For voice and C instrument. Format: fakebook. With vocal melody, lyrics and chor...(+)
For voice and C
instrument. Format:
fakebook. With vocal
melody, lyrics and chord
names. Folk. Series: Hal
Leonard Fake Books. 536
pages. 9.6x12 inches.
Published by Hal Leonard.
Chamber Music Organ, Trumpet SKU: PR.114419810 Composed by Stacy Garrop. ...(+)
Chamber Music Organ,
Trumpet
SKU:
PR.114419810
Composed
by Stacy Garrop. Set of
Score and Parts. 33+12
pages. Duration 21
minutes. Theodore Presser
Company #114-41981.
Published by Theodore
Presser Company
(PR.114419810).
ISBN
9781491136638. UPC:
680160681921.
Stacy
Garrop’s ROAD
WARRIOR is music of
real-life tragedy,
expressed through the
power of a trumpet/organ
duo. Drawing inspiration
from Neil Peart’s
autobiographical book,
“Ghost Rider:
Travels on the Healing
Road,â€
Garrop’s work
grieves the loss of a
friend’s young son
and the journey to
healing. ROAD
WARRIOR’s
evocative movement titles
are drawn from passages
in Peart’s book:1.
I Am the Ghost Rider2. My
Little Baby Soul3. Are
You With Me
Here?. When Clarion
members Keith Benjamin
(trumpet), Melody Steed
(organ), and I initially
discussed possible topics
for a new piece, Keith
brought up his son
Cameron, who had passed
away at the age of seven
from leukemia. While
Cameron’s life
ended too soon, he left
an indelible and lasting
mark on his those
surrounding him. Keith
asked if I could
commemorate Cameron
musically.In talking over
possible ways to do this,
Keith mentioned the book
Ghost Rider: Travels on
the Healing Road. The
book was written by Neil
Peart, who is well-known
as the longtime drummer
and lyricist of the band
Rush. Peart suffered the
heartbreaking loss of his
daughter in 1997,
followed by his wife 10
months later. In an
effort to work through
the grieving process,
Peart did what his wife
suggested before she
passed: he got onto his
motorcycle and hit the
open road. Ghost Rider
chronicles a year of
Peart’s life in
which he drove for 55,000
miles, zigzagging his way
across Canada, the
western portion of the
United States, Mexico,
and Belize.
Peart’s powerful
story illustrates how he
coped with immense loss
and eventually emerged on
the other side to once
again embrace life. Keith
had found Peart’s
book helpful in dealing
with Cameron’s
death; moreover, Mr.
Peart sent Cameron a
signed cymbal while he
was in the hospital
undergoing treatment.
This unexpected gesture
of compassion and
generosity meant the
world to both Cameron and
Keith.I chose three
phrases from
Peart’s book to
serve as the inspiration
for the movements in Road
Warrior. In the first
movement, I am the ghost
rider, I imagined the
performers to be howling
phantoms that are
haunting drivers on a
nearly deserted highway.
Peart often mentioned
that he felt haunted by
ghosts from the past
while on his journey, and
sometimes felt like a
ghost himself, moving
through an immaterial
world as he rode from
town to town. The second
movement, My little baby
soul, references
Peart’s wording to
define his own inner
essence that he was
trying to protect and
nurture while on his
journey. In this gentle
movement, I capture the
innocence and simplicity
of a newborn soul. The
piece concludes with Are
you with me here? In this
movement, I depict the
performers as they search
to find connections to
those they have lost, and
to those still
living.Over the course of
his travels, Peart kept
up a steady letter
correspondence with his
close friend Brutus. In
one of his first letters,
he repeatedly asks Brutus
if he is with him in
spirit. I found it to be
very poignant that while
in his self-imposed
exile, Peart discovered
that he still needed
connections to humanity.I
wish to thank Mr. Peart
for granting me
permission to use his
phrases as the movement
titles, and for serving
as the inspiration for
Road Warrior. Rarely do
any of us make it through
our lives without being
touched by the loss of
someone dear to us. I
found Peart’s
insights into his
grieving and recovery
process to be insightful,
eloquent, and
surprisingly comforting.
His journey is a touching
reminder that with enough
fortitude and time, we
can work through what
fate deals us and
continue down our own
road of life.
