Timpani Part. By George Frideric Handel. Arranged by Ebenezer Prout. (Percussio...(+)
Timpani Part. By George
Frideric Handel. Arranged
by Ebenezer Prout.
(Percussion). Choral
Large Works. Size 9x12
inches. 8 pages.
Published by G. Schirmer,
Inc.
15
Outstanding Arrangements
for Choir. Choral.
Excel Series. Southern
Gospel and Sacred. Score
and parts. Published by
Lillenas Publishing
Company
(LP.765762083103).
UPC:
765762083103.
South
ern gospel enthusiasts
rejoice! Here is an
outstanding collection of
your gospel favorites.
These are songs of
testimony fellowship and
the hope of heaven -
vital components for each
of us in our walk of
faith. Features Easy 2
Excel Flexible choral
format for choirs of all
sizes; Includes a
complete Keyboard
Accompaniment Edition;
Pieces from today's most
trusted (and revered)
gospel arrangers. Choirs
will find this book to be
a staple in their choral
diet and a refreshing
addition to their
customary worship
collection. Southern
Gospel Favorites is an
ideal resource for summer
choirs revivals camp
meetings or any gathering
place where southern
gospel music is
loved!
Book with Audio Online Guitar; Lead; Piano; Voice (Piano/Voice/Guitar) SKU: H...(+)
Book with Audio Online
Guitar; Lead; Piano;
Voice
(Piano/Voice/Guitar)
SKU: HL.50606900
Ein Musical für die
Sekundarstufe Lehrerheft
Book with Audio Onli.
Vocal Collection.
Musicals. Softcover.
Sikorski #SIK1519D.
Published by Sikorski
(HL.50606900).
UPC:
196288201441.
A
school musical on the
theme of acceptance and
difference, suitable for
secondary school
performances. Playing
time approx. 35 minutes.
Story: Somehow he is
different, the new
student: his name is Elec
and he has uncanny
abilities. His classmates
wonder and whisper about
him. Even the schoolhouse
detective is on his
trail. What he finds out
leads to only one
conclusion: Elec is an
alien! But on what
mission? Elec only trusts
Judith and reveals
himself to her: he was
sent to Earth to learn
humanity. When his
classmates offer Elec not
to betray him if he uses
his abilities in their
favor, he agrees and
prevents the next class
test. But things get out
of hand and the police
are called in. Shortly
before they take Elec
away, he learns what
humanity means and the
class stands united with
him. Elec's Secret was
created based on ideas
from students at
Pestalozzi Middle School
Oberlungwitz.
Violin, piano SKU: BR.SON-454 Complete Works. Composed by Felix Ba...(+)
Violin, piano
SKU:
BR.SON-454
Complete Works.
Composed by Felix
Bartholdy Mendelssohn.
Edited by Birgit Muller.
Solo instruments; Linen.
Complete Works. Romantic
period. Complete Works.
Breitkopf and Haertel
#SON 454. Published by
Breitkopf and Haertel
(BR.SON-454).
ISBN
9790004803646. 9 x 12
inches.
The Violin
Concerto in E minor, op.
64, and the Sonata in F
minor, op. 4, are the
only works for solo
violin that Mendelssohn
had had printed during
his lifetime. However,
his complete oeuvre
includes other completed
or fragmentary
compositions, including
two further concertos and
several unfinished
sonatas and other
individual pieces. He
himself had an
extraordinary command of
the violin and entrusted
the instrument in several
other works, such as the
Octet op. 20 or the
concert aria Infelice! -
Ah, ritorno, eta
dell'oro, with special
tasks. Nevertheless, with
regard to details of
playing technique, he
usually sought advice
from solo violinist
friends, first from
Eduard Ritz, then, after
Ritz's early death, from
Ferdinand David. The
present volume contains
all of the completed and
fragmentary compositions
for violin and piano that
have survived - from the
early Prelude and Fugue
in D and G minor from
Zelter's practice book
(1820), which can be
assigned without doubt,
through to the Sonata in
F major (1838) in their
various versions.
Easy SKU: WD.080689575174 Composed by Dale Mathews. Choral, cantatas. The...(+)
Easy
SKU:
WD.080689575174
Composed by Dale Mathews.
Choral, cantatas. The
Blended Worship
Collection. Book. Word
Music #080689575174.
Published by Word Music
(WD.080689575174).
UPC:
080689575174.
Featu
ring 8 arrangements that
incorporate a creative
mix of popular praise and
worship songs blended
with some of your
favorite hymns and
inspirational songs, this
new choral collection
from The Very Simply
Word Series is sure
to meet a great need in
your ministry. THE
BLENDED WORSHIP CHOIR
COLLECTION VOLUME
2 once again
provides inspiring,
high-quality unison and
2-part choral
arrangements for choirs
of all sizes and
performance needs.
