Orchestra (Orchestra) SKU: HL.48187751 Composed by Wolfgang Amadeus Mozar...(+)
Orchestra (Orchestra)
SKU: HL.48187751
Composed by Wolfgang
Amadeus Mozart. Leduc.
Classical. Softcover. 38
pages. Heugel & Cie
#HE31552. Published by
Heugel & Cie
(HL.48187751).
UPC:
888680868031.
5.5x7.5x0.208
inches.
Mozart
composed two new
symphonies in the Autumn
of 1773, after having
returned to Salzburg from
Vienna. The first of the
two was the
<I>Symphony No.24
In B Flat K.182, and the
second was the Symphony
No.25 in G Minor
K.183<BR><BR>
This symphony was one of
two which Mozart composed
in a minor key ? the
other being the Symphony
No.40 in G Minor
K.550</I>. The
latter can be identified
with some of Mozart?s
most troubled and
agitated music,
reflecting those
difficult moments in his
life. However, the
twenty-fifth symphony is
thought to have been
composed as part of a
sudden wave of minor-key
symphonies which appeared
in the later 1760s and
early 1770s ? among
others were composed by
Vanhal, Ordonez, and
Joseph Haydn.Available
here is the study score
for one of Mozart?s two
symphonies composed in a
minor key, the Symphony
No.25 in G Minor
K.183</I>. This
score is ideal for study
and perusal usage..
(Stories of Great Orchestral Works) Arranged by Bernadine Johnson, Carol Matz. C...(+)
(Stories of Great
Orchestral Works)
Arranged by Bernadine
Johnson, Carol Matz.
Collection for solo
piano. Level: Early
Intermediate to
Intermediate. 56 pages.
Published by Alfred
Publishing.
Concert Band (Score & Parts) SKU: HL.44012853 For Concert Band/Harmoni...(+)
Concert Band (Score &
Parts)
SKU:
HL.44012853
For
Concert Band/Harmonie
(Score and Parts).
Composed by Philip
Sparke. Anglo Music
Concert Band. Softcover.
Anglo Music Press
#AMP403010. Published by
Anglo Music Press
(HL.44012853).
Philip Sparke s
third symphony, A Colour
Symphony, was
commissioned by
sinfonischen
blasorchester wehdel
conducted by Thomas
Ratzek. In the four
movements (white, yellow,
blue and red) the
composer creates links
between the
instrumentation and
harmonic elements and the
actual colour of the
spectrum the movement
stands for. In order to
create the greatest
richness possible, Philip
Sparke used a very large
instrumentation including
low woodwinds, harp,
piano and celli. A Colour
Symphony is an impressive
and iconic addition to
the standard repertoire
for large symphonic
bands. Philip Sparke s
third symphony, A Colour
Symphony, was
commissioned by
sinfonischen
blasorchester wehdel
conducted by Thomas
Ratzek. In the five
movements (white, yellow,
blue, red and green) the
composer creates links
between the
instrumentation and
harmonic elements and the
actual colour of the
spectrum the movement
stands for. In order to
create the greatest
richness possible, Philip
Sparke used a very large
instrumentation including
low woodwinds, harp,
piano and celli. A Colour
Symphony is an impressive
and iconic addition to
the standard repertoire
for large symphonic
bands.
Soprano voice solo, tenor
voice solo, mixed choir,
organ
SKU:
BR.EB-8058
Movements III and
IV. Composed by Felix
Bartholdy Mendelssohn.
Arranged by Thorsten
Sterzik. Symphony.
Edition Breitkopf. With
regard to the anniversary
of the Reformation in
2017, this version for
solos, choir and organ by
Torsten Sterzik
originated to pave the
Reformation Symphony's
way into the church as
well, restoring the text
to Luther's chorale in
the fourth movement.
Symphony; Romantic. Organ
score. 36 pages. Duration
30'. Breitkopf and
Haertel #EB 8058.
Published by Breitkopf
and Haertel (BR.EB-8058).
ISBN 9790004183700. 9
x 12 inches.
The
Reformation Symphony was
composed in 1830 for the
300th anniversary of the
Confessio Augustana, the
founding of the Lutheran
confession of faith. In
the fourth movement,
Mendelssohn quotes,
elaborates and varies
artfully the
Luther-chorale Ein feste
Burg ist unser Gott [God
is our fortress],
erecting a musical
monument to the reformer
Martin Luther. After an
initial confl icting
reception, the
Reformation Symphony
meanwhile is established
fi rmly in the concert
repertoire. EB 8058 is
intended for performances
with organ. It can also
be used for the
preparation of the chorus
and soloists for
performances with
orchestra.
With
regard to the anniversary
of the Reformation in
2017, this version for
solos, choir and organ by
Torsten Sterzik
originated to pave the
Reformation Symphony's
way into the church as
well, restoring the text
to Luther's chorale in
the fourth movement and
additionally including
the third movement, its
arioso solos being sung
by a soprano and a tenor
solo.