(Leadsheets for Performance and Personal Enjoyment). Composed by David Mcdonald....(+)
(Leadsheets for
Performance and Personal
Enjoyment). Composed by
David Mcdonald. For voice
solo. Sacred Vocal.
Published by Lillenas
Publishing Company
Chamber Music trombone SKU: CF.WF231 20 Original Etudes in a Variety o...(+)
Chamber Music trombone
SKU: CF.WF231
20 Original Etudes in
a Variety of Styles.
Composed by Tom Brantley.
Collection - Performance.
With Standard notation.
48 pages. Carl Fischer
Music #WF231. Published
by Carl Fischer Music
(CF.WF231).
ISBN
9781491153314. UPC:
680160910816.
Styli
stic Etudes for Trombone
was written for
intermediateto advanced
level trombonists,
seeking to meet
thedemands of the modern
marketplace for
performers. AsI often
tell my students,
it’s simply not
enough to mastera single
style and fake the rest.
To make a living as
aperformer, trombonists
are expected to play
many, manydifferent
styles authentically.
Classical performers
studyhard and devote
themselves to mastering
the stylisticnuances of
various eras, various
composers, variousforms;
jazz musicians seek to
accurately reflect the
stylesof everything from
bar-room burlesque to
Coltrane; hornbands in
the funk, rock, ska and
hip-hop idioms
mustreflect attention to
the details of their
influences even asthey
create new paths through
popular music.This etude
collection is an attempt
to help studentsand their
teachers work on the
details associated
withmastering each of
these various styles.In
order to perform with the
correct feel,
articulationand sound,
trombonists must first
get these concepts
intheir head through
diligent listening and
then disciplinedpractice
playing in every single
style. The same
wayorchestral players
study the symphonic
literature andexcerpts,
or the way a professional
jazz musician mightwork
on chord changes in
excruciating detail, a
wellroundedtrombone
player must master styles
by listeningto and
playing with great
recordings. Most of the
etudesin this book are
based on styles from
specific
orchestralliterature,
jazz standards and other
styles such as
NewOrleans’ funk
music (Meters) or the
music of JamesBrown and
Tower of Power.One final
note: some of these are
hard. On purpose.
Theseare not warm-ups
that you can play through
mindlesslyto get your
face going. These are
“study
pieces†in the
oldfashionedsense. They
are designed to challenge
you asa player, to make
you a little
uncomfortable. Some
aretougher than others,
of course, but none of
them are easy.If you can
play through each of
these well, with
greatmusicianship and
impeccable technique, you
will be anincredibly
versatile instrumentalist
and be able to
secureperformance
opportunities that are
outside the comfortzone
of many
trombonists.Thanks for
buying this book. I hope
you enjoy workingthrough
these, whether
you’re a teacher,
student,performer, or
weekend warrior. I
learned a lot by
puttingthese together and
I hope you find them
useful and
helpful. Stylistic
Etudes for Trombone was
written for intermediate
to advanced level
trombonists, seeking to
meet the demands of the
modern marketplace for
performers. As I often
tell my students,
it’s simply not
enough to master a single
style and fake the rest.
To make a living as a
performer, trombonists
are expected to play
many, many different
styles authentically.
Classical performers
study hard and devote
themselves to mastering
the stylistic nuances of
various eras, various
composers, various forms;
jazz musicians seek to
accurately reflect the
styles of everything from
bar-room burlesque to
Coltrane; horn bands in
the funk, rock, ska and
hip-hop idioms must
reflect attention to the
details of their
influences even as they
create new paths through
popular music.This etude
collection is an attempt
to help students and
their teachers work on
the details associated
with mastering each of
these various styles.In
order to perform with the
correct feel,
articulation and sound,
trombonists must first
get these concepts in
their head through
diligent listening and
then disciplined practice
playing in every single
style. The same way
orchestral players study
the symphonic literature
and excerpts, or the way
a professional jazz
musician might work on
chord changes in
excruciating detail, a
well-rounded trombone
player must master styles
by listening to and
playing with great
recordings. Most of the
etudes in this book are
based on styles from
specific orchestral
literature, jazz
standards and other
styles such as New
Orleans’ funk
music (Meters) or the
music of James Brown and
Tower of Power.How these
etudes were conceived,
composed and transcribed:
The style or concept of
the etude was thought out
in my head and ear. I
then improvised in that
style and concept on my
trombone, recording my
efforts until I was
satisfied with the etude.