You’ll find the
collection is just
challenging enough for
the smaller, less
experienced choir still
growing and improving on
their performance
options, while also
offering the perfect,
“practically-no-reh
earsal-neededâ€
material for larger, more
experienced choirs. The
CD Accompaniment track
enhances the perception
of big, dynamic
arrangements, while
allowing the vocal parts
to maintain The Very
Simply Word Series
easy-learn-easy-sing
format you’ve come
to expect from this
trusted brand.
Composed by Robert W. Smith. Concert Band. Opus III Series. Audio recording a...(+)
Composed by Robert W.
Smith.
Concert Band. Opus III
Series. Audio recording
available separately
(item
CL.WFR356). Oversized
spiral-bound score.
Composed
2008. Duration 7 minutes,
1
second. Published by Opus
III Wind Orchestra
Publications
Piano - Grade 2 SKU: BT.MUSWMR101816 By John Thompson. John Thompson's Ea...(+)
Piano - Grade 2
SKU:
BT.MUSWMR101816
By
John Thompson. John
Thompson's Easiest Piano
Course. Method. Book
Only. Composed 2017.
Willis Music
#MUSWMR101816. Published
by Willis Music
(BT.MUSWMR101816).
ISBN 9781785585289.
English.
First
published in 1954, John
Thompson?s Easiest Piano
Course is one of the
most-loved and
best-selling piano
methods in the world.
John Thompson?s timeless
approach to teaching has
been trusted by
generations ofteachers to
start millions of
students on their musical
journey.
This book
includes 16 repertoire
pieces to complement the
Easiest Piano Course,
helping to reinforce
basic technique, develop
musicality and increase
theenjoyment of
learning.
These
simplified arrangements
are also ideal
sight-reading practice
for more advanced pupils.
With a great selection of
children?s songs
including Baa Baa
Black Sheep, Happy
Birthday ToYou,Three
Blind Mice and many
more, there?s something
in First Children?s Songs
for every beginner
pianist to enjoy!
(Clarinet with Piano Reduction). Composed by Bernhard Henrik Crusell (1775-1838)...(+)
(Clarinet with Piano
Reduction). Composed by
Bernhard Henrik Crusell
(1775-1838). Edited by
Johannes Umbreit and
Nicolai Pfeffer. For
Clarinet, Piano
Accompaniment. Henle
Music Folios. Softcover.
G. Henle #HN1209.
Published by G. Henle
New music
(post-2000). Score.
Composed 2016/17/20. 12
pages. Duration 8'.
Breitkopf and Haertel #EB
9253. Published by
Breitkopf and Haertel
(BR.EB-9253).
ISBN
9790004185537. 9 x 12
inches.
Marche
fatale is an incautiously
daring escapade that may
annoy the fans of my
compositions more than my
earlier works, many of
which have prevailed only
after scandals at their
world premieres. My
Marche fatale has,
though, little
stylistically to do with
my previous compositional
path; it presents itself
without restraint, if not
as a regression, then
still as a recourse to
those empty phrases to
which modern civilization
still clings in its daily
utility music, whereas
music in the 20th and
21st centuries has long
since advanced to new,
unfamiliar soundscapes
and expressive
possibilities. The key
term is banality. As
creators we despise it,
we try to avoid it -
though we are not safe
from the cheap banal even
within new aesthetic
achievements.Many
composers have
incidentally accepted the
banal. Mozart wrote Ein
musikalischer Spass [A
Musical Jape], a
deliberately amateurishly
miscarried sextet.
Beethoven's Bagatellen
op. 119 were rejected by
the publisher on the
grounds that few will
believe that this minor
work is by the famous
Beethoven. Mauricio Kagel
wrote, tongue in cheek,
so to speak, Marsche, um
den Sieg zu verfehlen
[Marches for being
Unvictorious], Ligeti
wrote Hungarian Rock; in
his Circus Polka
Stravinsky quoted and
distorted the famous, all
too popular Schubert
military march, composed
at the time for piano
duet. I myself do not
know, though, whether I
ought to rank my Marche
fatale alongside these
examples: I accept the
humor in daily life, the
more so as this daily
life for some of us is
not otherwise to be
borne. In music, I
mistrust it, considering
myself all the closer to
the profounder idea of
cheerfulness having
little to do with humor.
However: Isn't a march
with its compelling claim
to a collectively martial
or festive mood absurd, a
priori? Is it even music
at all? Can one march and
at the same time listen?