Concert Band (Score) SKU: HL.44012854 For Concert Band/Harmonie (Full ...(+)
Concert Band (Score)
SKU: HL.44012854
For Concert
Band/Harmonie (Full Score
Only). Composed by
Philip Sparke. Anglo
Music Concert Band.
Softcover. Anglo Music
Press #AMP403140.
Published by Anglo Music
Press (HL.44012854).
UPC:
888680655716.
Phili
p Sparkes third symphony,
A Colour Symphony, was
commissioned by
sinfonischen
blasorchester wehdel
conducted by Thomas
Ratzek. In the four
movements (white, yellow,
blue and red) the
composer creates links
between the
instrumentation and
harmonic elements and the
actual colour of the
spectrum the movement
stands for. In order to
create the greatest
richness possible, Philip
Sparke used a very large
instrumentation including
low woodwinds, harp,
piano and celli. A Colour
Symphony is an impressive
and iconic addition to
the standard repertoire
for large symphonic
bands. Philip Sparkes
third symphony, A Colour
Symphony, was
commissioned by
sinfonischen
blasorchester wehdel
conducted by Thomas
Ratzek. In the five
movements (white, yellow,
blue, red and green) the
composer creates links
between the
instrumentation and
harmonic elements and the
actual colour of the
spectrum the movement
stands for. In order to
create the greatest
richness possible, Philip
Sparke used a very large
instrumentation including
low woodwinds, harp,
piano and celli. A Colour
Symphony is an impressive
and iconic addition to
the standard repertoire
for large symphonic
bands.
Atlas Symphony Orchestre d'harmonie [Conducteur] - Intermédiaire/avancé De Haske Publications
Concert Band/Harmonie - Grade 6 SKU: BT.DHP-1115235-140 Composed by Thier...(+)
Concert Band/Harmonie -
Grade 6
SKU:
BT.DHP-1115235-140
Composed by Thierry
Deleruyelle. Concert and
Contest Collection CBHA.
Concert Piece. Score
Only. Composed 2011. 84
pages. De Haske
Publications #DHP
1115235-140. Published by
De Haske Publications
(BT.DHP-1115235-140).
9x12 inches.
English-German-French-Dut
ch.
The Atlas
Symphony for
symphonic wind band is an
impressive and subtle
work, thematically
complex, with a rich
orchestration, but also
great beauty. The
composer was keen to draw
a parallel between an
atlas, where all the
geographical maps of the
world are collected in
one book, and his score,
which brings together all
the facets of his musical
style. Despite being
written without any
breaks, the symphony is
structured around three
main ideas. It is based
upon a series of notes
that will become the very
essence of the piece, its
building blocks. Like the
works of composers of
serial music, the series
appears in different
forms - melodic and
harmonic, thematic or
simply asan
accompaniment. With its
wealth of rhythms and
contrapuntal power, this
piece is a compelling
concerto for orchestra.
The Orchestre de la
Police Nationale was
the first to be attracted
to this work and
premiered it with
excellence under the
baton of composer Thierry
Deleruyelle.
Die
Atlas Symphony
für symphonisches
Blasorchester ist ein
eindrucksvolles,
feinsinniges Werk, mit
einer komplexen Thematik
und einer reichhaltigen
Orchestrierung, aber
dennoch anmutig. Der
Komponist beabsichtigte,
eine Parallele zwischen
einem Atlas, der
geografische Karten der
ganzen Welt enthält,
und seiner Partitur zu
ziehen, die alle Facetten
seines persönlichen
Musikstils enthält.
Obwohl sie ohne
Unterbrechung geschrieben
ist, ist diese Symphonie
doch auf drei Hauptachsen
aufgebaut. Sie basiert
auf einer Reihe von
Noten, welche die
Quintessenz, das Material
des gesamten Stückes
bilden. Wie bei den
Komponisten serieller
Musik tritt diese Reihe
in verschiedenenGestalten
auf - melodisch oder
harmonisch, thematisch
oder einfach als
Begleitung. Mit seinem
Reichtum an Rhythmen und
der kontrapunktischen
Brillanz ist die Atlas
Symphony ein
wahrhaftes Konzert
für Orchester. Das
Orchestre de la Police
Nationale
(Frankreich) war das
erste Orchester, das sich
von diesem Werk
verführen ließ und
spielte eine brillante
Uraufführung unter
der Leitung des
Komponisten Thierry
Deleruyelle.
Atlas
Symphony è un
brano grandioso, di
enorme bellezza, pieno di
sfumature, tematicamente
complesso, con una ricca
orchestrazione. La
sinfonia è scritta
senza interruzioni e
basata su una serie di
note che vengono proposte
nella melodia,
nell’armonia e nel
tema. La ricchezza di
ritmi e la brillantezza
dei contrappunti, fanno
di Atlas Symphony
un brano da concerto
perfetto.
