Kindler was the soloist for the world premiere of Bloch's most celebrated work, Schelomo in 1917.

Though the popularity of Bloch's oeuvre has been dominated by works of Jewish connection, we should not forget that Bloch had many other stylistic periods, including Franco-Belgian, modal, serial, and even American folk. In 1927, he was awarded Musical America's composition prize in a unanimous vote, despite being regarded as an outsider by American music writers at the time. His winning work America (1928) was performed by every major orchestra and conductor in the following seasons. May we be proud of his contributions to American music.
The three pieces From Jewish Life were composed by Swiss-American composer Ernest Bloch in 1924, the same year he took U.S. citizenship. Though clearly inspired and influenced by Jewish experience, they are purely concert pieces, and do not provide any specific liturgical significance. The first movement, Prayer, is a deeply heartfelt plea to the almighty. As Neil W Levin writes, The initial four-note motive in the minor mode, together with its elaboration in the ensuing phrases, sounds as if it might have served as the skeletal model for Max Janowski's (1912-1991) now well-known setting of the High Holyday prayer Avinu Malkenu. This prayer has special meaning in my own spiritual life, as I have been singing it since my childhood. Both Prayer and Janowski's Avinu Malkenu are cantorial in nature, to be sung with heartfelt pathos. The second movement, Supplication (the act of begging humbly), has more angst, almost a sense of urgency as a result of the rhythmic motor in the piano. The third movement, Jewish Song, evokes a quintessentially Eastern-European melancholy. Its falling motives with bent intonation might represent the pain of the Jewish experience. The works were dedicated to Dutch-American cellist Hans Kindler, a highly influential musician of his time, and founder of the National Symphony Orchestra in Washington, D.C. Mr. Kindler was the soloist for the world premiere of Bloch's most celebrated work, Schelomo in 1917. Though the popularity of Bloch's oeuvre has been dominated by works of Jewish connection, we should not forget that Bloch had many other stylistic periods, including Franco-Belgian, modal, serial, and even American folk. In 1927, he was awarded Musical America's composition prize in a unanimous vote, despite being regarded as an outsider by American music writers at the time. His winning work America (1928) was performed by every major orchestra and conductor in the following seasons. May we be proud of his contributions to American music.
The three pieces From Jewish Life were composed by Swiss-American composer Ernest Bloch in 1924, the same year he took U.S. citizenship. Though clearly inspired and influenced by Jewish experience, they are purely concert pieces, and do not provide any specific liturgical significance.The first movement, “Prayer”, is a deeply heartfelt plea to the almighty. As Neil W Levin writes, “The initial four-note motive in the minor mode, together with its elaboration in the ensuing phrases, sounds as if it might have served as the skeletal model for Max Janowski’s (1912–1991) now well-known setting of the High Holyday prayer Avinu Malkenu.” This prayer has special meaning in my own spiritual life, as I have been singing it since my childhood. Both “Prayer” and Janowski’s Avinu Malkenu are cantorial in nature, to be sung with heartfelt pathos.The second movement, “Supplication� � (the act of begging humbly), has more angst, almost a sense of urgency as a result of the rhythmic motor in the piano. The third movement, “Jewish Song”, evokes a quintessentially Eastern-European melancholy. Its falling motives with bent intonation might represent the pain of the Jewish experience.The works were dedicated to Dutch-American cellist Hans Kindler, a highly influential musician of his time, and founder of the National Symphony Orchestra in Washington, D.C. Mr. Kindler was the soloist for the world premiere of Bloch’s most celebrated work, Schelomo in 1917.Though the popularity of Bloch’s oeuvre has been dominated by works of Jewish connection, we should not forget that Bloch had many other stylistic periods, including Franco-Belgian, modal, serial, and even American folk. In 1927, he was awarded Musical America’s composition prize in a unanimous vote, despite being regarded as an outsider by American music writers at the time. His winning work America (1928) was performed by every major orchestra and conductor in the following seasons. May we be proud of his contributions to American music.

Guitar, harp, harpsichord and kleine stringsbEbetzung (STP)

SKU: HL.49032913

Composed by Hans Werner Henze. This edition: Saddle stitching. Sheet music. Edition Schott. Study score. Composed 1979. 52 pages. Duration 18'. Schott Music #ED9134. Published by Schott Music (HL.49032913).

ISBN 9790001126380. 8.25x11.75x0.19 inches.

In my ballet Orpheus, a full symphony orchestra is employed. Woodwind, brass and percussion represent Apollo, the god-sent Master of the Muses who has handed over to Orpheus the Power of Music. The (opposite) sound world of Orpheus is made of stringed instruments: the guitar, reaching back into classical history, contains the basic intervals of Orpheus' music in this context, harp and harpischord represent further technical and harmonic developments of the literature for plucked instruments, consequently their music shows more developed aspects, more elaborate variations, of the basic material. The sound of the plucked strings is embedded in the sound of a small orchestra of bowed strings.- Hans Werner Henze.

Keyboard/vocal/chords songbook for voice and keyboard. With lyrics, chord names, big note notation and registration guide. Series: Hal Leonard E-Z Play Today. 488 pages. Published by Hal Leonard.