All along, my goal was to
play the range of the
instrument while
emphasizing certain
articulations, rhythms,
range and, fundamentally,
the intended style of the
etude. The resulting
etude was then
transcribed by a terrific
graduate student named
Zach Bornheimer, who also
works with many other
classical and jazz
composers as a
copyist/arranger.Tips for
working on the etudes:
Seek out professional
recordings that match the
style of each etude to
get a good idea of what
the etude should sound
like musically. My
recording of each of
these etudes is available
for download and can be
purchased online for a
modest fee. Search for
“Brantley
Etudes†at either
iTunes or CDBaby.
Practice each etude very
slowly and in segments as
needed, using a
metronome. Record
yourself and listen for
good technique,
musicianship and
authenticity of style
with your sound, feel and
articulations. Compare
your own efforts to the
sounds you’ve
heard on recordings.
Would you fit in that
ensemble or band? If
range is an issue, take
certain notes or passages
down or up an octave.
Work on your fundamentals
every day, including the
techniques and skills
needed for these etudes.
Be patient! Small
improvements every day
result in big success
over time. Always play
with a wide dynamic
range. Always play with
line and direction.
Always play with
impeccable time as well
as rhythm. Use a
metronome to help with
this. Always play in
tune. You can work on
this with a tuner as well
as with drones. Play
these for teachers,
friends, peers and
colleagues not only for
their feedback but also
for the experience of
informal performance. An
audience changes
everything. Make music,
listen to music, record
yourself, play in public
and have fun!One final
note: some of these are
hard. On purpose. These
are not warm-ups that you
can play through
mindlessly to get your
face going. These are
“study
pieces†in the
old-fashioned sense. They
are designed to challenge
you as a player, to make
you a little
uncomfortable. Some are
tougher than others, of
course, but none of them
are easy. If you can play
through each of these
well, with great
musicianship and
impeccable technique, you
will be an incredibly
versatile instrumentalist
and be able to secure
performance opportunities
that are outside the
comfort zone of many
trombonists.Thanks for
buying this book. I hope
you enjoy working through
these, whether
you’re a teacher,
student, performer, or
weekend warrior. I
learned a lot by putting
these together and I hope
you find them useful and
helpful.Best
wishes,—Tom
Brantley.
Terracotta Warriors Orchestre d'harmonie [Conducteur] - Facile Alfred Publishing
Composed by Scott Watson. Concert Band; Performance Music Ensemble; Single Title...(+)
Composed by Scott Watson.
Concert Band; Performance
Music Ensemble; Single
Titles; SmartMusic. Young
Symphonic. Score. 24
pages. Alfred Music
#00-45996S. Published by
Alfred Music (AP.45996S).
Composed by Erica
Donahoe. Performance
Music Ensemble; Single
Titles; String Orchestra.
Highland/Etling String
Orchestra. Patriotic.
Score. Duration 2:20.
Highland/Etling
#00-49932S. Published by
Highland/Etling
(AP.49932S).
ISBN
9781470657833. UPC:
038081575698.
English.
With
driving bass lines and
sweeping melodies, this
piece captures the
warrior ethos of our many
service members and
veterans of the United
States Air Force.
Students will love the
rhythmic drive of the low
string parts, and all
performers get a chance
to shine in the melodic
sections. Written by USAF
veteran (and veteran
orchestra director) Erica
Donahoe, Air Warriors is
a great way to honor the
veterans in your
community! (2:20).
Composed by Erica
Donahoe. MakeMusic Cloud;
Performance Music
Ensemble; Single Titles;
String Orchestra.
Highland/Etling String
Orchestra. Patriotic.
Score and Part(s).
Duration 2:20.
Highland/Etling
#00-49932. Published by
Highland/Etling
(AP.49932).
ISBN
9781470657826. UPC:
038081575681.
English.
With
driving bass lines and
sweeping melodies, this
piece captures the
warrior ethos of our many
service members and
veterans of the United
States Air Force.