Chamber orchestra (Orchestra) SKU: BA.BA10974 Composed by Franz Joseph Ha...(+)
Chamber orchestra
(Orchestra)
SKU:
BA.BA10974
Composed
by Franz Joseph Haydn.
Edited by Carl-Gabriel
Stellan Mörner. This
edition: urtext edition.
Stapled. Score. Hob.
I:46. Duration 19
minutes. Baerenreiter
Verlag #BA10974_00.
Published by Baerenreiter
Verlag (BA.BA10974).
ISBN 9790006522767. 31
x 24.3 cm inches. Key:
B-flat major. Language:
German/English. Preface:
Andreas
Friesenhagen.
Haydn
’s “Sturm
und Drangâ€
symphonies along with the
London and the Paris
symphonies belong to his
most popular works today.
The “Sturm und
Drang†works
contain not only
masterpieces such as the
already published
“Farewell-Symphony
€ and the
“Maria
Theresia†symphony
but also gems such as the
recently published
“La Passioneâ€
symphony (2013) and now
the Symphony in B major
No. 46.
The
publication of this
symphony represents a
continuation of the
collaboration between
Bärenreiter and the
Henle publishing company
in the areas of large
vocal compositions,
operas and symphonic
works. The Symphony in B
major is based on the
Henle Complete Edition of
the “Works of
Joseph Haydn†and
is published with a full
score and large format
performing material on
sale.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Atlas Symphony Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire/avancé De Haske Publications
Concert Band/Harmonie - Grade 6 SKU: BT.DHP-1115235-010 Composed by Thier...(+)
Concert Band/Harmonie -
Grade 6
SKU:
BT.DHP-1115235-010
Composed by Thierry
Deleruyelle. Concert and
Contest Collection CBHA.
Concert Piece. Set (Score
& Parts). Composed 2011.
De Haske Publications
#DHP 1115235-010.
Published by De Haske
Publications
(BT.DHP-1115235-010).
9x12 inches.
English-German-French-Dut
ch.
The Atlas
Symphony for
symphonic wind band is an
impressive and subtle
work, thematically
complex, with a rich
orchestration, but also
great beauty. The
composer was keen to draw
a parallel between an
atlas, where all the
geographical maps of the
world are collected in
one book, and his score,
which brings together all
the facets of his musical
style. Despite being
written without any
breaks, the symphony is
structured around three
main ideas. It is based
upon a series of notes
that will become the very
essence of the piece, its
building blocks. Like the
works of composers of
serial music, the series
appears in different
forms - melodic and
harmonic, thematic or
simply asan
accompaniment. With its
wealth of rhythms and
contrapuntal power, this
piece is a compelling
concerto for orchestra.
The Orchestre de la
Police Nationale was
the first to be attracted
to this work and
premiered it with
excellence under the
baton of composer Thierry
Deleruyelle.
Die
Atlas Symphony
für symphonisches
Blasorchester ist ein
eindrucksvolles,
feinsinniges Werk, mit
einer komplexen Thematik
und einer reichhaltigen
Orchestrierung, aber
dennoch anmutig. Der
Komponist beabsichtigte,
eine Parallele zwischen
einem Atlas, der
geografische Karten der
ganzen Welt enthält,
und seiner Partitur zu
ziehen, die alle Facetten
seines persönlichen
Musikstils enthält.
Obwohl sie ohne
Unterbrechung geschrieben
ist, ist diese Symphonie
doch auf drei Hauptachsen
aufgebaut. Sie basiert
auf einer Reihe von
Noten, welche die
Quintessenz, das Material
des gesamten Stückes
bilden. Wie bei den
Komponisten serieller
Musik tritt diese Reihe
in verschiedenenGestalten
auf - melodisch oder
harmonisch, thematisch
oder einfach als
Begleitung. Mit seinem
Reichtum an Rhythmen und
der kontrapunktischen
Brillanz ist die Atlas
Symphony ein
wahrhaftes Konzert
für Orchester. Das
Orchestre de la Police
Nationale
(Frankreich) war das
erste Orchester, das sich
von diesem Werk
verführen ließ und
spielte eine brillante
Uraufführung unter
der Leitung des
Komponisten Thierry
Deleruyelle.
Atlas
Symphony è un
brano grandioso, di
enorme bellezza, pieno di
sfumature, tematicamente
complesso, con una ricca
orchestrazione. La
sinfonia è scritta
senza interruzioni e
basata su una serie di
note che vengono proposte
nella melodia,
nell’armonia e nel
tema. La ricchezza di
ritmi e la brillantezza
dei contrappunti, fanno
di Atlas Symphony
un brano da concerto
perfetto.