Eventually, I resolved to
take the absurd seriously
- perhaps bitterly
seriously - as a
debunking emblem of our
civilization that is
standing on the brink.
The way - seemingly
unstoppable - into the
black hole of all
debilitating demons: that
can become serene. My old
request of myself and my
music-creating
surroundings is to write
a non-music, whence the
familiar concept of music
is repeatedly re-defined
anew and differently, so
that derailed here -
perhaps? - in a
treacherous way, the
concert hall becomes the
place of mind-opening
adventures instead of a
refuge in illusory
security. How could that
happen? The rest is -
thinking.(Helmut
Lachenmann, 2017)CD
(Version for
Piano):Nicolas Hodges CD
Wergo WER 7393 2
Bibliography:Ich bin
nicht ,,pietistisch
verformt. Ein Gesprach
[von Jan Brachmann] mit
dem Komponisten Helmut
Lachenmann, in: FAZ vom
7. Juni 2018, p.
15.
World premiere
of the piano version:
Mito/Japan, June 17,
2017, World premiere of
the orchestral version:
Stuttgart, January 1,
2018, World premiere of
the ensemble version:
Frankfurt, December 9,
2020.
Chorus with inst. (SSA - 2 hn - hp) SKU: BR.CHB-5143-02 Urtext based o...(+)
Chorus with inst. (SSA -
2 hn - hp)
SKU:
BR.CHB-5143-02
Urtext based on the
Brahms Complete Edition
of the Gesellschaft der
Musikfreunde in
Vienna. Composed by
Johannes Brahms. Choir;
stapled. Chor-Bibliothek
(Choral Library). Song;
Romantic. Choral score.
12 pages. Duration 20'.
Breitkopf and Haertel
#ChB 5143-02. Published
by Breitkopf and Haertel
(BR.CHB-5143-02).
ISBN
9790004410684. 7.5 x 10.5
inches. German.
I
think they are very easy
to play and delightful
too, wrote Johannes
Brahms in August 1860 to
Breitkopf & Hartel to
heighten the songs'
appeal to the publisher.
He had already sent his
Four Songs Accompanied by
Two Horns and Harp to his
Hamburger Frauenchor. He
chose prominent texts by
Shakespeare, Ossian,
Eichendorff and others,
and soon turned to his
trusted friend Clara
Schumann, whose
transcription of three of
the four Songs is the
principal source of the
work today. The
publishers Brahms had
contacted did not
entirely share the
composer's vision of
horns and harp as a
particularly fitting and
attractive instrumental
accompaniment, and felt
there could be problems
here. Nonetheless, their
reservations could not
hinder the lasting
success of the Four
Songs.
New music
(post-2000). Full score.
Composed 2016/17/20. 48
pages. Duration 8'.
Breitkopf and Haertel #PB
5432. Published by
Breitkopf and Haertel
(BR.PB-5432).
ISBN
9790004212790. 10 x 12.5
inches.
Marche
fatale is an incautiously
daring escapade that may
annoy the fans of my
compositions more than my
earlier works, many of
which have prevailed only
after scandals at their
world premieres. My
Marche fatale has,
though, little
stylistically to do with
my previous compositional
path; it presents itself
without restraint, if not
as a regression, then
still as a recourse to
those empty phrases to
which modern civilization
still clings in its daily
utility music, whereas
music in the 20th and
21st centuries has long
since advanced to new,
unfamiliar soundscapes
and expressive
possibilities. The key
term is banality. As
creators we despise it,
we try to avoid it -
though we are not safe
from the cheap banal even
within new aesthetic
achievements.Many
composers have
incidentally accepted the
banal. Mozart wrote Ein
musikalischer Spass [A
Musical Jape], a
deliberately amateurishly
miscarried sextet.
Beethoven's Bagatellen
op. 119 were rejected by
the publisher on the
grounds that few will
believe that this minor
work is by the famous
Beethoven. Mauricio Kagel
wrote, tongue in cheek,
so to speak, Marsche, um
den Sieg zu verfehlen
[Marches for being
Unvictorious], Ligeti
wrote Hungarian Rock; in
his Circus Polka
Stravinsky quoted and
distorted the famous, all
too popular Schubert
military march, composed
at the time for piano
duet. I myself do not
know, though, whether I
ought to rank my Marche
fatale alongside these
examples: I accept the
humor in daily life, the
more so as this daily
life for some of us is
not otherwise to be
borne. In music, I
mistrust it, considering
myself all the closer to
the profounder idea of
cheerfulness having
little to do with humor.
However: Isn't a march
with its compelling claim
to a collectively martial
or festive mood absurd, a
priori? Is it even music
at all? Can one march and
at the same time listen?