Students will love the
rhythmic drive of the low
string parts, and all
performers get a chance
to shine in the melodic
sections. Written by USAF
veteran (and veteran
orchestra director) Erica
Donahoe, Air Warriors is
a great way to honor the
veterans in your
community! (2:20).
By Avril Lavigne. Arranged by Mac Huff. Pop Choral Series. Anthem, Choral, Ins...(+)
By Avril Lavigne.
Arranged by
Mac Huff. Pop Choral
Series.
Anthem, Choral,
Inspirational,
Pop, Show Choir. Octavo.
12
pages. Duration 230
seconds.
Published by Hal Leonard
By Avril Lavigne. Arranged by Mac Huff. Pop Choral Series. Anthem, Choral, In...(+)
By Avril Lavigne.
Arranged by
Mac Huff. Pop Choral
Series.
Anthem, Choral,
Inspirational, Pop, Show
Choir. Octavo. 12 pages.
Duration 230 seconds.
Published by Hal Leonard
By Avril Lavigne. Arranged by Mac Huff. Pop Choral Series. Anthem, Choral, Ins...(+)
By Avril Lavigne.
Arranged by
Mac Huff. Pop Choral
Series.
Anthem, Choral,
Inspirational,
Pop, Show Choir. Octavo.
12
pages. Duration 230
seconds.
Published by Hal Leonard
The Warriors Orchestre d'harmonie [Conducteur] - Facile Alfred Publishing
Concert Band - Grade 2 SKU: AP.36695S Composed by Chris Sharp. Concert Ba...(+)
Concert Band - Grade 2
SKU: AP.36695S
Composed by Chris Sharp.
Concert Band; Performance
Music Ensemble; Single
Titles. Young Symphonic.
Form: Suite. Graduation.
Score. 20 pages. Alfred
Music #00-36695S.
Published by Alfred Music
(AP.36695S).
UPC:
038081415314.
English.
The
Warriors is a
processional march
suitable for festival
performances or
ceremonial purposes, such
as a graduation. Written
in the style of the noted
English composers of the
early 20th century, this
piece could be a good
introduction to the more
involved works of Holst,
Vaughan Williams, Jacob
or Grainger.
The Warriors Orchestre d'harmonie - Facile Alfred Publishing
Concert Band - Grade 2 SKU: AP.36695 Composed by Chris Sharp. Concer...(+)
Concert Band - Grade
2
SKU: AP.36695
Composed by Chris Sharp.
Concert Band; Performance
Music Ensemble; Single
Titles. Young Symphonic.
Form: Suite. Score and
Part(s). 244 pages.
Alfred Music #00-36695.
Published by Alfred Music
(AP.36695).
UPC:
038081415307.
English.
The
Warriors is a
processional march
suitable for festival
performances or
ceremonial purposes, such
as a graduation. Written
in the style of the noted
English composers of the
early 20th century, this
piece could be a good
introduction to the more
involved works of Holst,
Vaughan Williams, Jacob
or Grainger.
By William Owens. Young Band. FJH Young Band. This dramatic work was inspired by...(+)
By William Owens. Young
Band. FJH Young Band.
This dramatic work was
inspired by the legend of
Kamehameha, the
warrior-king of Hawaii
who came to power in the
late-18th century.
Through his many
conquests and great
generosity toward
subjects, Kamehameha has
captured a significant
place in Hawaiian history
and has been called the
Napoleon of the Pacific.
Score for this title:
B1296S. Concert Band.
Level: 2. Score and Set
of Parts. Composed 2006.
Published by The FJH
Music Company Inc.
Piano, Voix et Guitare [Partition] - Intermédiaire Hal Leonard
The Largest Collection of Piano/Vocal/Guitar Arrangements. Performed by Various....(+)
The Largest Collection of
Piano/Vocal/Guitar
Arrangements. Performed
by Various.
Piano/Vocal/Chords
Songbook (Arrangements
for piano and voice with
guitar chords). Published
by Hal Leonard.
(The Ultimate Multimedia Instructor). For Guitar. CD-ROM; Guitar CD-ROM; Method...(+)
(The Ultimate Multimedia
Instructor). For Guitar.
CD-ROM; Guitar CD-ROM;
Method/Instruction.
Alfred's Play Series.
Acoustic. Beginner.
Published by Alfred Music
Publishing