1st
Movement. Composed by
Howard Hanson. Arranged
by Todd Parrish. Sws.
Full score. 12 pages.
Duration 4 minutes, 47
seconds. Carl Fischer
Music #AS66F. Published
by Carl Fischer Music
(CF.AS66F).
ISBN
9781491154649. UPC:
680160913190. 9 x 12
inches. Key: Eb
major.
The new
Masterworks Series by
Carl Fischer Music will
showcase arrangements of
20th Century American
composers. Symphony No. 2
by Howard Hanson is one
of the most popular
American Symphonies ever
written, and is played
regularly by major
symphony orchestras
around the world. It was
originally commissioned
by the Boston Symphony
Orchestra to celebrate
their 50th anniversary
in 1930, where it was
given its first
performance. The work was
most famously used in the
end credits of the movie
Alien in 1979. This
arrangement focuses on
the hauntingly beautiful
second theme of the first
movement. After being
stated in the key of
E-flat Major, it provides
a contrasting section
before returning in the
key of D-flat Major.
Cellos are featured
prominently in tenor
clef, and often cover the
soaring horn solos from
the original. Musicians
will experience true
symphonic beauty in this
exquisite arrangement for
strings and harp. The
new Masterworks Series by
Carl Fischer Music will
showcase arrangements of
20th Century American
composers. Symphony No. 2
by Howard Hanson is one
of the most popular
American Symphonies ever
written, and is played
regularly by major
symphony orchestras
around the world. It was
originally commissioned
by the Boston Symphony
Orchestra to celebrate
their 50th anniversary in
1930, where it was given
its first performance.
The work was most
famously used in the end
credits of the movie
Alien in 1979. This
arrangement focuses on
the hauntingly beautiful
second theme of the first
movement. After being
stated in the key of
E-flat Major, it provides
a contrasting section
before returning in the
key of D-flat Major.
Cellos are featured
prominently in tenor
clef, and often cover the
soaring horn solos from
the original. Musicians
will experience true
symphonic beauty in this
exquisite arrangement for
strings and harp.
Organ SKU: CA.1817800 Composed by Charles Marie Widor. Edited by Georg Ko...(+)
Organ
SKU:
CA.1817800
Composed
by Charles Marie Widor.
Edited by Georg Koch.
Free organ music. Full
score. Op. 13,2. 64
pages. Duration 35
minutes. Carus Verlag #CV
18.178/00. Published by
Carus Verlag
(CA.1817800).
ISBN
9790007187217. Language:
all
languages.
Widor's
early organ symphonies
op. 13 have a quite
special character because
of their suite-like
structure. The
six-movement Symphony II
also combines different
types of movement in an
unusual way; for example,
it includes a Praeludium
Circulare, which explores
all the twelve keys, a
Salve Regina based on the
Gregorian antiphon of the
same name, and a grand
Toccata as the Finale, an
interesting precursor of
the famous Toccata from
the 5th Symphony. The
Carus edition is based on
the Paris edition of
1928/29, the last one to
be published during
Widor's lifetime. The
corrections which the
composer made after the
publication of the
1928-29 edition have also
been taken into
consideration. As well as
this, earlier editions
have been consulted for
comparison to clarify
individual variant
readings. Editorial
suggestions on the
performance of individual
passages complete the new
edition. Great organ
works: Series A: -
Symphony II op. 13 no. 2
- Symphony IV op. 13 no.
4 - Symphony V op. 42 no.
1 - Symphony VI op. 42
no. 2 - Symphony Romane
op. 73 in preparation
Subscription offer for
Series A:20% discount off
the retail price.
Symphony No. 2.
Composed by Jacob De
Haan. Concert and Contest
Collection CBHA. Concert
Piece. Score Only.
Composed 2019. 76 pages.
De Haske Publications
#DHP 1185726-140.
Published by De Haske
Publications
(BT.DHP-1185726-140).
English-German-French-
Dutch.
Salamande
r Symphony is a
three-movement work for
symphonic wind band in
which the city of
Kornwestheim, situated in
Baden-Württemberg,
occupies centre stage. It
is the name of the
well-known shoe factory
that was established
there in 1899 and that
symbolizes the industrial
and social development of
the city. In the
symphony, we find various
references to the
mythological meaning of
salamanders: they are
vigorous creatures that
contain the soul of fire.
Without salamanders there
would not be any fire. In
addition, a salamander
can change its shape and
serve as a kind of
vehicle through time. In
the Berber culture, the
salamander represents
change.
Salaman
der Symphony is een
driedelig werk voor
symfonisch blaasorkest
waarin de kleine stad
Kornwestheim, gelegen in
Baden-Württemberg,
centraal staat.
