Par GRIFFIN MICHAEL. Bumblebee! Rounds and Warm-ups for Choirs is more than just a wonderful collection of 130 choir exercises including 50 rounds. Michael Griffin, who has taught and consulted throughout the world, shares timeless wisdom to help you get your choir into shape. 'Will prove useful for almost everyone” -Rhinegold Music Teacher Magazine. 'This is a great resource to add to one's library of rehearsal tricks.' - Anacrusis, ACCC, Canada 'Bumblebee contains excellent new ideas and extensions on some of those well-known warm-ups that we all love to use. Backed by clear explanations of the purpose of each, it is a must have, particularly for less experienced choral directors.” - S Turner, PLC, Sydney. 'Vocal physiology, singing pedagogy, and effective vocal examples to practise are excellently combined in Bumble Bee, making it a kind of 'one stop shop' for singing teachers and choir conductors. The vocal work is fun with music examples ranging in difficulty, catering for a variety of vocal contexts. The rounds are invaluable in themselves, offering participants many opportunities to make beautiful music. I even use some of these vocal exercises with my tertiary drama students, as they encourage vocal health and illustrate how the vocal mechanism works. I would highly recommend this resource to anyone who cares about voices and loves to sing well!” - S. Chapman, QLD 'This is really good stuff for all kinds of vocal groups, choirs, conductors. Bravo!!' - Harrie Spronken, Netherlands. 'This is the thinking person's guide to training a choir! Love it.' - Margaret May, Australia. 'It's great to have some fresh warm-ups to add to the repertory. Being short and repetitive by their nature, we need lots of different ones and most of these are new to my choir. The tips for actions and techniques etc. are really useful, and the advice at the back of the book has made me review some of my strategies.' - Philip Duffy, UK./ Méthode / Choeur

The Choir of Royal Holloway, directed by Rupert Gough, with Prunella Scales and Timothy West.The Choir of Royal Holloway is one of the finest mixed-voice collegiate choirs in Britain. Its first recording on Edition Peters Sounds brings together the music, atmosphere and ethos of Christmas at Royal Holloway in the Chapel, celebrating with both sacred and secular music.The album presents a broad mix of old and new complete with contemporary arrangements of familiar carols and pieces the Baltic states. Several pieces have not been recorded before, including an upper voice setting of William Blake's The Lamb by American composer George Whitefield Chadwick. New contemporary arrangements include Away in a manger by the Norwegian-born composer Ola Gjeilo. There are three arrangements by Royal Holloway musicians: O little one sweet (by a Royal Holloway choral scholar), Silent Night (by Rupert Gough) and Have Yourself a Merry Little Christmas by a former choral scholar. Also previously unrecorded are original compositions by James Burton and Rihards Dubra. / Choeur Mixte

Following the success of Pop Warm-Ups and Work-Outs for Guys (08749926) and Pop Warm-Ups and Work-Outs for Choir Volume 1 (08753187), this sequel includes many of the latest pop song melodies and motives to inspire students to sing with gusto and to reinforce basic choral fundamentals common to all types of music.The ten songs featured in this second volume of Pop Warm-Ups And Work-Outs For Choir are preceded by suggestions for practicing and reinforcing skills such as breath control, ear training, vowel shapes, resonance, range extension and head voice development. The warm-ups can be used with changed or unchanged voices.The professionally-produced audio recordings present each exercise with and without singers, and are included via digital download. Pop Warm-Ups And Work-Outs For Choir Volume 2 is a valuable resource that will encourage students to sing out while building a better understanding of their amazing instrument - the human voice! Warm-Ups are based on the following songs: Ho Hey, Home, Best Day of My Life, The Lion Sleeps Tonight, Moves Like Jagger, The Flight of the Bumblebee, Chasing the Sun, The Interval Song, The Christmas Song, Some Nights. Suggested for middle and high school choirs. / Voix

La partition POESIES - Choeur ET 2 GROUPES DE SOLISTES (6) de Marie Jean-Etienne a été composée pour Chant/Vocal/Choeur et plus particulièrement pour Choeurs A 12 Voix Et plus. Cette partition musicale est éditée par une des nombreuses maisons d'édition française à savoir Billaudot. Cette oeuvre musicale fait partie intégrante des oeuvres de style Classique. / Choeurs A 12 Voix Et plus / Partition