Eventually, I resolved to
take the absurd seriously
- perhaps bitterly
seriously - as a
debunking emblem of our
civilization that is
standing on the brink.
The way - seemingly
unstoppable - into the
black hole of all
debilitating demons: that
can become serene. My old
request of myself and my
music-creating
surroundings is to write
a non-music, whence the
familiar concept of music
is repeatedly re-defined
anew and differently, so
that derailed here -
perhaps? - in a
treacherous way, the
concert hall becomes the
place of mind-opening
adventures instead of a
refuge in illusory
security. How could that
happen? The rest is -
thinking.(Helmut
Lachenmann, 2017)CD
(Version for
Piano):Nicolas Hodges CD
Wergo WER 7393 2
Bibliography:Ich bin
nicht ,,pietistisch
verformt. Ein Gesprach
[von Jan Brachmann] mit
dem Komponisten Helmut
Lachenmann, in: FAZ vom
7. Juni 2018, p.
15.
World premiere
of the piano version:
Mito/Japan, June 17,
2017, World premiere of
the orchestral version:
Stuttgart, January 1,
2018, World premiere of
the ensemble version:
Frankfurt, December 9,
2020.
Bach's Wohltemperiertes
Klavier was Bartók's
first instructional
publication, divided into
four books. Bartók
became a professor of
piano at the Budapest
Music Academy in 1907,
and it was probably in
this capacity that he was
entrusted with preparing
a Hungarian edition of
the set of pieces. His
basic idea was that
students learning
independently without
adequate guidance should
receive sufficient
directions from the music
to perform the works. As
a consequence Bartók's
score is deliberately
over-detailed.For
pedagogical reasons the
composer ignored the
original order of pieces,
and compiled the material
according to grades of
difficulty, dividing it
into four books.
Thepresent edition
presents the Bartók
Wohltemperiertes Klavier
in two volumes, each
containing two books. One
interesting feature of
the Bartók edition is
that two of the fugues in
both book III and book IV
are written out in full
score, to accustom the
pupil to score-reading.
For some pieces he
deliberately refrained
from providing
performance indications,
to give pianists an
opportunity to exercise
their creativity.The
current edition is not a
reprint: errors we know
of have been corrected,
and the layout of the
score has been
re-arranged keeping in
mind the need to turn
pages. This edition which
includes Bartók's
detailed comments is
complemented by
facsimiles of Bach's
manuscript and an
afterword by László
Somfai.
The Quest (Symphony No. 3, 'Don Quixote,' Mvt. I) by Robert W. Smith. Concert ba...(+)
The Quest (Symphony No.
3, 'Don Quixote,' Mvt. I)
by Robert W. Smith.
Concert band. Opus III
Series. Audio recording
available separately
(item CL.WFR356). Medium
advanced. Score and set
of parts. Composed 2008.
Duration 7 minutes, 1
second. Published by C.L.
Barnhouse
SKU: WD.080689520174 Choral, cantatas. The Blended Worship Collection. Ch...(+)
SKU:
WD.080689520174
Choral, cantatas. The
Blended Worship
Collection. Christmas.
Book. Word Music
#080689520174. Published
by Word Music
(WD.080689520174).
UPC:
080689520174.
The
Very Simply Series from
Word presents the very
first non-seasonal Choral
Collection from this
popular Unison/2-Part
series. Created
especially for smaller
choirs who need
well-designed, easy-sing
arrangements, or for
larger choirs to use in
seasons where rehearsal
time is at a minimum, The
Blended Worship
Collection is just what
you've been
requesting!
Feat
uring eight arrangements
that incorporate a
creative mix of popular
praise and worship songs
blended with some of your
favorite hymns, this new
choral collection from
The Very Simply Series is
sure to meet a great need
in your ministry. The
Blended Worship
Collection provides
inspiring and
high-quality unison and
2-part choral worship
arrangements for choirs
of all sizes and
performance needs.
You’ll find the
collection is just
challenging enough for
the smaller, less
experienced choir to help
them grow and improve
their performance
options, while also
offering perfect,
practically-no-rehearsal-
needed material for
larger, more experienced
choirs. The CD
Accompaniment track
enhances the perception
of big, dynamic
arrangements, while
allowing the vocal parts
to maintain The Very
Simply Series
easy-learn-easy-sing
format you've come to
expect from this trusted
brand.
30 Songs in Authentic
Styles with Accompaniment
Tracks. Composed by
Mark Contreras Gómez.
Solo/Ensemble collection.
Kendor Music Inc #SB2306.
Published by Kendor Music
Inc (KN.SB2306).