“Salamanderâ€
is de naam van de
vermaarde schoenenfabriek
die er in 1899 gevestigd
werd en die symbool staat
voor de industriële en
sociale opbouw van de
stad. In de symfonie
vinden we diverse
verwijzingen naar de
mythologische betekenis
van salamanders: het zijn
krachtige wezens die de
ziel van het vuur
bevatten. Zonder
salamanders zou er dus
geen vuur zijn. Ook kan
een salamander van vorm
veranderen en als een
soort vervoermiddel door
de tijd dienen. In de
Berbercultuur staat het
dier symbool voor
verandering.
Die
Salamander
Symphony ist ein
dreisätziges Werk
für Sinfonisches
Blasorchester, in dem die
Stadt Kornwestheim in
Baden-Württemberg im
Mittelpunkt steht. Es ist
der Name der bekannten
Schuhfabrik, die dort im
Jahr 1899 gegründet
wurde und die für die
industrielle und soziale
Entwicklung der Stadt
steht. In der Sinfonie
finden sich verschiedene
Anspielungen auf die
mythologische Bedeutung
des Salamanders: ein
robustes Lebewesen, das
die Seele des Feuers
verkörpert. Ohne
Salamander würde es
überhaupt kein Feuer
geben. Außerdem kann
ein Salamander seine Form
verändern und als eine
Art Medium durch die Zeit
reisen. In der Kultur der
Berber steht der
Salamander
fürVeränderungen.
Solo Vocal, Mixed Choir and Orchestra SKU: BT.PWM5363020 For Tenor Sol...(+)
Solo Vocal, Mixed Choir
and Orchestra
SKU:
BT.PWM5363020
For
Tenor Solo, Mixed Choir,
Organ and Orchestra.
Composed by Karol
Szymanowski. Classical.
Score Only. Composed
1985. 92 pages. Polskie
Wydawnictwo Muzyczne
#PWM5363020. Published by
Polskie Wydawnictwo
Muzyczne (BT.PWM5363020).
The Third
Symphony occupies an
special place in the
evolutionary process of
Szymanowskis style. The
Symphony The Song of the
Night, Op. 27, is a
setting of the poem of
the same title, from the
second divan of Mawlana
Jalal-ad-din Rumi, for
tenor solo, mixed choir
and orchestra. It was
completed in the summer
1916. Szymanowskis
interest in oriental
music at this period is
not so much , as far as
the Third Symphony is
concerned, an attempt at
some formal stylisation
of eastern music, but
rather an indication of
his search for some mode
of expression which would
best reflect the
conflicts of his
aesthetic and artistic
ideas. It was the direct
contact made with the art
of the Grecian and Arabic
worlds during his travel
to Sicily and North
Africa in 1911 and 1914
that provided the
external stimulus for
this interest. The Third
Symphony can be classed
with those symphonies for
chorus and solo voices so
often favoured by the
neo-romantic and
expressionist composers.
It is written in a free
ternary form, the
thematic material being
the basic unifying
structural element, which
imparts a conciseness to
the form, and retaining
the function despite the
significant changes that
occur in the melodic
character of the music.
The texture is
polymelodic, and a score
reveals a masterly
interweaving of the
multiplicity of parts,
melodic lines and
patterns of sound. This
symphony is consummation
of all Szymanowskis
mastery in
instrumentation and
colour, and a superb
study of orchestral
polyphony. Here,
Szymanowski liberates
himself from the rigid
relations of the
functional harmonic
system. In the place of
tonal progressions, he
shifts chromatically from
one sound lane to
another, of which the
smallest units are chords
made up of tritones and
seconds, using only a
free intervallic
structure, far more
remote in Szymanowski
from the dominant
centralistic harmony then
Debussy. In style, the
Third Symphony belongs to
the neo-romantic period,
if this can be broadly
defined as including
modernistic and
expressionistic trends,
and to musical
impressionism. (based on
the Preface to the
''Works'' by Teresa Chyli
ska, PWM 1985).
Symphony No. 2.
Composed by Jacob De
Haan. Concert and Contest
Collection CBHA. Concert
Piece. Set (Score &
Parts). Composed 2019. De
Haske Publications #DHP
1185726-010. Published by
De Haske Publications
(BT.DHP-1185726-010).
English-German-French-
Dutch.
Salamande
r Symphony is a
three-movement work for
symphonic wind band in
which the city of
Kornwestheim, situated in
Baden-Württemberg,
occupies centre stage. It
is the name of the
well-known shoe factory
that was established
there in 1899 and that
symbolizes the industrial
and social development of
the city. In the
symphony, we find various
references to the
mythological meaning of
salamanders: they are
vigorous creatures that
contain the soul of fire.
Without salamanders there
would not be any fire. In
addition, a salamander
can change its shape and
serve as a kind of
vehicle through time. In
the Berber culture, the
salamander represents
change.
Salaman
der Symphony is een
driedelig werk voor
symfonisch blaasorkest
waarin de kleine stad
Kornwestheim, gelegen in
Baden-Württemberg,
centraal staat.