Ces courtes pièces sont destinées à être chantées entre les oeuvres d'un programme, afin de lui conférer une forme globale cohérente. Elles ne peuvent donc pas être jouées à la suite les unes des autres. L'ordre sera défini en fonction des autres pièces. Elles peuvent éventuellement servir de prélude ou d'épilogue.On aura soin d'utiliser l'espace d'écoute inutilisé pour les autres pièces du concert et de disposer les chanteuses en fonction des indications ci-dessous. Lors de la création, c'est l'espace situé derrière l'auditoire qui fut donc investi.Dans Opium des Volkes, la troisième voix est frontale, la première est loin derrière et s'en rapproche, tandis que la seconde est placée à côté au début de la pièce, mais s'en éloigne progressivement. Le dispositif spacial pourra s'adapter au lieu, sachant qu'il doit suivre le contrepoint de vitesse. Dans Cloche, les trois groupes sont proches les uns des autres. Dans Wo bisch ?, les trois voix sont regroupées pour s'espacer par étapes. A 28, les 3 groupes sortent progressivement de scène. Dans Sirènes, les trois groupes sont espacées puis se regroupent pour chanter l'alarme finale.Les interludes pour choeur sont dédiés à Candice Barjat, Barbara Barnoud, Béryl Brosse, Agathe Didier, Lucilie Faure-Balard, Amélie Tournaire et Jacques Berthelon. Ils ont été créés à Pfaffenheim en août 2006. / Choeur

A Beginner\'s Guide to Contemporary A Cappella Singing. Par DIETZ ROBERT. A cappella teacher/performer/producer, Rob Dietz, expertly describes the nuts, bolts and artistry of creating contemporary a cappella music. Rob is the perfect person to write this text, produce the sample tracks available on line and draw from his vast community of a cappella experts for advice and experiences. Whether you are an a cappella newbie or seasoned expert, this resource is for you! The perfect - dare I say pitch perfect - book for anyone looking to start an a cappella group or program! -Deke Sharon, Arranger/Producer: The Sing-Off, Pitch Perfect Includes digital access for audio. The tracks, expertly produced by the author, are examples of concepts presented in the book including warm-ups, bass vocal techniques, and arranging ideas. / Date parution : 2022-07-23/ Etude / Choeur a Cappella

Who can resist this all-time favorite fairy tale, told with fun and flair? Our acting troupe takes over the stage area, playing rhyming Narrators, singing Villagers, friendly Animals, charming Royalty, energetic Messengers, the haughty Stepmother and Stepsisters, the irresistible Fairy Godmother, and lovely Cinderella. Of course, once the charming Prince discovers the proper owner of that famous sparkling slipper, everyone lives happily ever after! Recommended for grades 3 and up. Book is 100% Reproducible. / Choeur

In 1648 Heinrich Schütz published a collection of 29 motets with five to seven parts titled 'Geistliche Chor-Music? (Sacred Choir Music). Here, the term 'Chor? (choir) refers not only to a (large) vocal ensemble but, more generally, to a group of musicians, vocal or instrumental. As explained by Schütz in the foreword he published with the collection, all parts of the motets can be performed vocally and/or instrumentally. This practice, common in Schütz's time, has been incorporated into Bärenreiter's new publication. The edition includes the twelve five-part motets at original pitch with basso continuo. In addition, instrumental parts for string and wind instruments can be purchased. These parts, which include the text, serve to support and complement the choral sound 'colla parte?. To enable varying tone-colour possibilities, instrumental parts are available in different transpositions.Of great significance is the detailed foreword on performance practice by Manfred Cordes.- Reflects the latest in musicological research based on the 'New Schütz Edition?- Includes a detailed foreword (Eng/Ger) on performance practice by a Schütz expert- Instrumental parts (strings, winds) available in transpositionsManfred Cordes is a specialist for the music of the 16th and early 17th centuries. He works as professor for music theory, counterpoint and ensemble and is also rector of the 'Hochschule für Künste Bremen?. He performs internationally as the director of the ensemble 'Weser-Renaissance Bremen?. / Choeur Mixte Et Basse Continue