12 x
9 inches.
The Latin
American String
Collection is an
authentic resource for
the modern string room.
As a Latin American
Composer, Mark Contreras
Gómez brings a wealth
of experience to this
collection –
making it a trusted
choice for your students.
Explore Latin American
styles and learn about
their unique histories
with information included
by the composer on each
and every solo. The
accompanying tracks have
been carefully curated
and performed by the
composer, and include
click count-offs,
performance versions, and
performance demos for use
while practicing each
distinctive style. The
book itself, is laid out
with a strong focus on
pedagogic sequencing,
introducing new styles
and dances as the
musician progresses. The
book is divided into
sections: Open Strings,
First Finger, Second
Finger, Third Finger,
Fourth Finger and
Chromatic Changes.
Perfect for fun,
performance, or festival
adjudication –
this new collection is a
must-have for your string
solo library.
Complete Works.
Composed by Felix
Bartholdy Mendelssohn.
Edited by Thomas
Schmidt-Beste. Linen.
Complete Works. Romantic
period. Complete Works.
116 pages. Breitkopf and
Haertel #SON 431.
Published by Breitkopf
and Haertel (BR.SON-431).
ISBN 9790004803103. 10
x 12.5 inches.
A
mystifying question of
versions surrounds the
Italian: right after the
world premiere in London,
Mendelssohn is
unsatisfied with his
symphony. Since he no
longer has the score with
him, he writes it down
afresh (except for the
opening movement), but
stops at three quarters
of the way. In the
meantime, trusted experts
weigh in with their
views. Fanny Hensel
writes to her brother: I
dont like the change in
the first melody at all;
why did you make it?
Nevertheless, Felix
continues to busy himself
with the first movement,
but ultimately finds no
more time for it and
leaves it primarily in
the form of the complete
early version of 1833,
which is published
posthumously and remains,
to this day, a standard
repertoire piece in all
concert halls. The
revised torso, in turn,
was long ignored. It was
published in this volume,
yet it is clear that the
three movements of the
incomplete final version
of 1834 were from the
composers viewpoint not
at all ready for
publication, seeing that
Mendelssohn had never
critically reviewed them
after having penned
them.
Vocal Score. By Wolfgang Amadeus Mozart. Arranged by Hamilton Benz. (Vocal Scor...(+)
Vocal Score. By Wolfgang
Amadeus Mozart. Arranged
by Hamilton Benz. (Vocal
Score). Vocal Score.
Softcover. Size 7.5x10.75
inches. 56 pages.
Published by G. Schirmer,
Inc.
SKU: HL.1333447 Book. Guitar Reference. Softcover. 636 pages. Published b...(+)
SKU: HL.1333447
Book. Guitar Reference.
Softcover. 636 pages.
Published by Vintage
Guitar Books
(HL.1333447).
ISBN
9781884883460. UPC:
196288191261.
8.25x10.75x0.759
inches.
The Guide
gathers input from 35 of
the world's foremost
expert dealers, each of
whom brings decades of
experience in the
business. That's one of
the many reasons it's the
most-trusted source for
values! Partering with 35
of the top guitar dealers
in the industry, Vintage
Guitar is proud to
provide the most accurate
values on thousands of
models of electrics,
acoustics, basses,
amplifiers, effects, lap
steels, mandolins, and
Banjos! The Guide
includes a useful
directory/geographical
guide featuring dealers,
manufacturers and
tech/repair companies AND
contact info! Knowledge
and information are vital
in the dynamic world of
collectible guitars and
gear, and no source
provides it better than
The Official Vintage
Guitar Price Guide 2024.
Whether your instrument
is an investment or a
piece that you simply
enjoy riffing on, it's
always nice to know its
worth. Checking out a
guitar at the local shop
and want to know its
value before you hand
over the cash? The Guide
is your source for all
the details! Conveniently
available in both print
and digital editions
– no matter where
you go, you will have The
Guide right at your
fingertips. Digital
edition redemption code
ships with the print
edition, but only when
purchased directly from
Vintage Guitar. For many
musicians, instruments
are investments. And,
they've been good
investments; the typical
vintage guitar is today
worth almost four times
what it was in 1991.
Vintage Guitar developed
its 42 Guitar Index to
help readers and
enthusiasts track the
value of their
instruments. The
easy-to-understand
graphic can be found in
the introduction. The
table of contents shows
the major sections and
each is organized in
alphabetical order by
brand, then by model. The
Guide has excellent brand
histories and in most
cases the guitar section
has the most detailed
information for each
brand. When possible, The
Guide lists each model's
years of availability and
any design changes that
affect values.