“Salamanderâ€
is de naam van de
vermaarde schoenenfabriek
die er in 1899 gevestigd
werd en die symbool staat
voor de industriële en
sociale opbouw van de
stad. In de symfonie
vinden we diverse
verwijzingen naar de
mythologische betekenis
van salamanders: het zijn
krachtige wezens die de
ziel van het vuur
bevatten. Zonder
salamanders zou er dus
geen vuur zijn. Ook kan
een salamander van vorm
veranderen en als een
soort vervoermiddel door
de tijd dienen. In de
Berbercultuur staat het
dier symbool voor
verandering.
Die
Salamander
Symphony ist ein
dreisätziges Werk
für Sinfonisches
Blasorchester, in dem die
Stadt Kornwestheim in
Baden-Württemberg im
Mittelpunkt steht. Es ist
der Name der bekannten
Schuhfabrik, die dort im
Jahr 1899 gegründet
wurde und die für die
industrielle und soziale
Entwicklung der Stadt
steht. In der Sinfonie
finden sich verschiedene
Anspielungen auf die
mythologische Bedeutung
des Salamanders: ein
robustes Lebewesen, das
die Seele des Feuers
verkörpert. Ohne
Salamander würde es
überhaupt kein Feuer
geben. Außerdem kann
ein Salamander seine Form
verändern und als eine
Art Medium durch die Zeit
reisen. In der Kultur der
Berber steht der
Salamander
fürVeränderungen.
Version of 1851 -
Urtext. Composed by
Robert Schumann. Edited
by Joachim Draheim.
Orchestra; stapled.
Orchester-Bibliothek
(Orchestral Library). The
5 study scores of the
symphonies (incl. early
version of the 4 th
symphony) in slipcase are
temporarily out of print.
The single editions are,
however, still available.
Symphony; Romantic. Part.
16 pages. Duration 29'.
Breitkopf and Haertel #OB
5264-23. Published by
Breitkopf and Haertel
(BR.OB-5264-23).
ISBN
9790004333792. 10 x 12.5
inches.
Robert
Schumann composed his
D-minor Symphony in 1841,
just after completing his
Symphony No. 1 in B flat
major op. 38. This
version remained
unpublished during the
composers lifetime. After
a thorough revision in
late 1851, the work was
given its first
performance in Dusseldorf
on 3 March 1853 under the
composers direction. It
was published that same
year by Breitkopf &
Hartel under the opus
number 120 as Symphony
No. 4.Joachim Draheims
Urtext edition presents
Schumanns Fourth Symphony
in the 1851 version. The
primary source is the
first edition overseen by
Schumann and practically
free of errors.
Urtext. Composed
by Friedrich Schneider.
Orchestra; Softcover.
Partitur-Bibliothek
(Score Library).
Symphony; Romantic. Full
score. Duration 35'.
Breitkopf and Haertel #PB
5591. Published by
Breitkopf and Haertel
(BR.PB-5591).
ISBN
9790004214015. 0 x 0
inches.
A rewarding
extension to the
repertoire Friedrich
Schneider, remembered in
the music world almost
entirely through his
oratorio Das Weltgericht
(The Last Judgment),
bequeathed at his death
in 1853 an oeuvre of over
1000 works, among them 23
symphonies. Breitkopf &
Hartel, whose association
with Schneider began as
early as 1805, is now
publishing for the first
time an edition of his
Symphony No. 16. The
symphony composed in 1818
is impressive proof that
outside of Vienna the
romantic symphony was
also developing then. To
this day Schneider's
extensive symphonic works
are almost completely
unknown. Inviting us to
rediscover him, the work
offers a welcome and
valuable repertoire
extension in the realm of
the early romantic
symphony.A contemporary
of Beethoven, Schneider's
soundworld is not a
million miles away from
the great man's. He is on
frisky form in his 16th
symphony. (Jeremy Pound,
BBC Music Magazine).
Orchestra Orchestra SKU: AP.6-80531X Composed by Franz Joseph Haydn. Full...(+)
Orchestra Orchestra
SKU: AP.6-80531X
Composed by Franz Joseph
Haydn. Full Orchestra
(Full Score). Dover
Edition. Classical;
Masterwork. Score; Book.
300 pages. Dover
Publications #06-80531X.
Published by Dover
Publications
(AP.6-80531X).
ISBN
9780486805306. UPC:
800759805310.
English.
Commission
ed in 1786 by the
Paris-based orchestra Le
Concert de la Loge
Olympique, these six
symphonies were created
for an extraordinarily
large ensemble of both
professional and amateur
players, including
reinforced woodwind parts
and a large string
section. The symphonies
are: Symphony No. 82
in C major, L'Ours (The
Bear), 1786 Symphony
No. 83 in G minor, La
Poule (The Hen),
1785 Symphony No. 84
in E flat major, In
Nomine Domini,
1786 Symphony No. 85
in B flat major, La Reine
(The Queen),
1785 Symphony No. 86
in D major,
1786 Symphony No. 87
in A major,
1785 Composer Giuseppe
Maria Cambini, a member
of the orchestra, noted
that the enthusiastically
received premieres
featured some of the
city's finest musicians.