It's a casting call for the annual holiday revue and a host of familiar North Pole faces are lined up to audition, headshots and resumes in hand. Three Elves, a not-so-famous Reindeer, a stage-worthy Snowman, Mrs. C. herself, and regular kid Cameron make the first cut and are put to test by their never seen but consistently heard through a sound system director---Santa Claus! Fantastic Broadway-style songs (complete with easy dance routines) and a simple script (that requires almost no scenery or props) bring this fabulous musical to life. Recommended for grades 3 and up. Book is 100% Reproducible. / Choeur

ShowTrax CD. Par HARPER BEN. Originally released as an up-tempo reggae single in 2003, composer Ben Harper teamed up with Jack Johnson for this alternate version for the 2006 Curious George film. A peaceful folk fable, complete with an accompanying violin part, this is a perfect selection for young and beginning choirs. / Date parution : 2021-11-03/ Accessoire / Choeur

29 Faithful Arrangements for Piano Solo and Piano, Vocal and Guitar. Par L'ESTRANGE ALEXANDER. Hans Zimmer's film scores are bold and unmistakable. Over the course of his prolific career, he has provided music for some of the world's most beloved films, including Disney's The Lion King and Christopher Nolan's The Dark Knight. This collection features faithful arrangements of some of the best known titles by this brilliant composer. Titles: 160 BPM (Angels and Demons) * Ah, Putrefaction (Sherlock Holmes) * All of Them! (King Arthur) * The Burning Bush (The Prince of Egypt) * Can You Hear Your Heart? (Winter's Tale) * Cheldorado (The Road to Eldorado) * Chevaliers de Sangreal (The Da Vinci Code) * Corynorhinus (Batman Begins) * The Dark Knight Overture (The DarkKnight) * Days of Thunder (Main Title) (Days of Thunder) * Discombobulate (Sherlock Holmes) * Doomsday Is Family Time (The Simpsons Movie) * Dream Is Collapsing (Inception) * Drink Up Me Hearties (Pirates of the Caribbean: At World's End) * Driving Miss Daisy (Driving Miss Daisy) * Homeland (Main Title) (Spirit: Stallion of the Cimarron) * Honor Him (Gladiator) * In the Beginning (The Bible) * It's So Overt It's Covert (Sherlock Holmes: A Game of Shadows) * Krypton's Last (Man of Steel) * Life Goes On (A League of Their Own) * Maestro (The Holiday) * The Nativity (The Bible) * Now We Are Free (Gladiator) * Roll Tide (Crimson Tide) * Tennessee (Pearl Harbor) * This Is Clark Kent (Man of Steel) * This Land (The Lion King) * What Are You Going to Do When You Are Not Saving the World (Man of Steel). Hans Zimmer's film scores are bold and unmistakable. Over the course of his prolific career, he has provided music for some of the world's most beloved films, including Disney's The Lion King and Christopher Nolan's The Dark Knight. This collection features faithful arrangements of some of the best known titles by this brilliant composer. Titles include 160 BPM (Angels and Demons), Ah, Putrefaction (Sherlock Holmes), All of Them! (King Arthur), The Burning Bush (The Prince of Egypt), Can You Hear Your Heart? (Winter's Tale), Cheldorado (The Road to Eldorado), Chevaliers de Sangreal (The Da Vinci Code), Corynorhinus (BatmanBegins), The Dark Knight Overture (The Dark Knight), Days of Thunder (Main Title) (Days of Thunder), Discombobulate (Sherlock Holmes), Doomsday Is Family Time (The Simpsons Movie), Dream Is Collapsing (Inception), Drink Up Me Hearties (Pirates of the Caribbean: At World's End), Driving Miss Daisy (Driving Miss Daisy), Homeland (Main Title) (Spirit: Stallion of the Cimarron), Honor Him (Gladiator), In the Beginning (The Bible), It's So Overt It's Covert (Sherlock Holmes: A Game of Shadows), Krypton's Last (Man of Steel), Life Goes On (A League of Their Own), Maestro (The Holiday), The Nativity (The Bible), Now We Are Free (Gladiator), Roll Tide (Crimson Tide), Tennessee (Pearl Harbor), This Is Clark Kent (Man of Steel), This Land (The Lion King), What Are You Going to Do When You Are Not Saving the World (Man of Steel). / TV, Film, Comédie musicale / Répertoire / Choeur