A contemporary critic
remarked that Each
hearing increases our
appreciation and
admiration of the works
of the great genius, who,
in all his pieces,
understands so well how
to draw the richest and
most varied developments
from every theme.
Reproduced from the
authoritative Breitkopf &
Härtel editions, this
volume offers musicians
and music lovers an
inexpensive and
authoritative compilation
of Haydn's ever-popular
works.
Urtext based on the
new Complete Edition (G.
Henle Verlag).
Composed by Ludwig van
Beethoven. Edited by
Bathia Churgin.
Orchestra; stapled.
Orchester-Bibliothek
(Orchestral Library).
The study score
(Studien-Edition) is
available at G. Henle
Verlag.
Symphony;
Classical. Part. 12
pages. Duration 28'.
Breitkopf and Haertel #OB
14614-27. Published by
Breitkopf and Haertel
(BR.OB-14614-27).
ISBN
9790004343593. 10 x 12.5
inches.
The genesis
of Beethoven's 4th
symphony came at an
extraordinary time for
the composer not only
regarding productivity:
Thus, in 1806 he
composed, among other
things, the 4th piano
concerto, the three
Rasumovsky string
quartets op. 59, the 32
piano variations in c
minor WoO 80, as well as
the violin concerto op.
61. The first performance
of the B-flat-major
symphony occurred in
March 1807 at one of the
two noteworthy
subscription concerts
conducted by Beethoven in
the Palais Lobkowitz in
Vienna. In the course of
time, this
intellectually-stimulatin
g work- so described by
one of the reviewers of
the Allgemeine
musikalische Zeitung -
found ever-increasing
appeal. Throughout the
entire 19th century this
symphony ranked with the
best-loved and most
frequently performed
works; its popularity
spread to England where
the London Philharmonic
Society played it at
least 25 times in the
period between 1813 and
1850.Extant are only a
few drafts of the 4th
symphony. The autograph
served as the main source
for the present edition
edited by Prof. Bathia
Churgin, likewise editor
of the 3rd symphony in
the new Beethoven
Complete Edition.
Consulted as reference
sources were copies of
the score and orchestral
parts as well as the
original edition of the
parts.
Urtext based on the
new Complete Edition (G.
Henle Verlag).
Composed by Ludwig van
Beethoven. Edited by
Bathia Churgin.
Orchestra; stapled.
Orchester-Bibliothek
(Orchestral Library).
The study score
(Studien-Edition) is
available at G. Henle
Verlag.
Symphony;
Classical. Part. 16
pages. Duration 28'.
Breitkopf and Haertel #OB
14614-23. Published by
Breitkopf and Haertel
(BR.OB-14614-23).
ISBN
9790004343586. 10 x 12.5
inches.
The genesis
of Beethoven's 4th
symphony came at an
extraordinary time for
the composer not only
regarding productivity:
Thus, in 1806 he
composed, among other
things, the 4th piano
concerto, the three
Rasumovsky string
quartets op. 59, the 32
piano variations in c
minor WoO 80, as well as
the violin concerto op.
61. The first performance
of the B-flat-major
symphony occurred in
March 1807 at one of the
two noteworthy
subscription concerts
conducted by Beethoven in
the Palais Lobkowitz in
Vienna. In the course of
time, this
intellectually-stimulatin
g work- so described by
one of the reviewers of
the Allgemeine
musikalische Zeitung -
found ever-increasing
appeal. Throughout the
entire 19th century this
symphony ranked with the
best-loved and most
frequently performed
works; its popularity
spread to England where
the London Philharmonic
Society played it at
least 25 times in the
period between 1813 and
1850.Extant are only a
few drafts of the 4th
symphony. The autograph
served as the main source
for the present edition
edited by Prof. Bathia
Churgin, likewise editor
of the 3rd symphony in
the new Beethoven
Complete Edition.
Consulted as reference
sources were copies of
the score and orchestral
parts as well as the
original edition of the
parts.
,,Pathetique.
Composed by Pjotr
Iljitsch Tschaikowsky.
Edited by Martin
Schmeling. Orchestra;
Folder.
Orchester-Bibliothek
(Orchestral Library). In
addition to
Tschaikowsky's original
text, the score also
contains an alternative
scoring in small print.
Symphony; Romantic. Set
of parts. 230 pages.
Duration 46'. Breitkopf
and Haertel #OB 4959-30.
Published by Breitkopf
and Haertel
(BR.OB-4959-30).