Musique de Jean-Christophe Rosaz Livret d'Eddie Souchois et J,C, Rosaz?Elémentaire mon cher Watson ! ou l'aventure du Diamant Bleu est une Commande du Conservatoire de Musique et de la Communauté d'agglomération des Portes de l'Essonne à l'instigation du quatuor Panam Trombone,Créée en 2011 par pas moins de 300 trombonistes des classes d'Ile de France, cette partition est écrite pour 4 ensembles de trombones à 4 voix chacun des Cycles 1, 2, 3 en tenant compte expressément des difficultés auxquelles chaque niveau peut prétendre se frotter ainsi qu'un quatuor d'un niveau supérieur,Les parties chantées sont d'un niveau abordable, à noter à leur côté la présence d'une rythmique indispensable au caractère swingué de la pièce comprenant guitare et basse électriques, clavier et batterie (à laquelle s'adjoint une partie de percussion),Cette oeuvre alterne moments musicaux - qui ' posent le décor ' comme le fameux brouillard londonien - et chansons de caractères divers (en humble hommage au rap, rock, jazz, latino?) qui relatent l'enquête menée tambour battant et donnent une âme à tous les personnages rencontrés par Sherlock Holmes et son éternel associé Docteur Watson, chantant le courage, l'amitié, l'ingéniosité sans négliger une pointe d'humour toute '?british ' !D'une durée de 60 minutes, elle se divise en 19 tableaux musicaux entrecoupés de scènes parlées qui peuvent être mises en scène, Elle peut être donnée en morceaux séparés et traduite en diverses langues, Nomenclature- Un récitant ou trois comédiens : Holmes, Watson, le troisième jouant (par ordre d'apparition) les rôles de : Peterson, Baker, Winter (dans le cas d'une mise en scène, changements de costumes rapides)- Choeur à une ou deux voix- Xylophones - 4 notes au moins: ré, mib, fa, sol, la- Quatuor de trombones premier cycle- Quatuor de trombones second cycle- Quatuor de trombones troisième cycle- Quatuor de trombones professionnel- Guitare électrique, (guitare acoustique amplifiée ad lib,)- Basse électrique- 2 percussionnistes : batterie + triangle, metal chime, maracas ou chekere, tambourin avec cymbalettes, tambourin sans cymbalettes, bongos, gong ou tam-tam, marimba) maracas, guïro, bongos, congas ad lib,, temple block, chime, grelots, 2 cloches, 2 cloches agogo, marimba, vibraphone, crotale ad lib, / Choeur

Par MANTOVANI BRUNO. Monde évanoui (Fragments pour Babylone) est ma première oeuvre véritablement écrite pour choeur mixte, dans la mesure où les précédentes pièces destinées à un grand effectif vocal composées à l'attention d'Accentus laissaient la part belle aux solistes. Basée sur un texte écrit spécialement pour l'occasion par Pierre Grosz, auteur connu notamment pour ses paroles de chansons (Michel Polnareff, Michel Jonasz, Gilbert Bécaud), cette oeuvre à huit parties vocales oppose des sections mouvantes, où les différentes strates sont indépendantes les unes des autres pour créer un contrepoint dense, à des passages plus verticaux, qui apparaissent comme des résolutions des progressions précédentes ('par les vents, par les crues, par le temps'). Le conflit entre des textures lisses où le texte est rendu à peine intelligible par son caractère dilaté et des séquences homophoniques rythme une forme en sections contrastées, l'une d'entre elles reposant sur la superposition en trois langues différentes du psaume Super flumina. La présence de solistes au milieu de la texture sonore continue annonce la fin de la pièce, qui s'achève sur le mot 'Babylone'. Monde évanoui a été créé par le Jeune choeur de Paris sous la direction de Laurence Equilbey à l'auditorium du Louvre le 5 juin 2007. Bruno Mantovani / contemporain / Répertoire / Choeur