ISBN
9790004326787. 10 x 12.5
inches.
Together
with Bruckner's abandoned
and fragmentary 9th
Symphony and Dvoraks
Symphony from the New
World, Pyotr Ilyich
Tchaikovsky's Symphony
no. 6 closes the
tradition of the romantic
symphony. Yet from
several points of view,
the work also anticipates
the orchestral music of
the 20th century. The
Symphony was no doubt
given its nickname
Pathetique after the
world premiere by Modest
Tchaikovsky, the
composers
brother.
In
addition to
Tschaikowsky's original
text, the score also
contains an alternative
scoring in small
print.
Urtext based on the
new Complete Edition (G.
Henle Verlag).
Composed by Ludwig van
Beethoven. Edited by
Bathia Churgin.
Orchestra; stapled.
Orchester-Bibliothek
(Orchestral Library).
The study score
(Studien-Edition) is
available at G. Henle
Verlag.
Symphony;
Classical. Part. 22
pages. Duration 28'.
Breitkopf and Haertel #OB
14614-19. Published by
Breitkopf and Haertel
(BR.OB-14614-19).
ISBN
9790004343579. 10 x 12.5
inches.
The genesis
of Beethoven's 4th
symphony came at an
extraordinary time for
the composer not only
regarding productivity:
Thus, in 1806 he
composed, among other
things, the 4th piano
concerto, the three
Rasumovsky string
quartets op. 59, the 32
piano variations in c
minor WoO 80, as well as
the violin concerto op.
61. The first performance
of the B-flat-major
symphony occurred in
March 1807 at one of the
two noteworthy
subscription concerts
conducted by Beethoven in
the Palais Lobkowitz in
Vienna. In the course of
time, this
intellectually-stimulatin
g work- so described by
one of the reviewers of
the Allgemeine
musikalische Zeitung -
found ever-increasing
appeal. Throughout the
entire 19th century this
symphony ranked with the
best-loved and most
frequently performed
works; its popularity
spread to England where
the London Philharmonic
Society played it at
least 25 times in the
period between 1813 and
1850.Extant are only a
few drafts of the 4th
symphony. The autograph
served as the main source
for the present edition
edited by Prof. Bathia
Churgin, likewise editor
of the 3rd symphony in
the new Beethoven
Complete Edition.
Consulted as reference
sources were copies of
the score and orchestral
parts as well as the
original edition of the
parts.
Orchestra (3(picc)2.2.2 -
4.2.3.1 - timp.(cym ad
lib.) - str)
SKU:
BR.PB-5559-07
Urtext. Composed
by Pjotr Iljitsch
Tschaikowsky. Edited by
Christoph Flamm.
Orchestra; Softbound.
Partitur-Bibliothek
(Score Library).
Tchaikovsky's Hamburg
Symphony in the Urtext
Symphony; Romantic.
Study Score. 208 pages.
Duration 44'. Breitkopf
and Haertel #PB 5559-07.
Published by Breitkopf
and Haertel
(BR.PB-5559-07).
ISBN
9790004213698. 6.5 x 9
inches.
Like Hamlet
Overture, originating at
about the same time,
Tchaikovsky's 5th
symphony, composed in
1888, focuses on the
human existential
question: To be or not to
be - triumph over fate or
triumph of fate? The per
aspera ad astra
dramaturgy underlying the
symphony culminates in
triumphant certainty. If
Tchaikovsky was initially
euphoric, then severe
self-doubts befell him
after he conducted the
premiere in St.
Petersburg. These doubts
demonstrably led him to
make interpretative
changes for the Hamburg
performance in 1889,
including a cut in the
finale. Only with the
extremely positive
response to this
performance did his
doubts dispel.
Nevertheless, Tchaikovsky
himself never again
conducted the 5th
symphony. It was only
posthumously established
in the repertoire through
Arthur Nikisch's
commitment. The new
edition's textual
criticism takes into
account besides the
autograph and first
edition also the first
edition's orchestral
parts, together with the
piano arrangement
produced from the
autograph by Sergei
Taneyev. In addition to
thoroughly clarifying
dynamics and
articulation, the source
comparison also corrected
many errors and solved
problematical passages,
such as, for instance,
the trombone entry in m.
372 of the finale.
Considered, moreover, for
the first time has been
the composer's doubts
about his work and its
ambiguities, frequently
successfully suppressed
in the history of its
performance and
reception. Tchaikovsky's
conductor's copy is
unfortunately lost, hence
his alterations made for
the Hamburg performance
are not precisely known.
They have survived only
indirectly through
remarks that Willem
Mengelberg left to
posterity, for which he
could draw on
Tchaikovsky's conductor's
score and oral references
by the composer's brother
Modest. So, anyone
wishing to deal seriously
with the work's
certainties will not be
able to do so in the
future without having
also to deal with its
uncertainties.